PipeChat Digest #2532 - Monday, December 3, 2001
 
Re: Christman eve - how would you like this?
  by "Bob Elms" <elmsr@albanyis.com.au>
Mixtures, was christmas eve - how would you like this?
  by "Dennis Goward" <dlgoward@qwest.net>
Re: christmas eve - how would you like this?
  by <MFoxy9795@aol.com>
Re: Christman eve - how would you like this?
  by <MFoxy9795@aol.com>
Re: Cochereau "Bol=E8ro"
  by <WiegandCJ@aol.com>
Re: christmas eve - how would you like this?
  by <MFoxy9795@aol.com>
Re: christmas eve - how would you like this?
  by <MFoxy9795@aol.com>
Re: christmas eve - how would you like this?
  by <Cremona502@cs.com>
Re: Mixtures, was christmas eve - how would you like this?
  by <Cremona502@cs.com>
Re: christmas eve - how would you like this?
  by <Cremona502@cs.com>
Re: christmas eve - how would you like this?
  by <Cremona502@cs.com>
Re: Wedding music for Mandy
  by "Russell Greene" <rggreene2@shaw.ca>
I need advice for title of work(x-posted)
  by <Robert_Lind@cch.com>
Re: I need advice for title of work(x-posted)
  by "Ross & Lynda Wards" <TheShieling@xtra.co.nz>
Re: I need advice for title of work(x-posted)
  by "Dennis Goward" <dlgoward@qwest.net>
RE: I need advice for title of work(x-posted)
  by "Storandt, Peter" <pstorandt@okcu.edu>
Re: I need advice for title of work(x-posted)
  by "Dennis Goward" <dlgoward@qwest.net>
RE: I need advice for title of work(x-posted)
  by "Storandt, Peter" <pstorandt@okcu.edu>
Re: christmas eve - how would you like this?
  by <RonSeverin@aol.com>
Re: Electronic relay/switching
  by "Rich Doremus" <rdoremus1@home.com>
Re: Electronic relay/switching
  by <RonSeverin@aol.com>
Anyone listen to the postlude Sunday?
  by <Wuxuzusu@aol.com>
Re: Anyone listen to the postlude Sunday?
  by <ScottFop@aol.com>
Re: Anyone listen to the postlude Sunday?
  by "Bob K." <rkinner@one.net>
Re: Anyone listen to the postlude Sunday?
  by "BridgewaterUMC Director of Music" <bridgewatermusic@hotmail.c
 

(back) Subject: Re: Christman eve - how would you like this? From: "Bob Elms" <elmsr@albanyis.com.au> Date: Mon, 03 Dec 2001 03:58:52 -0800   What about the old Army favourite "Come to the cookhouse door boys"! B. E.   > > The rector of the church where i she had hired a trumpeter for = christmas eve!!! this was something that was never discussed or even = brought up with me! i am very annoyed. she asked me what i thought he = should play. << > >  
(back) Subject: Mixtures, was christmas eve - how would you like this? From: "Dennis Goward" <dlgoward@qwest.net> Date: Mon, 3 Dec 2001 05:12:21 -0700   > Surely you jest re: the no-mixtures on Silent Night???????????? > Having recently heard Peter Conte play a complete recital without the = use of > a single mixture, I have turned over a new leaf and am playing many of = my > hymns without mixtures. No complaints.   I stopped using mixtures in most cases on hymns a couple years ago. Complaints about playing too loud stopped about that time, too.   I think the use of mixtures in accompanying singing is overrated. I find = I get much better response adding a second diapason. Perhaps the English = had something?   Dennis      
