PipeChat Digest #2145 - Wednesday, June 6, 2001
 
Re: Rochester Concert
  by "Ken Bryant" <ken@bryant60.freeserve.co.uk>
Re: Felix Hell in Charleston. Newspaper Review.
  by <ManderUSA@aol.com>
Felix Hell in Charleston.
  by <Hell-Concerts@t-online.de>
Re: Veni Creator or Veni Sancte??
  by "Glenda" <gksjd85@access.aic-fl.com>
Re: Moon pies
  by "Cindy Adams" <piperheaven@yahoo.com>
Re: Southerners can definitely cook too!!!!!!!!!!!!!!!!!!!!!
  by <StatRussell@aol.com>
Re: Felix Hell in Charleston.
  by "Jackson R. Williams II" <jackwilliams_1999@yahoo.com>
Felix Hell in Charleston
  by <Hell-Concerts@t-online.de>
Re: Southerners can definitely cook too!!!!!!!!!!!!!!!!!!!!!
  by "Glenda" <gksjd85@access.aic-fl.com>
Re: Southerners can definitely cook too!!!!!!!!!!!!!!!!!!!!!
  by "Robert Ehrhardt" <r_ehrh@bellsouth.net>
 

(back) Subject: Re: Rochester Concert From: "Ken Bryant" <ken@bryant60.freeserve.co.uk> Date: Wed, 6 Jun 2001 10:27:51 +0100   This is a multi-part message in MIME format.   ------=3D_NextPart_000_000F_01C0EE73.5754D140 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   Hi, I did try and post this a couple of days ago but did not see it in the =3D digest.   My question was, having been away on vacation, did any list members go =3D to the John Mann concert on the Rochester NY organ on 19 May? Having =3D unsubscribe whilst away I missed any reviews/comment etc.   Ken Bryant     --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.256 / Virus Database: 129 - Release Date: 31/05/2001   ------=3D_NextPart_000_000F_01C0EE73.5754D140 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 5.50.4613.1700" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial size=3D3D2>Hi,</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2>I did try and post this a couple of = =3D days ago but=3D20 did not see it in the digest.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>My question was, having been away on = =3D vacation, did=3D20 any list members go to the John Mann concert on the Rochester NY organ =3D on 19=3D20 May? Having unsubscribe whilst away I missed any reviews/comment=3D20 etc.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Ken Bryant</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2><BR>---<BR>Outgoing mail is certified = =3D Virus=3D20 Free.<BR>Checked by AVG anti-virus system (<A=3D20 href=3D3D"http://www.grisoft.com">http://www.grisoft.com</A>).<BR>Version: = =3D 6.0.256 /=3D20 Virus Database: 129 - Release Date: =3D 31/05/2001</FONT></DIV></BODY></HTML>   ------=3D_NextPart_000_000F_01C0EE73.5754D140--    
(back) Subject: Re: Felix Hell in Charleston. Newspaper Review. From: <ManderUSA@aol.com> Date: Wed, 6 Jun 2001 05:58:18 EDT     --part1_be.159418ad.284f58ba_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 6/6/2001 4:25:46 AM Eastern Daylight Time, jackwilliams_1999@yahoo.com writes:     > Sometimes 30 minutes is all that a soloist gets to > rehearse a piece with orchestra. In other words, one > run-through before the perfomance. That the soloist > is 15 years old and is making his orchestra debut is > irrelevant.   Unfortunately, in this case, I am told there was not even time for a run-through, as the piece is actually longer than the time allotted. I gather that the conductor used the limited time well (under the watchful eye and wristwatch of the union representative), concentrating on places where ensemble could be problematical, and, as Jackson III says, this is indeed the real world. Ultimately, what matters is that this soon-to-be 16 year old, thoroughly well-prepared, playing with an orchestra for the = first time, and for a packed house, staring at the conductor through a small console mirror, and playing a work which he had not ever played through with orchestra and conductor, gave a great performance! I know Papa Hans was totally terrified. My guess is that Felix thought it was kewl and = perhaps even awesome!   