PipeChat Digest #1790 - Saturday, January 27, 2001
 
Re: Trouble Hearing a Theatre Organ while Playing It
  by "VEAGUE" <dutchorgan@svs.net>
Re: The Mighty Surf City (Cowabunga, Dudes!) Moller stoplist	 (X-posted)
  by "John L. Speller" <jlspeller@stlnet.com>
Re: The Mighty Surf City (Cowabunga, Dudes!) Moller stoplist	  (X-posted)
  by "David Scribner" <david@blackiris.com>
Re: Moller Extraction - Day Two (X-posted)
  by "Douglas A Campbell" <dougcampbell@juno.com>
Re: Moller Extraction - Day Two (X-posted)
  by <quilisma@socal.rr.com>
Re: Moller Extraction - Day Two (X-posted)
  by "John L. Speller" <jlspeller@stlnet.com>
Re: Moller Extraction - Day Two (X-posted)
  by <RonSeverin@aol.com>
Re: Moller Extraction - Day Two (X-posted)
  by <RonSeverin@aol.com>
Re: The Mighty Surf City (Cowabunga, Dudes!) Moller stoplist	(X-posted)
  by "Glenda" <gksjd85@access.aic-fl.com>
Re: Moller Extraction - Day Two (X-posted)
  by "Tim Bovard" <tmbovard@arkansas.net>
Re: The Mighty Surf City (Cowabunga, Dudes!) Moller stoplist  (X-posted)
  by <Cremona502@cs.com>
St. Peter's Episcopal Redwood City CA
  by "randy terry" <randyterryus@yahoo.com>
Re: St. Peter's Episcopal Redwood City CA
  by <Cremona502@cs.com>
Re: St. Peter's Episcopal Redwood City CA
  by "VEAGUE" <dutchorgan@svs.net>
 

(back) Subject: Re: Trouble Hearing a Theatre Organ while Playing It From: "VEAGUE" <dutchorgan@svs.net> Date: Sat, 27 Jan 2001 07:54:03 -0500   Miking the grille-work might help, but I find it unusual that *not* = hearing the instrument at all was possible. Unless the pipes are buried deep in = the chambers or there are heavy curtains covering the swell shades, it's hard = to imagine.   Rick    
(back) Subject: Re: The Mighty Surf City (Cowabunga, Dudes!) Moller stoplist (X-posted) From: "John L. Speller" <jlspeller@stlnet.com> Date: Sat, 27 Jan 2001 10:33:43 -0600   The traditional thing to do used to be to drink champagne out of the middle C of the 8' Principal (I guess you would stick a piece of duct tape over the mouth and toe.) While people used pewter vessels for centuries, there seems too much of a scare about lead poisoning to do this these days, alas.   John Speller St. Mark's, St. Louis.   Glenda wrote: > > Bud, I can't believe it! Congratulations - let's pop the champagne. A > "new" organ just for you - I couldn't be prouder if I had just given = birth! > > Speaking of cold days in hell, I remain > > Glenda Sutton > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org  
(back) Subject: Re: The Mighty Surf City (Cowabunga, Dudes!) Moller stoplist (X-posted) From: "David Scribner" <david@blackiris.com> Date: Sat, 27 Jan 2001 10:40:22 -0600   At 10:33 AM -0600 1/27/01, John L. Speller wrote: >The traditional thing to do used to be to drink champagne out of the >middle C of the 8' Principal (I guess you would stick a piece of duct >tape over the mouth and toe.) While people used pewter vessels for >centuries, there seems too much of a scare about lead poisoning to do >this these days, alas.   John,   Laukhuff makes and sells "Winepipes" made out of Pewter with a spigot on the upper lip!! According to them it meets all health requirements.   David  
(back) Subject: Re: Moller Extraction - Day Two (X-posted) From: "Douglas A Campbell" <dougcampbell@juno.com> Date: Sat, 27 Jan 2001 11:04:01 -0500   Dear Bud,   Congrats !   I know that this may be premature, but.......   As you know, my church is getting a new Casavant ( scheduled for dielivery in early 2003).   Since there will be some required structural wrok on the building that needs to be done, the current plan is to take tour current organ "down" late this year.   Since the organ is a "mess" there is no hope of selinig it an an "instrument", but we will be attempting to sell some of the salvagible ranks....   One of the ranks that will be available is a HUGE scale TUBA ! IT is an 85 note unified rank starting at 16'. Pipes 1-12 are half-length. Although it will need some restoration, and there is one reed pipe completely missing (and all the flue trebles are gone). I think this mihgt just interest you !   The ranks sits on three unit chests and is very compact.   If you would like more information, I would suggest that you talk to Richard Schneider, since he has seen and evaluated the rank for us. (When he looked at it he said, "My word, that's 32' scale" !)   If you want measurements or such, just let me know !     Douglas A. Campbell Skaneateles, NY  
