PipeChat Digest #1975 - Thursday, March 29, 2001
 
Re: toss-up
  by "Bob Elms" <elmsr@albanyis.com.au>
Infalmmatory Remarks
  by <TubaMagna@aol.com>
Re: Revised format for specs of W-M organ
  by "Luther Melby" <lmelby@prtel.com>
theatreorgans.com
  by "Jon C. Habermaas" <opus1100@catoe.org>
Re: Bish owns a Ro(d)gers?
  by <Cremona502@cs.com>
Re: Revised format for specs of W-M organ
  by <KurtvonS@aol.com>
Re: First Mass music
  by <quilisma@socal.rr.com>
Re: Tempered Organs in Worship
  by <Cremona502@cs.com>
Re: Dallas Question
  by <Wurlibird1@aol.com>
Specs of Whitelegg-Moller organ
  by <TubaMagna@aol.com>
Re: toss-up
  by <Cremona502@cs.com>
Re: diacritics (Danish vs German)
  by <Cremona502@cs.com>
Re: Tempered Organs in Worship
  by <TubaMagna@aol.com>
Re: Infalmmatory Remarks
  by <Cremona502@cs.com>
Re: Organ Dedication, San Bernardino, CA, USA
  by <ResearchIV@aol.com>
 

(back) Subject: Re: toss-up From: "Bob Elms" <elmsr@albanyis.com.au> Date: Thu, 29 Mar 2001 22:55:56 +0800   I am sorry!! That post was intended to be private to Bud but this list has a nasty habit of changing the address back to "pipechat". Not sending any flames your way, Bruce, and have no wish to offend you. Next time I use "new" and I type the address in!! Bob Elms.   Bob Elms wrote: > > Well Bud I will agree with you but Bruce will never do that. I play > sometimes a six rank tracker in an Anglican Church here, and also a > large Johannus in the Catholic Church. >    
(back) Subject: Infalmmatory Remarks From: <TubaMagna@aol.com> Date: Thu, 29 Mar 2001 10:15:23 EST   Those of us who build instruments made from radioactive sausages are constantly under fire for not building "REAL" organs. I guarantee you = that the sound produced by these delicious instruments, even at temperatures as =   low as 2,738,000 degrees centigrade, are indistinguishable from pipes. Here at Orgues Saucissons Radioactifs de Liege, we get the most = pipelike sound out of radioactive sausages. Our most recent instrument (IV = manuals, 225 ranks, 12,468 sausages including a TWO 32' cervelats, and a chamade pepperoni at each end of the building) has won critical acclaim, notably = for the incredible realism of the Brustwerk Rohrschalmei (make from low sodium =   chicken franks). As to whether or not they last as long as pipe organs, well, the = facts speak for themselves. While the little mechanical action pipe organ at = Sion is a mere 620 years old, we anticipate the HALF-life of our instruments to = be somewhere in the range of 18 million years.   Elmo Visage de Poisson Orgues Saucissons Radioactifs de Liege  
(back) Subject: Re: Revised format for specs of W-M organ From: "Luther Melby" <lmelby@prtel.com> Date: Thu, 29 Mar 2001 09:07:16 -0600   Are there any recordings of this organ available? Were there any made? Luther -----Original Message----- From: ALamirande@aol.com <ALamirande@aol.com> Date: Thursday, March 29, 2001 9:01 AM     Per request, I am here listing the specifications for the 1938 Whitelegg-Moller organ at Holy Name of Jesus, New York --- in one column. >clip<   Arthur LaMirande      
(back) Subject: theatreorgans.com From: "Jon C. Habermaas" <opus1100@catoe.org> Date: Thu, 29 Mar 2001 09:21:07 -0600   Server is still down...I sent Jerrell an email inquiring about the server as I have not been able to get into the server, check email, get theatreorgans-l posts, etc. since early yesterday.   Jon    
(back) Subject: Re: Bish owns a Ro(d)gers? From: <Cremona502@cs.com> Date: Thu, 29 Mar 2001 10:33:25 EST     --part1_2f.1305cd3a.27f4afc5_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 3/29/01 12:59:46 PM !!!First Boot!!!, ManderUSA@aol.com =   writes:     > Hey, we want equal protection, please. No inflammatory comments about = Pipe > Organs either!!!!! > >   May we add trackers and well-temperament to that????   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_2f.1305cd3a.27f4afc5_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 3/29/01 12:59:46 PM !!!First Boot!!!, ManderUSA@aol.com <BR>writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Hey, we want equal = protection, please. No inflammatory comments about Pipe <BR>Organs either!!!!! <BR> <BR></BLOCKQUOTE> <BR> <BR>May we add trackers and well-temperament to that???? <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/</FONT></HTML>   --part1_2f.1305cd3a.27f4afc5_boundary--  