(back) Subject: Re: christmas eve - how would you like this? From: <MFoxy9795@aol.com> Date: Mon, 03 Dec 2001 08:51:18 EST   In a message dated Mon, 3 Dec 2001 12:27:54 AM Eastern Standard Time, = "TommyLee Whitlock" <tommylee@whitlock.org> writes: With all the celestes going, a 32' and > > candlelight, quite affecting.>   Surely you jest! this little whistlebox only has 3 manual 8' ranks (over = 2 manuals) altogether!   Your rector is still inconsiderate to just spring it on you without any > consultation.   AMEN!! > > Cheers, > tommylee > who used to play trumpet long ago and would hate to be the trumpeter = under > these circumstances > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org      
(back) Subject: Re: Christman eve - how would you like this? From: <MFoxy9795@aol.com> Date: Mon, 03 Dec 2001 08:55:34 EST   I have nothing against the poor unwitting trumpeter. It is the RECTOR = who engaged him without my knowledge or consent!   In a message dated Sun, 2 Dec 2001 10:12:28 PM Eastern Standard Time, = Wurlibird1@aol.com writes:   > MFoxy9795 writes: > > > >fellow listers, how do you like this one: The rector of the church = where i > >am interim org/ch told me in an e-mail just last night that she had = hired a > >trumpeter for christmas eve!!! this was something that was never = discussed > >or even brought up with me! i am very annoyed. she asked me what i = thought > >he should play. << > > Hi Merry, > > If you want to extract a pound of flesh for this inconsideration, insist = that > he do Anderson's "Trumpeter's Holiday" which is usually done at about = 120 > meter. Of course if he CAN do it, bow deeply and call him SIR!! Yes, = it is > a secular piece and I have not a clue as to what to suggest fitting for > Christmas Eve on trumpet. > > Best wishes, > Jim Pitts > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org      
(back) Subject: Re: Cochereau "Bol=E8ro" From: <WiegandCJ@aol.com> Date: Mon, 3 Dec 2001 08:57:21 EST   In einer eMail vom 03.12.01 04:20:01 (MEZ) Mitteleurop=E4ische Zeit schreibt= =20 mike3247@earthlink.net:   > Greetings, > I fell in love with the subject piece after hearing Todd Wilson play > it at Severance Hall last week. I would like to find a good recording of > the tune, and request any opinions from the list. > =20   Sheet music: http://www.ohscatalog.org/cochereau.html   Recordings:=20 David Briggs http://www.ohscatalog.org/davbrigatglo.html Yves Castagnet http://aeolus-music.com/unda/UM20011.htm   Carl  
(back) Subject: Re: christmas eve - how would you like this? From: <MFoxy9795@aol.com> Date: Mon, 03 Dec 2001 08:57:46 EST   LOL i love it. if i felt daring enough i would forward this to her, but = maybe that is too much.....   In a message dated Sun, 2 Dec 2001 10:39:22 PM Eastern Standard Time, = EppleyB@cs.com writes:   > I think the Rector should consider what SHE will be doing with the = Trumpeter, since she hired him (or her). > > Hopefully, she can sing something. Maybe for Communion Meditation? > > > > > > Barb Eppley > > Retired (temporarily) Organist > > Stow, Ohio      
(back) Subject: Re: christmas eve - how would you like this? From: <MFoxy9795@aol.com> Date: Mon, 03 Dec 2001 09:01:20 EST   "Trumpet solos can be fun for Christmas."   OF COURSE they can, when one KNOWS IN ADVANCE!!    