(back) Subject: Re: Moller Extraction - Day Two (X-posted) From: <quilisma@socal.rr.com> Date: Sat, 27 Jan 2001 09:08:37 -0800   Remind me closer to your removal.   THANKS!   Bud   Douglas A Campbell wrote:   > Dear Bud, > > Congrats ! > > I know that this may be premature, but....... > > As you know, my church is getting a new Casavant ( scheduled for > dielivery in early 2003). > > Since there will be some required structural wrok on the building that > needs to be done, the current plan is to take tour current organ "down" > late this year. > > Since the organ is a "mess" there is no hope of selinig it an an > "instrument", but we will be attempting to sell some of the salvagible > ranks.... > > One of the ranks that will be available is a HUGE scale TUBA ! > IT is an 85 note unified rank starting at 16'. Pipes 1-12 are > half-length. > Although it will need some restoration, and there is one reed pipe > completely missing (and all the flue trebles are gone). I think this > mihgt just interest you ! > > The ranks sits on three unit chests and is very compact. > > If you would like more information, I would suggest that you talk to > Richard Schneider, since he has seen and evaluated the rank for us. = (When > he looked at it he said, "My word, that's 32' scale" !) > > If you want measurements or such, just let me know ! > > Douglas A. Campbell > Skaneateles, NY > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: Re: Moller Extraction - Day Two (X-posted) From: "John L. Speller" <jlspeller@stlnet.com> Date: Sat, 27 Jan 2001 11:17:04 -0600   quilisma@socal.rr.com wrote:   > Here's a question that's sure to provoke a discussion (grin): the organ > man wants to replace the pitman action with electro-mechanical. He says > it's something like $18 a note to releather the pitmans, and $14 a note > to change it to electro-mechanical.   While it is true it would probably be cheaper to change the action to electro-mechanical, I would strongly advise against it, and indeed I would change organ firms since he even had the nerve to suggest it. You would not even be getting a new custom-engineered direct electric action such as you would in a new Wicks organ. Retrofitting magnets to Moller toeboards would be an unsatisfactory way of doing an electro-mechanical action in any case, since there would be no expansion chambers, etc. Electro-mechanical action of this kind is likely to be especially unkind to the speech of the strings and reed. It is my understanding that fitting electro-mechanical action to the Skinner at the National Cathedral proved highly unsatisfactory and has since been abandoned (perhas others know more about this.) When I lived in Central Pennsylvania, the local Rodgers representative, Fred Buch, used to fit electro-pneumatic chests to the reeds and strings of his pipe/electronic combination organs since he found this produced better results. He had to find the additional outlay for this out of his own commission for the job. Shall I say more?   John Speller  
(back) Subject: Re: Moller Extraction - Day Two (X-posted) From: <RonSeverin@aol.com> Date: Sat, 27 Jan 2001 12:22:50 EST   Hi Bud:   Going electro/Mechanical is the smart thing to do. Solid stating the = console is another. Both solidly relyable and give you a lot of options on a = smaller Moller. it opens the door to Midi, which is now becoming a feature on some new trackers too. Expanded piston memory is another. Oh! I know the T. Backers would never stoop to using such things, but it is an option. = <G> He's leading you in the right direction, and it will save a lot of work = and time in the future. As you say, it's not an organ of historic significance.   I couldn't agree more.   Ron Severin  
(back) Subject: Re: Moller Extraction - Day Two (X-posted) From: <RonSeverin@aol.com> Date: Sat, 27 Jan 2001 12:47:38 EST   Hi Alan:   It'll need revoicing w/ or wo/ making DE changes. The DE is more flexable = and relyable. Frank was trained at Aeolian/Skinner, he's my organ Maintenance man, and he's worked on all my instruments for over 20 years. I'd go with what he recommends to do. He also was the Moller rep. for several years. He does know what he's doing, and does wonderful work. He uses the very best materials and replacement parts. Schoenstein does the exact same thing, under Bethards. It just makes economical good sense.   Regards,   Ron Severin   PS He guaranties his work for 10 years too.  