(back) Subject: Re: Revised format for specs of W-M organ From: <KurtvonS@aol.com> Date: Thu, 29 Mar 2001 10:37:49 EST     --part1_69.133c9703.27f4b0cd_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 3/29/01 9:02:21 AM Central Standard Time, ALamirande@aol.com writes:     > . With > correction > of one omission (Pedal: Cello). > > Greetings;   According to the specifications at the NYC AGO website, there is another ommission, at least; the Swell 16' Trumpet also plays in the Pedal.   There is also (albeit not in NYC) an untouched 4 manual Whitelegg of = 50-some ranks at the Carl Schurz High School in Chicago; the Great chorus work of both specs is identical, as I recall...right down to the mixture complement.   Kurt von Schakel   --part1_69.133c9703.27f4b0cd_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><BODY BGCOLOR=3D"#ffffff"><FONT = SIZE=3D2>In a message dated 3/29/01 9:02:21 AM Central Standard Time, <BR>ALamirande@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">. &nbsp;With <BR>correction <BR>of one omission (Pedal: Cello). <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"arial" LANG=3D"0"></BLOCKQUOTE> <BR>Greetings; <BR> <BR>According to the specifications at the NYC AGO website, there is = another <BR>ommission, at least; &nbsp;the Swell 16' Trumpet also plays in the = Pedal. <BR> <BR>There is also (albeit <I>not</I> in NYC) an untouched 4 manual = Whitelegg of 50-some <BR>ranks at the Carl Schurz High School in Chicago; the Great <BR>chorus work of both specs is identical, as I recall...right down to = the <BR>mixture complement. <BR> <BR>Kurt von Schakel</FONT></HTML>   --part1_69.133c9703.27f4b0cd_boundary--  
(back) Subject: Re: First Mass music From: <quilisma@socal.rr.com> Date: Thu, 29 Mar 2001 07:42:45 -0800   Dick - could use a copy of the Singenberger, unless you're saying that it AND the Desmet are in the St. Gregory (I have a virtually virgin copy) (grin). Fax is 714-840-4265.   THANKS!   Bud   RSiegel920@aol.com wrote:   > Bud- suggest you check out the John Singenberger "Ecce Sacerdos" or the > Desmet "Tu es Sacerdos" found in the St. Gregory Hymnal (better than it > sounds). Advise if you need a copy- both out of copyright. > regards > Dick Siegel > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: Re: Tempered Organs in Worship From: <Cremona502@cs.com> Date: Thu, 29 Mar 2001 10:39:18 EST     --part1_2b.131b15ab.27f4b126_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 3/29/01 1:45:06 PM !!!First Boot!!!, = elmsr@albanyis.com.au writes:     > I'm afraid I agree with Oboe32. Why should a church compromise and have > anything played in Ab or some allied key sound as if the organ has never > been tuned? To my mind equal temperament at least fits all the organ > repertoire, and any hymn no matter what the key. >   In a well-tempered tuning system, there are seldom "unusable" keys. Even =   D-flat is usable in Valotti, and some others, but possesses a somewhat sinister tightness. A-flat is also usable and it is interesting that you mention it. I recall a woman coming up after church once and commenting = on one of the hymns, "I love to tell the story". She remarked that she had shivers up and down her spine and the point where we sang, "because I know =   'tis true." She was not a musician so I showed her what the temperament = on the organ did at that point, moving from f-minor and resolving on a = C-major chord. It really is a marvellous feeling. Learning to use a temperament to the advantage of the music is great fund, even it means = doing some transposing.   