PipeChat Digest #2326 - Saturday, August 18, 2001
 
Re: Holtkamp
  by "douglas morgan" <dkmorgan76209@yahoo.com>
Re: Holtkamp
  by "douglas morgan" <dkmorgan76209@yahoo.com>
Re: Holtkamp
  by "douglas morgan" <dkmorgan76209@yahoo.com>
good and bad from ALL builders
  by "Randy Terry" <randyterryus@yahoo.com>
Re: Purvis, Dubois and Callahan [x-posted]
  by <RMaryman@aol.com>
Re: First Baptist Church in Dallas
  by <Innkawgneeto@cs.com>
Re: mixtures
  by "Bob Elms" <elmsr@albanyis.com.au>
Re: Gravissiama
  by "Bob Elms" <elmsr@albanyis.com.au>
Re: Gravissiama
  by "David Scribner" <david@blackiris.com>
Re: re. First Baptist Dallas
  by <ScottFop@aol.com>
De ja vu:  Seeking reference book
  by "Glenda" <gksjd85@access.aic-fl.com>
Re: Specifications For The Jaeckel Organ etc.
  by <Cremona502@cs.com>
 

(back) Subject: Re: Holtkamp From: "douglas morgan" <dkmorgan76209@yahoo.com> Date: Sat, 18 Aug 2001 12:57:33 -0700 (PDT)   The Holtkamp organ which was once in Oberlin's Warner Concert Hall is now at Texas Technical University in Lubbock, Texas. I can't tell you anything about it, because I've not yet been there to see it, but will give you more details when I've examined it.   D. Keith Morgan --- The Schneider Family <arpschneider@starband.net> wrote: > quilisma@socal.rr.com wrote: > > <some preliminary stuff snipped> > > > I don't think Chick can be blamed for the > less-that-successful instrument in > > new Warner Concert Hall at Oberlin (since replaced > by the yawn/bore > > Flentrop) ... for one thing, his father died while > it was under construction > > (it might not have been past the design stage ... > I don't remember ... > > didn't Walter Holtkamp Sr. die in 1962?) ... Chick > found himself doing a > > MAJOR organ for a MAJOR center of organ study as > one of his first > > instruments, if not THE first ... > > Interesting. About this time, another major > installation, which was > (according to Michael Barone on Pipedreams, who > recorded Todd Wilson > performing on the instrument I'm about to mention as > one of his first > programs way back when) was the St. John's > Benedictine Abbey Church in > Collegeville, MN. > > Of course, if the recording is any indication (other > than a bad > satellite uplink connection which made everything > sound "fuzzy towards > the end of the broadcast!) an explosion would sound > wonderful in this > space. > > But I remember being profoundly impressed by the > sound of this > instrument as being "just right"! Wilson played > many pieces on that > program including Edwin Lemare's "The Last Rose of > Summer" which allowed > him to explore and demonstrate an amazing variety of > tonal color > nuances. > > I was also amazed by the "Dismas Variations", as > this also offered an > amazing amount of tonal variety with a very full and > satisfying full > organ plenum with the 32' reed in the Pedal. > > > I think CHRIS Holtkamp is prepared to build in a > VARIETY of styles ... the > > fashions of his grandfather's day have passed, and > he knows it. > > In a way, I think that's too bad. There was > something certainly > satisfying about the aforementioned organ and I > would think that many > churches would gladly have an instrument that can > give an accounting of > itself like that. > > I've never seen the instrument or heard it in > person. For all I know: > up close and personally: it may be ugly, but from > what I heard those > many years ago, I remember being profoundly > impressed, and remain so to > this day. > > Faithfully, > > Richard Schneider, PRES/CEO > SCHNEIDER PIPE ORGANS, Inc. > Pipe Organ Builders > 41-43 Johnston St./P.O. Box 137 > Kenney, IL 61749-0137 > (217) 944-2454 VOX > (217) 944-2527 FAX > mailto:arpschneider@starband.net HOME EMAIL > mailto:arp@schneiderpipeorgans.com SHOP EMAIL > http://www.schneiderpipeorgans.com WEB PAGE URL > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital > organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >     __________________________________________________ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger http://phonecard.yahoo.com/  
