PipeChat Digest #1892 - Thursday, March 15, 2001
 
Re: Practicing
  by "Randy Terry" <randyterryus@yahoo.com>
Re: Church Job (was Practice Organ)
  by <AMADPoet@aol.com>
Re: Church Job (was Practice Organ)
  by <quilisma@socal.rr.com>
Organ Teachers
  by <Orgnplayer@aol.com>
playing by ear
  by <quilisma@socal.rr.com>
Re: Practice Organ
  by "Cindy Adams" <clavinova98@yahoo.com>
disliking the piano
  by <quilisma@socal.rr.com>
Re: Practicing
  by "Cindy Adams" <clavinova98@yahoo.com>
Re: Practice Organ
  by "Karl E. Moyer" <kmoyer@marauder.millersville.edu>
Re: playing by ear
  by "Cindy Adams" <clavinova98@yahoo.com>
Re: playing by ear
  by "Randy Terry" <randyterryus@yahoo.com>
Re: review of review of review
  by <Cremona502@cs.com>
Re: Creative Name Needed
  by <Cremona502@cs.com>
Church Music Web Site Info Sought
  by <ScottFop@aol.com>
 

(back) Subject: Re: Practicing From: "Randy Terry" <randyterryus@yahoo.com> Date: Thu, 15 Mar 2001 10:01:37 -0800 (PST)     --- quilisma@socal.rr.com wrote:   > It's not HOW LONG, but HOW MUCH you CONCENTRATE, and how much you > ACCOMPLISH. Once I got out of college, I discovered I could do a GREAT > DEAL in an hour, because an hour was often all the time I HAD.   Bud is so very right. I could play by ear, and I absolutely hated learning = the basics at the beginning. It made progression so much harder. I learned by playing (badly) through pieces over and over and reinforcing mistakes.   Take time to learn the technical things. A good teacher can be a great = asset. I studied for just a year with Janette Fishell - Now in North Carolina. She = had a nack for picking short, elegant pieces to teach certain basic techniques. = I remember her stressing "over-legato" in romantic pieces to compensate for = poor acoustics in American rooms. Each note (where taste and music permit) = barely overlaps the former one giving a sense of depth. She was equally talented = in finding small early pieces to teach early music practice styles too.   I had another teacher - Eleanor Piech, from Arkansas, who tragically died = from a brain anurism, who wisely taught me to learn one page at a time of both = the Prelude and accompanying fugue. That helped curb my desire to "perform" = rather than practice, and my last teacher, Tom Ed Moore, helped by bringing some = basic down-to-earth teaching -use the metronome- fussing on me - hard at times - = for misusing time. Dr. Moore was right, like Bud. 15 minutes of concentrated = effort on a section of a masterwork will do more than hours of "playing through."   You go, Cindy - Good luck, and you can live without a practice organ. I = almost got one recently, but backed out. And having access to a pipe organ on a = daily basis doesn't always help. The UMC I just resigned from (as a manager - = not organist) has a 40 rank pipe organ with an en chamade and all. But the = room is a disaster so I drive 30 minutes to my own church with wonderful acoustics = but only 13 ranks (soon to be 19-20, though!) I have had access to some = wonderful organs - the Stanford organs, all wonderful, and Flentrops, Von = Beckeraths, and the famous organ of mixed descent -Robert Morton, Moller, Swain & Kates, = and now Balcom & Vaughan- at Palo Alto FUMC, played by Barnes, Biggs, Dupre, Couchereau, you name them- and as nice as they are, sometimes I find that = my small, definitely not fancy, but elegantly voiced E/P unit organ is just = as satisfying to play, and with the new stops filling in gaps in appropriate pipework for the Anglican service, it will be wonderful!     =3D=3D=3D=3D=3D Randy Terry Minister of Music, Organist & Choirmaster The Episcopal Church of St. Peter Redwood City, California www.stpetersrwc.org   __________________________________________________ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/  
(back) Subject: Re: Church Job (was Practice Organ) From: <AMADPoet@aol.com> Date: Thu, 15 Mar 2001 13:02:18 EST   Hi all,   While we're asking questions, I can't help but stick my nose in this conversation. My teacher is dying to get me into a church job so I can get =   some hands-on experience, but I don't know if I'm ready. I'm not sure I = have a good idea of what that kind of job consists of, and to be honest I'm not =   sure how to go about learning what I need to know beyond musical = technique. Can anyone offer advice on what the minimum requirements are for being a working organist, and how to begin training myself to work for a church? Good luck to you, Cindy, and above all enjoy playing!   Mandy  