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_2b.131b15ab.27f4b126_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 3/29/01 1:45:06 PM !!!First Boot!!!, elmsr@albanyis.com.au <BR>writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I'm afraid I agree = with Oboe32. Why should a church compromise and have <BR>anything played in Ab or some allied key sound as if the organ has = never <BR>been tuned? To my mind equal temperament at least fits all the organ <BR>repertoire, and any hymn no matter what the key. <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>In a well-tempered tuning system, there are seldom "unusable" keys. = &nbsp;&nbsp;Even <BR>D-flat is usable in Valotti, and some others, but possesses a somewhat =   <BR>sinister tightness. &nbsp;A-flat is also usable and it is interesting = that you <BR>mention it. &nbsp;I recall a woman coming up after church once and = commenting on <BR>one of the hymns, "I love to tell the story". &nbsp;She remarked that = she had <BR>shivers up and down her spine and the point where we sang, "because I = know <BR>'tis true." &nbsp;&nbsp;She was not a musician so I showed her what = the temperament on <BR>the organ did at that point, moving from f-minor and resolving on a = C-major <BR>chord. &nbsp;&nbsp;&nbsp;It really is a marvellous feeling. = &nbsp;&nbsp;&nbsp;&nbsp;Learning to use a <BR>temperament to the advantage of the music is great fund, even it means = doing <BR>some transposing. <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/</FONT></HTML>   --part1_2b.131b15ab.27f4b126_boundary--  
(back) Subject: Re: Dallas Question From: <Wurlibird1@aol.com> Date: Thu, 29 Mar 2001 10:40:09 EST   David Scribner wrote:   >Yesterday we had lunch in a little Italian restaurant in the Lakewood (?) Shopping Center and noticed the Lakewood Theatre across the way. I seemed to remember that this theatre has a Robert Morton organ installed in it. Following our lunch we did walk around a bit and looked at the outside of the theatre and ended up talking to a couple of guys that were entering the building. One of them confirmed that the building does hold an organ but that it is currently out of the building for rebuilding.<<     David, I am a very poor resource on the Lakewood Robert-Morton but can = share information posted to TheatreOrgan-L by members of the North Texas Chapter-ATOS.   As I remember, a sump pump failed resulting in flooding of the pit. There =   was console damage (the extent of which I am not sure) and the lift was destroyed. Repairs to the console are underway.   It is a nice installation and the organ sounds good in the room. Members have told me that it will be enlarged soon to bring rankage up to the mid- teens. At the risk of meddling in NTC chapter business (I am not a member = - YET) they will install a small Wurlitzer in the Inwood Theatre soon. Very =   active group with some real dedicated members.   Apologies to the Chapter for being a butt-insky. Weather improving. The organ is off and the fishing resumes. Yee-hah! :)   BTW, how many ranks can be installed on a 23-foot Aquasport fishing boat? =   Nemo has a few on the Nautilus, as I recall.   Jim  
(back) Subject: Specs of Whitelegg-Moller organ From: <TubaMagna@aol.com> Date: Thu, 29 Mar 2001 10:40:35 EST   So much to study here:   The "reedless" Great actually has TWO reeds -- the Cornet V and the = Harmonics IV. These, plus the independent Twelth, add an incredible horny tang to = the ensemble.   Some real Willisisms in the Swell -- note the 4' Gemshorn instead of the = 4' Geigen Octave or Octave, and all the full-length reeds on heavy wind. I don't know if by this time they were using the short-boot, open French shallot reeds that one found in the progressive Mollers of a decade later, =   but Whitelegg knew what he was doing.   The Choir is remarkable for a Moller of the period. A real attempt at a structured ensemble, a far cry from the usual Choir division of the era, = in which the Choir remained the orphaned, unstructured, "mushy" division. = Note the flute-scaled independent Nasard, which left Whitelegg free to narrow = the scale on the Sesquialtera. This way, he could have a Germanic answer to = the broad Great Cornet. The English Horns of the period, usually narrow in scale, don't have tremendous use at 16', but as a borrowed Pedal voice = they add texture, and under the tout ensemble, it adds a reedy gravity to the Choir which helpd the division hold its own as a secondary manual in classical repertoire, as opposed to a tertiary force to be coupled into = the other manuals for reinforcements. Certainly, GDH would have taken note of =   this Choir division.   