PipeChat Digest #2237 - Monday, July 16, 2001
 
Re: Recording of Liszt "Ad nos, ad salutarum undam"
  by <ScottFop@aol.com>
Re: Sub fees
  by <quilisma@socal.rr.com>
Re: Alfred Hollins' compositions
  by "Robert Lind" <Robert_Lind@cch.com>
Blind organists (was: Alfred Hollins' compositions)
  by "Mark Harris" <M.Harris@Admin.lon.ac.uk>
Re: Sub fees
  by <MFoxy9795@aol.com>
Re: Sub fees
  by <Wurlibird1@aol.com>
Re: Recording of Liszt "Ad nos, ad salutarum undam"
  by "John Cormack" <jcorm@bellatlantic.net>
Re: Sub fees
  by <RonSeverin@aol.com>
6 Feet Under
  by <DionDave@aol.com>
Re: Question is this really about salaries, etc.?
  by <RonSeverin@aol.com>
Re: salaries, etc.
  by "Glenda" <gksjd85@access.aic-fl.com>
RE: Recordings of Liszt "Ad nos, ad salutarum undam"
  by "Storandt, Peter" <pstorandt@okcu.edu>
Re: salaries, etc.
  by <quilisma@socal.rr.com>
Re: 6 Feet Under
  by <quilisma@socal.rr.com>
Six Feet Under, cont.
  by <quilisma@socal.rr.com>
SFU, cont. yet again
  by <quilisma@socal.rr.com>
Re: pipe organ screensaver for free
  by <Cremona502@cs.com>
Re: program Sunday (Playing Level)
  by <Cremona502@cs.com>
Re: Looking for music
  by "Douglas A Campbell" <dougcampbell@juno.com>
 

(back) Subject: Re: Recording of Liszt "Ad nos, ad salutarum undam" From: <ScottFop@aol.com> Date: Mon, 16 Jul 2001 11:38:58 EDT     --part1_126.17931d0.28846492_boundary Content-Type: text/plain; charset=3D"UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en   In a message dated 7/16/01 10:46:29 AM Eastern Daylight Time,=3D20 jackwilliams_1999@yahoo.com writes:     > This was her > > signature piece for a=3D20 > > number of years and she played all seventeen-plus > > minutes from memory (of=3D20 > > course, others do too). >=3D20 > If anybody plays this work in just 17 minutes, then > they have really missed something. There are > moments-SLOW moments-of sublime beauty. I can't > imagine anyone racing through a 30-minuted work in > half the time. Sad.   Virgil played it in 24:47, Mark Laubach plays it in 32:49.   SCOTT F. FOPPIANO, Principal Organist and Director of Music and Liturgy THE NATIONAL SHRINE OF THE LITTLE FLOWER, Royal Oak, MI (Geo. Kilgen & Son, St. Louis, MO, Opus 5180, 1933) =3DE2=3D80=3D9CCantantibus organis Caecilia Domino decantabat dicens, fiat cor meum immaculatum ut non confundar.=3DE2=3D80=3D9D     --part1_126.17931d0.28846492_boundary Content-Type: text/html; charset=3D"UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en   <HTML><FONT FACE=3D3Darial,helvetica><FONT COLOR=3D3D"#0000a0" SIZE=3D3D2 = FAMILY=3D =3D3D"SCRIPT" FACE=3D3D"Comic Sans MS" LANG=3D3D"0">In a message dated = 7/16/01 10:=3D 46:29 AM Eastern Daylight Time,=3D20 <BR>jackwilliams_1999@yahoo.com writes: <BR> <BR></FONT><FONT COLOR=3D3D"#000000" SIZE=3D3D2 FAMILY=3D3D"SANSSERIF" = FACE=3D3D"Ar=3D ial" LANG=3D3D"0"> <BR><BLOCKQUOTE TYPE=3D3DCITE style=3D3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-=3D LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">This was her <BR>&gt; signature piece for a=3D20 <BR>&gt; number of years and she played all seventeen-plus <BR>&gt; minutes from memory (of=3D20 <BR>&gt; course, others do too). <BR> <BR>If anybody plays this work in just 17 minutes, then <BR>they have really missed something. &nbsp;There are <BR>moments-SLOW moments-of sublime beauty. &nbsp;I can't <BR>imagine anyone racing through a 30-minuted work in <BR>half the time. &nbsp;Sad.</FONT><FONT COLOR=3D3D"#0000a0" SIZE=3D3D2 = FAMILY=3D =3D3D"SCRIPT" FACE=3D3D"Comic Sans MS" LANG=3D3D"0"></BLOCKQUOTE> <BR> <BR>Virgil played it in 24:47, Mark Laubach plays it in 32:49. <BR> <BR><B>SCOTT F. FOPPIANO</B>, Principal Organist and Director of Music and = L=3D iturgy <BR>THE NATIONAL SHRINE OF THE LITTLE FLOWER, Royal Oak, MI <BR>(Geo. Kilgen &amp; Son, St. Louis, MO, Opus 5180, 1933) <BR><I>=3DE2=3D80=3D9CCantantibus organis Caecilia Domino decantabat = dicens, <BR>fiat cor meum immaculatum ut non confundar.=3DE2=3D80=3D9D</I> <BR></FONT></HTML>   --part1_126.17931d0.28846492_boundary--  
