PipeChat Digest #1970 - Wednesday, March 28, 2001
 
Re: Bish owns a Ro(d)gers?
  by "Jon C. Habermaas" <opus1100@catoe.org>
Re: toss-up
  by <quilisma@socal.rr.com>
Re: Cardinal Egan
  by <ResearchIV@aol.com>
Re: Bish owns a Ro(d)gers?
  by <ResearchIV@aol.com>
Re: The Joy of Music
  by "Colin Hulme" <colin_hulme@lineone.net>
Re: Bish owns a Ro(d)gers?
  by <GRSCoLVR@aol.com>
Re: Carlo
  by "Russ Greene" <rggreene2@home.com>
Re: I'm outa here folks!!!
  by "Russ Greene" <rggreene2@home.com>
specifications of 1938 Whitelegg-Moller at Holy Name of Jesus, New York
  by <ALamirande@aol.com>
correction: early
  by <ALamirande@aol.com>
 

(back) Subject: Re: Bish owns a Ro(d)gers? From: "Jon C. Habermaas" <opus1100@catoe.org> Date: Wed, 28 Mar 2001 11:36:25 -0600     >Does anyone else on the list find it annoying that all the intelligient >folks on this list have let this mispelling go on for so long......    
(back) Subject: Re: toss-up From: <quilisma@socal.rr.com> Date: Wed, 28 Mar 2001 09:50:58 -0800     --------------4FE98227319879C1A4EB26A1 Content-Type: text/plain; charset=3Dus-ascii Content-Transfer-Encoding: 7bit   Well, I'm not going to debate that, because I HAD reputable builders, both tracker and electric, LOOK at the place. There was NOTHING they suggested that didn't involve pulling DOWN the parish hall (which was attached to the chancel end of the church with a common attic) and extending the church eastward to make a new chancel and space for the organ. Since the parish hall was also included in the historical designation, THAT wasn't going to happen.   The Rodgers console was to one side of the podium, facing sideways so the organist could see the choir director (sorta) ... the choir sang LARGE anthems, cantatas and oratorios, which would NOT have been well-served by three ranks of ANYTHING. And no, there wasn't space for an ORCHESTRA, either (grin).   Now ... I know that the usual conventional wisdom would be to say the choir had no BUSINESS singing large anthems, cantatas and oratorios, and should have returned to the unrelieved psalm-singing that was common in Presbyterian churches in the 19th century. In THAT case, if they'd been true to the performance practice of the time, they wouldn't have HAD an organ at ALL (grin).   But this was a MODERN Presbyterian congregation with an EXTENSIVE music program ... graded choir system, handbells, Orff orchestra, etc.   I KNOW you're not going to admit that there is ANY situation where a congregation is better served by an electronic organ, but this WAS one of them (grin).   Cheers,   Bud   Cremona502@cs.com wrote:   > In a message dated 3/27/01 7:37:05 PM !!!First Boot!!!, > quilisma@socal.rr.com > writes: > > > >> There was LITERALLY not room for ONE RANK of pipes ANYWHERE in the >> building ... the church was on the historical register; it couldn't >> be >> altered. >> > > You cannot get away with that statement. A 3rank Felgemaker would > fit > perfectly into such a room, provide an appropriate sound, and be > historically > accurate. It would not take up more space than a big electroconsole > and > would fit under a 9 or 10' ceiling, possibly even 8'. > > Bruce Cornely ~ Cremona502@cs.com > with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" > Visit Howling Acres at http://members.tripod.com/Brucon502/   --------------4FE98227319879C1A4EB26A1 Content-Type: text/html; charset=3Dus-ascii Content-Transfer-Encoding: 7bit   <!doctype html public "-//w3c//dtd html 4.0 transitional//en"> <html> Well, I'm not going to debate that, because I HAD reputable builders, both tracker and electric, LOOK