PipeChat Digest #2516 - Saturday, November 24, 2001
 
Re: Shoes, Dupre ,Messiaen, Improvisation
  by "Roger Brown" <rbrown7@bigpond.net.au>
Re: Shoes, Dupre ,Messiaen, Improvisation
  by <MFoxy9795@aol.com>
Re: Shoes, Dupre ,Messiaen, Improvisation
  by <MFoxy9795@aol.com>
Re: Theatre organ and grand piano at estate auction
  by "jch" <opus1100@catoe.org>
Re: Conn organ nightmare
  by "jch" <opus1100@catoe.org>
Re: Taunton Jardine
  by "John L. Speller" <jlspeller@mindspring.com>
Re: Shoes, Dupre ,Messiaen, Improvisation
  by <quilisma@socal.rr.com>
Re: Passing Organ Info to and fro(SUGGESTION)
  by <RonSeverin@aol.com>
Jardine
  by "William T. Van Pelt III" <wvanpelt@erols.com>
Re: Diminishing Voice Levels
  by "pat and ian" <patian@senet.com.au>
Re: Conn organ nightmare
  by <Cremona502@cs.com>
Re: Jardine information
  by <Cremona502@cs.com>
 

(back) Subject: Re: Shoes, Dupre ,Messiaen, Improvisation From: "Roger Brown" <rbrown7@bigpond.net.au> Date: Sun, 25 Nov 2001 00:21:44 +1100       ljc> All the articles in TAO re: improvisation seem contrived to me. Does ljc> anyone have other approaches to improv or know of something they can ljc> recommend I read? I didn't like Gerre Hancock's book which was way = too ljc> structured with rules and exercises from the start...I'd like an = approach ljc> which would start with my ear and trusting it; not with formulas to ljc> convert a hymn tune into arpeggios.   In that sense all music is contrived is it not. There are rules of form = and structure that all composers use to build and present their musical ideas. = And surely improvisation needs to be the same, both the help the performer = give lucidity to his ideas and to help the listener assimilate them.   I've not read Hancock's book. I met him when he was in Australia years ago = - a lovely personality who was very kind in his assessment of my playing. The = poor man even had to put up with my driving on one occasion! He gave tutorial sessions on improvisation at that time and my feeling of what he was about = was not so much to engender creative ideas but to give the participants some = basic framework with which to present those ideas.   And we all loved his comment "If stuck - trill!"     Regards,     Roger   Roger Brown rbrown7@bigpond.net.au http://rogerbrown.tripod.com      
(back) Subject: Re: Shoes, Dupre ,Messiaen, Improvisation From: <MFoxy9795@aol.com> Date: Sat, 24 Nov 2001 08:30:45 EST   In a message dated 11/24/2001 4:43:29 AM Eastern Standard Time, = l2nn@juno.com writes:   > > I love the 1st and last Magnificat pieces and Antiphon III from a book = of > 15 pieces by Dupre. Can anyone recommend other works by Dupre that I > might tackle next?  
(back) Subject: Re: Shoes, Dupre ,Messiaen, Improvisation From: <MFoxy9795@aol.com> Date: Sat, 24 Nov 2001 08:33:51 EST   In a message dated 11/24/2001 4:43:29 AM Eastern Standard Time, = l2nn@juno.com writes:   > > I love the 1st and last Magnificat pieces and Antiphon III from a book = of > 15 pieces by Dupre. Can anyone recommend other works by Dupre that I > might tackle next?   the 79 chorales. There is a gem in there based on In Dulci Jubilo. It = has a rocking lullaby rhythm. If you're lucky enough to have them, think it is great with all the strings and celestes! Merry  
(back) Subject: Re: Theatre organ and grand piano at estate auction From: "jch" <opus1100@catoe.org> Date: Mon, 24 Dec 2001 08:42:43 -0600   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_262649=3D= =3D_.ALT Content-Type: text/plain; charset=3D"us-ascii"; format=3Dflowed   At 05:07 PM 11/23/01 -0500, you wrote: >We are selling a Rodgers 327 Marquee theatre organ and a Yamaha grand >piano at a public estate auction in Fort Wayne, IN on December 1st at >9am. You can visit our web site and click on December 1st auction for >more information. Thanks, Tim McCulloch > 219-447-4311 > > > ><http://www.wiegmannauctioneers.com/>http://www.wiegmannauctioneers.com/   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_262649=3D= =3D_.ALT Content-Type: text/html; charset=3D"us-ascii"   <html> At 05:07 PM 11/23/01 -0500, you wrote:<br> <blockquote type=3Dcite class=3Dcite cite><font face=3D"arial" size=3D2>We = are selling a Rodgers 327 Marquee theatre organ and a Yamaha grand piano at a public estate auction in Fort Wayne, IN on December 1st at 9am.&nbsp; You can visit our web site and click on December 1st auction for more information.&nbsp;&nbsp;&nbsp; Thanks, Tim McCulloch<br> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 219-447-4311<br> &nbsp;<br> &nbsp;<br> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <a = href=3D"http://www.wiegmannauctioneers.com/">http://www.wiegmannauctioneers= .com/</a></font></blockquote></html>   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_262649=3D= =3D_.ALT--    
