PipeChat Digest #1778 - Friday, January 19, 2001
 
Felix Hell at Coral Ridge
  by "Dr. Darryl Miller" <organdok@safari.net>
Rebecca Kleintop Owens at Coral Ridge
  by "Dr. Darryl Miller" <organdok@safari.net>
Andy Kotylo and Tom Trenney Concert at Coral Ridge
  by "Dr. Darryl Miller" <organdok@safari.net>
RE: Rebecca Kleintop Owens at Coral Ridge
  by "Mike Swaldo" <mswal@adelphia.net>
"Music from the Cathedrals" at Coral Ridge
  by "Dr. Darryl Miller" <organdok@safari.net>
RE: Rebecca Kleintop Owens at Coral Ridge
  by "Dr. Darryl Miller" <organdok@safari.net>
Re: Hymn mystery
  by "Margo Dillard" <dillardm@airmail.net>
Theatre Organ configuration question
  by "conmara" <conmara@grandcanyonhiker.com>
Re: Theatre Organ configuration question
  by "Thomas H. Cotner" <cotnerpo@brightok.net>
Re: Organ-playing pig
  by "Randy Runyon" <runyonr@muohio.edu>
Re: Hymn mystery
  by "Alan Freed" <afreed0904@earthlink.net>
Re: Hymn mystery
  by <Tspiggle@aol.com>
RE: Severence Hall Skinner - a nice reply!
  by "John Vanderlee" <jovanderlee@vassar.edu>
Re: Hymn mystery
  by "Noel Stoutenburg" <mjolnir@ticnet.com>
Thank you for the message
  by "Hans-Dieter Karras" <hans@hdkarras.de>
Fw: Things Organic (cross-posted]
  by "Bonnie Beth Derby" <orge@dreamscape.com>
Thank you for the message
  by "Hans-Dieter Karras" <hans@hdkarras.de>
Re: Hymn mystery
  by "TommyLee Whitlock" <tommylee@whitlock.org>
Fw: Theatre Organ configuration question
  by "VEAGUE" <dutchorgan@svs.net>
Re: Severence Hall Skinner - a nice reply!
  by "VEAGUE" <dutchorgan@svs.net>
setting for "Glory To God"
  by "Carlo Pietroniro" <organist@total.net>
Re: setting for "Glory To God"
  by <RonSeverin@aol.com>
 

(back) Subject: Felix Hell at Coral Ridge From: "Dr. Darryl Miller" <organdok@safari.net> Date: Tue, 16 Jan 2001 06:32:01 -0500   Hi, Y'all!   I promised to post the concert programs of Felix, Becky Kleintop Owens, Tom Trenney, Andy Kotylo and John Weaver/Sir David Willcocks, so here is the first installment. I'm posting to both major organ lists since there is interest from both camps for this information.=20   Felix had about 500 or so at his concert which is pretty good for a Tuesday night in Fort Lauderdale on the second day of January. He is a charming young man and a somewhat typical teenager. We were together quite a bit away from the organ since he was at our home on New Year's Eve and our 14-year-old daughter and I took him to the movie ("Castaways"), etc. However, the most fun I think he had in Fort Lauderdale was at the "Adult Toy Store" which is, of course, the auto dealership for ferraris, lamborghinis, etc., etc., etc.     Coral Ridge Presbyterian Church Fort Lauderdale, Florida CHURCH MUSIC EXPLOSION 2001 presents Felix Hell   Tuesday, January 2, 2001 at 8:00 PM   Three preludes on the chorale "Gelobet seist du Jesu Christ" J. S. Bach (1685-1750) BWV 722 =20 BWV 604=20 BWV 723=20   Noel No. 10 Claude Dacquin (1694-1772)   Fuga sopra "Vom Himmel hoch da komm ich her" (BWV 700) J. S. Bach=20   Chorale "Schm=FCcke dich o liebe Seele" BWV 654 J. S. Bach=20   Prelude and Fugue in D Major BWV 532 J. S. Bach=20   intermission   Sonata No. 1 in f minor Felix Mendelssohn=20 Allegro moderato e serioso =20 Adagio=20 Andante recit=20 Allegro assai vivace=20   Chorale Prelude on "Es ist ein Ros entsprungen" Johannes Brahms (1833-1897)   Chorale in a minor C=E9sar Franck (1822-1890)   Finale (Andante) from Sonata VI Felix Mendelssohn=20   Suite Gothique L=E9on Bo=EBllmann (1862-1897) Introduction-Choral =20 Menuet gothique=20 Pri=E8re =E0 Notre-Dame=20 Toccata=20   "Abendfriede" (Evening Piece), from op. 156 J. G. Rheinberger= (1839-1901)   Final from Symphony I Louis Vierne (1870-1937)    