The Solo is interesting -- the pair of muted violins in lieu of the rarely =   used but usually expected "Orchestral Oboe." I don't what remains from = the older instrument, but if it WAS a Roosevelt, the Doppelflote most likely comes from that organ; it would have been too good and characteristic for =   Whitelegg to forego.   The eight rank independent Pedal chorus is remarkable, especially for the tierce (3-1/5') in the Sesuqialtera, which when drawn with the English = Horn 16', but without the Bombarde, gives a nice reedy texture without going full-force.   All in all, it is yet another example of an organ that is inherently = musical and needs no improvement or updating, except, as Arthur said, one does = miss the grandeur and majesty of the 32' Bombarde extension. No room? Well, = as I remember, Mr. Skinner managed to mitre a full-length 32' Fagotto down to eleven feet...   Hopefully, somebody will see the light, and they will hire the = appropriately enthusiastic curator to adopt this organ and see that it lives long and enchants people in the future, as well as enriches the liturgy.   Sebastian Matthaus Gluck New York City  
(back) Subject: Re: toss-up From: <Cremona502@cs.com> Date: Thu, 29 Mar 2001 10:42:18 EST     --part1_6e.8ffbcba.27f4b1da_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 3/29/01 1:53:20 PM !!!First Boot!!!, = elmsr@albanyis.com.au writes:     > Well Bud I will agree with you but Bruce will never do that. I play > sometimes a six rank tracker in an Anglican Church here, and also a > large Johannus in the Catholic Church. Give me the JOhannus any day. The > Anglican organ reduces me to playing treble staff with both hands and > bass with feet to make myself heard.   Because the six rank tracker is not properly scaled for the size of the = room is the fault of the builder (if the organ was designed for the room). = It's the same as if the electronic installer left the volume turned down too = low. Bad rooms and inappropriate scaling are not the fault of the instrument.     > handles the large RC congregation with ease. > But then Bruce doesn't listen to recordings!!! He is missing something I =   > think! > Ummm...... and these two are related how???     Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_6e.8ffbcba.27f4b1da_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 3/29/01 1:53:20 PM !!!First Boot!!!, elmsr@albanyis.com.au <BR>writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Well Bud I will = agree with you but Bruce will never do that. I play <BR>sometimes a six rank tracker in an Anglican Church here, and also a <BR>large Johannus in the Catholic Church. Give me the JOhannus any day. = The <BR>Anglican organ reduces me to playing treble staff with both hands and <BR>bass with feet to make myself heard. </FONT><FONT COLOR=3D"#000000" = SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">Because the six rank tracker is not properly = scaled for the size of the room <BR>is the fault of the builder (if the organ was designed for the room). = &nbsp;&nbsp;It's <BR>the same as if the electronic installer left the volume turned down = too low. &nbsp; <BR>&nbsp;Bad rooms and inappropriate scaling are not the fault of the = instrument. <BR> <BR> <BR>The Johannus sounds good and <BLOCKQUOTE TYPE=3DCITE = style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: = 0px; PADDING-LEFT: 5px">handles &nbsp;the large RC congregation with ease. =   <BR>But then Bruce doesn't listen to recordings!!! He is missing something = I <BR>think! <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">Ummm...... &nbsp;and these two are related = how??? <BR> <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/</FONT></HTML>   --part1_6e.8ffbcba.27f4b1da_boundary--  
