PipeChat Digest #2387 - Tuesday, September 18, 2001 Re: PipeChat Digest #2378 - 09/16/01 by <Myosotis51@aol.com> RE: Reuchsel by "Storandt, Peter" <firstname.lastname@example.org> Felix Hell - The Love Feast We All Needed by "Malcolm Wechsler" <email@example.com> Re: An Apology by <ORGANUT@aol.com> Re: Reuchsel by "Randolph Runyon" <firstname.lastname@example.org> Re: AOL 6.0 problems by <ORGANUT@aol.com> Re: the worst in NYC by <Posthorn8@aol.com> Re: Death and Christianicity by <Posthorn8@aol.com> Re: AOL 6.0 problems by <RonSeverin@aol.com> Ruechsel by "William T. Van Pelt" <email@example.com> Theatre Organ CDs from Eddington, Harris, and Valiant by "William T. Van Pelt" <firstname.lastname@example.org> Re: AOL 6.0 problems by "Adrianne Schutt" <email@example.com> Re: AOL 6.0 problems by <RonSeverin@aol.com> on a wonderful note by "Jonathan B. Hall" <firstname.lastname@example.org> Re: AOL 6.0 problems by "Stanley Lowkis" <email@example.com> Re: 32 ft Resultants (correction) by "John L. Speller" <firstname.lastname@example.org> Re: AOL 6.0 problems by "Administrator" <email@example.com> Another Organ Crawl by "Judy A. Ollikkala" <firstname.lastname@example.org>
(back) Subject: Re: PipeChat Digest #2378 - 09/16/01 From: <Myosotis51@aol.com> Date: Tue, 18 Sep 2001 15:00:14 EDT --part1_71.12d6b47c.28d8f3be_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 9/17/01 4:34:33 PM Eastern Daylight Time, = DRAWKNOB@aol.com writes: > And don't forget that the USSR fought a bloody and costly war in = Afghanistan > and left years later with their tails between their legs only after > suffering major losses..... > There has never been a "successful" war in Afghanistan. The British = learned that in the 1800's at the Khyber Pass. --part1_71.12d6b47c.28d8f3be_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit <HTML><FONT FACE=3Darial,helvetica><FONT COLOR=3D"#000080" SIZE=3D3 = FAMILY=3D"SCRIPT" FACE=3D"Calligraph421 BT" LANG=3D"0">In a message dated = 9/17/01 4:34:33 PM Eastern Daylight Time, DRAWKNOB@aol.com writes: <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">And don't forget = that the USSR fought a bloody and costly war in Afghanistan and left years = later with their tails between their legs only after suffering major = losses..... <BR></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000080" SIZE=3D3 FAMILY=3D"SCRIPT" = FACE=3D"Calligraph421 BT" LANG=3D"0"> <BR>There has never been a "successful" war in Afghanistan. The = British learned that in the 1800's at the Khyber Pass.</FONT></HTML> --part1_71.12d6b47c.28d8f3be_boundary--
(back) Subject: RE: Reuchsel From: "Storandt, Peter" <email@example.com> Date: Tue, 18 Sep 2001 14:00:39 -0500 It's roy-shell. Peter -----Original Message----- From: TubaMagna@aol.com [mailto:TubaMagna@aol.com] Sent: Tuesday, September 18, 2001 1:55 PM To: firstname.lastname@example.org; email@example.com; PIPORG-L@listserv.albany.edu Subject: Re: Reuchsel Van: Is the composer's last name given the French pronunciation or the German one? One would hate to embarrass onesself at a cocktail party by making such = an error... Sebastian Seriously interested in NYC "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:firstname.lastname@example.org Administration: mailto:email@example.com Subscribe/Unsubscribe: mailto:firstname.lastname@example.org
(back) Subject: Felix Hell - The Love Feast We All Needed From: "Malcolm Wechsler" <email@example.com> Date: Tue, 18 Sep 2001 15:18:54 -0400 Felix Hell was ushered into his 17th year in the most wonderful possible way - in the church he has served for several years, in the (badly = bruised) city he has loved, surrounded by those whom he loves and by whom he is = loved (at least 60 of us, I am guessing), surrounded also by music made for him = by friends, and by him for his friends. Organ List members present were Doug Campbell, Paul Emmons, Sebastian Gluck, Lana Krakovskiy, Tony Marchesano, Dave McPeak, Scott Myers (who played in the concert) - and, of course, = Felix and Hans Hell. Please tell me if I missed anyone. As the hour of 7:00 approached, we were all handed candles, which we = lighted as we walked out onto Lexington Avenue. Once assembled, we took part in a brief service, a ritual that was being followed in many places at the same time. Part of our backdrop were the many cars and trucks coming down Lexington Avenue flying flags. Prayers were led by the church's Pastor. = Tom Schmidt, Cantor at St. Peter's began the songs, which included just about every patriotic song I know, and I