(back) Subject: Re: Sub fees From: <quilisma@socal.rr.com> Date: Mon, 16 Jul 2001 08:42:44 -0700       Wurlibird1@aol.com wrote:   > Hi fellow Listers, > > How timely this thread is with respect to yours truly. Just last week I = was > honored in being invited to supply for a large local church for the = month of > August. Since I retired from the bench in April I am beginning to miss = the > Sunday routine (but not enough to re-enter that arena on a permanent = basis). > > To accept the invitation I would be responsible for two services Sunday > morning and one Sunday night, plus a Wednesday night prayer-n-praise = service > followed by adult choir rehearsal. This totals 22 service-related = activities > in August. The offered stipend for the month was $385.00 which, I am = told, > is somewhat consistent with that paid their regular organist on a = monthly > basis. >   $385 divided by 22 "units" is $17.50 per "unit" ... I wouldn't have been = so polite (grin).   I was making $17.50 an HOUR when I retired from the Union-Tribune some = years ago, with full benefits AND pension, plus overtime for anything over 7 1/2 = hours a day / 37 1/2 hours a week, and DOUBLE-time on holidays. But of course we had a = UNION (grin).   Cheers,   Bud    
(back) Subject: Re: Alfred Hollins' compositions From: "Robert Lind" <Robert_Lind@cch.com> Date: Mon, 16 Jul 2001 10:43:05 -0500   Thanks for listing some Hollins favorites, Andrew, and if you or others have further suggestions about him for recital material and postludes, I should appreciate hearing from you. Coincidentally, I played Hollins's Grand Choeur No. 2 (in C) yesterday for a postlude, so here's someone else in the USA who has played his music.   Has anyone written a book on blind organists and the music they have composed? The list goes back at least as far as Arnold Schlick and = includes so many great names that it's truly amazing.   Bob Lind Good Shepherd Lutheran Church Naperville, IL   From: Andrew Caskie <caskie@totalise.co.uk> on 07/13/2001 06:03 PM   Subject: Alfred Hollins' compositions   How well known is Hollins in the USA? Is his music played much? I'm personally a big fan of his music - it always appeals to audiences and I feel there's more depth to his music than perhaps appears at first glance. Favourites that are well known to most are of course the Song of Sunshine, the G minor ('Spanish') Grand Choeur, and the C minor Concert Overture. Recently I discovered that he actually wrote 3 concert overtures - C maj, = C min, F min, in addition to a Concert Rondo and a Concert Toccata. Of these 5, rarely is anything but the C min heard. I came across the music for the = C major - glorious rollicking stuff, throwing the organ around like no other piece I can think of. I'm playing it in a recital I'm doing in August on = the big Harrison & Harrison in Dundee's Caird Hall, an organ which Hollins designed and opened. The Tuba stopknob is a good inch apart from of all = the others on it's manual, at Hollins's request so that he would not draw it = by mistake!      