(back) Subject: Re: The Mighty Surf City (Cowabunga, Dudes!) Moller stoplist (X-posted) From: "Glenda" <gksjd85@access.aic-fl.com> Date: Sat, 27 Jan 2001 11:11:16 -0600   Oh - we were just drinking out of the bottle! Guess I gotta buy another case. Bud, make sure the pipe is relatively clean - lead I don't mind too much, but rat feces and stuff like that are too much for me.   Glenda Sutton     ----- Original Message ----- From: "John L. Speller" <jlspeller@stlnet.com>   The traditional thing to do used to be to drink champagne out of the = middle C of the 8' Principal (I guess you would stick a piece of duct tape over = the mouth and toe.) While people used pewter vessels for centuries, there = seems too much of a scare about lead poisoning to do this these days, alas.        
(back) Subject: Re: Moller Extraction - Day Two (X-posted) From: "Tim Bovard" <tmbovard@arkansas.net> Date: Sat, 27 Jan 2001 12:09:34 -0600   At 1/26/01 05:08 PM, Bud-by-the-beach wrote:   >Here's a question that's sure to provoke a discussion (grin): the organ >man wants to replace the pitman action with electro-mechanical. He says >it's something like $18 a note to releather the pitmans, and $14 a note >to change it to electro-mechanical.   Hi, Bud! You invite opinions...<G>...OK. here's one...!   I'd probably vote for leaving the chests as is and releathering as intended. There's not *that* much of it all...!   The problem one often runs into when "electrocuting" an old chest shell is that things inside aren't necessarily laid out such that all the magnets will *fit*. Most will, usually, but there will come some trebles = somewhere (usually) that were spaced too-closely, such that there isn't enough 'real estate' on the underside of the toeboard for all the coils. Moller had a tendency to squeeze trebles of things into the *strangest* places...!   If you truly wish to change the action for more flexibility in spec, I'd think it would be sensible to go to the greater expense of new e-m chests to hold the new action. This would give the opportunity to rearrange the pipework if necessary, and would also allow the future additions to be integrated fully into the organ. And again, there's not *that many pipes' worth* of chest to deal with! (comparitively...<G>)   >If this was a historic Skinner, I wouldn't think of it; but it's a 1966 >Moller of 11 straight ranks and two borrows ... if we went >electro-mechanical and solid-stated the console, we could do some >"judicious" unification (grin), like adding the 16' octave of the >Trompette and taking it down to the Pedal.   One might to consider placing selected ranks on new unit chests, and retaining/rearranging some of the e-p chestwork. Depends really on your particular chests and how the spec might change with s/s relay and = console. Relay and Console electrics are a good idea -- you'll love the = reliability and versatility of it over the pneumatic switching systems, and its good = to not require wind in the console.   >Also, there's this odd business of the Great Principal chorus being >exposed, but the Hohl Flute and the Dulciana (and the chimes) (grin) >being in this HUGE separate swell box, which I don't think we have room >to set up in St. Matthew's. I'm thinking of leaving the whole Great out >in the open, and maybe duplexing the 8's from the Swell to the Great for >service-playing.   