PipeChat Digest #2242 - Thursday, July 19, 2001
 
Joyce's technique and comments
  by <RMB10@aol.com>
Re: Bach Fantasia in G Major
  by "Glenda" <gksjd85@access.aic-fl.com>
RE: Bach Fantasia in G Major
  by "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org>
Re: Joyce's technique and comments
  by "Jackson R. Williams II" <jackwilliams_1999@yahoo.com>
Re: Joyce Jones Concert
  by <Innkawgneeto@cs.com>
Re: Bach Fantasia in G Major
  by "Alan Freed" <afreed0904@earthlink.net>
Re: Looking for music
  by "Margo Dillard" <dillardm@airmail.net>
RE: Looking for music
  by "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org>
RE: Looking for music
  by "Josh Edwards" <fbcorganist@att.net>
RE: Joyce's technique and comments
  by "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org>
Re: Bach Fantasia in G Major
  by <quilisma@socal.rr.com>
 

(back) Subject: Joyce's technique and comments From: <RMB10@aol.com> Date: Thu, 19 Jul 2001 07:15:09 EDT     --part1_117.1dc3f33.28881b3d_boundary Content-Type: text/plain; charset=3D"ISO-8859-1" Content-Transfer-Encoding: quoted-printable   >Subject: Re: Joyce Jones Concert >From: "Jackson R. Williams II" <jackwilliams_1999@yahoo.com> >Date: Thu, 19 Jul 2001 01:46:02 -0700 (PDT) >I've heard her play many times, but it seems in the >past few years she plays faster and faster.=3DA0 It's a >pity, really, because she sacrifices so much of the >beauty of the music just to show off her facility.=3DA0 I >use the word "facility" and not "technique" here, >because technique is at the service of the music.=3D20 >Unfortunately, so many people confuse lightning fast >playing with great music making.=3DA0 Speed has its >appropriate moments, but I think Joyce needs to >seriously start listening more to herself when she >plays.=3D20   It kills me (pardon the pun--I am also a funeral director LOL) when one = of=3D20 our ranks takes it upon him or herself to make comments on an = internationall=3D y=3D20 renown concert artist. You may or may not agree with Joyce's tempi, but = she=3D =3D20 has technique to burn, is a fabulous musician, a marvelous teacher, and = on=3D20 top of it, a wonderful Southern lady. Joyce has done a lot for organ = music=3D20 by bringing it to the people (like Virgil, Biggs, Diane, et. al) when = she=3D20 toured with the Rodgers Touring Organ doing the Community Concerts = circuit=3D20 and by playing programs that are interesting to the audience. She's got = mor=3D e=3D20 pedal technique than most organists could ever wish for in both hands. = I=3D20 don't want to be ugly, Mr. Williams, but what makes you qualified to = make=3D20 remarks about other musician's playing? We organists tend to be so = harshly=3D20 judgemental as to other people's playing. Why? It doesn't make us = any=3D20 better of a musician. All it does is tear someone else down instead = of=3D20 promoting the instrument. In this world there is plenty of room for=3D20 different styles of playing. I personally am of the Romantic style = of=3D20 interpretation and prefer more orchestral and symphonic organs. To me = it's=3D20 easier on the ear than a neo-Baroque replica, but it's all my opinion. = Just=3D =3D20 remember opinions are like armpits....everyone as them and they all stink.     Monty Bennett Rock Hill, SC=3D20   --part1_117.1dc3f33.28881b3d_boundary Content-Type: text/html; charset=3D"ISO-8859-1" Content-Transfer-Encoding: quoted-printable   <HTML><FONT FACE=3D3Darial,helvetica><FONT SIZE=3D3D2>&gt;Subject: Re: = Joyce Jo=3D nes Concert <BR>&gt;From: "Jackson R. Williams II" &lt;jackwilliams_1999@yahoo.com&gt; <BR>&gt;Date: Thu, 19 Jul 2001 01:46:02 -0700 (PDT) <BR>&gt;I've heard her play many times, but it seems in the <BR>&gt;past few years she plays faster and faster.=3DA0 It's a <BR>&gt;pity, really, because she sacrifices so much of the <BR>&gt;beauty of the music just to show off her facility.=3DA0 I <BR>&gt;use the word "facility" and not "technique" here, <BR>&gt;because technique is at the service of the music.=3D20 <BR>&gt;Unfortunately, so many people confuse lightning fast <BR>&gt;playing with great music making.=3DA0 Speed has its <BR>&gt;appropriate moments, but I think Joyce needs to <BR>&gt;seriously start listening more to herself when she <BR>&gt;plays.