(back) Subject: Rebecca Kleintop Owens at Coral Ridge From: "Dr. Darryl Miller" <organdok@safari.net> Date: Tue, 16 Jan 2001 06:40:30 -0500   Good morning, again.   Becky came to Coral Ridge in the Fall of 1999 as Rebecca Kleintop. Since she has been at CRPC, she has married Robert Owens, so if you see Becky Owens in print, you'll know it is our same Becky Kleintop.   She played a wonderful half-hour program at Church Music Explosion. If you've not heard her play or met her, you'll love both her playing and her as a person! She's a sweetie.   Sonata in F Minor Felix Mendelssohn (1809-1847) Allegro moderato e serioso =20 Adagio=20 Andante=20 Allegro assai vivace=20   Introduction and Passacaglia, op. 56 Max Reger (1873-1916)   Prelude and Fugue on the Name of Alain Maurice Durufl=E9 (1902-1986)=20   Toccata on a Moravian Hymn Robert Hebble (composed for and dedicated to Becky who has a Moravian heritage)     =20      
(back) Subject: Andy Kotylo and Tom Trenney Concert at Coral Ridge From: "Dr. Darryl Miller" <organdok@safari.net> Date: Tue, 16 Jan 2001 06:51:20 -0500   For the past four years, Andy Kotylo and Tom Trenney have been accompanists for me for the Explosion. Intitially the accompanied children's choir, youth choirs, reading sessions, etc. Then I used them to play daily worship services, and then had them play half-hour recitals during the week. This year, because of the way the schedule fell, they shared a conert. Both guys and wonderful people and have won numerous competitions and are seasoned performers. They are two of the brightest of all the "rising stars" in the Guild. You should book each of them for a concert.   Andrew J. Kotylo is the new organist of Highland Park Presbyterian Church in Dallas, and is in the middle of a master's program at Indiana University. Andy played:   F=EAte Jean Langlais (1907-1991)   Clair de Lune Louis Vierne (1870-1937)   +++++++++++++++++++++++++++++++++++++++++++++++++++++   Tom Trenney is the organist/director at Bethany Presbyterian Church in Rochester (a full-time position) and is a full-time student at the Eastman School of Music finishing a master's degree in organ with David Higgs. He graduated at 19 from the Cleveland Institute with a bachelor's degree with Todd Wilson. Tom played:   Free Fantasia on "O Zion Haste" and "How Firm a Foundation" William Bolcom b. 1938   Improvisation on a submitted melody =20 The improvisation will have 5 movements and performed in the style of:=20 1. A fancy for the trumpet=20 2. Trio=20 3. Song=20 4. Impromptu=20 5. Fanfare and Toccata=20   Tom said to the audience, "I couldn't decide what to play, so I'm just going to make something up!" And he did. I gave him "How Firm a Foundation" and "AMazing Grace." It was incredibly wonderful. I have heard him accompany the silent movies twice, but never heard "legit" improvisation in concert.=20    
(back) Subject: RE: Rebecca Kleintop Owens at Coral Ridge From: "Mike Swaldo" <mswal@adelphia.net> Date: Thu, 18 Jan 2001 06:57:47 -0500     >Toccata on a Moravian Hymn Robert Hebble >(composed for and dedicated to Becky who has a Moravian heritage)   I'd be interested to know what this is. I'm a Moravian.   Mike      
(back) Subject: "Music from the Cathedrals" at Coral Ridge From: "Dr. Darryl Miller" <organdok@safari.net> Date: Tue, 16 Jan 2001 07:06:01 -0500   Hi, Y'all!   This is the last note of the morning. But before all the information got cold, I wanted to share the big Saturday night concert of Church Music Explosion.   Our two headliners for the concert were Sir David Willcocks and Dr. John Weaver. Sir David conducted the concert and prepared the choir at the weekly rehearsals (9 hours of rehearsal including the dress rehearsal) and John was the organist for the concert. Tom and Andy served as rehearsal accompanists. The Florida Singing Sons Boychoir joined the "big people" on the English anthems. David White is the conductor of the boychoir. Having the boys with the adults gave a beautiful color to the choral sound.   