(back) Subject: Re: christmas eve - how would you like this? From: <Cremona502@cs.com> Date: Mon, 3 Dec 2001 10:24:42 EST     --part1_14e.50f7b4b.293cf33a_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 12/3/01 4:36:30 AM Eastern Standard Time, = maybe@pipcom.com writes:     > . All you need > is a truly pathetic little tree on the console, and the melody from the > Peanuts theme worked into your left hand....voila, a warm and fuzzy way = to > include the mwahh-mwah-mwaaahhhh.   What great back up during the sermon. After all, the rector paid for = it!!! ;-)   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly, and Dewi Please visit Howling Acres at http://members.tripod.com/Brucon502/ and wander through the Mall Without Walls   --part1_14e.50f7b4b.293cf33a_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 12/3/01 4:36:30 AM Eastern Standard Time, maybe@pipcom.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">. &nbsp;All you = need <BR>is a truly pathetic little tree on the console, and the melody from = the <BR>Peanuts theme worked into your left hand....voila, a warm and fuzzy = way to <BR>include the mwahh-mwah-mwaaahhhh. </FONT><FONT COLOR=3D"#000000" = SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>What great back up during the sermon. &nbsp;&nbsp;After all, the = rector paid for it!!! &nbsp;;-) <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR> &nbsp;&nbsp;&nbsp;&nbsp;Duncan, Miles, Molly, and Dewi <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;and wander through the Mall Without Walls</FONT></HTML>   --part1_14e.50f7b4b.293cf33a_boundary--  
(back) Subject: Re: Mixtures, was christmas eve - how would you like this? From: <Cremona502@cs.com> Date: Mon, 3 Dec 2001 10:31:23 EST     --part1_fd.1006f60a.293cf4cb_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 12/3/01 7:13:05 AM Eastern Standard Time, dlgoward@qwest.net writes:     > I think the use of mixtures in accompanying singing is overrated. I = find I > get much better response adding a second diapason. Perhaps the English = had > something? >   PERHAPS???? Dear, dear man!! Unfortunately, mixtures on hymns is one = of those unfortunate things that snuck in with the early baroque revival = myths. It's really too bad that the news about their beautiful, warm 8 and 4 principals didn't get passed along. I don't think anything inspires a congregation more than three Open Diapasons an Octave and a Fifteenth!! = and of course a nice firms bass line!!   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly, and Dewi Please visit Howling Acres at http://members.tripod.com/Brucon502/ and wander through the Mall Without Walls   --part1_fd.1006f60a.293cf4cb_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 12/3/01 7:13:05 AM Eastern Standard Time, dlgoward@qwest.net writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I think the use of = mixtures in accompanying singing is overrated. &nbsp;I find I <BR>get much better response adding a second diapason. &nbsp;Perhaps the = English had <BR>something? <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>PERHAPS???? &nbsp;&nbsp;&nbsp;Dear, dear man!! = &nbsp;&nbsp;&nbsp;Unfortunately, mixtures on hymns is one of those = unfortunate things that snuck in with the early baroque revival myths. = &nbsp;It's really too bad that the news about their beautiful, warm 8 and = 4 principals didn't get passed along. &nbsp;I don't think anything = inspires a congregation more than three Open Diapasons an Octave and a = Fifteenth!! &nbsp;&nbsp;and of course a nice firms bass line!! <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR> &nbsp;&nbsp;&nbsp;&nbsp;Duncan, Miles, Molly, and Dewi <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;and wander through the Mall Without Walls</FONT></HTML>   --part1_fd.1006f60a.293cf4cb_boundary--  
(back) Subject: Re: christmas eve - how would you like this? From: <Cremona502@cs.com> Date: Mon, 3 Dec 2001 10:42:59 EST     --part1_d1.10502103.293cf783_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 12/3/01 8:52:08 AM Eastern Standard Time, MFoxy9795@aol.com writes:     > In a message dated Mon, 3 Dec 2001 12:27:54 AM Eastern Standard Time, > "TommyLee Whitlock" <tommylee@whitlock.org> writes: > With all the celestes going, a 32' and > > > candlelight, quite affecting.