think we all amazed ourselves by = knowing at least the first stanza of every one, in some cases, the second as well. We all sang as though our lives depended upon it, and in a very roundabout way, I suppose it is possible that they do. We were then invited to the dining room for a fine dinner, following which we moved into the church for music. I think it inappropriate to attempt to review the performances we heard, but there are a few comments I do feel will be of interest. First off, no two people used the instrument in the same way. It sounded totally different with each player. Chelsea Chen is a Juilliard student, I believe from California. She gave a brilliant, energized (and memorized) performance of the big D Major. I made a note = that the organ sounded really just right as she used it. Scott Myers, an = incoming Curtis student (with Felix), played (from memory) four of the Dupre Antiphons we all love. In "How fair and pleasant," Scott found wonderful sounds - a magical discovery of New York's own Cavaille-Coll! "So now as = we journey" is in the style of Bach, and the Sesquialtera provided the solo line. "My soul doth magnify the Lord" is my favorite of all these pieces, with its astonishing crunch harmonies. Chiff is not welcome here - in the lower registers, it almost sounded like an overstuffed Rossignol. I think the 2 against 3 rhythms suffered, needing the kind of broad relaxation difficult when the pipes are so articulate. "O Christ, forgive thy servants," I thought had some very minor cross rhythm troubles, but it was = a fine performance all the same. Choosing these pieces turned out to be a = bit of missionary work for Scott, in that quite a number of people said later that they did not know these works. Well done, Scott. Andreas Petersen = came all the way from Dusseldorf to help Felix celebrate his birthday, and brought with him not Bach and Reger, but Guilmant and Elgar. He also = brought with him rather an amazing musical construction, a huge poster sort of device on the music desk, designed to avoid page turns. I'd have got lost, but it worked well for him, although it looked a bit strange. On this = trip, he was also playing a concert (this past Sunday) at St. John's Lutheran Church in Allentown, PA, an organ that has everything (lucky Stephen Williams). The Klais here is small, and I think Andreas may have misjudged = a bit in guessing that the way to make it bigger is to add all the stops, = but really, and I think it takes a bit of time to work it out, less can be = more. Having said that, he played brilliantly, the Elgar perhaps a bit Germanically, and it was great to hear and meet him, and what a lovely gesture to come all that way. One other friend was to come from Germany, = but was unable to get into the country because of the airport closings. Peter Stoltzfus I have known for a hundred years, and he never fails to delight. He offered us three Gershwin Preludes for Piano, pointing out that he had programmed with a bit of whimsy in mind, and wondered if whimsy was what was called for in light of the horrors of this week, but then decided that the choice remained apt, in that Gershwin was the quintessential New York musician, which made his presence welcome. It was. The second, slow, and perhaps best known one, really worked most wonderfully as an organ piece. Someone with a very good set of ears said to me they were sure that Peter had inserted "Happy Birthday" into the third prelude. Peter? Had we heard the Rhapsody in Blue, I would have dissolved in a puddle! I am walking on eggs about what I want to say now, and hope I will not be misunderstood. When Felix settled into the great Passacaglia, it felt like the master had taken over, so comfortable was the music making that followed. A big explanation for this is, of course, the fact that this has been Felix's instrument for several years. [In fact, an official announcement was made at some point that the church is keeping Felix's = name on the bulletin as one of the musicians of the parish!] He should be the most sure and comfortable on that bench, and so he was. This was not one = of those Plenum-Throughout performances. Registrations were varied and interesting throughout, and the great moments, to big tops of the tension curves, were truly made significant. When I was at Oberlin, I heard the Passacaglia for the first time ever, on the Finney Chapel Organ, now gone, and it was a crushing (in the best sense) Road to Damascus sort of experience. I was in a trance for a long time, and all