Another odd idea, for no particular reason: Why not keep the big seperate swellbox, and put the Gt principal chorus *in* it with the flute and dulciana? (presuming it's got enough opening for full tonal egress) Fully-enclosed organs with 2 seperate divisions seem to be *versatile* little buggers...! Think of the way you could get the bluehairs to pee their pews when you got both sets of shades flapping away with the chimes and tremolos...<lol>   >The Rector continues like a kid with a new bicycle (grin) ...   This has gotta be fun for you to watch! It's good that he's enjoying the process, though -- and that he's gotten involved in the project with you. =     I've been part of a few organ projects where the priest/rector/whatever didn't seem to give a flip about anything until some Monday morning when = he finds his sanctuary innundated with organ parts ...<g>...usually at that point they start to show some interest, oddly enough! Be nice to him -- keep him involved -- he will be your and the instrument's friend. Make sure he's around at the point when all the pipes are being installed in = the organ for the first time -- also the "donors" -- all of them seem to enjoy helping hand the pipes into the organ and hearing its first tentative = notes.   Thanks for the update -- looking forward to further news-as-it-happens!!!   All best to everyone for a good weekend!!   Tim Bovard Little Rock AR      
(back) Subject: Re: The Mighty Surf City (Cowabunga, Dudes!) Moller stoplist (X-posted) From: <Cremona502@cs.com> Date: Sat, 27 Jan 2001 13:43:51 EST     --part1_53.192134f.27a470e7_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 1/27/01 4:35:09 PM !!!First Boot!!!, = jlspeller@stlnet.com writes:     > The traditional thing to do used to be to drink champagne out of the > middle C of the 8' Principal (I guess you would stick a piece of duct > tape over the mouth and toe.)   I thought EP Biggs suggested wine from LOW C of the 8 Principal... I = guess it all in what you're used to!   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo Bohawow!" Visit Howling Acres at < Ourworld.cs.com/Brucon502 >   --part1_53.192134f.27a470e7_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 1/27/01 4:35:09 PM !!!First Boot!!!, jlspeller@stlnet.com <BR>writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">The traditional = thing to do used to be to drink champagne out of the <BR>middle C of the 8' Principal (I guess you would stick a piece of duct <BR>tape over the mouth and toe.) &nbsp;</FONT><FONT COLOR=3D"#000000" = SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>I thought EP Biggs suggested wine from LOW C of the 8 Principal... = &nbsp;I guess <BR>it all in what you're used to! <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo Bohawow!" <BR>Visit Howling Acres at &lt; &nbsp;Ourworld.cs.com/Brucon502 = &nbsp;&gt;</FONT></HTML>   --part1_53.192134f.27a470e7_boundary--  
(back) Subject: St. Peter's Episcopal Redwood City CA From: "randy terry" <randyterryus@yahoo.com> Date: Sat, 27 Jan 2001 11:53:08 -0800 (PST)   We are rebuilding our 1972 Swain & Kates organ 2/13. We are reusing/reassigning all ranks except the 16 (8-4-2 as well!) Quintadena. We will keep the bottom octave if it can be revoiced into a soft flute) We are putting a new Oboe and Nasard on existing E/P unit chests. Turning our original rohr nasard into a 4' Rohrflote. This along with 2 vintage 8' Wood Flutes will be installed along with a brand new 8-4-2 Principal unit of variable scaling in the swell chamber on newly constructed D/E chests. The Klann console will be gutted and all new mechanics by Peterson installed including a new relay. There are preparations for future expansion although this will probably be it. Some of you may be intersted. If you like lots of solo/accompaniment possibility on both manuals this has it. It will not past muster with purists, but I think it will be neat. 4 second reverb helps, too.   