The first half of the program was an organ recital, as the review = explains, and after intermission, the orchestra arrived and did the Guilmant, and = when the applause would not stop, Felix took it upon himself to play an encore, since the orchestra had nothing ready! That was the Finale from the Vierne 1st, I believe, and when the applause still would not stop, Felix = announced he would play just one more piece, a really wild one! This was, of course, the Norbert Schneider Toccata, Schlafes Bruder, something of a Felix "signature tune" which no one else has chutzpah to play. I wonder if it = cost anything extra because the orchestra stayed put on stage through all this. In my time with Opera Orchestra of New York, it was decided that at the = end of a concert in Carnegie, after the applause had died away, Happy Birthday would be played and sung for Ghena Dimitrova, the star of the evening. In addition to the usual royalty for this wonder work, the little gesture put = the orchestra and chorus into the next 15 minutes of overtime - an expensive birthday card indeed!   Anyway, this is all about Felix, who deserves a big Bravo!   Cheers,   Malcolm Wechsler   --part1_be.159418ad.284f58ba_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><BODY BGCOLOR=3D"#ffffff"><FONT = SIZE=3D2>In a message dated 6/6/2001 4:25:46 AM Eastern Daylight Time, <BR>jackwilliams_1999@yahoo.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Sometimes 30 = minutes is all that a soloist gets to <BR>rehearse a piece with orchestra. &nbsp;In other words, one <BR>run-through before the perfomance. &nbsp;That the soloist <BR>is 15 years old and is making his orchestra debut is <BR>irrelevant. </FONT><FONT COLOR=3D"#000000" SIZE=3D3 = FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>Unfortunately, in this case, I am told there was not even time for a <BR>run-through, as the piece is actually longer than the time allotted. <BR>I gather that the conductor used the limited time well (under the = watchful <BR>eye and wristwatch of the union representative), concentrating on = places <BR>where ensemble could be problematical, and, as Jackson III says, this <BR>is indeed the real world. Ultimately, what matters is that this = soon-to-be <BR>16 year old, thoroughly well-prepared, playing with an orchestra for = the first <BR>time, and for a packed house, staring at the conductor through a small <BR>console mirror, and playing a work which he had not ever played = through <BR>with orchestra and conductor, gave a great performance! I know Papa Hans <BR>was totally terrified. My guess is that Felix thought it was kewl and = perhaps <BR>even awesome! <BR> <BR>The first half of the program was an organ recital, as the review = explains, <BR>and after intermission, the orchestra arrived and did the Guilmant, = and when <BR>the applause would not stop, Felix took it upon himself to play an = encore, <BR>since the orchestra had nothing ready! That was the Finale from the = Vierne <BR>1st, I believe, and when the applause still would not stop, Felix = announced <BR>he would play just one more piece, a really wild one! This was, of = course, <BR>the Norbert Schneider Toccata, Schlafes Bruder, something of a Felix <BR>"signature tune" which no one else has chutzpah to play. I wonder if = it cost <BR>anything extra because the orchestra stayed put on stage through all = this. <BR>In my time with Opera Orchestra of New York, it was decided that at = the end <BR>of a concert in Carnegie, after the applause had died away, Happy = Birthday <BR>would be played and sung for Ghena Dimitrova, the star of the evening. = In <BR>addition to the usual royalty for this wonder work, the little gesture = put the <BR>orchestra and chorus into the next 15 minutes of overtime - an = expensive <BR>birthday card indeed! <BR> <BR>Anyway, this is all about Felix, who deserves a big Bravo! <BR> <BR>Cheers, <BR> <BR>Malcolm Wechsler &nbsp;</FONT></HTML>   --part1_be.159418ad.284f58ba_boundary--  