that came flooding back on this occasion, helped of course by the raw emotional nerves of us all. What better then than <O Mensch bewein,> with a lovely Cornet with Tremulant, and a singing and moving flexibility. Felix had something else planned as his last piece, but felt that the Mendelssohn Sixth Sonata with its <Vater unser> seemed right for the circumstances in which we find ourselves. This was wonderful playing throughout - Limpid where needed, exciting where needed, but all full of strength and dignity. Before he = began the Sonata, Felix asked very simply if we would maintain silence after the last movement, the beautiful Andante. We all gratefully sat quietly for a few moments until someone gently bid us to move out of the church for the cutting of the birthday cake. We sang and we ate again, and enjoyed one = last bit of the company of so many friends, realizing perhaps more than ever = how much we needed and appreciated one another. As for Felix, he spent the = night in New York, and then he and Hans took off for Connecticut to practice for = a very full and demanding recital on Sunday afternoon. Bon Smith, whom it = was great to catch up with, has already spoken of that, and from his remarks, you will know it was a great occasion. I want to add a few scribblings = about that rather amazing event. Having heard Felix quite a few times, you would think I would be "amazed-out," but in fact, I thought certain things at = this recital that hadn't struck me quite the same way before. Best to all, Malcolm Wechsler
(back) Subject: Re: An Apology From: <ORGANUT@aol.com> Date: Tue, 18 Sep 2001 15:59:05 EDT In a message dated 09/18/2001 11:05:11 AM Central Daylight Time, firstname.lastname@example.org writes: << Please accept my apologies..... Sincerely Wishing God's Blessings, Joshua F. Edwards >> A lot of us have been reacting to the emotion of the moment. Apology accepted, Joshua. Put it behind you and let's move on. PhiL L.
(back) Subject: Re: Reuchsel From: "Randolph Runyon" <email@example.com> Date: Tue, 18 Sep 2001 16:04:57 -0400 Sebastian, perhaps you meant this as a private message, as I cannot locate the message you are referring to, but as I am seriously interested in Reuchsel myself (and my day job is to be a French professor) I'll pipe in and say that I'm rather sure that it is pronounced as if it were French and not German. That is, the eu as the eu in the French word "feu", the ch har= d (not that this is inevitably the case in French, as it's not for example in "architecture", though it is in "arch=E9ologie"), and the accent on the secon= d (i.e., final) syllable. Reuchsel's ancestors came from Thuringia, but have lived in France since the early 19th century, so after nearly two centuries we ought, I think, to consider his name French. I had the honor of playing Reuchsel's "Douceur des champs de lavande fleurie" this past July at Saint-Sulpice with Daniel Roth singing along behind my right shoulder, and the chance to talk with him off and on for over a week (in the context of the French Organ Music Seminar) in which we talked some about Reuchsel--and he did not correct my pronunciation of the name. Randy Runyon Music Director Zion Lutheran Church Hamilton, Ohio firstname.lastname@example.org on 9/18/01 2:55 PM, TubaMagna@aol.com at TubaMagna@aol.com wrote: > Van: > Is the composer's last name given the French pronunciation or the German = one? > One would hate to embarrass onesself at a cocktail party by making such a= n > error... > Sebastian=20 > Seriously interested in NYC >=20 > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:email@example.com > Administration: mailto:firstname.lastname@example.org > Subscribe/Unsubscribe: mailto:email@example.com >=20
(back) Subject: Re: AOL 6.0 problems From: <ORGANUT@aol.com> Date: Tue, 18 Sep 2001 16:07:05 EDT In a message dated 09/18/2001 10:19:51 AM Central Daylight Time, firstname.lastname@example.org writes: << To the list, Anyone who believes that hype being broadcast on tv channels about = AOL being easy to operate has not been bumped thousands of times, had their computer screwed up by AOL and had the AOL techs say that its a glitch = that they are working on.I wound up with my password installed under the AOL icon. It's only a glitch said the AOL tech. Paul >> Paul, I have had the same problems with AOL. They had me believing that I was = the only person in the world having this problem. I am about ready to change providers. When I downloaded AOL 6.0 my computer had a nervous = breakdown!. Later, Phil L.