GREAT:   16' Gedeckt 8' Diapason (exposed) 8' Claribel Flute 8' Rohrflote 8' Gemshorn 8' Gemshorn Celeste 4' Octave (exposed) 4' Koppelflote 2-2/3' Nasard 2' Fifteenth (ext 8) 1-1/3' Larigot IV Mixture 1-1/3' (encl) IV Octave Mixture (ext) 16' Double Trumpet 8' Trumpet 8' Oboe 4' Clarion Chimes Cymbelstern Swell to Great   PEDAL:   32' Resultant 16' Bourdon 16' Gedeckt 8' Octave 8' Bourdon 8' Gemshorn 4' Super Octave 4' Koppelflote 2' Twenty Second (encl) IV Mixture 1-1/3' 32' Reed Cornet III-I 16' Double Trumpet 8' Trumpet 4' Clarion 4' Oboe Swell to Pedal Great to Pedal   SWELL:   16' Contra Gemshorn (bass from Ged) 8' Principal (bass from Bdn) 8' Gedeckt 8' Gemshorn 8' Gemshorn Celeste 4' Principal 4' Rohrflote 4' Gemshorn Celestes II 2-2/3' Nasard 2' Octave 2' Koppelflote 1-3/5' Tierce 1' Sifflote IV Mixture 1-1/3' 16' Contra Oboe (tc) 8' Trumpet 8' Oboe 4' Clarion General Tremolo   New Peterson Console system and relay 4 memories sostenuto rev. device on swell digital clock   17 base ranks, 12 ranks 1972 Swain & Kates revoiced as needed.   5 ranks vintage (8 flutes 1928 Aeolian slightly revoiced)     __________________________________________________ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/  
(back) Subject: Re: St. Peter's Episcopal Redwood City CA From: <Cremona502@cs.com> Date: Sat, 27 Jan 2001 15:04:37 EST     --part1_73.a727c7c.27a483d5_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 1/27/01 7:53:31 PM !!!First Boot!!!, randyterryus@yahoo.com writes:     > It will not past muster withpurists, but I think it will be neat.   As a purist the only real problem I have with the specification is that = there are no real strings. It would be interesting to see how the 15 ranks are =   distributed. What is a "base" rank? How does a "sostenuto" pedal work = in a pipe organ?     GREAT:   16' Gedeckt 8' Diapason (exposed) 8' Claribel Flute 8' Rohrflote 8' Gemshorn 8' Gemshorn Celeste 4' Octave (exposed) 4' Koppelflote 2-2/3' Nasard 2' Fifteenth (ext 8) 1-1/3' Larigot IV Mixture 1-1/3' (encl) IV Octave Mixture (ext) 16' Double Trumpet 8' Trumpet 8' Oboe 4' Clarion Chimes Cymbelstern Swell to Great   PEDAL:   32' Resultant 16' Bourdon 16' Gedeckt 8' Octave 8' Bourdon 8' Gemshorn 4' Super Octave 4' Koppelflote 2' Twenty Second (encl) IV Mixture 1-1/3' 32' Reed Cornet III-I 16' Double Trumpet 8' Trumpet 4' Clarion 4' Oboe Swell to Pedal Great to Pedal   SWELL:   16' Contra Gemshorn (bass from Ged) 8' Principal (bass from Bdn) 8' Gedeckt 8' Gemshorn 8' Gemshorn Celeste 4' Principal 4' Rohrflote 4' Gemshorn Celestes II 2-2/3' Nasard 2' Octave 2' Koppelflote 1-3/5' Tierce 1' Sifflote IV Mixture 1-1/3' 16' Contra Oboe (tc) 8' Trumpet 8' Oboe 4' Clarion General Tremolo   New Peterson Console system and relay 4 memories sostenuto rev. device on swell digital clock   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo Bohawow!" Visit Howling Acres at < Ourworld.cs.com/Brucon502 >   --part1_73.a727c7c.27a483d5_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 1/27/01 7:53:31 PM !!!First Boot!!!, <BR>randyterryus@yahoo.