(back) Subject: Felix Hell in Charleston. From: <Hell-Concerts@t-online.de> Date: 06 Jun 2001 11:24 GMT   Yes, I understood, that this is obviously (often, not always!) the reality. Guilty in this special situation is only one: the manager, who signed the contract (and that's me), naive enough, to believe, the organizers would take care for a reasonable rehearsal time, without having agreed that in detail in the contract. A seasoned and brillant performer and conductor, with more=20 than 30 years experience, yesterday told me (accidently, he is Felix's=20 organ teacher), that he never would have agreed to such conditions.=20 He even told me, what his conditions are in such cases, and I was even more surprised about the organizers unreasonable demand. So, as a conclusion, next time, either the rehearsal time will be=20 agreed on in detail in the contract, or there will be no recital. Take it o= r=20 leave it: welcome in the real music world from another point - the soloist's - of view.   Hans-Friedrich Hell     jackwilliams_1999@yahoo.com wrote June 6, 10:23   > Sometimes 30 minutes is all that a soloist gets to > rehearse a piece with orchestra. In other words, one > run-through before the perfomance. That the soloist > is 15 years old and is making his orchestra debut is > irrelevant. It has to do with the high cost of hiring > an orchestra and availabilty of rehearsal hall and > scheduling. Welcome to the real musical world. >=20 > --- Hell-Concerts@t-online.de wrote: > What you not will read in that review, is that the > > rehearsal time of=20 > > the performer with the orchestra had been limited to > > 30 (in words:=20 > > thirty!!) minutes, scheduled for 12.15 pm on June 2, > > i.e. less than > > 4 hours before the beginning of the recital. That > > was indeed an=20 > > adventure, and (just my opinion!) extremly unfair > > before a 15-year > > old performer, who had his debut with a symphony > > orchestra.    
(back) Subject: Re: Veni Creator or Veni Sancte?? From: "Glenda" <gksjd85@access.aic-fl.com> Date: Wed, 6 Jun 2001 06:56:06 -0500   Well, my husband made a new twist on the RC Cola and moon pie deal - he = used to walk around at work with a Tab in one hand and a moon pie in the other = - I think they cancelled each other out!   Sorry - my last contribution off-topic.   Glenda Sutton (who plays organ with a Southern accent also)      
(back) Subject: Re: Moon pies From: "Cindy Adams" <piperheaven@yahoo.com> Date: Wed, 6 Jun 2001 06:54:36 -0700 (PDT)   It's like I said before, I wasn't born in the South... but you are correct!!   Ever heard of Cheerwine?   Cindy   > OH CINDY...<tsk tsk tsk>.... > Every southerner knows that it must be an RC > that > accompanies a moon pie...accept no substitues!! >     __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/  
(back) Subject: Re: Southerners can definitely cook too!!!!!!!!!!!!!!!!!!!!! From: <StatRussell@aol.com> Date: Wed, 6 Jun 2001 10:25:48 EDT     --part1_69.1659a384.284f976c_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Hey Glenda, How'd y'all like to have a copy of my recipe for Jambalaya (if =   you don't mind getting it from a Northern boy who used to live down South...North Carolina (stationed at Fort Bragg when I was in the service) =   for a time...that was a while ago.) It will put hair on your chest, soul in your stroll and groove in your = move, not to mention build character and substance and make your pedal exercises =   more interesting. Thems Eats!!!!!!!!!!!!!!!!!!!!! Bon Appetite!!!!!!!!!!!!!!!!!!!   Best to y'all Dennis R.   --part1_69.1659a384.284f976c_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>Hey Glenda, How'd y'all = like to have a copy of my recipe for Jambalaya (if <BR>you don't mind getting it from a Northern boy who used to live down <BR>South...North Carolina (stationed at Fort Bragg when I was in the = service) <BR>for a time...that was a while ago.) <BR>It will put hair on your chest, soul in your stroll and groove in your = move, <BR>not to mention build character and substance and make your pedal = exercises <BR>more interesting. &nbsp;Thems Eats!!!!!!!!!!!!!!!!!!!!! &nbsp;Bon <BR>Appetite!!!!!!!!!!!!!!!!!!! <BR> <BR>Best to y'all <BR>Dennis R.</FONT></HTML>   --part1_69.1659a384.284f976c_boundary--  