(back) Subject: Re: the worst in NYC From: <Posthorn8@aol.com> Date: Tue, 18 Sep 2001 16:16:59 EDT --part1_cd.c20ef07.28d905bb_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 9/17/01 9:16:26 PM Eastern Daylight Time, email@example.com writes: > Go back and study your Greek and Hebrew. And by the way, we're not in the = old Testament anymore. Tim --part1_cd.c20ef07.28d905bb_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 9/17/01 9:16:26 PM Eastern Daylight Time, firstname.lastname@example.org writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Afterall, isn't = that what Soddom and Gomorrah were destroyed for???</BLOCKQUOTE> <BR> <BR>Go back and study your Greek and Hebrew. And by the way, we're not in = the old Testament anymore. <BR>Tim</FONT></HTML> --part1_cd.c20ef07.28d905bb_boundary--
(back) Subject: Re: Death and Christianicity From: <Posthorn8@aol.com> Date: Tue, 18 Sep 2001 16:30:50 EDT --part1_c5.1673a741.28d908fa_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit AMEN.....(with tears running down my cheeks.) bin falwell and robertson should be there too....where the hell are they? Tim --part1_c5.1673a741.28d908fa_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>AMEN.....(with tears = running down my cheeks.) bin falwell and robertson should be there = too....where the hell are they? <BR>Tim</FONT></HTML> --part1_c5.1673a741.28d908fa_boundary--
(back) Subject: Re: AOL 6.0 problems From: <RonSeverin@aol.com> Date: Tue, 18 Sep 2001 16:51:19 EDT --part1_15b.132c022.28d90dc7_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit Paul and Phil: I just downloaded AOL 6.0 and had no trouble. I'm running Windows 98 first ed. I copied my old files instead of moving them as per the menu and everything worked perfect, and no mime or HTML on posts. When 6.0 first came out I had problems and went back to 5.0 for eight or nine months. When it loaded this time all of the patch files came with it. I did download the AOL unofficial Mail files Ad suggested, but up til now I haven't had to make any adjustments. What has happened with your downLoad? How is it acting strangely? Ron Severin --part1_15b.132c022.28d90dc7_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>Paul and Phil: <BR> <BR>I just downloaded AOL 6.0 and had no trouble. I'm running Windows 98 <BR>first ed. I copied my old files instead of moving them as per the menu <BR>and everything worked perfect, and no mime or HTML on posts. When <BR>6.0 first came out I had problems and went back to 5.0 for eight or = nine <BR>months. When it loaded this time all of the patch files came with it. <BR> <BR>I did download the AOL unofficial Mail files Ad suggested, but up til = now <BR>I haven't had to make any adjustments. <BR> <BR>What has happened with your downLoad? How is it acting strangely? <BR> <BR>Ron Severin</FONT></HTML> --part1_15b.132c022.28d90dc7_boundary--
(back) Subject: Ruechsel From: "William T. Van Pelt" <email@example.com> Date: Tue, 18 Sep 2001 16:51:59 -0400 Sebastian Gluck wrote: "Is the composer's last name given the French pronunciation or the German one? One would hate to embarrass onesself at= a cocktail party by making such an error... I can't resist observing that serious cocktailers are more likely interes= ted in the gin! But, I can report that Simon Nieminski states in his excelle= nt notes that the Reuchsels migrated from Thuringia to Vesoul in the early 1= 9th century and settling in Lyon in 1824. Eug=E8ne's great-grandfather was organist of the Chartreux in Lyon, grandfather was the organist at St-Bonaventure in Lyon, and father was organist of St-Denis du St-Sacrement in Paris (is this the same as what w= e know as plain 'ole "St-Denis, home of "first" symphonic C-C?). Since Eug=E8ne was born in 1900, it seems that his family must have been thoroughly steeped in French culture (or were they "infused?"-- I guess a= ny culinary verb will do since they were in Lyon!). And, the family may not have been too popular during some of this period if they dwealt upon thei= r Germanic heritage. Thus, I think I'd go with the French-style pronunciati= on at a cocktail party, perhaps as my conversants fall into comas as I pursu= e a lengthy monologue on the topic! Cheers, Bill
(back) Subject: Theatre Organ CDs from Eddington, Harris, and Valiant From: "William T. Van Pelt" <firstname.lastname@example.org> Date: Tue, 18 Sep 2001 17:45:38 -0400 After my earlier postings about new CDs, stock of two more fine new = theatre organ CDs arrived at OHS and are now on the opening page at http://www.ohscatalog.org One is Jelani Eddington's and David Harris' collaboration in arrangements for 3-19 Wurlitzer and 6'10" Steinway grand piano (Model B), well recorded in the intimate acoustics of a Wichita residence. Very enjoyable, both the popular tunes and the transcription of Louis Moreau Gottschalk's Grand Tarantelle for Piano and Orchestra. Another, on the same Wurlitzer, introduces 19-year-old organist Brett Valiant playing mostly lyrical arrangements of great popular tunes. Bill