I called the concert "Music from the Cathedrals" which would include organ solos and choir numbers. The anchor "big" piece was the Vierne "Messe Solennelle." It was pretty obvious to me that we meant the French and English cathedrals, but I was so surprised that a lot of people called the Concert Series Ticket Office to purchase tickets for the Cathedrals, the Southern Gospel Quartet! :)   It was a wonderful evening of music making with a good crowd (maybe 1200-1300 people). We commissioned Sir David to composed a hymn setting = for us in the style of his Christmas carols, and he came through with a very nice setting of "Hyfrydol" which, eventually, will be published by Oxford. Another surprise was the encore. His own choral arrangement of the Widor Toccata. John played the organ version and the choir screamed and brass played with him. It was wild! But it worked for an encore. It, too, will = be published by Oxford. We had full brass (4,3,tuba, percussion, tymp) on the Widor, the Hymn, and the Parry, the rest was organ solo. John's playing is superb. If you haven't heard him, do, and if you haven't sponsored him in = a concert, do that, too!   I've invited Sir David back again for the 2002 Church Music Explosion, January 2-6, 2002, and we will do Lessons and Carols on January 5. Do plan to come.   Here's the program:   Basil Harwood O how glorious is the kingdom (Choir) J. S. Bach Fantasia and Fugue in G Minor John Weaver Partita on "Kingsfold" (1998) Louis Vierne Messe Solonnelle (Choir) Intermission Commissioned hymn setting of "hyfrydol" Edward C. Bairstow Blessed city, heavenly Salem (Choir) John Weaver Passacaglia on a theme by Dunstable = (1977) Ernest Bullock Give us the wings of faith (Choir) Cesar Franck Piece Heroique Samuel Sebastian Wesley Blessed be the God and Father (Choir) Benjamin Britten Jubilate Deo (Choir) C. Hubert H. Parry I was glad when they said unto me = (Choir)     C. M. Widor (encore) Toccata (with Choir)    
(back) Subject: RE: Rebecca Kleintop Owens at Coral Ridge From: "Dr. Darryl Miller" <organdok@safari.net> Date: Tue, 16 Jan 2001 07:06:50 -0500   Call Becky at Coral Ridge 954-334-5179.   At 06:57 AM 1/18/01 -0500, you wrote: > >>Toccata on a Moravian Hymn Robert Hebble >>(composed for and dedicated to Becky who has a Moravian heritage) > >I'd be interested to know what this is. I'm a Moravian. > >Mike > > > >"Pipe Up and Be Heard!" >PipeChat: A discussion List for pipe/digital organs & related topics >HOMEPAGE : http://www.pipechat.org >List: mailto:pipechat@pipechat.org >Administration: mailto:admin@pipechat.org >Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: Re: Hymn mystery From: "Margo Dillard" <dillardm@airmail.net> Date: Thu, 18 Jan 2001 07:27:01 -0600   I'm not sure if it is only a chorus - or if there are also verses - no = verses come to mind. But the chorus goes (sort-of)   Into my heart Into my heart Come in to my heart, Lord Jesus [blah blah blah blah blah blah blah blah something something something]   A quiet little ditty in a moderate 3. I seem to recall it used as a = prayer response. Maybe you could find it under the title "Into my heart" ??   snyder@skyenet.net wrote:   > I have been trying to find a hymn that has the line Come into my heart = Lord > Jesus as a sort of refrain. The hymn as I remember goes through some of > the life of Jesus and so is appropriate during this time. I have looked > through several hymnals and can't find it. I believe it is in the = Pilgrim > Hymnal and I don't have a copy of that. This hymn does not go Come into = my > heart, come into my heart, come into my heart to stay but is something > different I think. Can anyone help? > Clarice Jane Snyder snyder@skyenet.net, > Web pages: (Music) http://www.geocities.com/Vienna/2059 > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: Theatre Organ configuration question From: "conmara" <conmara@grandcanyonhiker.com> Date: Thu, 18 Jan 2001 08:38:18 -0600   How common is the inclusion of a piano as a tuned percussion on a theatre organ?   Is this seen as often as Xylophones or Glockenspiels?   Thank you.     -- KenMc - conmara@grandcanyonhiker.com http://www.grandcanyonhiker.com See our new video - 'Hiking the Grand Canyon - The Corridor Trails'  