> > > Surely you jest! this little whistlebox only has 3 manual 8' ranks = (over 2 > manuals) altogether! >   Shucks! No problem. Use one of the 8's, all of the 4's and a light = 2'.... and then play an octave lower. Use the 16 only in the pedal and play in =   the low octave in fifths. Nothing to it!!! ;-)   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly, and Dewi Please visit Howling Acres at http://members.tripod.com/Brucon502/ and wander through the Mall Without Walls   --part1_d1.10502103.293cf783_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 12/3/01 8:52:08 AM Eastern Standard Time, MFoxy9795@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">In a message dated = Mon, 3 Dec 2001 12:27:54 AM Eastern Standard Time, "TommyLee Whitlock" = &lt;tommylee@whitlock.org&gt; writes: <BR>With all the celestes going, a 32' and <BR>&gt; &gt; candlelight, quite affecting.&gt; <BR> <BR>Surely you jest! &nbsp;this little whistlebox only has 3 manual 8' = ranks (over 2 manuals) altogether! <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>Shucks! &nbsp;No problem. &nbsp;Use one of the 8's, all of the 4's and = a light 2'.... &nbsp;and then play an octave lower. &nbsp;&nbsp;&nbsp;Use = the 16 only in the pedal and play in the low octave in fifths. = &nbsp;&nbsp;Nothing to it!!! &nbsp;;-) <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR> &nbsp;&nbsp;&nbsp;&nbsp;Duncan, Miles, Molly, and Dewi <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;and wander through the Mall Without Walls</FONT></HTML>   --part1_d1.10502103.293cf783_boundary--  
(back) Subject: Re: christmas eve - how would you like this? From: <Cremona502@cs.com> Date: Mon, 3 Dec 2001 10:44:38 EST     --part1_4d.155b8202.293cf7e6_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 12/3/01 9:01:57 AM Eastern Standard Time, MFoxy9795@aol.com writes:     > "Trumpet solos can be fun for Christmas." > > OF COURSE they can, when one KNOWS IN ADVANCE!! >   This is "in advance".... it's ONLY Advent I !! ;-) Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly, and Dewi Please visit Howling Acres at http://members.tripod.com/Brucon502/ and wander through the Mall Without Walls   --part1_4d.155b8202.293cf7e6_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 12/3/01 9:01:57 AM Eastern Standard Time, MFoxy9795@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">"Trumpet solos can = be fun for Christmas." <BR> <BR>OF COURSE they can, when one KNOWS IN ADVANCE!! <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>This is "in advance".... it's ONLY Advent I !! &nbsp;;-) <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR> &nbsp;&nbsp;&nbsp;&nbsp;Duncan, Miles, Molly, and Dewi <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;and wander through the Mall Without Walls</FONT></HTML>   --part1_4d.155b8202.293cf7e6_boundary--  
(back) Subject: Re: Wedding music for Mandy From: "Russell Greene" <rggreene2@shaw.ca> Date: Mon, 03 Dec 2001 11:33:50 -0600   On 12/2/01 4:13 PM, Dennis Goward wrote:   > And Dennis quieries: > > Douglas -- ever heard of copyright?   Amen, Dennis!    
(back) Subject: I need advice for title of work(x-posted) From: <Robert_Lind@cch.com> Date: Mon, 3 Dec 2001 14:21:43 -0600   I've just written and copied out an organ work for a friend's birthday, = which a number of people will help celebrate tomorrow evening. It's an upbeat quasi-baroque-leaning-into-classic piece (with perhaps a modern-day twist = or two) to be played on a plenum registration. It would be a prelude and = fugue were it not for the fact that the fugue is not schoolbookish but pretty much = wimps out after the exposition (pace G.F. Handel, et al.) and develops fugue = themes with prelude themes during the course of its argument and brings back the initial motive from the prelude to close the work.   Hence, I prefer not to call it "Prelude and Fugue in C" but wonder if "Praeludium in C" or "Praeambulum in C" would provide sufficient = obfuscation so that no one would get up on his/her puristic high horse and blurt out = "Why, that certainly is no prelude and Fugue, you dolt!" Or words to that effect.   Of course, I'm worried that my use of Praeludium or Praeambulum may also = be subject to the same kind of derisive comments that "and Fugue" might = engender. I'm beginning to understand why certain works in music and the visual arts = are called "Untitled".   Do any of you scholarly people have a suggestion? I need something fast = and don't have access to a music dictionary here at the office.   Many thanks, Bob Lind      