at the place. There was NOTHING they suggested that didn't involve pulling DOWN the parish hall (which was attached to the chancel end of the church with a common attic) and extending the = church eastward to make a new chancel and space for the organ. Since the parish hall was also included in the historical designation, THAT wasn't going to happen. <p>The Rodgers console was to one side of the podium, facing sideways so the organist could see the choir director (sorta) ... the choir sang LARGE anthems, cantatas and oratorios, which would NOT have been well-served by three ranks of ANYTHING. And no, there wasn't space for an ORCHESTRA, either (grin). <p>Now ... I know that the usual conventional wisdom would be to say the choir had no BUSINESS singing large anthems, cantatas and oratorios, and should have returned to the unrelieved psalm-singing that was common in Presbyterian churches in the 19th century. In THAT case, if they'd been true to the performance practice of the time, they wouldn't have HAD an organ at ALL (grin). <p>But this was a MODERN Presbyterian congregation with an EXTENSIVE music program ... graded choir system, handbells, Orff orchestra, etc. <p>I KNOW you're not going to admit that there is ANY situation where a congregation is better served by an electronic organ, but this WAS one of them (grin). <p>Cheers, <p>Bud <p>Cremona502@cs.com wrote: <blockquote TYPE=3DCITE><font face=3D"arial,helvetica"><font size=3D-1>In a = message dated 3/27/01 7:37:05 PM !!!First Boot!!!, = quilisma@socal.rr.com</font></font> <br><font face=3D"arial,helvetica"><font size=3D-1>writes:</font></font> <br>&nbsp; <br>&nbsp; <blockquote TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"><font = face=3D"arial,helvetica"><font size=3D-1>There was LITERALLY not room for ONE RANK of pipes ANYWHERE in the</font></font> <br><font face=3D"arial,helvetica"><font size=3D-1>building ... the church was on the historical register; it couldn't be</font></font> <br><font face=3D"arial,helvetica"><font size=3D-1>altered.</font></font> <br>&nbsp;</blockquote>   <p><font face=3D"Arial"><font color=3D"#000000"><font size=3D-1>You cannot = get away with that statement.&nbsp;&nbsp; A 3rank Felgemaker would = fit</font></font></font> <br><font face=3D"Arial"><font color=3D"#000000"><font size=3D-1>perfectly = into such a room, provide an appropriate sound, and be = historically</font></font></font> <br><font face=3D"Arial"><font color=3D"#000000"><font = size=3D-1>accurate.&nbsp; It would not take up more space than a big electroconsole = and</font></font></font> <br><font face=3D"Arial"><font color=3D"#000000"><font size=3D-1>would fit = under a 9 or 10' ceiling, possibly even 8'.</font></font></font> <p><font face=3D"Arial"><font color=3D"#000000"><font size=3D-1>Bruce = Cornely&nbsp;&nbsp;&nbsp;&nbsp; ~&nbsp; Cremona502@cs.com</font></font></font> <br><font face=3D"Arial"><font color=3D"#000000"><font size=3D-1>with the = Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!"</font></font></font> <br><font face=3D"Arial"><font color=3D"#000000"><font size=3D-1>Visit = Howling Acres at&nbsp;&nbsp; <A = HREF=3D"http://members.tripod.com/Brucon502/">http://members.tripod.com/Bru= con502/</A></font></font></font></blockquote> </html>   --------------4FE98227319879C1A4EB26A1--    
(back) Subject: Re: Cardinal Egan From: <ResearchIV@aol.com> Date: Wed, 28 Mar 2001 12:49:23 EST   And what type of organ is in Saint Elizabeth's? And is it in deplorable condition? Egan is supposed to be a "concert pianist and lover of classical music," according to the Diocesan press machine...  