(back) Subject: Re: Church Job (was Practice Organ) From: <quilisma@socal.rr.com> Date: Thu, 15 Mar 2001 10:29:21 -0800   (1) be able to sight-read anything (2) be able to transpose anything you sight-read to any key (3) be able to make beautiful music on a broken-down organ, pipe or = electronic (4) have the people skills of Mother Teresa, and the hide of an armadillo (5) be able to live on $5200 a year (if you're LUCKY), prayers, good = wishes, and the leftovers from parish suppers (6) be prepared to play until you die ... retirement isn't an option = financially   All that being said, my best and most succinct piece of advice: MARRY = MONEY (grin).   My list is SORTA tongue-in-cheek, and I hasten to add that after fifty = years I FINALLY have my FIRST full-time position that actually pays a living wage = and (are you sitting down??!!) BENEFITS, with a decent choir, a realistic = music budget, decent working conditions, and a new pipe organ on the way ... BUT = ... it took fifty years to GET there. In the meantime, I worked as a = typesetter, drove a truck, kept books for a health spa, sold advertising for a daily newspaper, and generally did whatever else it took to make ends meet.   You'll know you have a vocation in church music when you HAVE to do it = (grin).   Cheers,   Bud       AMADPoet@aol.com wrote:   > Hi all, > > While we're asking questions, I can't help but stick my nose in this > conversation. My teacher is dying to get me into a church job so I can = get > some hands-on experience, but I don't know if I'm ready. I'm not sure I = have > a good idea of what that kind of job consists of, and to be honest I'm = not > sure how to go about learning what I need to know beyond musical = technique. > Can anyone offer advice on what the minimum requirements are for being a > working organist, and how to begin training myself to work for a church? > Good luck to you, Cindy, and above all enjoy playing! > > Mandy > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: Organ Teachers From: <Orgnplayer@aol.com> Date: Thu, 15 Mar 2001 13:27:06 EST     --part1_b6.12954f14.27e2637a_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Does anyone have any good recommendations for private organ teachers in = the south San Francisco Bay area? I've been a self-taught church organist for = 20 years but have poor technical skills that I would love to improve on.   Douglas   --part1_b6.12954f14.27e2637a_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>Does anyone have any = good recommendations for private organ teachers in the <BR>south San Francisco Bay area? &nbsp;I've been a self-taught church = organist for 20 <BR>years but have poor technical skills that I would love to improve on. <BR> <BR>Douglas</FONT></HTML>   --part1_b6.12954f14.27e2637a_boundary--  
(back) Subject: playing by ear From: <quilisma@socal.rr.com> Date: Thu, 15 Mar 2001 10:39:59 -0800       Randy Terry wrote:   > I could play by ear, and I absolutely hated learning the > basics at the beginning. It made progression so much harder. I learned = by > playing (badly) through pieces over and over and reinforcing mistakes. >   I have a confession to make: I played by ear too ... in fact, I played for = an EPISCOPAL CHURCH from 1951-1955 BEFORE I learned to read music (grin) ... = if the priest could sing it, and/or somebody could play it on the piano, I could = play it on the organ, INCLUDING the chants for Morning Prayer and Mass (grin).   When we were choosing the hymns for the first Sunday I was to play, I = distinctly remember being absolutely NONPLUSSED to find that "The Old Rugged Cross" = wasn't in the Episcopal hymnal (grin) ... THAT I could play (grin).   Sometime during that period I fell into the clutches of one Mary Smith, organist/choirmaster of St. David's Church, Lakeland FL ... she was = SUPPOSED to be teaching me PIANO, but what she TAUGHT me was EVERY SINGLE HYMN in the = 1940 Hymnal .... note for note and FORGET about making up the harmony ... right from = "Come, Thou Long-Expected Jesus" at Hymn #1 all the way to the Stainer "Amen" in the = back. And in the process, she taught me to read music.   Thank you, Mary.   Cheers,   Bud    
(back) Subject: Re: Practice Organ From: "Cindy Adams" <clavinova98@yahoo.com> Date: Thu, 15 Mar 2001 10:38:47 -0800 (PST)   Hi Bud,   Thanks so much for your answers to my many questions. The comments on practicing were especially helpful as well as the tips on buying a used organ.   The only comment I couldn't understand was the one about piano. Piano brings me so much enjoyment and is my first love. But right now organ is a close second! I don't know what I would do without my wonderful piano students and my pianos!   Enjoying the best of both worlds, Cindy > > I dislike the piano intensely ... always have ... > but it's useful for > building strength and dexterity, among other things > (strength of > character?) (grin). >     =3D=3D=3D=3D=3D Cindy   __________________________________________________ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/  