(back) Subject: Re: I need advice for title of work(x-posted) From: "Ross & Lynda Wards" <TheShieling@xtra.co.nz> Date: Tue, 4 Dec 2001 09:50:11 +1300   The only suggestios I have are three. 1. Send me a copy 2. Pay me money and I'll promise to play it 3. Call it "Voluntary" or "Involuntary" Ross Wards (retired Anglican cleric in New Zealand) -----Original Message----- From: Robert_Lind@cch.com <Robert_Lind@cch.com> To: Pipechat@pipechat.org <Pipechat@pipechat.org> Date: Tuesday, December 04, 2001 9:22 AM Subject: I need advice for title of work(x-posted)     >I've just written and copied out an organ work for a friend's birthday, which a >number of people will help celebrate tomorrow evening. It's an upbeat >quasi-baroque-leaning-into-classic piece (with perhaps a modern-day twist or >two) to be played on a plenum registration. It would be a prelude and = fugue were >it not for the fact that the fugue is not schoolbookish but pretty much wimps >out after the exposition (pace G.F. Handel, et al.) and develops fugue themes >with prelude themes during the course of its argument and brings back the >initial motive from the prelude to close the work. > >Hence, I prefer not to call it "Prelude and Fugue in C" but wonder if >"Praeludium in C" or "Praeambulum in C" would provide sufficient obfuscation so >that no one would get up on his/her puristic high horse and blurt out = "Why, that >certainly is no prelude and Fugue, you dolt!" Or words to that effect. > >Of course, I'm worried that my use of Praeludium or Praeambulum may also = be >subject to the same kind of derisive comments that "and Fugue" might engender. >I'm beginning to understand why certain works in music and the visual = arts are >called "Untitled". > >Do any of you scholarly people have a suggestion? I need something fast = and >don't have access to a music dictionary here at the office. > >Many thanks, >Bob Lind > > > >"Pipe Up and Be Heard!" >PipeChat: A discussion List for pipe/digital organs & related topics >HOMEPAGE : http://www.pipechat.org >List: mailto:pipechat@pipechat.org >Administration: mailto:admin@pipechat.org >Subscribe/Unsubscribe: mailto:requests@pipechat.org >      
(back) Subject: Re: I need advice for title of work(x-posted) From: "Dennis Goward" <dlgoward@qwest.net> Date: Mon, 3 Dec 2001 13:31:28 -0700   > Hence, I prefer not to call it "Prelude and Fugue in C"   I wrote a little thing once that similarly started out like a fugue, but = did not follow the form to the letter. I called it a "Fantasy" at a = professor's suggestion.   D    
(back) Subject: RE: I need advice for title of work(x-posted) From: "Storandt, Peter" <pstorandt@okcu.edu> Date: Mon, 3 Dec 2001 14:48:16 -0600   And you got an "A"? :-)   -----Original Message----- From: Dennis Goward [mailto:dlgoward@qwest.net] Sent: Monday, December 03, 2001 2:31 PM To: PipeChat Subject: Re: I need advice for title of work(x-posted)     > Hence, I prefer not to call it "Prelude and Fugue in C"   I wrote a little thing once that similarly started out like a fugue, but = did not follow the form to the letter. I called it a "Fantasy" at a = professor's suggestion.   D     "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:pipechat@pipechat.org Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: mailto:requests@pipechat.org  
(back) Subject: Re: I need advice for title of work(x-posted) From: "Dennis Goward" <dlgoward@qwest.net> Date: Mon, 3 Dec 2001 14:02:31 -0700     > And you got an "A"? :-) > Let's just say it wasn't a required assignment.   D    
(back) Subject: RE: I need advice for title of work(x-posted) From: "Storandt, Peter" <pstorandt@okcu.edu> Date: Mon, 3 Dec 2001 15:10:53 -0600   You're such an achiever. Well-done.   -----Original Message----- From: Dennis Goward [mailto:dlgoward@qwest.net] Sent: Monday, December 03, 2001 3:03 PM To: PipeChat Subject: Re: I need advice for title of work(x-posted)       > And you got an "A"? :-) > Let's just say it wasn't a required assignment.   D     "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:pipechat@pipechat.org Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: mailto:requests@pipechat.org  
(back) Subject: Re: christmas eve - how would you like this? From: <RonSeverin@aol.com> Date: Mon, 3 Dec 2001 16:23:40 EST   Hi Bob   I love slush. I'd sure like to hear you play Silent Night! I can just imagine a treatment like that on the Wanamaker's organ in PA. It would be hanky time and you probably would get a big raise.   Ron Severin  
(back) Subject: Re: Electronic relay/switching From: "Rich Doremus" <rdoremus1@home.com> Date: Mon, 3 Dec 2001 17:34:11 -0500   Hi, I have a Moller Artiste to which I would like to add 6+ ranks. Since I'm pretty sure the key contacts will not handle additional magnets I = would like to convert to electronics for switching and relays. My question is: Which product do I buy. I am looking for reliability, of course, as well = as flexibility, ease of wire connecting , software/instruction manual I can understand, etc. If anybody has been down this road before me, I'ld appreciate a little guidance.   Thanks,   Rich Doremus    
