PipeChat Digest #1705 - Saturday, December 16, 2000
 
Re: Gounod anthem
  by <DudelK@aol.com>
RE: Cesar Franck
  by "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org>
Re: Practice organ
  by <DRAWKNOB@aol.com>
Re: Feeder bellows pumped by water motor - cross posted
  by <Cremona502@cs.com>
Re: Practice Organ
  by <Cremona502@cs.com>
Re: Feeder bellows pumped by water motor - cross posted
  by "Roy Redman" <rredman@imagin.net>
Grand Piano Sizes
  by "Carlo Pietroniro" <organist@total.net>
RE: Grand Piano Sizes
  by "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org>
American Blower
  by "Bob Kinner" <rkinner@one.net>
Chords and Inversions for Adeste Fidelis
  by "Rebekah Ingram" <rringram@syr.edu>
Re: Chords and Inversions for Adeste Fidelis
  by "Bonnie Beth Derby" <orge@dreamscape.com>
Re: Chords and Inversions for Adeste Fidelis
  by <DRAWKNOB@aol.com>
Re: Chords and Inversions for Adeste Fidelis
  by "Carlo Pietroniro" <organist@total.net>
X-post: A Casavant problem!!
  by <Cremona502@cs.com>
Re: American Blower
  by "Chris Attison" <cattison@optonline.net>
Latin Text
  by "Douglas A Campbell" <dougcampbell@juno.com>
Pipechat Status Update
  by "Administrator" <admin@pipechat.org>
Re: Practice Organ
  by <Cpmnhartus@aol.com>
Correction: Chords and Inversions for Adeste Fidelis
  by "Bert Atwood" <atwoody@ispchannel.com>
Re: X-post: A Casavant problem!!
  by <TRACKELECT@cs.com>
Stupid off-topic question time
  by "Glenda" <gksjd85@access.aic-fl.com>
Re: Pipechat Status Update
  by <TRACKELECT@cs.com>
 

(back) Subject: Re: Gounod anthem From: <DudelK@aol.com> Date: Wed, 13 Dec 2000 08:33:26 EST   I think I have one here somewhere. I'll have a look and get back to you.   DudelK Washington, DC  
(back) Subject: RE: Cesar Franck From: "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org> Date: Wed, 13 Dec 2000 09:11:41 -0500   Hi Jim, Well in that particular section of the piece I'm using fonds 8 and oboe 8 = in swell (as called for in that particular edition) with fonds 8 in the "choir"(in my case the great--I have to juggle around having only 2 = manuals) with sw-gt coupled (the viola di (should be da) gamba has quite a = prominent 4' harmonic overtone) bear in mind I'm not only on a digital but am = limited in voices and so in maintain a balance in contrast both to volume and = color have to adjust--although the Sweelinck 10 (I know hisssss from the = purists) is sufficiently equipt to provide a quite good "Franck" sound. We can't = all have Cavalle-Coll in our living rooms nor our churches for that matter. Anyway I will have to de-analize and go in your direction. Thanks for the suggestion. Sincerely, Robert   > -----Original Message----- > From: Jim [mailto:bald1@prodigy.net] > Sent: Tuesday, December 12, 2000 8:55 PM > To: PipeChat > Subject: Re: Cesar Franck > > > > Robert, > > I don't know what registration you are using, but most Franck > pieces call > for at least 8' and 4' stops. With these intonations, you > should be to use > the chord with the c# in the middle without doing much "damage" to the > melody line. I often find myself in the same predicament with certain > pieces, and have used this method as a cheater while still > keeping the basic > flow of the piece. > > Jim H. > > ----- Original Message ----- > From: "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org> > To: "'PipeChat'" <pipechat@pipechat.org> > Sent: Monday, December 11, 2000 12:45 PM > Subject: RE: Cesar Franck > > > > I've thought of that, it would be just a harmonic variation > is that case. > I > > find it hard to brake the melodic line. I keep at it hoping > one day the > > fingers will stretch. One problem is my "hereditary" > pinkies which are not > > only small but at the top joint curve inward at an almost > 45 degree angle. > I > > remember one piano teacher telling me, "that's a problem"! > > Snip > > Sincerely, > > Robert > > > > > -----Original Message----- > > > From: Jim [mailto:bald1@prodigy.net] > > > Sent: Monday, December 11, 2000 12:42 PM > > > To: PipeChat > > > Subject: Re: Cesar Franck > > > > > > > > > or play the c# as the middle note of the chord instead of > the bottom, > > > > > > Jim H > > > > > > > > > ----- Original Message ----- > > > From: "Carlo Pietroniro" <organist@total.net> > > > To: "PipeChat" <pipechat@pipechat.org> > > > Sent: Monday, December 11, 2000 10:01 AM > > > Subject: Re: Cesar Franck > > > > > > > > > > the chorale you're talking about is #3 in A minor, and the > > > 3 notes are not > > > > (c, ab, e), but rather c#, a, e. Don't forget, Franck had > > > HUGE hands. I > > > have > > > > no problem with this chord. I can play it. I don't know of > > > any way to > > > > increase the stretch in anyone's hand. If you can't span > > > that gap, just > > > > don't play the bottom note (c#). > > > > > > > > Carlo > > > > > > > > > > > > "Pipe Up and Be Heard!" > > > > PipeChat: A discussion List for pipe/digital organs & > > > related topics > > > > HOMEPAGE : http://www.pipechat.org > > > > List: mailto:pipechat@pipechat.org > > > > Administration: mailto:admin@pipechat.org > > > > Subscribe/Unsubscribe: mailto:requests@pipechat.org > > > > > > > > > > > > > "Pipe Up and Be Heard!" > > > PipeChat: A discussion List for pipe/digital organs & > related topics > > > HOMEPAGE : http://www.pipechat.org > > > List: mailto:pipechat@pipechat.org > > > Administration: mailto:admin@pipechat.org > > > Subscribe/Unsubscribe: mailto:requests@pipechat.org > > > > > > > "Pipe Up and Be Heard!" > > PipeChat: A discussion List for pipe/digital organs & > related topics > > HOMEPAGE : http://www.pipechat.org > > List: mailto:pipechat@pipechat.org > > Administration: mailto:admin@pipechat.org > > Subscribe/Unsubscribe: mailto:requests@pipechat.org > > > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >  
(back) Subject: Re: Practice organ From: <DRAWKNOB@aol.com> Date: Wed, 13 Dec 2000 12:47:36 EST   In a message dated 12/12/00 8:52:51 PM Central Standard Time, qvixotes@yahoo.com writes:   << I have a PC virtual MIDI organ which plays several MIDI sounds on each keyboard, allowing octave transposition. >>   How does one play the pedals using this method?  
(back) Subject: Re: Feeder bellows pumped by water motor - cross posted From: <Cremona502@cs.com> Date: Wed, 13 Dec 2000 13:38:35 EST   In a message dated 12/12/00 1:10:55 AM !!!First Boot!!!, = rredman@imagin.net writes:   << You like to hear the pulses of the feeders in the music, eh!? >>   I've only heard a few pumpers whose work was musically obvious. Mostly, I =   enjoy the gentleness in the tone and the absence of fluttering from wind turbulence.   Bruce ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ Visit Howling Acres at Ourworld.cs.com/Brucon502  
(back) Subject: Re: Practice Organ From: <Cremona502@cs.com> Date: Wed, 13 Dec 2000 13:41:24 EST   May I suggest that you contact Copeman-Hart. They actually build ACTUAL custom organs. You may select your own specification of just the few = stops that you want for practice, paying only for what you want/need.   Bruce ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ Visit Howling Acres at Ourworld.cs.com/Brucon502  
(back) Subject: Re: Feeder bellows pumped by water motor - cross posted From: "Roy Redman" <rredman@imagin.net> Date: Wed, 13 Dec 2000 12:53:06 -0600   We have restored a lot of feeders, but for historical reasons and not = musical ones. I have done quite a bit of hand pumping myself. With a dual feeder system = it is almost impossible not to hear the change of direction from one feeder = to the other. If you have fluttering wind from a blower you have a bad wind system. = Install a static reservoir before the chest regulator, or even a baffle box will fix = it in some cases. Roy   Cremona502@cs.com wrote:   > In a message dated 12/12/00 1:10:55 AM !!!First Boot!!!, = rredman@imagin.net > writes: > > << You like to hear the pulses of the feeders in the music, eh!? >> > > I've only heard a few pumpers whose work was musically obvious. Mostly, = I > enjoy the gentleness in the tone and the absence of fluttering from wind > turbulence. > > Bruce ~ Cremona502@cs.com > with the Baskerbeagles in the Beagle's Nest ~ > Visit Howling Acres at Ourworld.cs.com/Brucon502 > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: Grand Piano Sizes From: "Carlo Pietroniro" <organist@total.net> Date: Wed, 13 Dec 2000 14:59:31 -0500   I thought you all might find this interesting.   The obvious division of piano types distinguishes uprights and grands. Within these divisions exist further traditional classifications. = Following are several loosely defined types of grand piano:   Concert Grand: Usually 9 feet long, give or take an inch. Half-Concert Grand: About 7-1/2 feet. Parlor Grand: Close to 7 feet; 6 feet, 8 inches is typical. Drawing Room Grand: Drawing rooms no longer exist in most homes, but this grand would fit nicely into them at about 6-1/2 feet. Professional Grand: About 6 feet long. Living Room Grand: A few inches less than 6 feet; 5 feet, 10 inches and 5 feet, 7 inches are typical sizes. Baby Grand: Generally, anything under 5 feet, 7 inches.    