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">It will not past = muster withpurists, but I think it will be neat. &nbsp;</FONT><FONT = COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" = LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>As a purist the only real problem I have with the specification is = that there <BR>are no real strings. &nbsp;&nbsp;It would be interesting to see how = the 15 ranks are <BR>distributed. &nbsp;What is a "base" rank? &nbsp;&nbsp;&nbsp;How does a = "sostenuto" pedal work in <BR>a pipe organ? <BR> <BR> <BR>GREAT: <BR> <BR>16' Gedeckt <BR>8' Diapason (exposed) <BR>8' Claribel Flute <BR>8' Rohrflote <BR>8' Gemshorn <BR>8' Gemshorn Celeste <BR>4' Octave (exposed) <BR>4' Koppelflote <BR>2-2/3' Nasard <BR>2' Fifteenth (ext 8) <BR>1-1/3' Larigot <BR>IV Mixture 1-1/3' (encl) <BR>IV Octave Mixture (ext) <BR>16' Double Trumpet <BR>8' Trumpet <BR>8' Oboe <BR>4' Clarion <BR>Chimes <BR>Cymbelstern <BR>Swell to Great <BR> <BR>PEDAL: <BR> <BR>32' Resultant <BR>16' Bourdon <BR>16' Gedeckt <BR>8' Octave <BR>8' Bourdon <BR>8' Gemshorn <BR>4' Super Octave <BR>4' Koppelflote <BR>2' Twenty Second (encl) <BR>IV Mixture 1-1/3' <BR>32' Reed Cornet III-I <BR>16' Double Trumpet <BR>8' Trumpet <BR>4' Clarion <BR>4' Oboe <BR>Swell to Pedal <BR>Great to Pedal <BR> <BR>SWELL: <BR> <BR>16' Contra Gemshorn (bass from Ged) <BR>8' Principal (bass from Bdn) <BR>8' Gedeckt <BR>8' Gemshorn <BR>8' Gemshorn Celeste <BR>4' Principal <BR>4' Rohrflote <BR>4' Gemshorn Celestes II <BR>2-2/3' Nasard <BR>2' Octave <BR>2' Koppelflote <BR>1-3/5' Tierce <BR>1' Sifflote <BR>IV Mixture 1-1/3' <BR>16' Contra Oboe (tc) <BR>8' Trumpet <BR>8' Oboe <BR>4' Clarion <BR>General Tremolo <BR> <BR>New Peterson Console system and relay <BR>4 memories <BR>sostenuto rev. device on swell <BR>digital clock <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo Bohawow!" <BR>Visit Howling Acres at &lt; &nbsp;Ourworld.cs.com/Brucon502 = &nbsp;&gt;</FONT></HTML>   --part1_73.a727c7c.27a483d5_boundary--  
(back) Subject: Re: St. Peter's Episcopal Redwood City CA From: "VEAGUE" <dutchorgan@svs.net> Date: Sat, 27 Jan 2001 15:05:28 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_000F_01C08872.9599AE60 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   For Bruce and listers:   A SOSTENUTO is basically a theatre organ feature which enables the =3D organ to hold notes or chords on the Great manual via a foot button on =3D the swell pedal. This leaves both hands free to diddle on other manuals. Technically how it works is a mystery to me. The affected keys are =3D not in the down position, however. The guys at the famed Paramount Music Palace WurliTzer in =3D Indianapolis used this trickery quite often, but it was achieved thru =3D all solid state wizardry.   Rick   ------=3D_NextPart_000_000F_01C08872.9599AE60 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   =3DFF=3DFE<=3D00!=3D00D=3D00O=3D00C=3D00T=3D00Y=3D00P=3D00E=3D00 = =3D00H=3D00T=3D00M=3D00L=3D00 =3D =3D00P=3D00U=3D00B=3D00L=3D00I=3D00C=3D00 =3D =3D00"=3D00-=3D00/=3D00/=3D00W=3D003=3D00C=3D00/=3D00/=3D00D=3D00T=3D00D=3D= 00 =3D00H=3D00T=3D00M=3D00L=3D00 =3D =3D004=3D00.=3D000=3D00 =3D =3D00T=3D00r=3D00a=3D00n=3D00s=3D00i=3D00t=3D00i=3D00o=3D00n=3D00a=3D00l=3D= 00/=3D00/=3D00E=3D00N=3D00"=3D00>=3D00=3D =3D0D=3D00=3D0A=3D =3D00<=3D00H=3D00T=3D00M=3D00L=3D00>=3D00<=3D00H=3D00E=3D00A=3D00D=3D00>=3D= 00=3D0D=3D00=3D0A=3D =3D00<=3D00M=3D00E=3D00T=3D00A=3D00 =3D =3D00c=3D00o=3D00n=3D00t=3D00e=3D00n=3D00t=3D00=3D3D=3D00"=3D00t=3D00e=3D00= x=3D00t=3D00/=3D00h=3D00t=3D00m=3D00=3D 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