=3D20 <BR> <BR>It kills me (pardon the pun--I am also a funeral director LOL) when = one=3D20=3D of=3D20 <BR>our ranks takes it upon him or herself to make comments on an = internatio=3D nally=3D20 <BR>renown concert artist. &nbsp;You may or may not agree with Joyce's = tempi=3D , but she=3D20 <BR>has technique to burn, is a fabulous musician, a marvelous teacher, = and=3D20=3D on=3D20 <BR>top of it, a wonderful Southern lady. &nbsp;Joyce has done a lot for = org=3D an music=3D20 <BR>by bringing it to the people (like Virgil, Biggs, Diane, et. al) when = sh=3D e=3D20 <BR>toured with the Rodgers Touring Organ doing the Community Concerts = circu=3D it=3D20 <BR>and by playing programs that are interesting to the audience. = &nbsp;She'=3D s got more=3D20 <BR>pedal technique than most organists could ever wish for in both hands. = I=3D =3D20 <BR>don't want to be ugly, Mr. Williams, but what makes you qualified to mak=3D e=3D20 <BR>remarks about other musician's playing? &nbsp;We organists tend to be = so=3D harshly=3D20 <BR>judgemental as to other people's playing. &nbsp;&nbsp;Why? &nbsp;It = does=3D n't make us any=3D20 <BR>better of a musician. &nbsp;All it does is tear someone else down = instea=3D d of=3D20 <BR>promoting the instrument. &nbsp;In this world there is plenty of room = fo=3D r=3D20 <BR>different styles of playing. &nbsp;I personally am of the Romantic = style=3D of=3D20 <BR>interpretation and prefer more orchestral and symphonic organs. = &nbsp;To=3D me it's=3D20 <BR>easier on the ear than a neo-Baroque replica, but it's all my opinion. = &=3D nbsp;Just=3D20 <BR>remember opinions are like armpits....everyone as them and they all = stin=3D k. <BR> <BR> <BR>Monty Bennett <BR>Rock Hill, SC </FONT></HTML>   --part1_117.1dc3f33.28881b3d_boundary--  
(back) Subject: Re: Bach Fantasia in G Major From: "Glenda" <gksjd85@access.aic-fl.com> Date: Thu, 19 Jul 2001 06:56:54 -0500   Well, being as JSB and I hung out and drunk a lot . . . He actually = carried around a low B in his pocket for the occasional occasion when he used that piece. That's why I carried the money - his pocket was pretty full!   Glenda Sutton      
(back) Subject: RE: Bach Fantasia in G Major From: "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org> Date: Thu, 19 Jul 2001 08:26:00 -0400   Where does one check Bach's Urtexts? I'm sure everyone is taken aback by such stupidity but what can I say, I know not the answer to my question. Robert Colasacco   -----Original Message----- From: Josh Edwards [mailto:fbcorganist@att.net] Sent: Wednesday, July 18, 2001 9:43 PM To: PipeChat Subject: Bach Fantasia in G Major     Did Bach have regular access to an organ that had a low B below the = standard low C that we have today? The reason I ask is because I studied the Fantasia in G Major and in the middle section, on the second page middle score (Kalmus Ed.) there is a low B written. Of course, I just repeated = the higher B, but why did he write the low one? Is it a mistake written when taken from the original manuscripts? Did the Urtext edition (which I have checked) clarify the low B?   Thanks for any help on this,   Josh Edwards Organist FBC Seymour, TN     "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:pipechat@pipechat.org Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: mailto:requests@pipechat.org  
(back) Subject: Re: Joyce's technique and comments From: "Jackson R. Williams II" <jackwilliams_1999@yahoo.com> Date: Thu, 19 Jul 2001 05:27:51 -0700 (PDT)   Monty, Don't get me wrong--I have been a huge fan of Joyce's. I love her artistry. However, I've noticed that her tempi have become so superfast in the past few years. I feel her playing has changed.   You ask: who am I to judge her? Well, who is anybody and how qualified to express an opinion? I'm like you and everyone else on this list: a lover of music and an informed listener. I could list degrees here: MM in organ performance, PhD in music history, plus an MBA, all from major institutions, but so what? What I express are just my own feelings, how the music and music-making hits me. That's what this list is for as well. And all of us respect the opinions of our list-mates, whether we agree or not.   I have noticed that Joyce spends a lot of time staring at the stopjambs when she plays. What is she looking for and what is she thinking when she does that?   Anyway, I love her artistry and her personality, but I feel that lately she sacrifices many beautiful moments just for speed. I just don't find that very impressive. People go through various phases with their playing.   Keep in mind that I hear a lot of music: I go to the symphony every week, attend the opera, go to as many organ recitals as I can. I support many musical institutions financially. So you see, I'm very much involved with music while maintaining a full business career as well.   If you disagree with my opinion, fine--and I respect that. But you don't have to insult anyone because you disagree with them.     __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail http://personal.mail.yahoo.com/  
