PipeChat Digest #1110 - Saturday, October 9, 1999
 
3 pedal switches in a box
  by "Robert  Eversman" <highnote@mhtc.net>
A reminder!
  by "Bob Conway" <conwayb@post.queensu.ca>
Marie Madeleine DURUFLE - Chevalier
  by "Shirley" <pnst@snip.net>
Questions on auctions.
  by <ORGANUT@aol.com>
Re: Questions on auctions.
  by "Ron Natalie" <ron@sensor.com>
Bach C Major P&F
  by "Rebekah Ingram" <rringram@syr.edu>
Re: Bach C Major P&F
  by "Evelyn Rowe" <efrowe@mindspring.com>
Re: Bach C Major P&F
  by "Rebekah Ingram" <rringram@syr.edu>
Re: Bach C Major P&F
  by "Evelyn Rowe" <efrowe@mindspring.com>
 


(back) Subject: 3 pedal switches in a box From: "Robert Eversman" <highnote@mhtc.net> Date: Fri, 8 Oct 1999 06:23:33 -0500     I have something you may or may not want:   It is a box with rubber feet, 8" high, 21" long and 5.5" deep. Inside are 3 Organ supply gang switches which are run to easy connect/disconnect screw terminals (one for each side of the switch). These would not be hard to rewire for your own purposes.   The set up is really quite cute. Inside are 2-32 switches and 1-44 switch. It appears that the 44 is ganged with one of the 32's to make a 16-8 unit but this could be undone very easily. You can call it yours for 20.00 and that includes shipping.   I have .jpg pics available for the asking.   Please direct all correspondence directly to me at highnote@mhtc.net. Thanks, Robert    
(back) Subject: A reminder! From: Bob Conway <conwayb@post.queensu.ca> Date: Fri, 08 Oct 1999 08:21:06 -0400   Hi, PipeChatters,   On Friday and Monday evenings we all get together on IRC PipeChat. The chats begin at 9.00 pm Eastern Time, and go on until the last ones decide to go off to bed. Our discussions centre around organs and organ related topics, but quite often get side-tracked into many other topics!   If you are not too sure how to get on to our Internet Relay Chat, see the Pipechat-L Web page:   http://www.pipechat.org/irc.html   This will give you all that you need to know with regard to getting on = line with us, - it's not at all difficult.   As the old Salvation Army used to sing, "Come and Join Us, Come and Join = Us" .   See you this evening on Pipechat-IRC,   Bob Conway,      
(back) Subject: Marie Madeleine DURUFLE - Chevalier From: Shirley <pnst@snip.net> Date: Fri, 08 Oct 1999 13:03:45 -0400   Hi, folks -   I have news from a friend that Mme. Durufle died last Saturday, October 9. Does anyone have any more details than that? (I'm on nomail for now on piporg-l, so if it's there, let me know, and I'll go look it up in the archives, if they're working.)   Thanks.   --Shirley  
(back) Subject: Questions on auctions. From: ORGANUT@aol.com Date: Fri, 8 Oct 1999 16:57:03 EDT   Hey Gang, I need some information on auction protocol. What better way to get it than from the pool of collective knowledge on these lists.   Question: Is there a difference between the term silent bid and reserve = bid, sealed bid? If so, what?   How and when do they make their entry into the bidding process?   Does the auctioneer have to let the crowd know that a = silent, reserve or sealed bid exist before, during, or after the bidding is finished? Does proof of a silent, reserve or sealed bid have to be shown? If so, when?   If the gavel falls, and the auctioneer awards the item to =   the highest bidder, can a member of the estate refuse to let the item = be taken and demand more money from the successful bidder.   There is a lot that the lay person does not understand = about auctions.   I am asking these questions because I have seen and heard some peculiar things about the way auctions are conducted that appear to be downright fraudulent and illegal. If any of you are auctioneers, or attorneys and would not mind enlightening we novices, it would be greatly appreciated.   Later, Phil L.  
(back) Subject: Re: Questions on auctions. From: Ron Natalie <ron@sensor.com> Date: Fri, 08 Oct 1999 17:23:37 -0500       ORGANUT@aol.com wrote: > > Hey Gang, > I need some information on auction protocol. What better way to get = it > than from the pool of collective knowledge on these lists. > > Question: Is there a difference between the term silent bid and reserve = bid, > sealed bid?   A silent bid is one from a buyer that's not announced. A reserve is a restriction placed by the seller that he won't accept the results of the auction if it's below the reserve amount. The opposite is an "absolute" auction where the whatever the high bid is wins.   > > How and when do they make their entry into the bidding > process?   Generally, an agent will hold the silent bid until it becomes necessary for it to be known (as if it looks like someone other than the silent bidder will get the item).   Generally it is announced if an auction is reserve or aboslute, but the reserve price may or may not be made public. These are usually in the announced terms of the auction. I'd avoid any auction that doesn't make it clear what the terms are.   > > > If the gavel falls, and the auctioneer awards the item = to > the highest > bidder, can a member of the estate refuse to let the = item be > taken and > demand more money from the successful bidder.   If it doesn't meet the reserve price, they can ask for more money, but the buyer is under no obligation to participate in further negotiations.   Frankly, I try to stay away from auctions with hidden reserves.  