(back) Subject: Re: diacritics (Danish vs German) From: <Cremona502@cs.com> Date: Thu, 29 Mar 2001 10:44:28 EST     --part1_5f.12f4cc38.27f4b25c_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 3/29/01 2:25:24 PM !!!First Boot!!!, ALamirande@aol.com =   writes:     > Moeller would be a correct alternative spelling, if no umlaut is = available. > > (As in Scho"nberg =3D Schoenberg; Ho"ller =3D Hoeller; Go"the =3D = Goethe; etc. > Sorry, I don't have a German computer, or I could put that diacritic > directly > over the "o".) > >   But there is no need to change the spelling since the o is pronounced the same way (in English) whether it is use with an e or not. Moller is pronounced the same as Moeller! It's moot... or mooet!   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_5f.12f4cc38.27f4b25c_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 3/29/01 2:25:24 PM !!!First Boot!!!, ALamirande@aol.com <BR>writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Moeller would be a = correct alternative spelling, if no umlaut is available. &nbsp; <BR>&nbsp; <BR>(As in Scho"nberg =3D Schoenberg; Ho"ller =3D Hoeller; &nbsp;Go"the = =3D Goethe; etc. &nbsp;&nbsp; <BR>Sorry, I don't have a German computer, or I could put that diacritic <BR>directly <BR>over the "o".) <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>But there is no need to change the spelling since the o is pronounced = the <BR>same way (in English) whether it is use with an e or not. = &nbsp;&nbsp;Moller is <BR>pronounced the same as Moeller! &nbsp;&nbsp;&nbsp;&nbsp;It's moot... = or mooet! <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/</FONT></HTML>   --part1_5f.12f4cc38.27f4b25c_boundary--  
(back) Subject: Re: Tempered Organs in Worship From: <TubaMagna@aol.com> Date: Thu, 29 Mar 2001 10:45:03 EST   For temperament, we use Schmendrick IV. All fifths and thirds are pure. We just eliminate the note "C". There are eleven keys per octave.   SMG   PS. We're now building portatives for a million dollars a stop. I know = it's expensive, but all I have to do is sell ONE and I can retire...  
(back) Subject: Re: Infalmmatory Remarks From: <Cremona502@cs.com> Date: Thu, 29 Mar 2001 10:51:59 EST     --part1_5f.12f4cc39.27f4b41f_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 3/29/01 3:16:33 PM !!!First Boot!!!, TubaMagna@aol.com writes:     > . Our most recent instrument (IV manuals, > 225 ranks, 12,468 sausages including a TWO 32' cervelats, and a chamade > pepperoni at each end of the building) has won critical acclaim, notably =   > for > the incredible realism of the Brustwerk Rohrschalmei (make from low = sodium > chicken franks). >   What???? No 32' Haggis???   and..... sure there are some lovely Swinebungs!   And if you add some port to the pepperoni, you would have created a = Chamoink!!   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_5f.12f4cc39.27f4b41f_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 3/29/01 3:16:33 PM !!!First Boot!!!, TubaMagna@aol.com <BR>writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">. &nbsp;Our most = recent instrument (IV manuals, <BR>225 ranks, 12,468 sausages including a TWO 32' cervelats, and a = chamade <BR>pepperoni at each end of the building) has won critical acclaim, = notably <BR>for <BR>the incredible realism of the Brustwerk Rohrschalmei (make from low = sodium <BR>chicken franks). <BR> &nbsp;&nbsp;&nbsp;&nbsp;</FONT><FONT COLOR=3D"#000000" SIZE=3D3 = FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>What???? &nbsp;No 32' Haggis??? <BR> <BR>and..... sure there are some lovely Swinebungs! <BR> <BR>And if you add some port to the pepperoni, you would have created a = Chamoink!! <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/</FONT></HTML>   --part1_5f.12f4cc39.27f4b41f_boundary--  
(back) Subject: Re: Organ Dedication, San Bernardino, CA, USA From: <ResearchIV@aol.com> Date: Thu, 29 Mar 2001 11:11:02 EST   Seems like they put a lot of emphasis on music at your place. So why the decision to get an electronic" Not bashing, been told not to. But organ seems important to them, and has since 1948. Was there a pipe organ before 1948? And was a new pipe organ thought about? Just curious, since you seem to say they're "enjoying the sound of pipes" made by this new installation.   J. Nygaard