(back) Subject: Re: Conn organ nightmare From: "jch" <opus1100@catoe.org> Date: Mon, 24 Dec 2001 08:49:06 -0600   There is a local RC Church which has a Conn 651....organist regularly uses =   the rythmn section during masses much to the dismay of those who = appreciate good music. My organ teacher has vowed never to set foot in that church again as long as it has that organ and organist....btw Vicki do you have any more pedals working?   jch   At 10:55 PM 11/23/01 -0500, you wrote: >In a message dated 11/23/01 10:16:29 PM Eastern Standard Time, >david_n_carter@hotmail.com writes: > > > >My piano teacher (when I was very young), also played the organ at a = local >Lutheran church. They had a Conn organ in the sanctuary. My teacher was = in >constant fear that someone would come in during the week and fiddle with = the >organ, and leave the rhythm section turned on. She was very afraid that = she >would end up playing the first hymn to a "Rhumba" or "Tango" beat. > > >Yup. Been there, done that! :-) Just smile pretty...... > >Vicki > >"Pipe Up and Be Heard!" >PipeChat: A discussion List for pipe/digital organs & related topics >HOMEPAGE : http://www.pipechat.org >List: mailto:pipechat@pipechat.org >Administration: mailto:admin@pipechat.org >Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: Re: Taunton Jardine From: "John L. Speller" <jlspeller@mindspring.com> Date: Sat, 24 Nov 2001 10:01:00 -0600   Judy A. Ollikkala wrote:   > This 1899 Jardine at St. Thomas Episcopal, Taunton MA was rebuilt by = Roche > Organ Co. Inc. in 1980, Opus 24. Minor changes were made at this time, > including the installation of a IV Rank Mixture, and a 1-3/5' = Seventeenth. > The previously altered Swell III Rank Mixture was replaced with one = closer > to the original. A new Trombone stop was added. Consultant was Thomas > Murray who did the re-dedication recital in October 1980. A Festival > Trumpet was installed in 1983 at the rear of the church. I have the > present stoplist, but do not have a scanner, so Bruce, if you really = want > it, I can mail it to you. > As John Speller said, it was designed and voiced by Carlton C. Michell = of > England in the "English Romantic Style". It now has 37 stops, 42 ranks, = 50 > speaking registers, and 2,455 pipes, and it was the last major = instrument > to leave the Jardine factory, as the firm was dissolved in 1899.   My apologies for a lapse in memory which caused me to attribute the = rebuild to David Cogswell; it was, of course, Bob Roche as Judy said. In the tonal design of this instrument -- the last important work as Judy points out to leave the Jardine factory -- I would say there is something to be said for = the view that it was the "First Modern Organ" or the first to point the way in which things would go in the early twentieth century. Michell was = associated with Austin in the early 1900's and later advised the English firm of = Harrison & Harrison during the building of their Ely Cathedral organ. His = instrument at St. Luke's, Germantown, Pa., later had a profound influence on G. = Donald Harrison. The Taunton organ seems to stand at the end of the nineteenth century, pointing the way that things would go in the twentieth century in firms like Skinner, Austin, Harrison & Harrison and even Aeolian-Skinner.   John Speller    
(back) Subject: Re: Shoes, Dupre ,Messiaen, Improvisation From: <quilisma@socal.rr.com> Date: Sat, 24 Nov 2001 08:16:17 -0800       l2nn@juno.com wrote:   > Do people think organmaster shoes are bad or low quality? If yes, then > where else do I buy shoes? I have a pair of red shoes from Tic Tac Toes > but organmastershoes.com tells me these are just dance shoes.   Ehhh ... Organmasters aren't worth the effort. I wear Capezio tap shoes.   > I love the 1st and last Magnificat pieces and Antiphon III from a book = of > 15 pieces by Dupre. Can anyone recommend other works by Dupre that I > might tackle next?   Unfortunately I don't care for most of Dupre's simpler works OTHER than = the Antiphons ... it's a big jump from there to the BIG pieces like the = Passion Symphony and the Preludes and Fugues. MOST of the Antiphons are worth learning ... the first one is fun if you have a reverberant building ... = so's the Amen from Ave Maris Stella ... it doesn't have to go THAT fast (grin). You might also try Cortege and Litany, or the Nativity and Resurrection movements from the Passion Symphony. I LOVE "The World Awaiting the = Saviour", but it's HARD (grin).   > I love Messiaen's early works but I get completely lost aurally in his > middle and later works.   