(back) Subject: Re: Felix Hell in Charleston. From: "Jackson R. Williams II" <jackwilliams_1999@yahoo.com> Date: Wed, 6 Jun 2001 08:47:51 -0700 (PDT)   I completely agree, Hans. But we have to also realize that whereas Felix is becoming know as a prodigy, particularly in the American organ world, he is at this time not really known at all in the general music world. Therefore, a piece of advice given with warm wishes and admiration: If you start dictating to orchestras and conductors that if such-and such conditions are not met, Felix doesn't play, you will most likely be told, "Thank you and goodbye. We'll just hire someone else." There are hundreds of superb and experienced soloists witing in the wings. Felix right now need to build up his career. He has played in many places but still has a long, long way to go. You may just have to except the offers in the spirit of giving young Felix an opportunity that he may not have otherwise had, and orchestral engagement offers don't come every day. Also keep in mind that your son is getting older every year and as he nears the end of his teens he will find himself competing with people his own age who play as well as he does. The competition for engagements, solo and orchestral, will be very stiff. If he builds a resume now of these kind of experiences, that will stand him in good stead down the road.   --- Hell-Concerts@t-online.de wrote: > Yes, I understood, that this is obviously (often, > not always!) > the reality. Guilty in this special situation is > only one: > the manager, who signed the contract (and that's > me), naive > enough, to believe, the organizers would take care > for a > reasonable rehearsal time, without having agreed > that in detail in the > contract. A seasoned and brillant performer and > conductor, with more > than 30 years experience, yesterday told me > (accidently, he is Felix's > organ teacher), that he never would have agreed to > such conditions. > He even told me, what his conditions are in such > cases, and I was > even more surprised about the organizers > unreasonable demand. > So, as a conclusion, next time, either the rehearsal > time will be > agreed on in detail in the contract, or there will > be no recital. Take it or > leave it: welcome in the real music world from > another > point - the soloist's - of view. > > Hans-Friedrich Hell > >     __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/  
(back) Subject: Felix Hell in Charleston From: <Hell-Concerts@t-online.de> Date: 06 Jun 2001 17:38 GMT   And I agree with you, Jackson. But, what I'm saying s simply this: I have to prevent Felix for running into open knifes. And, to have a certain minimum standard, of what you can agree, and what not, has nothing to do with dictating conditions. And, it has=20 to be clear from the very beginning, what conditions exactly we are=20 talking about. Everybody can decide then for himself. And, by the way, we are on a not too bad way to be able to decide for=20 ourselves what our minimum standard is, and what we can agree on. It's=20 obvious, that we had a useful lesson in Charleston, Felix, as a performer, and I, who has to negotiate on lots of details. That Felix run this situation successfully after all, is=20 another point, and was more than an acid test.   Hans-Friedrich Hell   >----- Urspr=FCngliche Nachricht ----- >Absender: jackwilliams_1999@yahoo.com >Betreff: Re: Felix Hell in Charleston. >Empf=E4nger: PipeChat >Datum: 06. Jun 2001 17:47 > > I completely agree, Hans. But we have to also realize > that whereas Felix is becoming know as a prodigy, > particularly in the American organ world, he is at > this time not really known at all in the general music > world. Therefore, a piece of advice given with warm > wishes and admiration: If you start dictating to > orchestras and conductors that if such-and such > conditions are not met, Felix doesn't play, you will > most likely be told, "Thank you and goodbye. We'll > just hire someone else." There are hundreds of superb > and experienced soloists witing in the wings. Felix > right now need to build up his career. He has played > in many places but still has a long, long way to go.