(back) Subject: RE: Grand Piano Sizes From: "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org> Date: Wed, 13 Dec 2000 15:12:55 -0500   I find that interesting because I always thought there were only two sizes Grand 7' and Baby Grand 5'.    
(back) Subject: American Blower From: "Bob Kinner" <rkinner@one.net> Date: Wed, 13 Dec 2000 18:57:58 -0500   Chris,   I don't get the theatre organ magazine, and I can't find a web site for = them. Does their ad list a web site, email address or 800 number?   Thanks, Bob   -- Bob Kinner AA8FH rkinner@one.net "If at first you don't succeed, switch to power tools." Red Green      
(back) Subject: Chords and Inversions for Adeste Fidelis From: "Rebekah Ingram" <rringram@syr.edu> Date: Wed, 13 Dec 2000 19:36:31 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_001B_01C0653B.FE8CF3A0 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   Hi all,   I am trying to figure out the chords for the popular variation on the =3D last verse of Adeste Fidelis. (You know the one--everyone sings unison.) = =3D So far I have (chords) dminor(6?), EMajor, aminor, BMajor, aminor6?....   I -know- there's something else, but I can't seem to get from a minor =3D back into G. Maybe if I got into D....   Can anyone help?   -Rebekah=3D20   ------=3D_NextPart_000_001B_01C0653B.FE8CF3A0 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META content=3D3D"text/html; charset=3D3Diso-8859-1" =3D http-equiv=3D3DContent-Type> <META content=3D3D"MSHTML 5.00.2314.1000" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT size=3D3D2>Hi all,</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT size=3D3D2>I am trying to figure out the chords for the popular = =3D variation=3D20 on the last verse of Adeste Fidelis. (You know the one--everyone sings =3D unison.)=3D20 So far I have (chords) dminor(6?), EMajor,=3D20 aminor,&nbsp;BMajor,&nbsp;aminor6?....</FONT></DIV> <DIV><FONT size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT size=3D3D2>I -know- there's something else,&nbsp;but I =3D can't&nbsp;seem to=3D20 get from a minor back into G. Maybe if I got into D....</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT size=3D3D2>Can anyone help?</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT size=3D3D2>-Rebekah</FONT>&nbsp;</DIV></BODY></HTML>   ------=3D_NextPart_000_001B_01C0653B.FE8CF3A0--    
(back) Subject: Re: Chords and Inversions for Adeste Fidelis From: "Bonnie Beth Derby" <orge@dreamscape.com> Date: Wed, 13 Dec 2000 19:57:18 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_000D_01C0653E.E6109CC0 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   Rebecca,   Get a copy of "Carols for Choirs", Book I. It is on page 91 and =3D harmonized by Sir David Willcocks - key of G.   Cheers,   Bonnie Beth   Bonnie Beth Derby, B.Mus., M.Mus. Producer & Host ``Orgelwerke'' & ``Choral Traditions'' WCNY-FM, 91.3; Syracuse; WUNY-FM, 89.5, Utica; WJNY-FM, 90.9, = Watertown=3D20 Organist & Director of Music, St. James Roman Catholic Church, Syracuse = =3D [1988 Odell/Kerner & Merchant 33-rank tracker organ] orge@dreamscape.com ----- Original Message -----=3D20 From: Rebekah Ingram=3D20 To: PipeChat=3D20 Sent: Wednesday, December 13, 2000 7:36 PM Subject: Chords and Inversions for Adeste Fidelis     Hi all,   I am trying to figure out the chords for the popular variation on the = =3D last verse of Adeste Fidelis. (You know the one--everyone sings unison.) = =3D So far I have (chords) dminor(6?), EMajor, aminor, BMajor, aminor6?.... =3D20 I -know- there's something else, but I can't seem to get from a minor = =3D back into G. Maybe if I got into D....   Can anyone help?   -Rebekah=3D20   ------=3D_NextPart_000_000D_01C0653E.E6109CC0 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META content=3D3D"text/html; charset=3D3Diso-8859-1" =3D http-equiv=3D3DContent-Type> <META content=3D3D"MSHTML 5.00.2314.1000" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial size=3D3D2>Rebecca,</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Get&nbsp;a copy of "Carols for = Choirs", =3D Book=3D20 I.&nbsp; It is on page 91 and harmonized by Sir David Willcocks - key of = =3D   G.</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Cheers,</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Bonnie Beth</FONT></DIV> <DIV>&nbsp;</DIV> <DIV>Bonnie Beth Derby, B.Mus., M.Mus.<BR>Producer &amp; Host =3D ``Orgelwerke''=3D20 &amp; ``Choral Traditions''<BR>WCNY-FM, 91.3; Syracuse; WUNY-FM, 89.5, =3D Utica;=3D20 WJNY-FM, 90.9, Watertown <BR>Organist &amp; Director of Music, St. James = =3D Roman=3D20 Catholic Church, Syracuse [1988 Odell/Kerner &amp; Merchant 33-rank =3D tracker=3D20 organ]<BR><A =3D href=3D3D"mailto:orge@dreamscape.com">orge@dreamscape.com</A></DIV> <BLOCKQUOTE=3D20 style=3D3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: = =3D 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px"> <DIV style=3D3D"FONT: 10pt arial">----- Original Message ----- </DIV> <DIV=3D20 style=3D3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =3D black"><B>From:</B>=3D20 <A href=3D3D"mailto:rringram@syr.edu" title=3D3Drringram@syr.edu>Rebekah = =3D Ingram</A>=3D20 </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>To:</B> <A=3D20 href=3D3D"mailto:pipechat@pipechat.org" =3D title=3D3Dpipechat@pipechat.org>PipeChat</A>=3D20 </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 13, = =3D 2000 7:36=3D20 PM</DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Subject:</B> Chords and Inversions = =3D for Adeste=3D20 Fidelis</DIV> <DIV><BR></DIV> <DIV><FONT size=3D3D2>Hi all,</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT size=3D3D2>I am trying to figure out the chords for the =3D popular=3D20 variation on the last verse of Adeste Fidelis. (You know the =3D one--everyone=3D20 sings unison.) So far I have (chords) dminor(6?), EMajor,=3D20 aminor,&nbsp;BMajor,&nbsp;aminor6?....</FONT></DIV> <DIV><FONT size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT size=3D3D2>I -know- there's something else,&nbsp;but I =3D can't&nbsp;seem=3D20 to get from a minor back into G. Maybe if I got into =3D D....</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT size=3D3D2>Can anyone help?</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT =3D size=3D3D2>-Rebekah</FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>   ------=3D_NextPart_000_000D_01C0653E.E6109CC0--    
(back) Subject: Re: Chords and Inversions for Adeste Fidelis From: <DRAWKNOB@aol.com> Date: Wed, 13 Dec 2000 19:56:52 EST   In a message dated 12/13/00 6:38:34 PM Central Standard Time, rringram@syr.edu writes:   << I am trying to figure out the chords for the popular variation on the = last verse of Adeste Fidelis. >>   Hi Rebekah,   Are you referring to the Wilcocks variation as found in the Carols for Choirs, OUP?   I don't have the book here at home, and because of the icy weather here I have cancelled choir rehearsals for tonight. But, I could have a looksee = for you tomorrow when I'm at the church.   John  
(back) Subject: Re: Chords and Inversions for Adeste Fidelis From: "Carlo Pietroniro" <organist@total.net> Date: Thu, 14 Dec 2000 00:01:54 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_012C_01C06561.11890780 Content-Type: text/plain; charset=3D"Windows-1252" Content-Transfer-Encoding: 7bit   Rebekah,   are you referring to the David Willcocks arrangement with all the weird chords?   Carlo   ------=3D_NextPart_000_012C_01C06561.11890780 Content-Type: text/html; charset=3D"Windows-1252" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Dwindows-1252"> <META content=3D3D"MSHTML 5.50.4522.1800" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#00a5f4> <DIV>Rebekah,</DIV> <DIV>&nbsp;</DIV> <DIV>are you referring to the David Willcocks arrangement with all the =3D weird=3D20 chords?</DIV> <DIV>&nbsp;</DIV> <DIV>Carlo</DIV></BODY></HTML>   ------=3D_NextPart_000_012C_01C06561.11890780--    
(back) Subject: X-post: A Casavant problem!! From: <Cremona502@cs.com> Date: Wed, 13 Dec 2000 22:23:34 EST   Help, service guys! I am playing a recital on Sunday on a c1978 3m Casavant. There is a = problem in the stop action on the Great. When any stop is drawn, the Principal 8 =   comes on. If the stop knob (other than Principal) is moved back and = forth, the Principal will go off until the note is repeated. Of course, the = local service folk cannot fathom the problem. Does any one have any idea or familiarity with this type of problem. It's a straight chest with Quintaton 16, Principal 8, Bourdon 8, Octave 4, Spitzflote 4, Waldflote 2, =   Sesquialtera II, Fourniture VI, and Trompet 8, and of course Chimes. The =   Principal does not come on with the Chimes (I think I tried that, but am = not sure). In any case....   HELP!   (thanks)   Bruce ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ Visit Howling Acres at Ourworld.cs.com/Brucon502  
(back) Subject: Re: American Blower From: "Chris Attison" <cattison@optonline.net> Date: Thu, 14 Dec 2000 00:12:05 -0500   Hi Bob, Ill get you the info by tomorrow. Take care.   ----- Original Message ----- From: Bob Kinner <rkinner@one.net> To: PipeChat <pipechat@pipechat.org> Sent: Wednesday, December 13, 2000 6:57 PM Subject: American Blower     > Chris, > > I don't get the theatre organ magazine, and I can't find a web site for them. > Does their ad list a web site, email address or 800 number? > > Thanks, Bob > > -- > Bob Kinner AA8FH rkinner@one.net > "If at first you don't succeed, switch to power tools." Red Green > > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: Latin Text From: "Douglas A Campbell" <dougcampbell@juno.com> Date: Fri, 15 Dec 2000 21:17:49 -0500   A Text in Latin     Laetuli Laetopoli florentes festo Christi natalicio valde delectati sunt omnes ad unum...   At, pro dolor! in loco haud longe Laetopoli ad septentriones sito habitabat invidiosulus quidam, nomine Grinchus, qui festum illud OMNINO VEHEMENTERQUE RESPUEBAT.   Non tantum dies ipse sed etiam tempora omnia quae Christi natalem aut antecedebant aut sequebantur invidiosulo nostro odio erant maximo. Age nunc, amabo, noli me rogare quare Grinchus ille tali modo se gesserit. Nemo pro certo consuetudinis eius causam scit. Fortasse mentis haud omnino erat compos! Fortasse calceamentis vexabatur angustissimis, quibus spedes eius crudeliter cruciabantur! Quis sciat? Sed, nisi fallor, verisimile est invidiosulo nostro cor fuisse plumbeum.  
(back) Subject: Pipechat Status Update From: "Administrator" <admin@pipechat.org> Date: Fri, 15 Dec 2000 20:30:02 -0600   Hello, Everyone!   We have yet to regain permanent power service for the Pipechat Servers. = If this message gets to you all, it is due to the success of a "temporarily-borowed-from-a-good-friend" generator.   We have been in frequent conact with the local power company, who alternately tells us that: "your power will be on by midnight tonite" or "your power will be on Tuesday". So far, a couple of "midnights" have passed.   Please be assured that we are doing everything within our power to get things running "normally" again!!   Unfortunately, the bi-weekly IRC Pipechat session is unlikely to be possible tonight.   Stay tuned for further updates...we'll be back as soon as we're able!   Tim Bovard Pipechat Co-Administrator David Scribner Pipechat Owner/Administrator (Little Rock weather tonite: rain, but not supposed to freeze overnight. This should be a good thing...! Wish us luck!)    