(back) Subject: Blind organists (was: Alfred Hollins' compositions) From: "Mark Harris" <M.Harris@Admin.lon.ac.uk> Date: Mon, 16 Jul 2001 16:49:40 GMT     Bob Lind wrote:   >The list goes back at least as far as Arnold Schlick and > includes so many great names that it's truly amazing.   --Ahem. Arnold Schlick? Who he? What about John Stanley, then?   Mark Harris =3D=3D=3D=3D=3D=3D=3D=3D=3D  
(back) Subject: Re: Sub fees From: <MFoxy9795@aol.com> Date: Mon, 16 Jul 2001 12:21:39 EDT   should be closer to $385/WEEK.   I would be responsible for two services Sunday > morning and one Sunday night, plus a Wednesday night prayer-n-praise = service > followed by adult choir rehearsal. This totals 22 service-related = activities > in August. The offered stipend for the month was $385.00 which, I am = told, > is somewhat consistent with that paid their regular organist on a = monthly > basis. >  
(back) Subject: Re: Sub fees From: <Wurlibird1@aol.com> Date: Mon, 16 Jul 2001 12:43:40 EDT   Bud writes:     >$385 divided by 22 "units" is $17.50 per "unit" ... I wouldn't have been = so polite (grin).   I was making $17.50 an HOUR when I retired from the Union-Tribune some = years ago, with full benefits AND pension, plus overtime for anything over 7 1/2 = hours a day / 37 1/2 hours a week, and DOUBLE-time on holidays. But of course we had a =   UNION (grin). <<   Texas is a "right to work" state where unions have less clout than in = other regions. Churches in this area must have a union, however. Its credo must be "get = 'em cheap, work 'em hard, pay 'em small."   What I find most laughable about many (certainly not all) churches is the shtick about <dedication> and <devotion> and <Christian commitment> when = the subject of money is broached. I was dedicated, devoted, and committed for =   forty-four continuous years. When I begin to see clergy with similar longevity that premise may take on some credibility. (scowl)   Sorry! Soap box stashed and going to my room.   Jim P  
(back) Subject: Re: Recording of Liszt "Ad nos, ad salutarum undam" From: "John Cormack" <jcorm@bellatlantic.net> Date: Mon, 16 Jul 2001 12:52:59 -0400   That's also the impression I got when she played other pieces at the = Region III AGO convention in Bethlehem/Allentown, PA last month. Speed was much = to fast, with no feeling.   > If anybody plays this work in just 17 minutes, then > they have really missed something. There are > moments-SLOW moments-of sublime beauty. I can't > imagine anyone racing through a 30-minuted work in > half the time. Sad.      
(back) Subject: Re: Sub fees From: <RonSeverin@aol.com> Date: Mon, 16 Jul 2001 13:09:25 EDT   Hi Vicki:   What would be appropriate for this:   1 choir rehearsal, Saturday at noon 1 service, Sunday, starting at 11, running to around 1   Vicki   My reply:   At least $250.00   Ron Severin St. Mary's by the Sea  
(back) Subject: 6 Feet Under From: <DionDave@aol.com> Date: Mon, 16 Jul 2001 13:16:39 EDT   Did anyone catch "Six Feet Under" on HBO last night? An organ console in = a nice church was prominently displayed in a scene in which a priest is interviewed for an assistant rector's job. The show is set in LA. Anyone =   recognize the church and the organ? Viewing the console, I could tell = that the organ was a substantial three manual with stop knobs rather than = titling talbets over the top manual.  