(back) Subject: Re: Bish owns a Ro(d)gers? From: <ResearchIV@aol.com> Date: Wed, 28 Mar 2001 12:54:20 EST   Maybe we are intelligent, but don't care. This is a list about pipe organs. Hence, "PIPEchat." So if those of us who joined to talk about REAL organs don't get it right, no big deal. Why are we STILL talking about squawkboxes? Didn't the administrators say to stop this foolishness?   J. Nygaard  
(back) Subject: Re: The Joy of Music From: "Colin Hulme" <colin_hulme@lineone.net> Date: Wed, 28 Mar 2001 18:52:02 +0100       Carlo Pietroniro wrote: > > > If there is or was an an organist who's had more exposure than Diane = Bish, > then let's see some name. This I'd like to see. I may learn something = else > on this list......... > > There is a regular contributor to the Hamtech list who posted a picture = of himself in the nude atop his Hammond some time back. Would he qualify?   Cheers,   Colin> >  
(back) Subject: Re: Bish owns a Ro(d)gers? From: <GRSCoLVR@aol.com> Date: Wed, 28 Mar 2001 12:58:48 EST   In a message dated 3/28/2001 12:49:00 PM Eastern Standard Time, opus1100@catoe.org writes:   << >Does anyone else on the list find it annoying that all the = intelligient >folks on this list have let this mispelling go on for so long...... >> Jon---- I do,,,in fact,,,,find it annoying with Rodgers, and I find = it annoying with Moller too, for those folks that insists on it being spelled =   Moeller. I even had a person try to convince me off list a few months ago,,,that with "changes" in the way we "see things" today,,,that it was = just as correct to spell it Moeller as Moller,,,but somehow,,it didnt cut it = for me. Kind regards, ---Roc L V Rockafellow  
(back) Subject: Re: Carlo From: "Russ Greene" <rggreene2@home.com> Date: Wed, 28 Mar 2001 12:05:22 -0600   > This message is in MIME format. Since your mail reader does not = understand this format, some or all of this message may not be legible.   --B_3068625922_3829252 Content-type: text/plain; charset=3D"US-ASCII" Content-transfer-encoding: 7bit   Attitudes such as those expressed by Arthur LaMirande are in large part responsible for the continuing decline in the popularity of the organ. = This is of little consequence, of course, to the nose-in-the-air snobs of the organ world, who eschew popularity at all costs. At least, right up to the point where they have their hands out, imploring someone, anyone at all, cultured or not, to pay for their indulgences. No wonder so few are interested in listening to or financing pipe organs. Exposure to many of = our precious fraternity would tend to produce that effect in the hoi polloi, = who seem to forget that their function after all is just to continue paying = the bills.   I pity those with such petty attitudes, but the real pity is that they = hurt all of us and they hurt our instrument and its music.   Russ Greene   --B_3068625922_3829252 Content-type: text/html; charset=3D"US-ASCII" Content-transfer-encoding: quoted-printable   <HTML> <HEAD> <TITLE>Re: Carlo</TITLE> </HEAD> <BODY> <FONT FACE=3D3D"Helvetica">Attitudes such as those expressed by Arthur = LaMirand=3D e are in large part responsible for the continuing decline in the = popularity=3D of the organ. This is of little consequence, of course, to the = nose-in-the-=3D air snobs of the organ world, who eschew popularity at all costs. At = least, =3D right up to the point where they have their hands out, imploring someone, = an=3D yone at all, cultured or not, to pay for their indulgences. No wonder so = few=3D are interested in listening to or financing pipe organs. Exposure to many = o=3D f our precious fraternity would tend to produce that effect in the hoi = pollo=3D i, who seem to forget that their function after all is just to continue = payi=3D ng the bills.<BR> <BR> I pity those with such petty attitudes, but the real pity is that they = hurt=3D all of us and they hurt our instrument and its music.<BR> <BR> Russ Greene</FONT> </BODY> </HTML>     --B_3068625922_3829252--    
(back) Subject: Re: I'm outa here folks!!! From: "Russ Greene" <rggreene2@home.com> Date: Wed, 28 Mar 2001 12:41:27 -0600   On 3/27/01 6:14 PM, Carlo Pietroniro wrote:   > That's it. I've had just about all I can take from this list.   I for one regret your decision and hope you will reconsider. I have found your submissions have added a valuable perspective to the discussions = here, one that is needed in a group which sometimes tends to have blinders on concerning progress, change and realistic alternatives. If you do leave, I will miss you.   Best wishes, Russ Greene    