(back) Subject: Re: Electronic relay/switching From: <RonSeverin@aol.com> Date: Mon, 3 Dec 2001 18:21:25 EST   Dear Richard   Peterson is one of the most relyable keying systems around. SSL is another. Musicom. It all depends on how you wish things to turn out. Don't just buy price, buy quality. You can buy used, but I won't recommend it. I would also recommend having the system professionally installed. Who should do the installation? Ask around for recommendations. You'll get a feel for who and who not. Who ever you choose, will they guarantee their work, and are they electrically qualified? In the asking, be careful of axe grinders too. Some of them are all wet behind the ears. Knowledge of electricity is very important for a good install. Go to knowledgeable people you know and respect and have good reputations. You are going to have to be very intuitive.   Ron Severin  
(back) Subject: Anyone listen to the postlude Sunday? From: <Wuxuzusu@aol.com> Date: Mon, 3 Dec 2001 18:52:41 EST     --part1_18.165d7e6c.293d6a49_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit     Greetings, Yesterday, at the Worthington, Ohio, United Methodist Church, William = Haller played Widor's Toccata as the postlude. During his playing, nearly one = third of the congregation waited quietly, listening to his performance. When he finished, he received a hearty round of applause.   I notice that more people are staying to listen to the postlude, = regardless of what is played.   Has this phemomenon happened to any one on this list?   Stan Krider   --part1_18.165d7e6c.293d6a49_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D3><BR> Greetings,<BR> Yesterday, at the Worthington, Ohio, United Methodist Church, William = Haller played Widor's Toccata as the postlude. During his playing, nearly = one third of the congregation waited quietly, listening to his = performance. When he finished, he received a hearty round of applause.<BR> <BR> I notice that more people are staying to listen to the postlude, = regardless of what is played.<BR> <BR> Has this phemomenon happened to any one on this list?<BR> <BR> Stan Krider</FONT></HTML>   --part1_18.165d7e6c.293d6a49_boundary--  
(back) Subject: Re: Anyone listen to the postlude Sunday? From: <ScottFop@aol.com> Date: Mon, 3 Dec 2001 19:03:02 EST     --part1_b6.2c3108f.293d6cb6_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   My entire choir sits IN THE CHOIR STALLS for the entire Organ Voluntary following the conclusion of the service and a good portion of the congregation either sits in their pews or stands quietly in the "receiving =   line" on their way to greet the Pastor before exiting the church.   Scott Foppiano   --part1_b6.2c3108f.293d6cb6_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>My entire choir sits IN = THE CHOIR STALLS for the entire Organ Voluntary following the conclusion = of the service and a good portion of the congregation either sits in their = pews or stands quietly in the "receiving line" on their way to greet the = Pastor before exiting the church. <BR> <BR>Scott Foppiano</FONT></HTML>   --part1_b6.2c3108f.293d6cb6_boundary--  
(back) Subject: Re: Anyone listen to the postlude Sunday? From: "Bob K." <rkinner@one.net> Date: Mon, 03 Dec 2001 19:19:24 -0500   Our church eliminated the postlude some years ago. So few stayed to listen that it wasn't worth the organist's time to prepare one.   Bob   Wuxuzusu@aol.com wrote:   > > Greetings, > Yesterday, at the Worthington, Ohio, United Methodist Church, William > Haller played Widor's Toccata as the postlude. During his playing, > nearly one third of the congregation waited quietly, listening to his > performance. When he finished, he received a hearty round of applause. > > I notice that more people are staying to listen to the postlude, > regardless of what is played. > > Has this phemomenon happened to any one on this list? > > Stan Krider      
(back) Subject: Re: Anyone listen to the postlude Sunday? From: "BridgewaterUMC Director of Music" <bridgewatermusic@hotmail.com> Date: Mon, 03 Dec 2001 21:37:43 -0500       > >Has this phemomenon happened to any one on this list? > >Stan Krider     Stan:   Im happy to say that it has. Not every Sunday of course, but often = enough. Having studied with Dr HAller in the 80's I can well understand why they stay. Not only is he an exceptional organist but an all around decent fellow as well.   Craig     _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp