PipeChat Digest #1272 - Friday, February 18, 2000 Re: Bach Cantata #4 by <GGK1000@cs.com> Re: Faure's Cantique de Jean Racine by "Erik Johnson" <email@example.com> Bach Cantata 4 by "Carolyn" <firstname.lastname@example.org> Bach Cantata #4 by "Carolyn" <email@example.com> Need Tune Name and Location by "Paul R. Swank" <firstname.lastname@example.org> Re: Need Tune Name and Location by "Stephen Ohmer" <email@example.com> Re: Need Tune Name and Location by "Stephen Ohmer" <firstname.lastname@example.org> Re: Need Tune Name and Location by "V. David Barton" <email@example.com> Re: Need Tune Name and Location by "bruce cornely" <firstname.lastname@example.org>
(back) Subject: Re: Bach Cantata #4 From: <GGK1000@cs.com> Date: Fri, 18 Feb 2000 08:17:31 EST I believe G. Schirmer published one at one time. Gordon King Montclair, NJ
(back) Subject: Re: Faure's Cantique de Jean Racine From: "Erik Johnson" <email@example.com> Date: Fri, 18 Feb 2000 10:17:44 EST Yes! We do have an organ accompaniment at ND however because the notation = is somewhat small and cramped I use the piano score. As for advice: 1. Pick up the cello solo (written in the alto line of the piano score - stems down) on a violoncelle stop if you have one. If not a light singing principal will work - but play it in the tenor range please! (an octave = down from written) 2. You will notice that the them comes in again in the middle of the piece = - at this point I play it at written pitch/octave. (Because of the key = change - if left in the tenor range it will get rather muddy). 3. Play ALL the notes! Don't skip or leave out notes - no reduction is needed. 4. Don't go too fast. Remember it's French - (big French church sound). = All too many times I have heard it going like a bat out of you know where! Use those swell shades! All the best, The Maitre > >Does anyone have an organ accompaniment available for this piece? The >published piano accompaniment really isn't working too well for us. Any >advice? Thanks. > >--Lee Lovallo >St. Paul's Episcopal Church, Sacramento > > >________________________________________________________________ ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com
(back) Subject: Bach Cantata 4 From: "Carolyn" <firstname.lastname@example.org> Date: Fri, 18 Feb 2000 08:41:56 MST ----Original Message Follows---- From: "PipeChat" <email@example.com> To: "PipeChat" <firstname.lastname@example.org> Subject: PipeChat Digest #1271 - 02/18/00 Date: Fri, 18 Feb 2000 04:00:01 -0600 PipeChat Digest #1271 - Friday, February 18, 2000 Re: Organ recitals by "danturner_musicman" <email@example.com> Chicago International Organ Festival 2000 update by "Cole Carroll" <CCole@fourthchurch.org> Bach Cantata #4 by "Irwin Franklin" <firstname.lastname@example.org> Curley, Virgil and Wanamaker's by <KriderSM@aol.com> No Subject by <KriderSM@aol.com> Virgil and Wanamaker's by <KriderSM@aol.com> Re: Virgil and Wanamaker's by "David Scribner" <email@example.com> Re: Bach Cantata #4 by "Maynard Cuppy" <firstname.lastname@example.org> Re: Bach Cantata #4 by "Bud" <Quilisma@socal.rr.com> IRC & "Theatre Organ Time" by "David Scribner" <email@example.com> Re: Faure's Cantique de Jean Racine by "Lee T Lovallo" <firstname.lastname@example.org>
(back) Subject: Re: Organ recitals From: "danturner_musicman" <email@example.com> Date: Mon, 14 Feb 2000 20:57:09 -0000 Could you please give more details???? ----- Original Message ----- From: Storandt, Peter <firstname.lastname@example.org> To: 'PipeChat' <email@example.com> Sent: Wednesday, January 12, 2000 8:52 PM Subject: RE: Organ recitals > > > -----Original Message----- > From: NAShepherd@aol.com [mailto:NAShepherd@aol.com] > Sent: Wednesday, January 12, 2000 12:25 PM > To: firstname.lastname@example.org; email@example.com; > firstname.lastname@example.org; email@example.com; > firstname.lastname@example.org; email@example.com; > Alison@ahowell.swinternet.co.uk; Diapson@tesco.net; > firstname.lastname@example.org; email@example.com > Subject: Organ recitals > > > Anyone in the vicinity of Keynsham Parish Church near Bristol (UK) = would be > > welcome at the folowing organ recitals/concerts diring the coming = months. > Please do pass on details to anyone who may be interested! > > All (except July 1st, 7.45) begin at 7.30pm, Admission =A35.00 > > February 5th > Anthony Pinel, Organist of St Mary Redcliffe, Bristol > > March 10th > Nigel Ogden, Presenter of BBC Radio Two's "The Organist Entertains" > programme > who will be playing a programme of "light" classics and theatre organ music. > > April 1st > Theo Saunders, Organist of St James The Great, Leicester > > May 6th > Neil Shepherd and friends in "Trumpet's, Organs and things" (Fun for = all the > > family!!) -This is a programme to catch the imagination of children and > others who (we hope) will develop an interest in the organ as a result = !! > > June 10th > Alison Howell, Asst. Organist, Keynsham PC > > July 1st (7.45) Clifton Cathedral Choir in Concert (directed by David > Ogden) > > July 8th Martin Neary (former Organist, Wesminster Abbey, London). > > Hope to see you if you're around! > > Neil Shepherd > > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:firstname.lastname@example.org > Administration: mailto:email@example.com > Subscribe/Unsubscribe: mailto:firstname.lastname@example.org > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:email@example.com > Administration: mailto:firstname.lastname@example.org > Subscribe/Unsubscribe: mailto:email@example.com >
(back) Subject: Chicago International Organ Festival 2000 update From: "Cole Carroll" <CCole@fourthchurch.org> Date: Thu, 17 Feb 2000 12:42:04 -0600 Just wanted to remind you all of the festival beginning this Sunday at 3:00 p.m. I have included the programs and bios for your perusal. Hope to see many of you here. Tickets will be available at the door. Doors will open = 45 minutes prior to concerts. All current Guild and Theatre organ members receive a $5 discount ($10 for each concert). Recordings will be available for purchase at the reception following each concert. Don't miss the first event of its kind in Chicago! The Chicago International Organ Festival * 2000 February 20-22, 2000 Fourth Presbyterian Church Chicago, Illinois February 20, 2000 3:00 p.m. Wolfgang Seifen Suite Francaise (in memory of Marcel Dupr=E9) Fonds Fl=FBtes M=E9ditation sur le Cromorne Mutations C=E9l=E8ste et Fl=FBte harmonique Mixtures M=E9ditation Final Two Chorale Preludes (in memory of Johann Sebastian Bach) Trio (Cantus firmus in alto) In four parts (Cantus firmus in tenor) Interval Fantasy and Fugue (in memory of Franz Liszt) Symphonie Pour Grand Orgue Allegro maestoso Andante cantabile Scherzo Adagio expressivo Final About the Artist Wolfgang Seifen, born in 1956, studied church music in Aachen and D=FCsseldorf. He served as organist in the Franciscan Church of St. = Nicholas in Aachen (1974-1976) and as organist, choirmaster and director of music = for the concerts at St. Sebastian in Nettetal-Lobberich (1976-1983). = Additional activities as choirmaster of the chamber choir "Cappella Cantica" and as conductor of the Students Orchestra of Aachen led to live broadcasts and recordings. In 1983 he was appointed to the Papal Basilica "St. Marien" in Kevelaer. Besides lectureships in Poland, Italy and Spain, he was Visiting Professor at the International Organ Academy in Toulouse. He was also assistant for improvisation at the University for Music and Performing = Arts in Stuttgart and is one of the founders and permanent assistant of the = Organ Academy for Improvisation and Liturgical Organ Performance in Altenberg. Since 1993, he has held organ classes at the Robert Schumann Conservatory (D=FCsseldorf) for improvisation and liturgical organ performance and in = 1995 was appointed Professor. His main artistic emphasis is organ improvisation. Numerous concert trips, juror activities and seminars have taken him to France, Italy, Belgium, Luxembourg, Finland, Poland, Austria, Hungary, Japan and the United = States. Many of his improvisations are published on records and compact disc recordings. In addition, he has published his own compositions and a = series on organ construction and organ improvisation. His most extensive work, "Triptyque Symphonique," written for choir, soloists, and organ and full orchestra, was first performed on 20 November 1996 at the Basilica of Kevelaer with great success and recorded by the West Germany Broadcasting Corporation. Since 1997, Professor Seifen has been President of the Association of Church Musicians of the Bishopric of M=FCnster. February 