=20 > You may just have to except the offers in the spirit > of giving young Felix an opportunity that he may not > have otherwise had, and orchestral engagement offers > don't come every day. Also keep in mind that your son > is getting older every year and as he nears the end of > his teens he will find himself competing with people > his own age who play as well as he does. The > competition for engagements, solo and orchestral, will > be very stiff. If he builds a resume now of these > kind of experiences, that will stand him in good stead > down the road. >=20 > --- Hell-Concerts@t-online.de wrote: > > Yes, I understood, that this is obviously (often, > > not always!) > > the reality. Guilty in this special situation is > > only one: > > the manager, who signed the contract (and that's > > me), naive > > enough, to believe, the organizers would take care > > for a > > reasonable rehearsal time, without having agreed > > that in detail in the > > contract. A seasoned and brillant performer and > > conductor, with more=20 > > than 30 years experience, yesterday told me > > (accidently, he is Felix's=20 > > organ teacher), that he never would have agreed to > > such conditions.=20 > > He even told me, what his conditions are in such > > cases, and I was > > even more surprised about the organizers > > unreasonable demand. > > So, as a conclusion, next time, either the rehearsal > > time will be=20 > > agreed on in detail in the contract, or there will > > be no recital. Take it or=20 > > leave it: welcome in the real music world from > > another > > point - the soloist's - of view. > >=20 > > Hans-Friedrich Hell > >=20 > >=20 >=20 >=20 > __________________________________________________ > Do You Yahoo!? > Get personalized email addresses from Yahoo! Mail - only $35=20 > a year! http://personal.mail.yahoo.com/ >=20 > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related=20 topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >=20 >=20    
(back) Subject: Re: Southerners can definitely cook too!!!!!!!!!!!!!!!!!!!!! From: "Glenda" <gksjd85@access.aic-fl.com> Date: Wed, 6 Jun 2001 13:31:45 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0013_01C0EE8D.07EF5A20 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   I am interested in comparing notes, although I have my own, probably =3D originally from N'Orleens but contaminated by NW Florida attitudes. =3D Don't have a jumbalaya dispenser on the organ - it's hard to get the =3D shrimp out the nozzle, and they quickly go bad.   Glenda   ----- Original Message -----=3D20 From: StatRussell@aol.com=3D20   Hey Glenda, How'd y'all like to have a copy of my recipe for Jambalaya = =3D (if=3D20 you don't mind getting it from a Northern boy who used to live down=3D20 South...North Carolina (stationed at Fort Bragg when I was in the =3D service)=3D20 for a time...that was a while ago.)=3D20 It will put hair on your chest, soul in your stroll and groove in your = =3D move,=3D20 not to mention build character and substance and make your pedal =3D exercises=3D20 more interesting. Thems Eats!!!!!!!!!!!!!!!!!!!!! Bon=3D20 Appetite!!!!!!!!!!!!!!!!!!!=3D20     ------=3D_NextPart_000_0013_01C0EE8D.07EF5A20 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META content=3D3D"text/html; charset=3D3Diso-8859-1" =3D http-equiv=3D3DContent-Type> <META content=3D3D"MSHTML 5.00.2919.6307" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial size=3D3D2>I am interested in comparing notes, = =3D although I have=3D20 my own, probably originally from N'Orleens but contaminated by NW =3D Florida=3D20 attitudes.&nbsp; Don't have a jumbalaya dispenser on the organ - it's =3D hard to=3D20 get the&nbsp;shrimp out the nozzle, and they quickly go =3D bad.