(back) Subject: Re: Joyce Jones Concert From: <Innkawgneeto@cs.com> Date: Thu, 19 Jul 2001 09:34:11 EDT     --part1_23.e92b83b.28883bd3_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   I am wondering if she even realizes her speed. She mentioned last night = the many difficulties that her and her family have gone through in the past = few years. Perhaps it is a coping mechanism she is not aware of? It makes = me think she has not stopped sufficiently to grieve and recover (but then, = I'm not a professional analyst).   I know that whatever I am going through effects my playing, good, bad, or indifferent.   Peace to you all. Neil Brown   --part1_23.e92b83b.28883bd3_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><BODY BGCOLOR=3D"#ffffff"><FONT = SIZE=3D2>I am wondering if she even realizes her speed. &nbsp;She = mentioned last night the <BR>many difficulties that her and her family have gone through in the = past few <BR>years. &nbsp;Perhaps it is a coping mechanism she is not aware of? = &nbsp;&nbsp;It makes me <BR>think she has not stopped sufficiently to grieve and recover (but = then, I'm <BR>not a professional analyst). <BR> <BR>I know that whatever I am going through effects my playing, good, bad, = or <BR>indifferent. <BR> <BR>Peace to you all. <BR>Neil Brown</FONT></HTML>   --part1_23.e92b83b.28883bd3_boundary--  
(back) Subject: Re: Bach Fantasia in G Major From: "Alan Freed" <afreed0904@earthlink.net> Date: Thu, 19 Jul 2001 10:20:57 -0400   Nicolas de Grigny. born St. Pierre-la-Vieil, France, Sept. 8, 1672. Died Rheims, Nov. 30, 1703. "it is posible that Bach copied his Livre d'orgue = P. A. LeMercier, Paris, 1699, second edition, C. Bailard, Paris, 1711).   > From: quilisma@socal.rr.com > Reply-To: "PipeChat" <pipechat@pipechat.org> > Date: Wed, 18 Jul 2001 22:25:44 -0700 > To: PipeChat <pipechat@pipechat.org> > Subject: Re: Bach Fantasia in G Major > > could it > have been a present for de Grigny? Are they contemporaries? Don't = remember ...    
(back) Subject: Re: Looking for music From: "Margo Dillard" <dillardm@airmail.net> Date: Thu, 19 Jul 2001 09:38:25 -0500   I noticed someone referred you to the Best collection. Mine is in an OLD collection of marches and no longer under copyright - if you don't want to = buy a whole book to get it.....   CdyVanpool@aol.com wrote:   > I am looking for a good arrangement of "War March of the Priests" from = the > Mendelssohn, in print. > I am also looking for any Tom Hazleton music in print. = (if > there is any) He is one of the best organ improvisationist I have heard. = I do > hope he has music out there! Any help will be appreciated. > > Van Vanpool, organist > FUMC Bowie, Texas > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: RE: Looking for music From: "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org> Date: Thu, 19 Jul 2001 10:45:28 -0400   I have a copy of War March... that I have since the '60s which was = published as an individual sheet piece (that's sheet pron. sh + eat)by Schirmer. = Have you tried Schirmer? Also if you can't find it I'd be more than happy to = make a copy and mail it to you at no cost to you, not even the postage (that is as long as you accept it surface...overnight is on you). Let me know. If = you can believe it my first organ professor used it as the recessional at weddings!!! Robert Colasacco   -----Original Message----- From: Margo Dillard [mailto:dillardm@airmail.net] Sent: Thursday, July 19, 2001 10:38 AM To: PipeChat Subject: Re: Looking for music     I noticed someone referred you to the Best collection. Mine is in an OLD collection of marches and no longer under copyright - if you don't want to buy a whole book to get it.....   CdyVanpool@aol.com wrote:   > I am looking for a good arrangement of "War March of the Priests" from the > Mendelssohn, in print. > I am also looking for any Tom Hazleton music in print. = (if > there is any) He is one of the best organ improvisationist I have heard. = I do > hope he has music out there! Any help will be appreciated. > > Van Vanpool, organist > FUMC Bowie, Texas > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org     "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:pipechat@pipechat.org Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: mailto:requests@pipechat.org  