(back) Subject: Re: Holtkamp From: "douglas morgan" <dkmorgan76209@yahoo.com> Date: Sat, 18 Aug 2001 12:57:33 -0700 (PDT)   The Holtkamp organ which was once in Oberlin's Warner Concert Hall is now at Texas Technical University in Lubbock, Texas. I can't tell you anything about it, because I've not yet been there to see it, but will give you more details when I've examined it.   D. Keith Morgan --- The Schneider Family <arpschneider@starband.net> wrote: > quilisma@socal.rr.com wrote: > > <some preliminary stuff snipped> > > > I don't think Chick can be blamed for the > less-that-successful instrument in > > new Warner Concert Hall at Oberlin (since replaced > by the yawn/bore > > Flentrop) ... for one thing, his father died while > it was under construction > > (it might not have been past the design stage ... > I don't remember ... > > didn't Walter Holtkamp Sr. die in 1962?) ... Chick > found himself doing a > > MAJOR organ for a MAJOR center of organ study as > one of his first > > instruments, if not THE first ... > > Interesting. About this time, another major > installation, which was > (according to Michael Barone on Pipedreams, who > recorded Todd Wilson > performing on the instrument I'm about to mention as > one of his first > programs way back when) was the St. John's > Benedictine Abbey Church in > Collegeville, MN. > > Of course, if the recording is any indication (other > than a bad > satellite uplink connection which made everything > sound "fuzzy towards > the end of the broadcast!) an explosion would sound > wonderful in this > space. > > But I remember being profoundly impressed by the > sound of this > instrument as being "just right"! Wilson played > many pieces on that > program including Edwin Lemare's "The Last Rose of > Summer" which allowed > him to explore and demonstrate an amazing variety of > tonal color > nuances. > > I was also amazed by the "Dismas Variations", as > this also offered an > amazing amount of tonal variety with a very full and > satisfying full > organ plenum with the 32' reed in the Pedal. > > > I think CHRIS Holtkamp is prepared to build in a > VARIETY of styles ... the > > fashions of his grandfather's day have passed, and > he knows it. > > In a way, I think that's too bad. There was > something certainly > satisfying about the aforementioned organ and I > would think that many > churches would gladly have an instrument that can > give an accounting of > itself like that. > > I've never seen the instrument or heard it in > person. For all I know: > up close and personally: it may be ugly, but from > what I heard those > many years ago, I remember being profoundly > impressed, and remain so to > this day. > > Faithfully, > > Richard Schneider, PRES/CEO > SCHNEIDER PIPE ORGANS, Inc. > Pipe Organ Builders > 41-43 Johnston St./P.O. Box 137 > Kenney, IL 61749-0137 > (217) 944-2454 VOX > (217) 944-2527 FAX > mailto:arpschneider@starband.net HOME EMAIL > mailto:arp@schneiderpipeorgans.com SHOP EMAIL > http://www.schneiderpipeorgans.com WEB PAGE URL > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital > organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >     __________________________________________________ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger http://phonecard.yahoo.com/  
(back) Subject: Re: Holtkamp From: "douglas morgan" <dkmorgan76209@yahoo.com> Date: Sat, 18 Aug 2001 12:57:34 -0700 (PDT)   The Holtkamp organ which was once in Oberlin's Warner Concert Hall is now at Texas Technical University in Lubbock, Texas. I can't tell you anything about it, because I've not yet been there to see it, but will give you more details when I've examined it.   D. Keith Morgan --- The Schneider Family <arpschneider@starband.net> wrote: > quilisma@socal.rr.com wrote: > > <some preliminary stuff snipped> > > > I don't think Chick can be blamed for the > less-that-successful instrument in > > new Warner Concert Hall at Oberlin (since replaced > by the yawn/bore > > Flentrop) ... for one thing, his father died while > it was under construction > > (it might not have been past the design stage ... > I don't remember ... > > didn't Walter Holtkamp Sr. die in 1962?) ... Chick > found himself doing a > > MAJOR organ for a MAJOR center of organ study as > one of his first > > instruments, if not THE first ... > > Interesting. About this time, another major > installation, which was > (according to Michael Barone on Pipedreams, who > recorded Todd Wilson > performing on the instrument I'm about to mention as > one of his first > programs way back when) was the St. John's > Benedictine Abbey Church in > Collegeville, MN. > > Of course, if the recording is any indication (other > than a bad > satellite uplink connection which made everything > sound "fuzzy towards > the end of the broadcast!) an explosion would sound > wonderful in this > space. > > But I remember being profoundly impressed by the > sound of this > instrument as being "just right"! Wilson played > many pieces on that > program including Edwin Lemare's "The Last Rose of > Summer" which allowed > him to explore and demonstrate an amazing variety of > tonal color > nuances. > > I was also amazed by the "Dismas Variations", as > this also offered an > amazing amount of tonal variety with a very full and > satisfying full > organ plenum with the 32' reed in the Pedal. > > > I think CHRIS Holtkamp is prepared to build in a > VARIETY of styles ... the > > fashions of his grandfather's day have passed, and > he knows it. > > In a way, I think that's too bad. There was > something certainly > satisfying about the aforementioned organ and I > would think that many > churches would gladly have an instrument that can > give an accounting of > itself like that. > > I've never seen the instrument or heard it in > person. For all I know: > up close and personally: it may be ugly, but from > what I heard those > many years ago, I remember being profoundly > impressed, and remain so to > this day. > > Faithfully, > > Richard Schneider, PRES/CEO > SCHNEIDER PIPE ORGANS, Inc. > Pipe Organ Builders > 41-43 Johnston St./P.O. Box 137 > Kenney, IL 61749-0137 > (217) 944-2454 VOX > (217) 944-2527 FAX > mailto:arpschneider@starband.net HOME EMAIL > mailto:arp@schneiderpipeorgans.com SHOP EMAIL > http://www.schneiderpipeorgans.com WEB PAGE URL > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital > organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >     __________________________________________________ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger http://phonecard.yahoo.com/  
(back) Subject: good and bad from ALL builders From: "Randy Terry" <randyterryus@yahoo.com> Date: Sat, 18 Aug 2001 13:53:07 -0700 (PDT)   --0-1053632203-998167987=3D:77316 Content-Type: text/plain; charset=3Dus-ascii     Remember everyone, that we do tend to let our personal tastes and loose = tongues allow us to class "Holtkamp" "Moller, "Austin" and "Aeolian = Skinner" into categories which when referred to in a certain tone of voice = means the same thing as when my grandmother says, "Oh, those are Dawsons - = they are all trash!" I've done it many a time. But I have played wonderful and very = unsuccessful instruments by each builder mentioned above. I don't think = that Chris Holtkamp will do away wholesale with his company's heritage, = and I am sure if you wanted a "Holtkamp Sr." instrument he would be able = to come very close to that - Maybe Chris' realm of what he considers = acceptable in organbuilding is wider than his father's. Look at the = changes in what Chick was doing during his period of leadership! Chris = also studied organ with one of the best (in my opinion) teachers in this = country - Warren Huttton. I don't know if Chick has academic training as = an organist. The tide may have turned (again) and neo is out of fashon, but there are = going to be organs from Holtkamp that we are going to have to fight to = save just like Skinners. The wonderful Holtkamp (1962) at St. Luke's in = Birmingham was recently renovated by a company other than Holtkamp, and = befroe that the present organist installed some non Holtkamp pipes in = prepared for chests that never got their original stops. None ot the work = changed the origianl that I can tell, and the added Harmonic Flute on the = Great and Gemshorn on the Positiv are wonderful additions and make the = instrument more useful in Anglican service playing. That was one of Sr's = last designs and Chick actually built it. Somehow, even though tonally the = additions are very good and don't stick out, I still think that either = Holtkamp should have been intrusted with those changes, or maybe it should = have been left alone. I wouldn't say that about every Holtkamp or Skinner. The same builder has = radically altered and enlarged a 1942 Aeolian Skinner in Huntsville = Alabama, and while it doesn't sound at all like a Skinner, the original = instrument was not successful at all so I am more ambivalent about that = instance. One thing I will say to those of you "back east;" BE THANKFUL! When I = came to CA I had visions of Aeolian Skinner, Fisk, etc., but the truth is = that save for a few really nice installations most of the regular churchs = have much less than what an equivelent church back home would have.     