(back) Subject: Re: Theatre Organ configuration question From: "Thomas H. Cotner" <cotnerpo@brightok.net> Date: Thu, 18 Jan 2001 07:53:51 -0600   Wurlitzer used the piano in many differing situations, and combinations, with their larger theatre organs, and previously, as the basis for smaller self-contained units which had the full piano, as well as other percussions, such as drum, cymbal, etc., and perhaps a xylophone, and a flute and/or string rank -- among others.   In theatre organs, the piano, if present as a resource, is often found in the Great at 16,8, and 4, as well as in the pedal at 16, and possibly 8; also in the accompaniment as an 8' stop, and sometimes in the solo or orchestral or whatever else might be in the organ. It is as useful as the harp, and can be a diminuitive stop for accompaniment, or a full size grand piano, capable of solo work.     Tom Cotner   conmara wrote:   > How common is the inclusion of a piano as a tuned percussion on a > theatre organ? > > Is this seen as often as Xylophones or Glockenspiels? > > Thank you. >    
(back) Subject: Re: Organ-playing pig From: "Randy Runyon" <runyonr@muohio.edu> Date: Thu, 18 Jan 2001 09:30:54 -0500   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_-1232294240=3D=3D_ma=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D Content-Type: text/plain; charset=3D"us-ascii" ; format=3D"flowed"   >Hi. >I would love to see the picture of the organ-playing pig, but I can only = get >to the main website. The full address you give gives me a "this page = cannot >be displayed" error. Are you sure you have it right (it is a very = complicated >address) or, could you tell me how to find it once I'm at the main = website? >Thanks, Mick Berg >(whose nickname has been "Pig" for about thirty years now, and I play the >organ, so you can imagine why I'd like to see it)!   Here's an address that should work better: http://www.musee-moyenage.fr/   Click on the picture of the unicorn (the first one on the left) and you'll see the organ-playing pig, among other images, on the page that comes up.   Randy Runyon runyonr@muohio.edu Organist, Immanuel Presbyterian Church Cincinnati, Ohio --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_-1232294240=3D=3D_ma=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D Content-Type: text/enriched; charset=3D"us-ascii"   <excerpt><fontfamily><param>Arial</param><smaller>Hi.   I would love to see the picture of the organ-playing pig, but I can only get   to the main website. The full address you give gives me a "this page cannot   be displayed" error. Are you sure you have it right (it is a very complicated   address) or, could you tell me how to find it once I'm at the main website?   Thanks, Mick Berg   (whose nickname has been "Pig" for about thirty years now, and I play the   organ, so you can imagine why I'd like to see it)!   </smaller></fontfamily></excerpt><fontfamily><param>Arial</param><smaller>   </smaller></fontfamily>Here's an address that should work better: http://www.musee-moyenage.fr/     Click on the picture of the unicorn (the first one on the left) and you'll see the organ-playing pig, among other images, on the page that comes up.   Randy Runyon   runyonr@muohio.edu   Organist, Immanuel Presbyterian Church   Cincinnati, Ohio   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_-1232294240=3D=3D_ma=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D--  
(back) Subject: Re: Hymn mystery From: "Alan Freed" <afreed0904@earthlink.net> Date: Thu, 18 Jan 2001 09:58:35 -0500   We sang it in the 1940s from a Sunday School hymnal produced by Augsburg Publishing House. "Favorite Hymns," or something like that.   Alan   > From: snyder@skyenet.net > Reply-To: "PipeChat" <pipechat@pipechat.org> > Date: Wed, 17 Jan 2001 14:30:00 -0500 > To: "PipeChat" <pipechat@pipechat.org> > Subject: Hymn mystery > > Come into my heart Lord > Jesus as a sort of refrain. The hymn as I remember goes through some of > the life of Jesus and so is appropriate during this time.    