(back) Subject: disliking the piano From: <quilisma@socal.rr.com> Date: Thu, 15 Mar 2001 10:48:19 -0800   I was a concert pianist in high school, when all I REALLY wanted to do was play the organ in church. Mostly I got tired of the 19th century repertoire ... ironic, since that has become my CHORAL specialty (grin).   Cheers,   Bud   Cindy Adams wrote:   > The only comment I couldn't understand was the one > about piano. Piano brings me so much enjoyment and is > my first love. But right now organ is a close second! > I don't know what I would do without my wonderful > piano students and my pianos! > > Enjoying the best of both worlds, > Cindy > >    
(back) Subject: Re: Practicing From: "Cindy Adams" <clavinova98@yahoo.com> Date: Thu, 15 Mar 2001 10:46:01 -0800 (PST)   Thanks for your tips, Randy. Am I glad I found this list! A wealth of knowledge!   So, you think i can do without a home organ? The organist/my teacher said I could play the organ whenever I wanted to but that was before lessons started and now I have to schedule times to be sure no one is using the sanctuary.   I also have to stay away from night practicing since my teacher said it might not be safe after working hours and the staff left. But this shouldn't be a problem as I teach at the Performing Arts Center every day but Fri. and can go early and practice.   Thanks for the support on this list! I will probably need it when I sit down to practice and wonder, "What have I gotten myself into??" LOL!   Not afraid to learn something new!! Cindy   =3D=3D=3D=3D=3D Cindy   __________________________________________________ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/  
(back) Subject: Re: Practice Organ From: "Karl E. Moyer" <kmoyer@marauder.millersville.edu> Date: Thu, 15 Mar 2001 13:51:48 -0500 (EST)   You can get a small pipe organ for practice from the Organ Clearing House for about as much money as a fake (electronic) "organ." I did.   Moeller and Wicks used to make two and three-rank stock models that are still available and in a nubmer of cases fit under a 7 1/2' ceiling, as mine does.   E-mail:   John@OrganClearingHouse.com   with your interest. You'll get genuine organ tone proudced by air in pipes and not that fake "organ sound" produced through speakers.   Karl E. Moyer Lancaster PA   On Thu, 15 Mar 2001, Cindy Adams wrote:   > Hi- > > As you all know, I am a beginner and my question is > about an organ to use at home for practice. Is this > practical? (Of course I would get a used one > somewhere) > > I guess I am asking is it practical in terms of > practicing pedal work (and manual) or is there just > too much difference in pipe and electric to learn good > technic? I realize i would need a full size pedal > board > such as the one on the pipe organ. > > Also, how long should i practice each day? (i am sure > my teacher will tell me) but I plan to start with an > hour a day on organ and also practice piano. I am very > serious about learning to play the pipe organ and very > motivated. I want to advance as quickly as I can. > > Also...what is a reasonable cost for organ lessons? > > Cindy > > > > > > --- Jerrell Kautz <jkautz@ebicom.net> wrote: > > There certainly is nothing like a Hammond. Built > > like a tank, and very nice sounding as well, you are > > lucky you have a Leslie to go with it. > > > > I would be proud to play the Hammond and make it > > sound like a Hammond! > > > > > > *********** REPLY SEPARATOR *********** > > > > On 03/14/01 at 2:45 PM Pologaptommy@aol.com wrote: > > > > The church has stated that it would not replace the > > organ. It has > > sentimental value because it has survived a massive > > tornado that destroyed > > the whole church, and killed a few ladies- including > > the organist. It even > > survived a fire, which also destroyed the entire > > church, but not the organ. > > Any input would be appreciated. > > Thanks, Josh White > > > > > > > =3D=3D=3D=3D=3D > Cindy > > __________________________________________________ > Do You Yahoo!? > Yahoo! Auctions - Buy the things you want at great prices. > http://auctions.yahoo.com/ > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: Re: playing by ear From: "Cindy Adams" <clavinova98@yahoo.com> Date: Thu, 15 Mar 2001 10:52:24 -0800 (PST)   Hi-   This is a very interesting topic to me. I DON'T play by ear (well, I can a little if i don't look at my hands...if i look at my hands, I can't)   Teaching piano for years combined with being a Kindermusik teacher has helped me to have a better ear (or maybe it's practicing more...or maybe all 3)   Anyway, I can read music very well but I have worried about my not being able to play by ear well. Will this be a handicap when I start playing the organ?   My teacher can play by ear AND read music. Guess that is why he plays so well!     Cindy > > > I could play by ear, and I absolutely hated > learning the > > basics at the beginning. It made progression so > much harder. I learned by > > playing (badly) through pieces over and over and > reinforcing mistakes. > > > >   =3D=3D=3D=3D=3D Cindy   __________________________________________________ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/  