Play lots of Vierne, Widor, Tournemire and Langlais FIRST. In my day, the study of French organ music jumped from Franck to Messiaen with nothing in between. I discovered in later years that Messiaen made a lot more sense = if one understood the CONTEXT, even though it has been said that LANGLAIS, rather than Messiaen, is the legitimate successor to Tournemire in the = French post-romantic line. Also, look at his LAST work, the suite on the Blessed Sacrament. There are some shorter things in that which are worth learning, and which hark back to his earlier style. *I* can't make heads or tails of "The Mystery of the Holy Trinity", and I heard Messiaen play the premiere = at the National Shrine in Washington DC.   > All the articles in TAO re: improvisation seem contrived to me. Does > anyone have other approaches to improv or know of something they can > recommend I read? I didn't like Gerre Hancock's book which was way too > structured with rules and exercises from the start...I'd like an = approach > which would start with my ear and trusting it; not with formulas to > convert a hymn tune into arpeggios. >   I studied improv with Gerre (grin). Improvisation is a DISCIPLINE, like = any other discipline. Trusting your ear is important, but so is coherent FORM. = My STYLE was pretty well-developed when I came to him; he had the good sense = to basically leave it alone ... but he also taught me how to expand it and organize it better.   ANY style of improvisation uses formulas ... the trick is to use them CREATIVELY. Although practically all of my improvisations are based upon Gregorian chants, I have in my head all the basic motifs from the Orgelbuechlein, and I use them. Ditto the formulas in Langlais and Tournemire.   Have you read Dupre's book?   A study of Langlais' and Tournemire's chant-based pieces proved VERY rewarding, particularly Tournemire's written-out shorter improvisations = for the Introit, Offertory, Elevation and Communion in L'Orgue Mystique, since that's mostly what's called for in our service.   An EXHAUSTIVE study of the Orgelbuechlein is ESSENTIAL, in my opinion, PARTICULARLY if you're called upon to improvise on metrical hymn-tunes. A study of the Walther partitas in The Church Organist's Golden Treasury is also helpful in that regard.   But, MOSTLY, don't be AFRAID to DO it, and have FUN in the process. One of the things Gerre taught me was that if you play a "wrong" note, = incorporate it into the improvisation (grin), and nobody will be the wiser (chuckle).   Cheers,   Bud-by-the-Beach    
(back) Subject: Re: Passing Organ Info to and fro(SUGGESTION) From: <RonSeverin@aol.com> Date: Sat, 24 Nov 2001 11:50:27 EST   Dear List   I have a suggestion that was passed on to me by my son for sending FAXes back and forth very inexpensively. As an example, I sent 9 pages of material needed by on of the listers. It cost my account $.70 at = Kinko's and other FAX outlets would have cost $2.00 per page, or $18.00. You can use the service for free if you only wish to receive FAXes. I bit the bullet and activated a full send and receive account for the astounding price of a $10.00 activation fee and $9.95 per month. The Efax.com provides a telephone number from a low population area of the country, to which people can make contact and send FAXes to you.   All you need on your end is a scanner (32bit) a printer, and an internet access. You can actually send a FAX to someone as an attachment to E-mail. All they need is to down load the standard Efax program at no cost to read it.   It's a wonderful service, inexpensive, and you can send organ = specifications all day long for $.10 per page, multiple pages even cheaper. I get nada for letting the list know this. The beauty of all this is that you don't = need special FAX equipment to make it work, yet you can still send to a real FAX machine.   www.efax.com   Try it you may actually use it enough to make it worth while.   Regards,   Ron Severin  
(back) Subject: Jardine From: "William T. Van Pelt III" <wvanpelt@erols.com> Date: Sat, 24 Nov 2001 15:23:27 -0500   Regarding a list of extant Jardine organs asked by Hugh Drogemuller, there are many of them, large and small; early, middle, and late. The OHS maintains an Organ Database administered by the volunteer chair of a committee for same. She is Elizabeth Towne Schmitt, who is a member of this list, I believe. Anyway, Soosie's e-mail address appears on page 2 of each issue of The Tracker magazine. One may write her for requests of such information. In this case, a request may be impractical sine there would be so many entries.   