(back) Subject: Re: Hymn mystery From: <Tspiggle@aol.com> Date: Thu, 18 Jan 2001 11:55:09 EST   TommyLee:   I play in a Baptist church and don't consider my playing to be = "lugubrious". Can you explain for me, and maybe other Baptist organists on = the list, what you mean by that? I'm sure we would all like to improve our = playing skills if we are playing lugubriously.   Thanks.   Tom  
(back) Subject: RE: Severence Hall Skinner - a nice reply! From: "John Vanderlee" <jovanderlee@vassar.edu> Date: Thu, 18 Jan 2001 14:12:08 -0500   I guess they are more sensitive than we thought. Please thank them! J   >Date: Thu, 18 Jan 2001 10:49:45 -0500 >From: Performance Today <Perftoday@npr.org> >Subject: RE: Severence Hall Skinner >To: 'John Vanderlee' <jovanderlee@VASSAR.EDU> >MIME-version: 1.0 > >Dear Mr. Vanderlee: > >Thank you for your note regarding our January 10 feature on the >newly-renovated organ at Severance Hall in Cleveland. > >We share your disappointment in the lack of music accompanying the >interview. We had planned to broadcast an entire performance--without >voice-overs--from the inaugural concert but unfortunately the audio = quality >of the recording we received was not up to NPR standards. If we had = aired a >complete performance, I suspect you and other listeners would have found >that even more objectionable. > >This sort of thing happens fairly often, even when dealing with >highly-qualified engineers (as was the case here). In such circumstances = we >sometimes decide to cancel coverage altogether, but we felt that this = event >was still worth noting. I hope you agree. > >Nonetheless, I'm sorry we disappointed you. Thanks again for sending us >your reaction > >Don Lee >Executive Producer >Performance Today > >-----Original Message----- >From: John Vanderlee [mailto:jovanderlee@vassar.edu] >Sent: Thursday, January 11, 2001 9:42 AM >To: PerfToday@npr.org >Subject: Severence Hall Skinner > > >Dear Performance Today, > >In spite of the fact that I enjoy your program immensely, I thought the >voice- over relating to the the resurrection of the Severence Hall = Skinner >was in poor taste. Or perhaps it was an unfortunate lapse of programming >judgement on someone's part. >I will continue to listen but please give organists the same courtesy as = is >afforded to all other performers. > >Sincerely, > >John Vanderlee >Member Organ Historical Society >Member New York Theatre Organ Society >      
(back) Subject: Re: Hymn mystery From: "Noel Stoutenburg" <mjolnir@ticnet.com> Date: Thu, 18 Jan 2001 16:27:22 -0600     Clarice wrote:   > > I have been trying to find a hymn that has the line Come into my heart = Lord > > Jesus as a sort of refrain. The hymn as I remember goes through some = of > > the life of Jesus and so is appropriate during this time. I have = looked > > through several hymnals and can't find it. I believe it is in the = Pilgrim > > Hymnal and I don't have a copy of that. This hymn does not go Come = into my > > heart, come into my heart, come into my heart to stay but is something > > different I think. Can anyone help?   and Margo and Alan responded citing the words of Harry Clarke's Hymn "Into = my Heart".   However the hymn text Clarice is seeking is Timothy Richard Matthews' = "Thou didst leave thy Throne", found in the Service Book and Hymnal at Number 433, and = in the [Episcopal] Hymnal-1940 at number 321.    
(back) Subject: Thank you for the message From: "Hans-Dieter Karras" <hans@hdkarras.de> Date: Thu, 18 Jan 2001 23:27:48 +0100   Danke fuer die mail, ich werde so bald als moeglich antworten. Thank you for the message, answering comes soon as possible. Hans-Dieter Karras    
(back) Subject: Fw: Things Organic (cross-posted] From: "Bonnie Beth Derby" <orge@dreamscape.com> Date: Thu, 18 Jan 2001 18:31:44 -0500   Hi All,   This was sent to me today. Watch out! :-) [Funniest thing, we HAD an announcement of needed financial help for a roof on the school gym just = this past Sunday!] Oh boy!   Best regards,   Bonnie Beth   Bonnie Beth Derby, B.Mus., M.Mus. Producer & Host ``Orgelwerke'' & ``Choral Traditions'' WCNY-FM, 91.3; Syracuse; WUNY-FM, 89.5, Utica; WJNY-FM, 90.9, Watertown Organist & Director of Music, St. James Roman Catholic Church, Syracuse [1988 Odell/Kerner & Merchant 33-rank tracker organ] orge@dreamscape.com   Subject: Things Organic   Think of the Sunday when a minister is upset because he has to tell his congregation they'll have to come up with more money than they were expecting for repairs to the roof of the church. Besides that, the regular organist is sick and a substitute has been called at the last minute and arrives just before the service is to start. She asks the minister what = she should play. "Here's a copy of the service," he says impatiently. "But you'll have to come up with something on your own after I make the announcement about the finances."   At the end of the service, the minister pauses and says, "There's one thing more. I have a special announcement to make. The repairs we are making to the roof of the church are costing twice as much as we expected, and we need $4,000 more. Any of you who can pledge $100 or more, please stand up."   At that moment, the substitute organist breaks into "The Star-Spangled Banner." And that is how the substitute became the regular organist.      