(back) Subject: RE: Looking for music From: "Josh Edwards" <fbcorganist@att.net> Date: Thu, 19 Jul 2001 11:05:38 -0400   robert,   do you think I could get that piece from you?   Josh Edwards     -----Original Message----- From: pipechat@pipechat.org [mailto:pipechat@pipechat.org]On Behalf Of COLASACCO, ROBERT Sent: Thursday, July 19, 2001 10:45 AM To: 'PipeChat' Subject: RE: Looking for music     I have a copy of War March... that I have since the '60s which was = published as an individual sheet piece (that's sheet pron. sh + eat)by Schirmer. = Have you tried Schirmer? Also if you can't find it I'd be more than happy to = make a copy and mail it to you at no cost to you, not even the postage (that is as long as you accept it surface...overnight is on you). Let me know. If = you can believe it my first organ professor used it as the recessional at weddings!!! Robert Colasacco   -----Original Message----- From: Margo Dillard [mailto:dillardm@airmail.net] Sent: Thursday, July 19, 2001 10:38 AM To: PipeChat Subject: Re: Looking for music     I noticed someone referred you to the Best collection. Mine is in an OLD collection of marches and no longer under copyright - if you don't want to buy a whole book to get it.....   CdyVanpool@aol.com wrote:   > I am looking for a good arrangement of "War March of the Priests" from the > Mendelssohn, in print. > I am also looking for any Tom Hazleton music in print. = (if > there is any) He is one of the best organ improvisationist I have heard. = I do > hope he has music out there! Any help will be appreciated. > > Van Vanpool, organist > FUMC Bowie, Texas > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org     "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:pipechat@pipechat.org Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: mailto:requests@pipechat.org   "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:pipechat@pipechat.org Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: mailto:requests@pipechat.org      
(back) Subject: RE: Joyce's technique and comments From: "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org> Date: Thu, 19 Jul 2001 11:08:00 -0400   This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible.   ------_=3D_NextPart_001_01C11064.9996B790 Content-Type: text/plain; charset=3D"iso-8859-1"   And that, sir, is YOUR opinion!! -----Original Message----- From: RMB10@aol.com [mailto:RMB10@aol.com] Sent: Thursday, July 19, 2001 7:15 AM To: pipechat@pipechat.org Subject: Joyce's technique and comments     >Subject: Re: Joyce Jones Concert >From: "Jackson R. Williams II" <jackwilliams_1999@yahoo.com> >Date: Thu, 19 Jul 2001 01:46:02 -0700 (PDT) >I've heard her play many times, but it seems in the >past few years she plays faster and faster. It's a >pity, really, because she sacrifices so much of the >beauty of the music just to show off her facility. I >use the word "facility" and not "technique" here, >because technique is at the service of the music. >Unfortunately, so many people confuse lightning fast >playing with great music making. Speed has its >appropriate moments, but I think Joyce needs to >seriously start listening more to herself when she >plays.   It kills me (pardon the pun--I am also a funeral director LOL) when one of =   our ranks takes it upon him or herself to make comments on an internationally renown concert artist. You may or may not agree with Joyce's tempi, but = she   has technique to burn, is a fabulous musician, a marvelous teacher, and on =   top of it, a wonderful Southern lady. Joyce has done a lot for organ = music by bringing it to the people (like Virgil, Biggs, Diane, et. al) when she toured with the Rodgers Touring Organ doing the Community Concerts circuit =   and by playing programs that are interesting to the audience. She's got more pedal technique than most organists could ever wish for in both hands. I don't want to be ugly, Mr. Williams, but what makes you qualified to make remarks about other musician's playing? We organists tend to be so = harshly judgemental as to other people's playing. Why? It doesn't make us any better of a musician. All it does is tear someone else down instead of promoting the instrument. In this world there is plenty of room for different styles of playing. I personally am of the Romantic style of interpretation and prefer more orchestral and symphonic organs. To me = it's easier on the ear than a neo-Baroque replica, but it's all my opinion. = Just   remember opinions are like armpits....everyone as them and they all stink. =       Monty Bennett Rock Hill, SC   ------_=3D_NextPart_001_01C11064.9996B790 Content-Type: text/html; charset=3D"iso-8859-1"   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; = charset=3Diso-8859-1">     <META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR></HEAD> <BODY> <DIV><SPAN class=3D764330715-19072001><FONT face=3DGaramond = color=3D#800000>And that, sir, is YOUR opinion!!