Here are a few nice Jardine organs that come to mind. I'm sure that there are more:   Somerville, Mass.: St. Catherine of Genoa, 1894 2-24 tracker with pneumatic assists in the chests -- very unusual for Jardine; excellent organ   Taunton, Mass.: St. Thomas Aquinas, 1899, was tubular, now electric, restored by Roche after alterations by Cogswell (Berkshire Organ Company)   Hudson, Wisconsin: First Baptist, 1864 Jardine 2-12, tracker, excellent organ   Watervliet, NY: St. Patrick RC, 1890 Jardine 3-35 tracker, great acoustic, fine organ   Augusta, GA: Holy Trinity RC, 1868 Jardine 2-30 tracker, large building and acoustic, restored by Morris Spearman 1993   Bellona, NY: Memorial Presbyterian, 1894 Jardine 2-21 tracker, restored 1994 by Richard Strauss   Brooklyn, NY: Sacred Heart RC, ca. 1877 Jardine 3-37 tracker, intact but delapidated, totally restorable, superb organ, recorded by Rollin Smith for his LP record label   Washington, NC: Metropolitan AME Zion, 1891 Jardine 1-7, restored by John Farmer in 1991   Pittsboro, NC: St. Bartholomew's Episcopal, 1860s? Jardine 1-3, restored by John Farmer 1982   Hertford, NC: Holy Trinity Episcopal, 1852 Jardine 1-7   Newberry, SC: St. Luke's Episcopal, ca. 1850 Jardine 1-4, restored by John Farmer 1985 following tornado which totally destroyed the church and the electronic located on the Gospel side of the chancel. The Jardine, located on the Epistle side, was unscathed by the tornado -- didn't even get wet. When the church was rebuilt, the parish got the hint about the organ.   Pendleton, SC: St. Paul's Episcopal, 1848 Jardine 1-3, restored by John Farmer 1985   New Haven, CT: St. Paul's Episcopal, 1876 Jardine 2-22, relocated ca. 1977 from Congregational Church, Ironton, Ohio, and restored a few years later for St. Paul's. Spectacular black walnut case in prickly neo-Gothic style.   Corvallis, OR: St. Mary's RC, ca. 1890 Jardine, rebuilt 1986 by Richard Bond to 2-18. Much original pipework and voicing   Portland, OR: All Saints Episcopal, ca. 1892 Jardine 2-9, rebuilt by Richard Bond 1983 to 2-15. Much original pipework and voicing   Sacramento, CA: St. Paul's Episcopal Church, ca. 1850 Jardine 1m, totally restored and for sale by owner who has it on loan to the church which also has an 1877 Johnson 2-17.   There are many more, but that's enough for now!   Bill                 Charleston, SC: St. Mary's RC, ca. 1871 Jardine, originally 1m built for Gravesend Dutch Reformed Church, Brooklyn, NY, and enlarged by Jardine to 2m after 1890; moved 1979 to Charleston by Mann & Trupiano with some rearrangement of pipes and an addition or two. The 2m-ization of this organ was accomplished by Jardine's rather unorthodox method of sawing the windchest in half and providing a second set of pallets for the "half-chest," along with a second manual. Whatever stops were originally on the front of the chest became the Great and whatever stops were on the back half were enclosed and became the Swell. Thus, the rearrangement of pipes made each division of this small organ a bit more versatile.  
(back) Subject: Re: Diminishing Voice Levels From: "pat and ian" <patian@senet.com.au> Date: Sun, 25 Nov 2001 07:53:13 +1030   Hello Vern,   Thank you for your response to Diminishing sound levels.   I downloaded your highly interesting webpage and maybe you could be the answer to supplying Acc. to Ped. and Gt. to Ped. couplers for my Rodgers = 321 B Trio. Could you offer advice? I have a technician who is competent. At = the moment I contemplate Syndyne lit double touch pistons between the manuals = to activate the coupling.   Further down the track I may want to have the Rodgers 321 B Trio fitted = for Midi.   I live in South Australia, so when the time arrives, can you ship = necessary parts by Airmail to me? Payment would be by American Express. Let me know your thoughts.   With Best Wishes.   Hoping to hear from you soon,   IAN ROBISON.   > From: Vern Jones <soundres@foothill.net> > Reply-To: "PipeChat" <pipechat@pipechat.org> > Date: Thu, 15 Nov 2001 23:55:19 -0800 > To: PipeChat <pipechat@pipechat.org> > Subject: Re: Diminishing Voice Levels > > Pat & Ian, > > The problem is as Bruce described, there is a single preamp (with low > pass filters) for the Diapason, as well as a single voicing filter. What > really needs to be done, is to have 5 preamps and 5 filters, Rodgers > skimped here. Some of the filter components could be changed, but that > might make them too brite to sound right at the lower pitches. There are > 2 resistors per each keyer called R7 and R8, these are String/Diapason > scaling resistors, there are 61 sets per manual, these could be changed > out to increase the top-end level. (lots of work) the easiest would be > to split the busses, add the extra filters with a simple mixing circuit > at the output to recombine the filter outputs. The next trick is getting > someone to build and install it for a reasonable costs. If you're handy, > you could probably install it with a set of good instructions. > > I happen to own one of these too, I have added MIDI to mine, and use an > Ahlborn for the classic sounds, and an SC-55 to enhance the theatrical > sounds. > > Vern, Sound Research http://www.foothill.net/~soundres    