(back) Subject: specifications of 1938 Whitelegg-Moller at Holy Name of Jesus, New York From: <ALamirande@aol.com> Date: Wed, 28 Mar 2001 13:46:33 EST     --part1_87.8d7bf99.27f38b89_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   These are the specifications for the 1938 Moller organ at Holy Name of = Jesus, New York City, as designed by Richard Whitelegg (d. 1944):   PEDAL GREAT = SWELL 5" V-8 R-11 S-19 3 3/4" V-11 R-20 S-12 4 = 1/2" V-16 R-20 S-16 32 Resultant 16 Diapason 61 = 16 Bourdon 73 16 Diapason 32w 8 Diapason 61 8 =   Diapason 73 16 Diapason (G) 8 Harmonic Flute 61 8 Stopped Flute 73 16 Bourdon 56 8 Keraulophone 61 8 =   Gamba 73 16 Bourdon (S) 4 Octave 61 = 8 Salicional 73 10 2/3 Quint 37 4 Hoelfleote 61 = 8 Voix Celeste 73 8 Octave 32 2 2/3 Quint 61 = 8 Aeoline 73 8 Bourdon 2 Superoctave 61 = 4 Fl Traverso 73 8 Bourdon (S) V Cornet 269 = 4 Gemshorn 73 8 Quint (8') 8 Cello III Mixture 183 = 2 Flageolet 73 4 Superoctave 32 15-19-22 = V Plein Jeu 6" 305 4 Bourdon IV Harmonics 244 = 16 Trumpet 6" 73 II Sesquialtera 64 17-19-21-22 = 8 Trumpet 6" 73 5 1/3 3 1/5 8 Chimes (L) = 8 Oboe 6" 73 III Mixture 96 = 8 Vox Humana 73 15-19-22 = 4 Clarion 6" 73 = 16 Bombarde 10" 56r = Tremulant 16 Trumpet (S) 8 Bombarde 4 Bombarde   CHOIR SOLO 5" V-13 R-16 S-13 10" V-9 R-9 S-10 8 Diapason 73 8 Doppelfluete 73 8 Spitzfloete 73 8 Gamba 73 8 Concert Flute 73 8 Gamba Celeste 73 8 Unda Maris 73 8 Viole Sourdine 73 8 Dolce 73 8 Viole Sourdine 73 = 4 Principal 73 4 Orchestral Flute 73 4 Flute d'Amour 73 8 Trumpet h 73 2 2/3 Nasard 61 8 French Horn 73 2 Piccolo 61 8 Vox Humana 73 II Sesquialtera 122 Chimes 21 12-17 Tremulant III Mixture 183 15-19-22 16 English Horn 6" 73 8 Clarinet 73 Tremulant   Entire organ: V-57 R-76 S-70 B-11 P-4718   Couplers 40 (I won't list them all here) Capture system And other accessories   organ completed in late 1937 and installed in late 1938.   Later on, I will reprint the article which originally appeared in the May 1938 edition of the [original] American Organist, written by Dr. William H. Barnes. (Since the original American Organist is long gone, I assume this article would now be in the public domain.)   The only deficiency in this organ --- other than the overly complex mechanical apparatuses previously mentioned by Sebastian Gluck --- is the absence of a true 32' stop. But, in the cramped organ loft of this church, such a rank (or ranks) would have been possible only if the choir pews in the loft had been eliminated, =   and the magnificent stained glass window above the organ loft had been obstructed = from view. These were both no-no's. The Resultant was the only alternative.   Arthur LaMirande   --part1_87.8d7bf99.27f38b89_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>These are the = specifications for the 1938 Moller organ at Holy Name of Jesus, <BR>New York City, as designed by Richard Whitelegg (d. 1944): <BR> <BR>PEDAL = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;GREAT = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>SWELL <BR>5" V-8 R-11 S-19 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;3 3/4" V-11 R-20 = S-12 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;4 1/2" <BR>V-16 R-20 S-16 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>32 Resultant = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;16 Diapason 61 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;16 <BR>Bourdon 73 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=   <BR>16 Diapason 32w = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;8 &nbsp;Diapason = 61 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;8 <BR>Diapason 73 <BR>16 Diapason (G) = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;8 Harmonic = Flute 61 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;8 <BR>Stopped Flute 73 <BR>16 Bourdon 56 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;8 Keraulophone 61 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;8 <BR>Gamba 73 <BR>16 Bourdon (S) = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= 4 Octave 61 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=   <BR>8 Salicional 73 <BR>10 2/3 &nbsp;Quint 37 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;4 = Hoelfleote 61 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>8 Voix Celeste 73 <BR>8 Octave 32 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2 2/3 Quint 61 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>&nbsp;8 Aeoline 73 <BR>8 Bourdon = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2 Superoctave 61 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>4 &nbsp;Fl Traverso 73 <BR>8 Bourdon (S) = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;V Cornet 269 