(back) Subject: Re: Question is this really about salaries, etc.? From: <RonSeverin@aol.com> Date: Mon, 16 Jul 2001 13:26:43 EDT   Dear List:   Saleries are low for organists in most places because of two things = really, Clergy dominance, and the need to keep the musician off ballance. Belittle and cajole the musician into believing he or she is superfluous, and can be replaced. Well we have hundreds of examples don't we. In most cases that I've seen, the second son, of the second son makes sure the organist gets 10% of what the second son gets, even in tight circumstances. Need a raise for the second son and/or daughter, fire the organist, and hire a cheaper one! This game has been played for a very long time. Organist gets too popular with the congregation, dump him/her, the ego won't stand this kind of challenge to the second son/daughter, you guessed it, = (rector.)   Am I saying what you don't already know?   Ron Severin   St. Mary's by the Sea  
(back) Subject: Re: salaries, etc. From: "Glenda" <gksjd85@access.aic-fl.com> Date: Mon, 16 Jul 2001 12:37:20 -0500   Damn, Bud, and you still play there?   LOL,   Glenda Sutton   ----- Original Message ----- From: <quilisma@socal.rr.com> > > In the most recent instance I was in the hospital with a stroke. The > first words out of the Rector's mouth when he called my hospital room > were, "ARE YOU GOING TO PLAY HOLY WEEK?" Not, "How are you?" or "Would > you like for me to come and anoint you and bring you Holy Communion?" > (he never did) ... but "ARE YOU GOING TO PLAY HOLY WEEK?" Not even "Are > you going to be ABLE to play Holy Week?" > > So I played Holy Week ... in a wheelchair, mostly on the piano, because > when they put me on the organ bench I kept toppling over (grin).        
(back) Subject: RE: Recordings of Liszt "Ad nos, ad salutarum undam" From: "Storandt, Peter" <pstorandt@okcu.edu> Date: Mon, 16 Jul 2001 13:06:41 -0500   Scott: =20 Daniel Chorzempa recorded the Ad Nos on the Flentrop at the = Concertgebouw (Phillips LP) back in the 70s. It is unsurpassed, in my opinion. =20 Peter   -----Original Message----- From: ScottFop@aol.com [mailto:ScottFop@aol.com] Sent: Sunday, July 15, 2001 9:01 AM To: MUSIC-L@lists.ufl.edu; Liturgicalmusic@yahoogroups.com; pipechat@pipechat.org; piporg-l@listserv.albany.edu; Theatreorgans-L@theatreorgans.com Subject: Recordings of Liszt "Ad nos, ad salutarum undam"     Does anyone have recordings of this work which stand out as = particularly fine=20 in their opinions? I have, on CD, Virgil Fox at the 1979 Riverside = Concert=20 (Bainbridge) and Mark Laubach at St. John's Lutheran Church in = Allentown, PA   (Pro Organo). The Laubach is clearly my favorite. My reasons are = because I   find Laubach's playing more sensitive and contrasting instead of mere = volume   and speed. Also, the recording technology when Virgil did his = Riverside=20 concert was nowhere near what it is today. This is NOT a Virgil Fox = bash, I   am a great fan and admirer- I would not be playing today if it weren't = for=20 his recordings.=20   I believe I have an old LP somewhere with Simon Preston playing it on = one=20 side and the Reubke 94th Psalm on the other.=20   Does anyone know of any good CD recordings of this piece? I believe it would=20 make a wonderful selection for the Grande Kilgen.........=20   SCOTT F. FOPPIANO, Principal Organist and Director of Music and Liturgy =   THE NATIONAL SHRINE OF THE LITTLE FLOWER, Royal Oak, MI=20 (Geo. Kilgen & Son, St. Louis, MO, Opus 5180, 1933)=20 =E2=80=9CCantantibus organis Caecilia Domino decantabat dicens,=20 fiat cor meum immaculatum ut non confundar.=E2=80=9D=20      
(back) Subject: Re: salaries, etc. From: <quilisma@socal.rr.com> Date: Mon, 16 Jul 2001 11:52:41 -0700   I wish I had a RECORDING (*and* a video tape) of the session I had with = him AFTER Easter (grin) ... as you might imagine, I have QUITE an eloquent vocabulary (chuckle) ... essentially, I DID resign; and told him, the = Vestry and the Big Money WHY; and WHERE St. Matthew's MIGHT fit upon the = application all due diligence (chuckle).   Well, let's see ... I got a new copy machine, a pipe organ, and a raise = ... I'm not OLD and SCARY for nothing (grin).   Cheers,   Bud   Glenda wrote:   > Damn, Bud, and you still play there? > > LOL, > > Glenda Sutton >    