21, 2000 7:30 p.m. Bruce Neswick Fanfare Aria Chorale and Variations Interval Sonata I. Prelude II. Adagio III. Finale Essay on Two Themes Fanfare and Toccata About the Artist Concert organist Bruce Neswick is one of America's major talents in the field of organ performance and is especially noted for his superb ability = as an improvisateur, a craft which only a few organists in the United States have made their specialty. His playing is widely recognized for it incisiveness, vitality and expressiveness. His refined skill at improvisation has won him three first prizes - from = the 1989 San Anselmo Organ Festival, the 1990 Boston American Guild of = Organists National Convention and the 1992 Rochette Concours at the Conservatoire de Musique in Geneva, Switzerland. His compact disc recording, on the Raven label, features an improvised suite. He is frequently asked to include improvisations in his recitals and hymn festivals. Mr. Neswick is an Assistant Organist-Choirmaster and Director of the newly-formed Cathedral Girls' Choir at Washington National Cathedral, in addition to being the Director of Music at St. Albans School for Boys and the National Cathedral School for Girls. These prestigious appointments follow tenures as Organist and Choirmaster at Christ Church Cathedral in Lexington, Kentucky, Holy Trinity Anglican Church in Geneva, Switzerland = and St. Paul's Cathedral in Buffalo, New York. He is very active in the field = of church music and is in great demand as a choral clinician with the Royal School of Church Music, for whom he has conducted numerous courses for boy and girl choristers. He has served on the faculties of several church = music conferences including the 1997 Master Schola in Massachusetts, Westminster Choir College Summer Session, the Montreat Conference on Worship and Music and regional conventions of the American Guild of Organists. He has been commissioned to compose for several performers and churches throughout the United States, and his organ and choral music is published = by Paraclete, Augsburg-Fortress, Selah, Vivace, Plymouth and St. James' presses. A great deal of his service music, hymns, descants and hymn arrangements appear in hymnals found in churches of many denominations. Mr. Neswick graduated from the Pacific Lutheran University in his native Washington state and from the Yale School of Music and Institute of Sacred Music. His teachers include Robert Baker, David Dahl, Gerre Hancock, Margaret Irwin-Brandon and Lionel Rogg. A Fellow of the American Guild of Organists, he has served the Guild in = many capacities, including chapter dean, regional education coordinator, member of the national nominating committee and member of the national improvisation competition committee. As a recitalist, Mr. Neswick has performed extensively throughout the = United States and Europe and has been a featured performer at national and = regional conventions of the American Guild of Organists. In July, 1994, he played = the opening convocation for the national AGO convention held in Dallas, Texas, and he will be a featured artist at the national AGO convention in Seattle in July 2000. He is represented by Phillip Truckenbrod Concert Artists of West Hartford, Connecticut. 22 February, 2000 7:30 p.m. Naji Hakim Choral Partita Gregorian Paraphrase Passacaglia Interval Symphony Fantasy on a Folkloric theme About the Artist Naji Hakim was born in Beirut (Lebanon) in 1955. He was a pupil of Jean Langlais and received his musical education at the Conservatoire National Sup=E9rieur de musique de Paris in the classes of Roger Boutry, = Jean-Claude Henry, Marcel Bitsch, Rolande Falcinelli, Jacques Cast=E9r=E8de and Serge = Nigg, where he obtained the first prizes in harmony, counterpoint, fugue, organ, improvisation, analysis and orchestration. He also received the first = prizes at the International Organ Competitions at Haarlem, Beauvais, Lyon, Nuremberg, St. Albans, Strasbourg and Rennes, the composition prize of the "Amis de l'orgue" for his Symphonie en Trois Mouvements (1984) and the = first prize in the International Composition Competition for organ, in memory of Anton Heiller for "The Embrace of Fire" (Collegedale, Tennessee, 1986). In 1991, he received the "Prix de Composition Musicale Andr=E9 Caplet," from = the "Acad=E9mie des Beaux-Arts." He was the titular organist of the Basilica of the Sacr=E9-Coeur in Paris = from 1985 until 1993, when he succeeded Olivier Messiaen at the Eglise de la Trinit=E9. He is analysis professor at the Conservatoire National de = Region de Boulogne-Billancourt, and visiting professor of organ, improvisation, analysis and composition at the Royal Academy of Music in London. He is a graduate of the =C9cole Nationale Superieure des Telecommunications in = Paris. He has composed works for organ, harpsichord, harp, guitar quartet, = trumpet and organ, a Fantasie pour piano et orchestre; two concertos for organ; = an oratorio, Saul de Tarse, for soli, choir and orchestra; three masses; a symphony, Les Noces de l'Agneau and a symphonic poem, Hymne de l'Univers. He wrote with his wife, Marie-Bernadette Dufourcet, "A Guide Pratique = d'Analysa Musicale" (1991) and an "Anthologie Musicale pour l"Analyse de la Forme" (1995). The works of Hakim are published by U.M.P. (London), Combre, = Ledue, Billaudot (Paris), FitzSimons, Ludwig Music, D.P.P./Belwin (U.S.A.). He = has recorded for Erato, Jade (Paris), Motette-Ursina (R.F.A.), EMI, Priory (U.K.) and Afka (U.S.A.). C. Carroll Cole Arts Administrator Fourth Presbyterian Church 126 East Chestnut Street Chicago, IL 60611-2094 312.787.2729, ext. 252 facsimile: 312.787.4584 firstname.lastname@example.org <http://www.fourthchurch.org>
(back) Subject: Bach Cantata #4 From: "Irwin Franklin" <email@example.com> Date: Thu, 17 Feb 2000 11:33:26 -0800 (PST) Does anyone know of an accompanist edition for the Bach Cantata #4? Any help will be appreciated. Tom Ed Moore University of North Alabama firstname.lastname@example.org __________________________________________________ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
(back) Subject: Curley, Virgil and Wanamaker's From: <KriderSM@aol.com> Date: Thu, 17 Feb 2000 17:58:04 EST YES!! I'd love such a concert. Don't know if I'd be able to attend, but if = it is recorded, I'll buy the album. ...even nicer in SenSurround sound... = hint, hint! Stan Krider
(back) Subject: No Subject From: <KriderSM@aol.com> Date: Thu, 17 Feb 2000 18:02:24 EST Well, would you people be willing to help raise money to do a restoration = of the instrument? Stan Krider Bob Scarborough commented concerning the Carlo Curley, Virgil & Wannamaker organ: <snip> Well, that'd be a neat trick, especially seeing how about half of = the Wannie organ doesn't even work anymore!
(back) Subject: Virgil and Wanamaker's From: <KriderSM@aol.com> Date: Thu, 17 Feb 2000 18:07:49 EST OK, David, how do non-subscribers get on the STENTOR mailing list? Stan Krider David Scribner observed: <snip> Whenever the next STENTOR comes out I am sure there will be an updated status report.
(back) Subject: Re: Virgil and Wanamaker's From: "David Scribner" <email@example.com> Date: Thu, 17 Feb 2000 17:15:42 -0600 At 6:07 PM -0500 2/17/00, KriderSM@aol.com wrote: >OK, David, how do non-subscribers get on the STENTOR mailing list? > >Stan Krider > >David Scribner observed: ><snip> >Whenever the next STENTOR comes out I am sure > >there will be an updated status report. You become a subscriber by becoming a member of the Friends of the Wanamaker!! For information go to: http://www.wanamakerorgan.com/index1.html And at the same time you should also become a member of the Atlantic City Convention Hall Organ Society <G> http://www.acchos.org Then you are supporting the two largest organs in the World and both organizations can use your help! David
(back) Subject: Re: Bach Cantata #4 From: "Maynard Cuppy" <firstname.lastname@example.org> Date: Thu, 17 Feb 2000 18:19:46 -0600 I'm not sure about an accompaniment edition, but all (I think) of the movements have been arranged for organ. They are included in The Church Organists Golden Treasury vol. 1, published by either Ditson or Presser. They might be of some help if you can't find the actual edition you're looking for. Maynard Irwin Franklin wrote: > Does anyone know of an accompanist edition for the > Bach Cantata #4? Any help will be appreciated. > > Tom Ed Moore > University of North Alabama > email@example.com > __________________________________________________ > Do You Yahoo!? > Talk to your friends online with Yahoo! Messenger. > http://im.yahoo.com > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:firstname.lastname@example.org > Administration: mailto:email@example.com > Subscribe/Unsubscribe: mailto:firstname.lastname@example.org