(back) Subject: Re: Conn organ nightmare From: <Cremona502@cs.com> Date: Sat, 24 Nov 2001 18:56:55 EST     --part1_fc.f81ddb5.29318dc7_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 11/23/01 10:16:13 PM Eastern Standard Time, david_n_carter@hotmail.com writes:     > My teacher was in > constant fear that someone would come in during the week and fiddle with =   > the > organ, and leave the rhythm section turned on. She was very afraid that = she > would end up playing the first hymn to a "Rhumba" or "Tango" beat. >   I've actually had this happen. At Holy Faith RC we had a Lowry Parade = in the chapel. One morning I went in to play for a funeral and there were about ten people already there. I reached over and turned the machine on, =   only to discover that the rhythm section has been left on. We were all greeted with "boom-chikka-boom-chikka-boom" complete with blocks and = cymbals. I was sooooooooo embarrassed, but one of the ladies from the front came back and said, "Thanks! I needed that!"     Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly, and Dewi Please visit Howling Acres at http://members.tripod.com/Brucon502/ and wander through the Mall Without Walls   --part1_fc.f81ddb5.29318dc7_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 11/23/01 10:16:13 PM Eastern Standard Time, david_n_carter@hotmail.com = writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">My teacher was in <BR>constant fear that someone would come in during the week and fiddle = with the <BR>organ, and leave the rhythm section turned on. She was very afraid = that she <BR>would end up playing the first hymn to a "Rhumba" or "Tango" beat. <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>I've actually had this happen. &nbsp;&nbsp;&nbsp;&nbsp;At Holy Faith = RC we had a Lowry Parade in the chapel. &nbsp;&nbsp;One morning I went in = to play for a funeral and there were about ten people already there. = &nbsp;I reached over and turned the machine on, only to discover that the = rhythm section has been left on. &nbsp;&nbsp;We were all greeted with = "boom-chikka-boom-chikka-boom" complete with blocks and cymbals. = &nbsp;&nbsp;I was sooooooooo embarrassed, but one of the ladies from the = front came back and said, "Thanks! &nbsp;I needed that!" <BR> <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR> &nbsp;&nbsp;&nbsp;&nbsp;Duncan, Miles, Molly, and Dewi <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;and wander through the Mall Without Walls</FONT></HTML>   --part1_fc.f81ddb5.29318dc7_boundary--  
(back) Subject: Re: Jardine information From: <Cremona502@cs.com> Date: Sat, 24 Nov 2001 18:57:53 EST     --part1_169.476e3e8.29318e01_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 11/23/01 10:35:00 PM Eastern Standard Time, mts@intergrafix.net writes:     > > The pipe work is of very nice make, quality > construction and nice sound on the voicing chest, > particularly the diapasons, doppelflute, clarabella, and > Salicionals. I have quite a few pictures, and can scan > some stuff in if anyone's interested. >   Wow! Definitely interested in pictures and a list of all you got. Where =   was the organ from? You lucky dawg!!! ;-)   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly, and Dewi Please visit Howling Acres at http://members.tripod.com/Brucon502/ and wander through the Mall Without Walls   --part1_169.476e3e8.29318e01_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 11/23/01 10:35:00 PM Eastern Standard Time, mts@intergrafix.net writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"> <BR> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The pipe work is of very nice make, = quality <BR>construction and nice sound on the voicing chest, <BR>particularly the diapasons, doppelflute, clarabella, and <BR>Salicionals. I have quite a few pictures, and can scan <BR>some stuff in if anyone's interested. <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>Wow! &nbsp;Definitely interested in pictures and a list of all you = got. &nbsp;&nbsp;Where was the organ from? &nbsp;&nbsp;You lucky dawg!!! = &nbsp;;-) <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR> &nbsp;&nbsp;&nbsp;&nbsp;Duncan, Miles, Molly, and Dewi <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;and wander through the Mall Without Walls</FONT></HTML>   --part1_169.476e3e8.29318e01_boundary--