(back) Subject: Re: 6 Feet Under From: <quilisma@socal.rr.com> Date: Mon, 16 Jul 2001 12:02:31 -0700   I hadn't really thought about it, but it could well have been St. James = Wilshire .... no, the church was too long and the roof was too low ... All Saints' = Beverly Hills? It definitely WASN'T St. John's Flower Street ... I'd recognize = that high altar ANYWHERE. St. Thomas Hollywood? Naw, that's four manuals, I think = ...   Just guessing ...   "David" is SUCH a dweeb (grin).   Bud, making do with SFU until QAF comes back on in January     DionDave@aol.com wrote:   > Did anyone catch "Six Feet Under" on HBO last night? An organ console = in a > nice church was prominently displayed in a scene in which a priest is > interviewed for an assistant rector's job. The show is set in LA. = Anyone > recognize the church and the organ? Viewing the console, I could tell = that > the organ was a substantial three manual with stop knobs rather than = titling > talbets over the top manual. > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: Six Feet Under, cont. From: <quilisma@socal.rr.com> Date: Mon, 16 Jul 2001 12:09:41 -0700   The scene in another episode where "David" imagines the packed congregation naked at his installation as a deacon is HYSTERICAL, but it's derivative ... there was a REVERSE scene in that movie set in Australia about the young vicar and his wife in the outback, on a mission to convince the hedonistic artist to withdraw his "smutty" show in the art gallery in the city ... she imagines HERSELF naked in the middle of Evensong (grin). Can't remember the title, as usual. Anybody recall that one?   Cheers,   Bud    
(back) Subject: SFU, cont. yet again From: <quilisma@socal.rr.com> Date: Mon, 16 Jul 2001 12:10:31 -0700   Wonder how much they paid the extras for THAT scene (chuckle)? Church must seat close to a thousand ...   Bud    
(back) Subject: Re: pipe organ screensaver for free From: <Cremona502@cs.com> Date: Mon, 16 Jul 2001 15:32:19 EDT     --part1_11a.1aa70b5.28849b43_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 7/16/01 3:27:00 AM Eastern Daylight Time, setchell@paradise.net.nz writes:     > www.nzorgan.com   Jenny, Many thanks for the wonderful photographs of the Christ Church organ. = The tour is fascinating and the photos are excellent. The screensaver collection is wonderful as well. Please continue. . . and please don't =   forget the little ones! ;-)   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly, and Dewi Visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_11a.1aa70b5.28849b43_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 7/16/01 3:27:00 AM Eastern Daylight Time, <BR>setchell@paradise.net.nz writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: = 5px">www.nzorgan.com</FONT><FONT COLOR=3D"#000000" SIZE=3D3 = FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>Jenny, <BR>Many thanks for the wonderful photographs of the Christ Church organ. = &nbsp;&nbsp;The <BR>tour is fascinating and the photos are excellent. &nbsp;&nbsp;The = screensaver <BR>collection is wonderful as well. &nbsp;&nbsp;Please continue. . . = &nbsp;&nbsp;and please don't <BR>forget the little ones! &nbsp;;-) <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR> &nbsp;&nbsp;&nbsp;&nbsp;Duncan, Miles, Molly, and Dewi <BR>Visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/</FONT></HTML>   --part1_11a.1aa70b5.28849b43_boundary--  