(back) Subject: Re: AOL 6.0 problems From: "Adrianne Schutt" <email@example.com> Date: Tue, 18 Sep 2001 19:32:31 -0400 At 10:23 AM 18/09/2001 -0400, Malcolm wrote: >Wow! How on earth did you manage to find that? Through a Hammond, actually. :) For years I've been looking after Hamtech (the Hammond list), which is stabled over on the servers at LSoft (the gang who make Listserv(tm) software). They have a mailing list = for their list admins where we share our subscriber/email/network/etc problems in hopes of helping each other out. AOL has got to be one of the largest pains in the posterior we = get to deal with, for more reasons than I want to even think about. The URL I = posted last night was rooted out by one of the other Listserv admins when 6.0 came out and made plain text "officially impossible". By the way, Ron...I'm sure you believe you're posting plain text, = but you're not. This header field is from my post last night, showing the = correct settings for "plain text": Content-Type: text/plain; charset=3D"us-ascii"; format=3Dflowed Here's the same field from your post saying you're not using HTML. This indicates you are indeed using a form of HTML: Content-Type: multipart/alternative; boundary=3D"part1_15b.132c022.28d90dc7_boundary" If that's not enough, here's the source code of your email. Each = tag should be enclosed in a set of pointy <> brackets, but I've replaced the opening < brackets with > brackets so that the HTML tags will remain visible and not be processed into formatting: >x-html> >HTML>>FONT FACE=3Darial,helvetica>>FONT SIZE=3D2>Paul and Phil: >BR> >BR>I just downloaded AOL 6.0 and had no trouble. I'm running Windows 98 >BR>first ed. I copied my old files instead of moving them as per the = menu >BR>and everything worked perfect, and no mime or HTML on posts. When >BR>6.0 first came out I had problems and went back to 5.0 for eight or = nine >BR>months. When it loaded this time all of the patch files came with it. >BR> >BR>I did download the AOL unofficial Mail files Ad suggested, but up til = now >BR>I haven't had to make any adjustments. >BR> >BR>What has happened with your downLoad? How is it acting strangely? >BR> >BR>Ron Severin>/FONT>>/HTML> >/x-html> My suggested solution to the problem: have a tech reformat your drive, start from scratch with a real ISP and email application, and don't = look back. You'll thank yourself, and so will the people you communicate = with. Have fun! Ad ;->
(back) Subject: Re: AOL 6.0 problems From: <RonSeverin@aol.com> Date: Tue, 18 Sep 2001 20:13:44 EDT Hi Ad: My mail looks fine from here, is it still filled with junk when you receive it? Ron
(back) Subject: on a wonderful note From: "Jonathan B. Hall" <firstname.lastname@example.org> Date: Tue, 18 Sep 2001 20:32:31 -0400 I take the liberty of relaying a press release I received as Newsletter Editor of the New York City Chapter of the AGO. I think this is the *very best* that could possibly have been said at this time. Let's hold our heads high and remember our dignity. We have an important role to play. And bravo to the AGO! --jbh FOR IMMEDIATE RELEASE September 14, 2001 Contact: F. Anthony Thurman, (212) 870-2310 AMERICA'S ORGANISTS AND CHOIR DIRECTORS COMFORT THOSE WHO MOURN IN OUR NATION'S CHURCHES AND SYNAGOGUES NEW YORK CITY The healing sound of the pipe organ will surround = worshipers nationwide as the members of the AMERICAN GUILD OF ORGANISTS (AGO) go to work this weekend. Attendance at churches and synagogues is expected to be unusually high in the aftermath of the unprecedented and horrific attack = on America, and the reassuring power of music will be there to comfort all those who mourn. Organists and choir directors of all ages, races, faiths, and creeds will be ministering through music as they do every weekend, leading hymns of faith and anthems of assurance. The thoughts and prayers of the American Guild of Organists, through its National Headquarters in New York City and 341 local chapters, go out to all of those who suffer from the recent acts of terrorism. The National Chaplain of the AGO, the Rev. Dr. Victoria Sirota, has called upon AGO members to "put on the "armor of light" in this fight of evil against good," so that through our work "God's holy and loving embrace may be felt in this broken world." She continues, "You are important caretakers of the spiritual life of our religious institutions."