(back) Subject: Bach C Major P&F From: "Rebekah Ingram" <rringram@syr.edu> Date: Fri, 8 Oct 1999 17:33:25 -0400   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0012_01BF11B3.398997C0 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   Hey all,   I was wondering if someone could help me out with a music descrepancy. I = =3D have the Peters Bach Orgelwerke IV here in front off me. Now in the C =3D major, page 3, 2nd system, 2nd measure, does the right hand read =3D sixteenth rest-C-E-C or C-F-C? I have C-E-C but it just doesn't sound =3D right. (Granted it's an early work, but still!) Any help is appreciated. Thanks! -Rebekah   ------=3D_NextPart_000_0012_01BF11B3.398997C0 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META content=3D3D"text/html; charset=3D3Diso-8859-1" =3D http-equiv=3D3DContent-Type> <META content=3D3D"MSHTML 5.00.2314.1000" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#d8d8d8> <DIV><FONT size=3D3D2>Hey all,</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT size=3D3D2>I was wondering if someone could help me out with a = =3D music=3D20 descrepancy. I have the Peters Bach Orgelwerke IV here in front off me. = =3D Now in=3D20 the C major, page 3, 2nd system, 2nd measure, does the right hand read =3D sixteenth=3D20 rest-C-E-C or C-F-C? I have C-E-C but it just doesn't sound right. =3D (Granted it's=3D20 an early work, but still!) Any help is appreciated.</FONT></DIV> <DIV><FONT size=3D3D2>Thanks!</FONT></DIV> <DIV><FONT size=3D3D2>-Rebekah</FONT></DIV></BODY></HTML>   ------=3D_NextPart_000_0012_01BF11B3.398997C0--    
(back) Subject: Re: Bach C Major P&F From: Evelyn Rowe <efrowe@mindspring.com> Date: Fri, 08 Oct 1999 19:06:12 -0400   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_1614668= =3D=3D_.ALT Content-Type: text/plain; charset=3D"us-ascii"   At 05:33 PM 10/8/99 -0400, you wrote: > > Hey all, > > I was wondering if someone could help me out with a music descrepancy. I = have > the Peters Bach Orgelwerke IV here in front off me. Now in the C major, = page > 3, 2nd system, 2nd measure, does the right hand read sixteenth = rest-C-E-C or > C-F-C? I have C-E-C but it just doesn't sound right. (Granted it's an = early > work, but still!) Any help is appreciated.     Rebekah, could you check your citation again? I don't see rests at all in = the right hand of the second system, second measure of page 3.   I just compared the Peters version to my Baerenreiter score in places = where the motif you describe appears, and it looks exactly the same.   Evie   mailto:efrowe@mindspring.com --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_1614668= =3D=3D_.ALT Content-Type: text/html; charset=3D"us-ascii"   <html> At 05:33 PM 10/8/99 -0400, you wrote: <br> <font size=3D2><blockquote type=3Dcite cite>Hey all,</font><br> &nbsp;<br> <font size=3D2>I was wondering if someone could help me out with a music descrepancy. I have the Peters Bach Orgelwerke IV here in front off me. Now in the C major, page 3, 2nd system, 2nd measure, does the right hand read sixteenth rest-C-E-C or C-F-C? I have C-E-C but it just doesn't sound right. (Granted it's an early work, but still!) Any help is appreciated.</font></blockquote><br> Rebekah, could you check your citation again?&nbsp; I don't see rests at all in the right hand of the second system, second measure of page 3.<br> <br> I just compared the Peters version to my Baerenreiter score in places where the motif you describe appears, and it looks exactly the same.<br> <br> <div>Evie</div> <br> <a href=3D"mailto:efrowe@mindspring.com" = EUDORA=3DAUTOURL>mailto:efrowe@mindspring.com</a> </html>   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_1614668= =3D=3D_.ALT--    
(back) Subject: Re: Bach C Major P&F From: "Rebekah Ingram" <rringram@syr.edu> Date: Fri, 8 Oct 1999 19:57:17 -0400   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0024_01BF11C7.530EB4A0 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   Rebekah, could you check your citation again? I don't see rests at =3D all in the right hand of the second system, second measure of page 3.   Sorry. My bad. LEFT hand!!!   ------=3D_NextPart_000_0024_01BF11C7.530EB4A0 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META content=3D3D"text/html; charset=3D3Diso-8859-1" =3D http-equiv=3D3DContent-Type> <META content=3D3D"MSHTML 5.00.2314.1000" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#d8d8d8> <BLOCKQUOTE=3D20 style=3D3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: = =3D 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">Rebekah,=3D20 could you check your citation again?&nbsp; I don't see rests at all in = =3D the=3D20 right hand of the second system, second measure of page =3D 3.<BR><BR><FONT=3D20 size=3D3D2>Sorry. My bad. LEFT hand!!!</FONT></BLOCKQUOTE></BODY></HTML>   ------=3D_NextPart_000_0024_01BF11C7.530EB4A0--    
(back) Subject: Re: Bach C Major P&F From: Evelyn Rowe <efrowe@mindspring.com> Date: Fri, 08 Oct 1999 23:46:53 -0400   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_18459015= =3D=3D_.ALT Content-Type: text/plain; charset=3D"us-ascii"   At 07:57 PM 10/8/99 -0400, you wrote: > >> >> Rebekah, could you check your citation again? I don't see rests at all = in >> the right hand of the second system, second measure of page 3. >> >> Sorry. My bad. LEFT hand!!! >     It's still the same in both editions.       Evie   mailto:efrowe@mindspring.com --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_18459015= =3D=3D_.ALT Content-Type: text/html; charset=3D"us-ascii"   <html> At 07:57 PM 10/8/99 -0400, you wrote: <br> <blockquote type=3Dcite cite><blockquote type=3Dcite cite>Rebekah, could = you check your citation again?&nbsp; I don't see rests at all in the right hand of the second system, second measure of page 3.<br> <br> <font size=3D2>Sorry. My bad. LEFT hand!!!</font></blockquote></blockquote><br> It's still the same in both editions.<br> <br> <br> <br> <div>Evie</div> <br> <a href=3D"mailto:efrowe@mindspring.com" = EUDORA=3DAUTOURL>mailto:efrowe@mindspring.com</a> </html>   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_18459015= =3D=3D_.ALT--