Randy Terry Minister of Music, Organist & Choirmaster The Episcopal Church of St. Peter Redwood City, California www.stpetersrwc.org     --------------------------------- Do You Yahoo!? Make international calls for as low as $0.04/minute with Yahoo! Messenger. --0-1053632203-998167987=3D:77316 Content-Type: text/html; charset=3Dus-ascii   <P>&nbsp;Remember everyone, that we do tend to let our personal tastes and = loose tongues allow us to class "Holtkamp" "Moller, "Austin" and "Aeolian = Skinner" into categories which when referred to in a certain tone of voice = means the same thing as when my grandmother says, "Oh, those are Dawsons - = they are all trash!" <P>I've done it many a time. But I have played wonderful and very = unsuccessful instruments by each builder mentioned above. I don't think = that Chris Holtkamp will do away wholesale with his company's heritage, = and I am sure if you wanted a "Holtkamp Sr." instrument he would be able = to come very close to that - Maybe Chris' realm of what he considers = acceptable in organbuilding is wider than his father's. Look at the = changes in what Chick was doing during his period of leadership! Chris = also studied organ with one of the best (in my opinion) teachers in this = country - Warren Huttton. I don't know if Chick has academic training as = an organist. <P>The tide may have turned (again) and neo is out of fashon, but there = are going to be organs from Holtkamp that we are going to have to fight to = save just like Skinners. The wonderful Holtkamp (1962) at St. Luke's in = Birmingham was recently renovated by a company other than Holtkamp, and befroe that the present organist = installed some non Holtkamp pipes in prepared for chests that never got = their original stops. None ot the work changed the origianl that I can = tell, and the added Harmonic Flute on the Great and Gemshorn on the = Positiv are wonderful additions and make the instrument more useful in = Anglican service playing. That was one of Sr's last designs and Chick = actually built it. Somehow, even though tonally the additions are very = good and don't stick out, I still think that either Holtkamp should have = been intrusted with those changes, or maybe it should have been left = alone. <P>I wouldn't say that about every Holtkamp or Skinner. The same builder = has radically altered and enlarged a 1942 Aeolian Skinner in Huntsville = Alabama, and while it doesn't sound at all like a Skinner, the original = instrument was not successful at all so I am more ambivalent about that = instance. <P>One thing I will say to those of you "back east;" BE THANKFUL!&nbsp; = When I came to CA I had visions of Aeolian Skinner, Fisk, etc., but the = truth is that save for a few really nice installations most of the regular = churchs have much less than what an equivelent church back home would = have.</P><BR><BR>Randy Terry<br>Minister of Music, Organist &amp; = Choirmaster<br>The Episcopal Church of St. Peter<br>Redwood City, = California<br>www.stpetersrwc.org<p><br><hr size=3D1><b>Do You = Yahoo!?</b><br> Make <a href=3D"http://phonecard.yahoo.com/">international calls</a> for = as low as $0.04/minute with Yahoo! Messenger. --0-1053632203-998167987=3D:77316--  
(back) Subject: Re: Purvis, Dubois and Callahan [x-posted] From: <RMaryman@aol.com> Date: Sat, 18 Aug 2001 18:53:13 EDT     --part1_25.19e04936.28b04bd9_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 8/14/2001 10:14:06 PM Eastern Daylight Time, gksjd85@access.aic-fl.com writes:     > (1) Has anyone recorded Dubois' Fiat Lux? I've played it through, but = have > never heard it done. > I have only heard this piece played on one of the Diane Bish "Joy" = programs ( and it is in one of her collections as well...It moves quite briskly in = her playing of it.     > (2) Does anyone have any favorite Purvis music suitable for service? = I've > played the first two movements from the Four Prayers in Tone, no longer = in > print (again I've never heard anyone do this music), and bought the only > volume of his that I've found in print. It has mainly Christmas music, = so > I'm looking for suggestions. > I play several pieces by Purvis that are wuite nice...Several out of the =   > "Eleven Pieces for the Church Organ(ist)", and Seven Pieces = (arrangements > of hymntunes, not as elaborate as the "eleven" arrangements. I = particulary > like "Forest Green" from this book...Also the March Grotesque (which is = in > a suite, probably now out of print). > > (3) What is your favorite Charles Callahan piece suitable for prelude, > communion or postlude? > > Four Lyrical Pieces (especially the first 2 pieces), pub. = Morningstar...and > any of the pieces pub. Randall Egan Especially "Folk Tune", Rigadoun (in =   > the style of Campra), Prelude in C...LOTS of good pieces by Charlie C = out > there. > > >       --part1_25.19e04936.28b04bd9_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 8/14/2001 10:14:06 PM Eastern Daylight Time, <BR>gksjd85@access.aic-fl.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">(1) &nbsp;Has = anyone recorded Dubois' Fiat Lux? &nbsp;I've played it through, but have <BR>never heard it done. <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR>I have only heard this piece played on one of the Diane Bish "Joy" = programs ( <BR>and it is in one of her collections as well...It moves quite briskly = in her <BR>playing of it.</FONT><FONT COLOR=3D"#000000" SIZE=3D2 = FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: = #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: = 5px">(2) Does anyone have any favorite Purvis music suitable for service? = &nbsp;I've <BR>played the first two movements from the Four Prayers in Tone, no = longer in <BR>print (again I've never heard anyone do this music), and bought the = only <BR>volume of his that I've found in print. &nbsp;It has mainly Christmas = music, so <BR>I'm looking for suggestions. <BR>I play several pieces by Purvis that are wuite nice...Several out of = the <BR>"Eleven Pieces for the Church Organ(ist)", and Seven Pieces = (arrangements <BR>of hymntunes, not as elaborate as the "eleven" arrangements. I = particulary <BR>like "Forest Green" from this book...Also the March Grotesque (which = is in <BR>a suite, probably now out of print). <BR> <BR>(3) &nbsp;What is your favorite Charles Callahan piece suitable for = prelude, <BR>communion or postlude? <BR> <BR>Four Lyrical Pieces (especially the first 2 pieces), pub. = Morningstar...and <BR>any of the pieces pub. Randall Egan Especially "Folk Tune", Rigadoun = (in <BR>the style of Campra), &nbsp;Prelude in C...LOTS of good pieces by = Charlie C out <BR>there. <BR> <BR> <BR>Rick in VA</BLOCKQUOTE> <BR> <BR></FONT></HTML>   --part1_25.19e04936.28b04bd9_boundary--  
(back) Subject: Re: First Baptist Church in Dallas From: <Innkawgneeto@cs.com> Date: Sat, 18 Aug 2001 19:47:16 EDT     --part1_94.18847824.28b05884_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   They have always had a big program. I would assume they are still in = their downtown location? Same building?   Neil B   --part1_94.18847824.28b05884_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><BODY BGCOLOR=3D"#ffffff"><FONT = SIZE=3D2>They have always had a big program. &nbsp;I would assume they are = still in their <BR>downtown location? &nbsp;Same building? <BR> <BR>Neil B</FONT></HTML>   --part1_94.18847824.28b05884_boundary--  
(back) Subject: Re: mixtures From: "Bob Elms" <elmsr@albanyis.com.au> Date: Sun, 19 Aug 2001 08:13:13 +0800   Ron, I have a digital organ with several temperaments. In equal all keys sound good. In other temperaments available some intervals sound appalling, especially keys including G#. This make the playing of romantic music a little unsatisfactory.Vallotti is not bad, but equal sounds better for most of the modern repertoire. Why is it that in this country except for some modern organs built with the playing of Baroque music in mind (Ahrens for example)all organs are tuned in equal temperament? Surely all organ builders and 99% of organists in this country have not got their heads stuck un the sand? I don't play Baroque usic very often. Equal for me any time.I have tried others. Bob E.    