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>4 Gemshorn 73 <BR>8 Quint (8') &nbsp; <BR>8 Cello = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;III Mixture 183 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp; <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2 Flageolet 73 <BR>4 Superoctave 32 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;15-19-22 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>&nbsp;V Plein Jeu 6" 305 <BR>4 Bourdon = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;IV Harmonics 244 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp; <BR>16 Trumpet 6" 73 <BR>II Sesquialtera 64 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;17-19-21-22 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>&nbsp;&nbsp;8 Trumpet 6" 73 <BR> &nbsp;&nbsp;&nbsp;5 1/3 &nbsp;3 &nbsp;1/5 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;8 Chimes (L) = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>&nbsp;&nbsp;&nbsp;&nbsp;8 Oboe 6" 73 <BR>III Mixture 96 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp; <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;8 = Vox Humana 73 <BR> &nbsp;&nbsp;&nbsp;15-19-22 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp; <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;4 = &nbsp;Clarion 6" 73 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=   <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp= ;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>16 Bombarde 10" 56r = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Tremulant <BR>16 Trumpet (S) <BR>8 Bombarde <BR>4 Bombarde <BR> <BR>CHOIR = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp= ;&nbsp;&nbsp;SOLO <BR>5" V-13 R-16 S-13 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;10" V-9 R-9 S-10 <BR>8 Diapason 73 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;8 Doppelfluete 73 <BR>8 Spitzfloete 73 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;8 Gamba 73 <BR>8 Concert Flute 73 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;8 Gamba Celeste 73 <BR>8 Unda Maris 73 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;8 Viole Sourdine 73 <BR>8 Dolce 73 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;8 Viole Sourdine 73 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>4 Principal 73 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;4 = Orchestral Flute 73 <BR>4 Flute d'Amour 73 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;8 Trumpet h 73 <BR>2 2/3 Nasard 61 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;8 French Horn 73 <BR>2 Piccolo 61 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;8 Vox Humana 73 <BR>II Sesquialtera 122 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Chimes 21 <BR> &nbsp;&nbsp;12-17 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Tremulant <BR>III Mixture 183 <BR> &nbsp;&nbsp;&nbsp;15-19-22 <BR>16 English Horn 6" 73 <BR>8 &nbsp;Clarinet 73 <BR>Tremulant <BR> <BR>Entire organ: V-57 R-76 S-70 B-11 P-4718 <BR> <BR>Couplers 40 &nbsp;(I won't list them all here) <BR>Capture system <BR>And other accessories <BR> <BR>organ completed in late 1937 and installed in late 1938. <BR> <BR>Later on, I will reprint the article which originally appeared in the = May <BR>1938 edition <BR>of the [original] American Organist, written by Dr. William H. Barnes. = &nbsp; <BR>(Since the original American Organist is long gone, I assume this = article <BR>would now be in the public domain.) <BR> <BR>The only deficiency in this organ --- other than the overly complex <BR>mechanical apparatuses previously mentioned by Sebastian Gluck --- is = the <BR>absence of a true <BR>32' stop. &nbsp;But, in the cramped organ loft of this church, such a = rank (or <BR>ranks) would <BR>have been possible only if the choir pews in the loft had been = eliminated, <BR>and the <BR>magnificent stained glass window above the organ loft had been = obstructed from <BR>view. &nbsp;These were both no-no's. &nbsp;The Resultant was the only = alternative. <BR> <BR>Arthur LaMirande</FONT></HTML>   --part1_87.8d7bf99.27f38b89_boundary--  
(back) Subject: correction: early From: <ALamirande@aol.com> Date: Wed, 28 Mar 2001 13:48:15 EST     --part1_2f.12ff0192.27f38bef_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Correction to previous post: that should have read: completed in late = 1937 and installed in early 1938.   a.L.   --part1_2f.12ff0192.27f38bef_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>Correction to previous = post: that should have read: &nbsp;completed in late 1937 <BR>and installed in early 1938. <BR> <BR>a.L.</FONT></HTML>   --part1_2f.12ff0192.27f38bef_boundary--