(back) Subject: Re: playing by ear From: "Randy Terry" <randyterryus@yahoo.com> Date: Thu, 15 Mar 2001 11:12:02 -0800 (PST)     --- Cindy Adams <clavinova98@yahoo.com> wrote: > Anyway, I can read music very well but I have worried > about my not being able to play by ear well. Will this > be a handicap when I start playing the organ? >   Cindy, improvisation is a wonderful creative gift. It is also a nightmare = for someone like me who can be very expressive when improvising but feels like = less of a musician because at age 38 he still can't transpose, or sight read anything more than hymns and easy anthems. We had several people in my = home town who had keyboard technique from hell - I remember sitting listening = to the organist at my very first church sight reading the Bach B minor P & F, = then tossing it aside and moving to something else. I often remember thinking = that the ability to literally play *anything* without much more than a = run-through limited their expressive abilities, but I remain jealous!   Gerre Hancock says anyone can do it, and I know people from college who = did learn to improvise as a part of their skill-set rather than being born = with it - and they are good. Their improvisations can be much more structured than = mine because they think theoritically while playing. I am just beginning to = thing this way.   Get some improv. books, but get to a Gerre Hancock workshop or someone = else. Much of what can be done so effectively on the organ is really quite = simple. You have a myriad of tone colors to paint a picture with - take the tune "Picardy" you can hold a chord cluster in the left hand, pedal point in = the pedal, and change stops at every phrase in the right hand solo stop, and = you have a Chorale Prelude that is better (usually) then the simple stuff = available in the music stores. I learned a lot from Charles Callahan's manuals = series, Paul Manz's more strict pieces, and often I will plan out a "form" ABA = ahead of time.   HOWEVER - I THINK you are much better off knowing the musical skills like = you say you do, first, and adding improvisation to them. I am amazed at how so = many fine organists seem amazed at my simple bag of tricks - at least it seems simple to me, but I've always been able to do it, so the big difference is FEAR! Loose that, and I think you are 90% there.   =3D=3D=3D=3D=3D Randy Terry Minister of Music, Organist & Choirmaster The Episcopal Church of St. Peter Redwood City, California www.stpetersrwc.org   __________________________________________________ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/  
(back) Subject: Re: review of review of review From: <Cremona502@cs.com> Date: Thu, 15 Mar 2001 14:21:34 EST     --part1_9a.116b5378.27e2703e_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 3/15/01 12:12:40 PM !!!First Boot!!!, jackwilliams_1999@yahoo.com writes:     > <I didn't find Mr. LaMirande's review particularly > offensive-his heart was in the right place-but rather > uninformed. Mr. Van Oosten has an impressive > discography to his credit and an established > international concert organist. >   I really don't see how Arthur's review was offensive or uninformed. He = was objective about the quality of playing, the organ and deficiencies of the room. His opinion about the choice of literature for that particular = organ and acoustic. These types of comments are useful to all organists who = plan recital programs. There was nothing unkind in his comments that I saw.   <<> understand why Mr. LaMirande places such importance on > an artist knowing the organ in Montreal. Such a criteria is superfluous > when discussing the merits of a performance.   As I recall the artist stated that he really enjoyed playing Beckerath = organs and that he had not had the good fortune to play the one at St. Joseph's Montreal. This was hardly over emphasized.   > <The on statement that did bother me refered to playing a note perfect > performance. I might remind Mr. LaMirande that a note-perfect = performance > doesn't > necessarily mean a performance that is satisfying.   Geez! It was a compliment. This seems like being critical just to be critical. Ease up!   Bruce ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_9a.116b5378.27e2703e_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 3/15/01 12:12:40 PM !!!First Boot!!!, <BR>jackwilliams_1999@yahoo.