(back) Subject: Re: program Sunday (Playing Level) From: <Cremona502@cs.com> Date: Mon, 16 Jul 2001 15:38:39 EDT     --part1_fe.911f2e4.28849cbf_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 7/16/01 4:21:15 AM Eastern Daylight Time, PHarri5833@aol.com writes:     > Whilst a programme consisting entirely of Bach chorale preludes, trios = and > other works on chorale themes might not qualify as "balanced" if one > believes > a programme has to have pieces old/new, loud/quiet, secular/religious = etc., > I > don't think you could knock it on grounds of "quality". >   I didn't say "Bach" chorale preludes. I've actually heard an entire = program of Bach chorale preludes played on a wonderful organ. It was the OHS convention in Montreal and I only went because I wanted to hear the organ, =   and even took a book to occupy my mind while I listened. The playing, = the organ, and the compositions were so exquisite that I didn't read a word.   My complaint is more with contemporary hymn-based pieces written for = Sunday mornings when the organist doesn't want to practice. However, too many chorale preludes of anyone's will send me to slumberland.   Interestingly, I just visited the Rieger organ site and heard an excerpt = of a toccata on "Joy to the World". The toccata structure and movement was wonderful, but the melody ruined it -- booooooooooooooooooooooooooo-RING!   There is just too much really fine, and not difficult, organ music for recital use without rehashing Sunday morning doodles!   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly, and Dewi Visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_fe.911f2e4.28849cbf_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 7/16/01 4:21:15 AM Eastern Daylight Time, <BR>PHarri5833@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Whilst a programme = consisting entirely of Bach chorale preludes, trios and <BR>other works on chorale themes might not qualify as "balanced" if one <BR>believes <BR>a programme has to have pieces old/new, loud/quiet, secular/religious = etc., <BR>I <BR>don't think you could knock it on grounds of "quality". <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>I didn't say "Bach" chorale preludes. &nbsp;&nbsp;I've actually heard = an entire program <BR>of Bach chorale preludes played on a wonderful organ. &nbsp;&nbsp;It = was the OHS <BR>convention in Montreal and I only went because I wanted to hear the = organ, <BR>and even took a book to occupy my mind while I listened. = &nbsp;&nbsp;&nbsp;The playing, the <BR>organ, and the compositions were so exquisite that I didn't read a = word. <BR> <BR>My complaint is more with contemporary hymn-based pieces written for = Sunday <BR>mornings when the organist doesn't want to practice. = &nbsp;&nbsp;However, too many <BR>chorale preludes of anyone's will send me to slumberland. <BR> <BR>Interestingly, I just visited the Rieger organ site and heard an = excerpt of a <BR>toccata on "Joy to the World". &nbsp;&nbsp;The toccata structure and = movement was <BR>wonderful, but the melody ruined it -- = &nbsp;booooooooooooooooooooooooooo-RING! <BR> <BR>There is just too much really fine, and not difficult, organ music for =   <BR>recital use without rehashing Sunday morning doodles! <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR> &nbsp;&nbsp;&nbsp;&nbsp;Duncan, Miles, Molly, and Dewi <BR>Visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/</FONT></HTML>   --part1_fe.911f2e4.28849cbf_boundary--  
(back) Subject: Re: Looking for music From: "Douglas A Campbell" <dougcampbell@juno.com> Date: Sun, 15 Jul 2001 19:01:23 -0400   Dear Cindy,   "War March of the Priests" Arr. Bryan Hesford Fentone Music Ltd. (F199) Corby, Northants, England     Douglas A. Campbell Skaneateles, NY     On Sun, 15 Jul 2001 16:33:53 EDT CdyVanpool@aol.com writes: > I am looking for a good arrangement of "War March of the Priests" > from the > Mendelssohn, in print. > I am also looking for any Tom Hazleton music in > print. (if > there is any) He is one of the best organ improvisationist I have > heard. I do > hope he has music out there! Any help will be appreciated. > > Van Vanpool, organist > FUMC Bowie, Texas > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related > topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >   ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! Juno offers FREE or PREMIUM Internet access for less! Join Juno today! For your FREE software, visit: http://dl.www.juno.com/get/tagj.