(back) Subject: Re: Gravissiama From: "Bob Elms" <elmsr@albanyis.com.au> Date: Sun, 19 Aug 2001 08:23:46 +0800   Actually the 64' effect is given by heterodyning two 32' notes together. If two frequencies are mixed two other frequencies result - the sum and the difference of the two frequencies. So playing bottom C and G together gives two frequencies, the sum and the difference between C and G. The difference frequency between bottom C and G is CC an octave down.So mixing C and G at 16 foot gives a difference frequency of C 32'. Mixing C and G at 32' gives a difference frequency of C 64'. The sum of the two frequencies is lost in the general effect, being much higher. The heterodyning effect of mixing frequencies is used a great deal in electronics (radio). Bob E.   Josh Edwards wrote: > > I have read about Resultants, but still do > not have a clear understanding of how they work. I think it has to do > with sounding several different pipes from certain ranks at the same > time to simulate the harmonic structure of a real 64'. I wonder if I'm > on the right track? >    
(back) Subject: Re: Gravissiama From: "David Scribner" <david@blackiris.com> Date: Sat, 18 Aug 2001 20:04:51 -0500   At 2:01 PM -0400 8/18/01, RonSeverin@aol.com wrote: >Atlantic City Auditorium may have a real 64' >and there may be a real one on the Melbourne Town Hall organ.   Ron   You had better get your facts straight!   The Midmer-Losh in the Atlantic City Boardwalk Hall does have one of the two "real" 64' stops in the world. Although it is marked in some places as a "Dulzian" the bottom two octaves are actually Diaphone pipes.   The other real 64' is the "Contra-Trombone" in the William Hill and Son's organ in the SYDNEY Town Hall - not Melbourne. And that is actually a reed not a Diaphone.   You may think you are a walking encyclopedia but I would suggest that you get your facts correct before posting something!   David    
(back) Subject: Re: re. First Baptist Dallas From: <ScottFop@aol.com> Date: Sat, 18 Aug 2001 21:21:17 EDT     --part1_e.11496ac0.28b06e8d_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   The Gospel according to BEULAH!   --part1_e.11496ac0.28b06e8d_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT COLOR=3D"#0000a0" SIZE=3D2>The = Gospel according to </FONT><FONT COLOR=3D"#ff0080" SIZE=3D4 = FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"><B><I>BEULAH</FONT><FONT = COLOR=3D"#0000a0" SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" = LANG=3D"0"></B></I>!</FONT></HTML>   --part1_e.11496ac0.28b06e8d_boundary--  
(back) Subject: De ja vu: Seeking reference book From: "Glenda" <gksjd85@access.aic-fl.com> Date: Sat, 18 Aug 2001 21:09:04 -0500   Someone on one of the lists mentioned 2-3 months ago about a reference = book out there that provides the texts and translations for all or most of the old chorales. Can anyone enlighten me as to the name, publisher, etc.?   Thanks,   Glenda Sutton        
(back) Subject: Re: Specifications For The Jaeckel Organ etc. From: <Cremona502@cs.com> Date: Sat, 18 Aug 2001 22:29:38 EDT     --part1_dd.192ecf68.28b07e92_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   What a wonderful stoplist. I'm sure with Dan Jaeckel behind it that the organ will be stunning.   I learned TWO very important things.   1) The organ will cost more than $200 because it has a "crank" bench!!   2) I haven't the faintest what a "Pauken" is!! (anyone)     Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly, and Dewi Visit Howling Acres at http://members.tripod.com/Brucon502/     --part1_dd.192ecf68.28b07e92_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">What a wonderful stoplist. &nbsp;I'm sure with = Dan Jaeckel behind it that the <BR>organ will be stunning. <BR> <BR>I learned TWO very important things. <BR> <BR>1) &nbsp;The organ will cost more than $200 because it has a "crank" = bench!! <BR> <BR>2) &nbsp;I haven't the faintest what a "</FONT><FONT = COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"FIXED" FACE=3D"Courier New" = LANG=3D"0">Pauken" is!! &nbsp;&nbsp;(anyone) <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR> &nbsp;&nbsp;&nbsp;&nbsp;Duncan, Miles, Molly, and Dewi <BR>Visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR></FONT></HTML>   --part1_dd.192ecf68.28b07e92_boundary--