</FONT></SPAN></DIV> <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT = face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> RMB10@aol.com [mailto:RMB10@aol.com]<BR><B>Sent:</B> Thursday, July 19, 2001 7:15 AM<BR><B>To:</B> pipechat@pipechat.org<BR><B>Subject:</B> Joyce's = technique and comments<BR><BR></FONT></DIV><FONT face=3Darial,helvetica><FONT size=3D2>&gt;Subject: Re: Joyce Jones Concert <BR>&gt;From: "Jackson R. = Williams II" &lt;jackwilliams_1999@yahoo.com&gt; <BR>&gt;Date: Thu, 19 Jul 2001 = 01:46:02 -0700 (PDT) <BR>&gt;I've heard her play many times, but it seems in the <BR>&gt;past few years she plays faster and faster.&nbsp; It's a = <BR>&gt;pity, really, because she sacrifices so much of the <BR>&gt;beauty of the music = just to show off her facility.&nbsp; I <BR>&gt;use the word "facility" and not "technique" here, <BR>&gt;because technique is at the service of the = music. <BR>&gt;Unfortunately, so many people confuse lightning fast = <BR>&gt;playing with great music making.&nbsp; Speed has its <BR>&gt;appropriate moments, = but I think Joyce needs to <BR>&gt;seriously start listening more to herself when she <BR>&gt;plays. <BR><BR>It kills me (pardon the pun--I am also a funeral = director LOL) when one of <BR>our ranks takes it upon him or herself to make = comments on an internationally <BR>renown concert artist. &nbsp;You may or may not = agree with Joyce's tempi, but she <BR>has technique to burn, is a fabulous = musician, a marvelous teacher, and on <BR>top of it, a wonderful Southern lady. = &nbsp;Joyce has done a lot for organ music <BR>by bringing it to the people (like = Virgil, Biggs, Diane, et. al) when she <BR>toured with the Rodgers Touring Organ = doing the Community Concerts circuit <BR>and by playing programs that are = interesting to the audience. &nbsp;She's got more <BR>pedal technique than most = organists could ever wish for in both hands. I <BR>don't want to be ugly, Mr. = Williams, but what makes you qualified to make <BR>remarks about other musician's = playing? &nbsp;We organists tend to be so harshly <BR>judgemental as to other = people's playing. &nbsp;&nbsp;Why? &nbsp;It doesn't make us any <BR>better of a = musician. &nbsp;All it does is tear someone else down instead of <BR>promoting the instrument. &nbsp;In this world there is plenty of room for <BR>different = styles of playing. &nbsp;I personally am of the Romantic style of = <BR>interpretation and prefer more orchestral and symphonic organs. &nbsp;To me it's = <BR>easier on the ear than a neo-Baroque replica, but it's all my opinion. &nbsp;Just <BR>remember opinions are like armpits....everyone as them and they all = stink. <BR><BR><BR>Monty Bennett <BR>Rock Hill, SC </FONT></FONT></BODY></HTML>   ------_=3D_NextPart_001_01C11064.9996B790--  
(back) Subject: Re: Bach Fantasia in G Major From: <quilisma@socal.rr.com> Date: Thu, 19 Jul 2001 08:10:13 -0700   The Bach Gesellschaft or the Neue Bach Ausgabe ... I prefer the = Gesellschaft, unless they've corrected the printing errors that plagued the early = volumes of the NBA. It's a good idea to look at the Peters edition too, since it's = EARLIER than the BG, and some of the manuscripts that Peters had access to had disappeared by the time the BG was done (have I got that right?).   Any large music library should have the BG; I don't know how many have = invested in the NBA; I don't know if either is online. Dover has reprinted most of = the organ works from the BG, and at a fairly good price.   Cheers,   Bud   "COLASACCO, ROBERT" wrote:   > Where does one check Bach's Urtexts? I'm sure everyone is taken aback by > such stupidity but what can I say, I know not the answer to my question. > Robert Colasacco > > -----Original Message----- > From: Josh Edwards [mailto:fbcorganist@att.net] > Sent: Wednesday, July 18, 2001 9:43 PM > To: PipeChat > Subject: Bach Fantasia in G Major > > Did Bach have regular access to an organ that had a low B below the = standard > low C that we have today? The reason I ask is because I studied the > Fantasia in G Major and in the middle section, on the second page middle > score (Kalmus Ed.) there is a low B written. Of course, I just repeated = the > higher B, but why did he write the low one? Is it a mistake written = when > taken from the original manuscripts? Did the Urtext edition (which I = have > checked) clarify the low B? > > Thanks for any help on this, > > Josh Edwards > Organist > FBC Seymour, TN > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org