(back) Subject: Thank you for the message From: "Hans-Dieter Karras" <hans@hdkarras.de> Date: Fri, 19 Jan 2001 00:25:50 +0100   Danke fuer die mail, ich werde so bald als moeglich antworten. Thank you for the message, answering comes soon as possible. Hans-Dieter Karras    
(back) Subject: Re: Hymn mystery From: "TommyLee Whitlock" <tommylee@whitlock.org> Date: Thu, 18 Jan 2001 18:35:48 -0500   > I play in a Baptist church and don't consider my playing to be > "lugubrious". Can you explain for me, and maybe other Baptist organists > on the list, what you mean by that? I'm sure we would all like to > improve our playing skills if we are playing lugubriously.   Sorry to have offended, Tom, but I grew up in the Baptist church in the = South and my memories of "The Old Rugged Cross" are that it was never played at anything other than slow, funeral-dirge speed. Draggy, as some folks = would refer to it. 'Course, that was 35 years ago and I reckon times can = change. ;)   And while I seemed to have tripped a trigger, no doubt because of an oft repeated stereotype that I too have heard about music in the Baptist = church in general (and especially the south), I didn't comment on the music in = general, just the renditions of that one hymn. There were many I remember that = always had a fire lit under them, such as "I'll Fly Away" which was a favorite of = my grandfather, who sang in a gospel quartet.   Please accept my apologies for ill-considered comments of personal opinion = on a public forum.   Cheers, TommyLee    
(back) Subject: Fw: Theatre Organ configuration question From: "VEAGUE" <dutchorgan@svs.net> Date: Thu, 18 Jan 2001 21:14:26 -0500   Zillofones and glockenspritzles are pretty much standard fare on TOs. A piano is an added luxury. I have an upright with tinkle-bar on my 2m9r Wurli.   Rick     ----- Original Message ----- From: conmara <conmara@grandcanyonhiker.com> To: PipeChat <pipechat@pipechat.org> Sent: Thursday, January 18, 2001 9:38 AM Subject: Theatre Organ configuration question     > How common is the inclusion of a piano as a tuned percussion on a > theatre organ? > > Is this seen as often as Xylophones or Glockenspiels? > > Thank you. > > > -- > KenMc - conmara@grandcanyonhiker.com > http://www.grandcanyonhiker.com > See our new video - > 'Hiking the Grand Canyon - The Corridor Trails' > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: Re: Severence Hall Skinner - a nice reply! From: "VEAGUE" <dutchorgan@svs.net> Date: Thu, 18 Jan 2001 21:18:59 -0500   For Mr. Don Lee @ Performance Today-   What would be the feasability or possibility of hearing decent theatre organ over the airwaves? No pizza crap, but perhaps Jesse Crawford or = George Wright?   Thank you sir,   Rick    
(back) Subject: setting for "Glory To God" From: "Carlo Pietroniro" <organist@total.net> Date: Fri, 19 Jan 2001 00:26:56 -0500   attention organists playing in Roman Catholic churches!!!   I'm looking for a new setting for the "Gloria", and possibly the entire mass. I've been doing the "Melodic Gloria" by James Chepponis, for the = past 3 years, and it's time to change. The other parts we do are from the "Mass Of Remembrance" by Marty Haugen. I don't want to go anywhere near the = "Mass Of Creation" (by Haugen). I'm looking for a mass setting written for SATB, but if it isn't, I can arrange the 4 parts myself. Any suggestions? I was looking into the "Mass Of Light" by David Haas, but the only thing worth while in that is the "Gloria". That's in E Major, whereas the rest of the mass is in e minor...yuck!!! I want a setting in a major key. Help!!!   Carlo    
(back) Subject: Re: setting for "Glory To God" From: <RonSeverin@aol.com> Date: Fri, 19 Jan 2001 00:41:07 EST   Hi Carlo:   There is a Gloria by Gordon Young for four parts with the Widor Toccata Symphony V as the organ part verbatum. It should still be in print.   Ron Severin