(back) Subject: Re: Bach Cantata #4 From: "Bud" <Quilisma@socal.rr.com> Date: Thu, 17 Feb 2000 16:25:15 -0800 Come to think of it, I think it was also issued in that series of organ editions from G. Schirmer. Cheers, Bud P.S. - but the CHurch Organist's Golden Treasury would work as well ... = I've played the tenor verse from there. Maynard Cuppy wrote: > I'm not sure about an accompaniment edition, but all (I think) of the > movements have been arranged for organ. They are included in The Church > Organists Golden Treasury vol. 1, published by either Ditson or = Presser. > They might be of some help if you can't find the actual edition you're > looking for. > Maynard > > Irwin Franklin wrote: > > > Does anyone know of an accompanist edition for the > > Bach Cantata #4? Any help will be appreciated. > > > > Tom Ed Moore > > University of North Alabama > > email@example.com > > __________________________________________________ > > Do You Yahoo!? > > Talk to your friends online with Yahoo! Messenger. > > http://im.yahoo.com > > > > "Pipe Up and Be Heard!" > > PipeChat: A discussion List for pipe/digital organs & related = topics > > HOMEPAGE : http://www.pipechat.org > > List: mailto:firstname.lastname@example.org > > Administration: mailto:email@example.com > > Subscribe/Unsubscribe: mailto:firstname.lastname@example.org > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:email@example.com > Administration: mailto:firstname.lastname@example.org > Subscribe/Unsubscribe: mailto:email@example.com
(back) Subject: IRC & "Theatre Organ Time" From: "David Scribner" <firstname.lastname@example.org> Date: Thu, 17 Feb 2000 21:16:05 -0600 Folks I am forward the following announcement about "Theatre Organ Time" from Perth, Western Australia since there might be some of you on this list that would be interested in listening to the program. Those of us that are on-line for the Friday Night PipeChat IRC session will usually also tune this program in via Real Audio. Lesley and Gary have been aware that the PipeChat IRC crowd does listen and one night dedicated one of the numbers to us. Their programming is very good and as long as there aren't any network congestion problems it comes in loud and clear. And it goes without saying that we always welcome newcomers to the Monday and Friday IRC "chats". If you wish to join in but don't know how to do so please go to the PipeChat IRC page at http://www.pipechat.org/irc.html for instructions on how to connect. Although the conversation usually revolves around organs almost anything goes on the channel so don't be surprised if you find us discussing computers or the weather around the country or something like that. Those discussions are usually short and then we DO get back to organ discussion!<G> David ********************************************************************** > Hello, > >We have a great line-up of Theatre Organ Music for your enjoyment this week. > >Please join us. > >Regards > >Lesley and Gary > > >Web site: <http://www.inf.net.au/~duo>http://www.inf.net.au/~duo > >Program Times > >Western Australia------Saturday 10.00 am (GMT + 8 Hours) > >USA >Eastern Standard Time-----Friday 9.00 pm >Central Standard Time ---- Friday 8.00 pm >Mountain Standard Time---Friday 7.00 pm >Pacific Standard Time -----Friday 6.00 pm > >Canada >Manitoba-------------Friday 8.00 pm >Alberta -------------- Friday 7.00 pm >British Columbia------Friday 6.00 pm > >New Zealand ---------Saturday 3.00 pm > >UK------Saturday 2.00 am > >The Netherlands ----Saturday 3.00 am > > > > >
(back) Subject: Re: Faure's Cantique de Jean Racine From: "Lee T Lovallo" <email@example.com> Date: Thu, 17 Feb 2000 22:12:37 -0800 Does anyone have an organ accompaniment available for this piece? The published piano accompaniment really isn't working too well for us. Any advice? Thanks. --Lee Lovallo St. Paul's Episcopal Church, Sacramento ________________________________________________________________ YOU'RE PAYING TOO MUCH FOR THE INTERNET! Juno now offers FREE Internet Access! Try it today - there's no risk! For your FREE software, visit: http://dl.www.juno.com/get/tagj.