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">&lt;I didn't find = Mr. LaMirande's review particularly <BR>offensive-his heart was in the right place-but rather <BR>uninformed. &nbsp;Mr. Van Oosten has an impressive <BR>discography to his credit and an established <BR>international concert organist. &gt;</FONT><FONT COLOR=3D"#000000" = SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR> <BR>I really don't see how Arthur's review was offensive or uninformed. = &nbsp;He was <BR>objective about the quality of playing, the organ and deficiencies of = the <BR>room. &nbsp;&nbsp;His opinion about the choice of literature for that = particular organ <BR>and acoustic. &nbsp;&nbsp;These types of comments are useful to all = organists who plan <BR>recital programs. &nbsp;&nbsp;There was nothing unkind in his comments = that I saw. <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR> <BR>&lt;&lt;Furthermore, I don't <BLOCKQUOTE TYPE=3DCITE = style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: = 0px; PADDING-LEFT: 5px">understand why Mr. LaMirande places such = importance on <BR>an artist knowing the organ in Montreal. Such a criteria is = superfluous <BR>when discussing the merits of a performance.</FONT><FONT = COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" = LANG=3D"0"></BLOCKQUOTE> <BR> <BR>As I recall the artist stated that he really enjoyed playing Beckerath = organs <BR>and that he had not had the good fortune to play the one at St. = Joseph's <BR>Montreal. &nbsp;&nbsp;This was hardly over emphasized. <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR> &nbsp; <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">&lt;The on = statement that did bother me refered to playing a note perfect <BR>performance. &nbsp;I might remind Mr. LaMirande that a note-perfect = performance <BR>doesn't <BR>necessarily mean a performance that is satisfying.</FONT><FONT COLOR=3D"#000000" = SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">Geez! &nbsp;&nbsp;It was a compliment. = &nbsp;This seems like being critical just to be <BR>critical. &nbsp;Ease up! <BR> <BR> <BR>Bruce &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/</FONT></HTML>   --part1_9a.116b5378.27e2703e_boundary--  
(back) Subject: Re: Creative Name Needed From: <Cremona502@cs.com> Date: Thu, 15 Mar 2001 14:27:40 EST     --part1_6c.89b9320.27e271ac_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 3/15/01 4:14:52 PM !!!First Boot!!!, = clavinova98@yahoo.com writes:     > I am starting up an egroup for organists, students, > teachers, etc. Does anyone have ideas for a name for > our group?   YeGodsAnotherGroup.com   Bruce ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_6c.89b9320.27e271ac_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 3/15/01 4:14:52 PM !!!First Boot!!!, clavinova98@yahoo.com <BR>writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I am starting up = an egroup for organists, students, <BR>teachers, etc. Does anyone have ideas for a name for <BR>our group? </FONT><FONT COLOR=3D"#000000" SIZE=3D3 = FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>YeGodsAnotherGroup.com <BR> <BR>Bruce &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/</FONT></HTML>   --part1_6c.89b9320.27e271ac_boundary--  
(back) Subject: Church Music Web Site Info Sought From: <ScottFop@aol.com> Date: Thu, 15 Mar 2001 14:37:20 EST     --part1_6f.1284ea41.27e273f0_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Does anyone know of a web site for the publishing company = Morehouse-Barlow? (or morehouse-Barlowe) and The Church Pension Fund? Any help will be = greatly appreciated, even a phone number or email address.   Thanks.   SCOTT F. FOPPIANO, Principal Organist and Director of Music and Liturgy The National Shrine of the Little Flower, MO, Opus 5180, 1933) Staff House Organist, The Fox Theatre, Detroit, Royal Oak, MI (Geo. Kilgen & Son Pipe Organ Co., St. Louis, MI (Wurlitzer, 1928) "Cantantibus organis Caecilia Domino decantabat dicens: fiat cor meum immaculatum ut non confundar."     --part1_6f.1284ea41.27e273f0_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>Does anyone know of a = web site for the publishing company Morehouse-Barlow? <BR>(or morehouse-Barlowe) and The Church Pension Fund? &nbsp;Any help = will be greatly <BR>appreciated, even a phone number or email address. <BR> <BR>Thanks. &nbsp; <BR> <BR>SCOTT F. FOPPIANO, Principal Organist and Director of Music and = Liturgy <BR>The National Shrine of the Little Flower, MO, Opus 5180, 1933) <BR>Staff House Organist, The Fox Theatre, Detroit, Royal Oak, MI <BR>(Geo. Kilgen &amp; Son Pipe Organ Co., St. Louis, MI (Wurlitzer, 1928) <BR>"Cantantibus organis Caecilia Domino decantabat dicens: <BR>fiat cor meum immaculatum ut non confundar." <BR></FONT></HTML>   --part1_6f.1284ea41.27e273f0_boundary--