(back) Subject: Re: Practice Organ From: <Cpmnhartus@aol.com> Date: Wed, 13 Dec 2000 20:07:25 EST   Copeman Hart America P. O. Box 292 Lewes, Delaware 19958-0292   13th December 2000   Dear Bruce:   Thank you for the plug.   Copeman Hart information and the CDs are readily available from our = American office: Tel.1-800-773-4858.   Sincerely,   George   George W. Bayley Senior U. S. Consultant   www.copemanhart.co.uk  
(back) Subject: Correction: Chords and Inversions for Adeste Fidelis From: "Bert Atwood" <atwoody@ispchannel.com> Date: Thu, 14 Dec 2000 17:20:03 -0800   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0002_01C065F2.186C0FC0 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: 7bit   I wrote: "By the way, I think it's better in the key of A - that way the pedal goes all the way down to the lowest C. It's in C in the Methodist Hymnal."   Should be: "...the pedal goes all the way down to the lowest C#. It's in = A in the Methodist Hymnal."   -Bert-   ------=3D_NextPart_000_0002_01C065F2.186C0FC0 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 5.50.4207.2601" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial><FONT color=3D3D#0000ff><FONT = size=3D3D2><SPAN=3D20 class=3D3D990071501-15122000>I wrote: "</SPAN><SPAN =3D class=3D3D520112201-14122000>By the=3D20 way, I think it's better in the key of A - that way the pedal goes all =3D the way=3D20 down to the lowest C.&nbsp; It's in C in the Methodist Hymnal<SPAN=3D20 class=3D3D990071501-15122000>.</SPAN><SPAN=3D20 class=3D3D990071501-15122000>"&nbsp;</SPAN></SPAN></FONT></FONT></FONT></DI= =3D V> <DIV> <DIV><SPAN class=3D3D520112201-14122000><FONT face=3D3DArial = color=3D3D#0000ff =3D   size=3D3D2></FONT></SPAN>&nbsp;</DIV> <DIV><SPAN class=3D3D520112201-14122000><FONT face=3D3DArial = color=3D3D#0000ff =3D size=3D3D2><SPAN=3D20 class=3D3D990071501-15122000>Should be: "...the pedal goes all the way =3D down to the=3D20 lowest <EM><U>C#</U></EM>.&nbsp; It's in <EM><U>A</U></EM> in the =3D Methodist=3D20 Hymnal."</SPAN></FONT></SPAN></DIV> <DIV><SPAN class=3D3D520112201-14122000><FONT face=3D3DArial = color=3D3D#0000ff =3D size=3D3D2><SPAN=3D20 class=3D3D990071501-15122000></SPAN></FONT></SPAN>&nbsp;</DIV> <DIV><SPAN class=3D3D520112201-14122000><FONT face=3D3DArial = color=3D3D#0000ff =3D   size=3D3D2>-Bert-</FONT></SPAN></DIV></DIV></BODY></HTML>   ------=3D_NextPart_000_0002_01C065F2.186C0FC0--    
(back) Subject: Re: X-post: A Casavant problem!! From: <TRACKELECT@cs.com> Date: Fri, 15 Dec 2000 21:51:12 EST   Why did the service people give up so easily? What did they do to solve the problem? Where you there? Is there a service contract? You should let them know that if they do not take steps to fix it that you =   may look elsewhere when their contract comes for renewal.   They should have followed simple trouble shooting procedure. Start at one = end of the system and work towards the other. 1. Is the stop action for the principal operating or is there wind leaking causing the stop to be stuck = on? This is unlikely. 2. Check for current at the stop action. If current is present go to the next component along the line. Is there a relay? If so check that. Both Solid State Logic and Peterson have toll free numbers for =   technical assistance. Is the relay getting current for that stop from the console? Is so then the problem is in the console. Next examine the stop switch. This should not be that difficult and should be easily repaired unless it is something like the insulation rubbed off wires inside the console cable and this kind of thing is very rare.   Good luck:   Alan B  
(back) Subject: Stupid off-topic question time From: "Glenda" <gksjd85@access.aic-fl.com> Date: Wed, 13 Dec 2000 22:13:13 -0600   OK, it's burning a hole in what is left of my mind; after a day where the computer fried at work, cantors were rehearsed for Christmas Eve, a whole bottle of wine and a grilled cheese sandwich were shared with hubby, a half-ton of presents were subsequently badly wrapped, and I've heard the phrase "Democrats can't read" just a few too many times today, here goes.   Why do some people call the Adagio movement of Mozart's Piano Concerto #21 "Elvira Madigan"? Was there some movie which borrowed the theme, or, = heaven forbid, did Mozart dedicate it to some shrew by that name, or is there = some equally inane reason? Chances are someone has told me the answer in my distant past, but for the life of me I cannot remember.   You may respond privately to keep me out of list hot water.   Regards,   Glenda Sutton who thinks it may be past time for bed now          
(back) Subject: Re: Pipechat Status Update From: <TRACKELECT@cs.com> Date: Fri, 15 Dec 2000 22:12:32 EST   Midnight what day? Month? Year?   Alan B (whose computer works off a water motor)