</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Glenda</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV>&nbsp;----- Original Message ----- </DIV> <BLOCKQUOTE=3D20 style=3D3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: = =3D 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px"> <DIV=3D20 style=3D3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =3D black"><B>From:</B>=3D20 <A href=3D3D"mailto:StatRussell@aol.com"=3D20 title=3D3DStatRussell@aol.com>StatRussell@aol.com</A> </DIV> <DIV>&nbsp;</DIV><FONT face=3D3Darial,helvetica><FONT size=3D3D2>Hey =3D Glenda, How'd=3D20 y'all like to have a copy of my recipe for Jambalaya (if <BR>you don't = =3D mind=3D20 getting it from a Northern boy who used to live down <BR>South...North = =3D   Carolina (stationed at Fort Bragg when I was in the service) <BR>for a = =3D   time...that was a while ago.) <BR>It will put hair on your chest, soul = =3D in your=3D20 stroll and groove in your move, <BR>not to mention build character and = =3D   substance and make your pedal exercises <BR>more interesting. =3D &nbsp;Thems=3D20 Eats!!!!!!!!!!!!!!!!!!!!! &nbsp;Bon <BR>Appetite!!!!!!!!!!!!!!!!!!!=3D20 <BR></FONT></FONT></BLOCKQUOTE></BODY></HTML>   ------=3D_NextPart_000_0013_01C0EE8D.07EF5A20--    
(back) Subject: Re: Southerners can definitely cook too!!!!!!!!!!!!!!!!!!!!! From: "Robert Ehrhardt" <r_ehrh@bellsouth.net> Date: Wed, 6 Jun 2001 15:29:33 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0007_01C0EE9D.7CD6C520 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   N'Orleens? Is that anywhere near Nawlins???   Robert Ehrhardt Noel Memorial UMC Shreveport, LA USA http://members.scorchmusic.com/robertehrhardt ----- Original Message -----=3D20 From: Glenda=3D20 To: PipeChat=3D20 Sent: Wednesday, June 06, 2001 1:31 PM Subject: Re: Southerners can definitely cook too!!!!!!!!!!!!!!!!!!!!!     I am interested in comparing notes, although I have my own, probably =3D originally from N'Orleens but contaminated by NW Florida attitudes. =3D Don't have a jumbalaya dispenser on the organ - it's hard to get the =3D shrimp out the nozzle, and they quickly go bad.   Glenda     ------=3D_NextPart_000_0007_01C0EE9D.7CD6C520 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 6.00.2462.0" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial size=3D3D2>N'Orleens? Is that anywhere near=3D20 Nawlins???</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Robert Ehrhardt<BR>Noel Memorial =3D UMC<BR>Shreveport,=3D20 LA USA<BR><A=3D20 href=3D3D"http://members.scorchmusic.com/robertehrhardt">http://members.sco= =3D rchmusic.com/robertehrhardt</A></FONT></DIV> <BLOCKQUOTE dir=3D3Dltr=3D20 style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =3D BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> <DIV style=3D3D"FONT: 10pt arial">----- Original Message ----- </DIV> <DIV=3D20 style=3D3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =3D black"><B>From:</B>=3D20 <A title=3D3Dgksjd85@access.aic-fl.com=3D20 href=3D3D"mailto:gksjd85@access.aic-fl.com">Glenda</A> </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>To:</B> <A =3D title=3D3Dpipechat@pipechat.org=3D20 href=3D3D"mailto:pipechat@pipechat.org">PipeChat</A> </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 06, 2001 = =3D 1:31=3D20 PM</DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Subject:</B> Re: Southerners can = =3D definitely=3D20 cook too!!!!!!!!!!!!!!!!!!!!!</DIV> <DIV><BR></DIV> <DIV><FONT face=3D3DArial size=3D3D2>I am interested in comparing notes, = =3D although I=3D20 have my own, probably originally from N'Orleens but contaminated by NW = =3D Florida=3D20 attitudes.&nbsp; Don't have a jumbalaya dispenser on the organ - it's = =3D hard to=3D20 get the&nbsp;shrimp out the nozzle, and they quickly go =3D bad.</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Glenda</FONT></DIV> <DIV><FONT face=3D3DArial =3D size=3D3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>   ------=3D_NextPart_000_0007_01C0EE9D.7CD6C520--