(back) Subject: Re: AOL 6.0 problems From: "Stanley Lowkis" <email@example.com> Date: Tue, 18 Sep 2001 20:31:46 -0400 RonSeverin@aol.com wrote: > > Hi Ad: > > My mail looks fine from here, is it still filled with junk when you > receive it? I use Netscape and also have a 'guest' AOL account. The garbage produced the AOL browser is amazing. I've done test emails from Netscape to AOL and these things end up looking = like Ransom notes. AOL is a very well promoted, inferior product. I'm holding onto my version of Netscape as long as it works. Stan (Who just bought another $157.31's worth of CDs at OHS - thanks Bill!)
(back) Subject: Re: 32 ft Resultants (correction) From: "John L. Speller" <firstname.lastname@example.org> Date: Tue, 18 Sep 2001 20:01:45 -0500 You probably would get a certain amount of generic rumble (some of this might even be at lower than 32' pitch) from a resultant, but it would probably not be at any particular pitch related to the harmonic series. Studying the wave form with a VDU would give you some idea what was being produced, but one would not normally expect it to produce anything at 32'. John. "Ross Wards" <TheShieling@xtra.co.nz> wrote: If it was only a trick of my ears, then the building wouldn't > have shook the way it used to, especially from about EEEE down. It was a > stunning sound, far more effective than the present pathetic weak 32ft > Bourdon - which, incidentally, was made by a large-scale Open Wood 16ft > being stoppered and cut-up slightly
(back) Subject: Re: AOL 6.0 problems From: "Administrator" <email@example.com> Date: Tue, 18 Sep 2001 20:04:50 -0500 At 8:13 PM -0400 9/18/01, RonSeverin@aol.com wrote: >Hi Ad: > >My mail looks fine from here, is it still filled with junk when you >receive it? Ron This post was in Plain Text whereas your previous post was in a form of HTML. Please keep these settings! To the rest of you that use AOL 6.0, PLEASE, PLEASE, PLEASE do download the files from the link that Ad posted. Your postings may show up fine on your own machine but they don't always on other people's machines due to the various email programs that are in use. The biggest problem with the HTML postings are in the Digest that about one-third of the members of this list get. The list server software takes those postings formatted in HTML and first put them in the Digest in Plain Text BUT then it also takes all the HTML coding, such as Ad showed in her note, and add that to the digest. Your Fellow list Members on the digest have to wade through all of this golbly-gook as part of their daily reading of the list. Please, for their sake, make sure that your email program is sending in PLAIN TEXT ONLY. Thanks David -- **************************************** David Scribner Owner / Co-Administrator PipeChat http://www.pipechat.org mailto:firstname.lastname@example.org
(back) Subject: Another Organ Crawl From: "Judy A. Ollikkala" <email@example.com> Date: Tue, 18 Sep 2001 21:23:43 -0400 The Worcester Massachusetts AGO Chapter will sponsor their 23rd Annual Organ Crawl on Monday October 8 (Columbus Day Holiday), with an 8am departure in Worcester and returning to Worcester by 7pm, and also = visiting Providence & Central Falls, Rhode Island. Chairperson is myself, Judy Ollikkala. The day's tour is via deluxe coach bus and includes an "all-you-can-eat" lunch, catered morning & afternoon refreshments, and brochure with bios. of demonstrators, organ stoplists, church histories, schedule etc. Registration deadline is Tuesday, October 2 and the cost is $47.50 per person, or $20. if driving yourself. Confirmation will be made with directions. Six large pipe organs will be seen and heard in large acoustic spaces. A hymn will be sung at each location. Organs include: M. P. Moller 1917 Opus 2157 3M. reconstructed and rededicated 2001 by Timothy Edward Smith of Nobscot Organ Company who will demonstrate it. Holtkamp Organ Company 3M. dedicated April 2001, featured on the cover of the September TAO. Demo. by Debra LeBrun, Sub-Dean of Worcester Chapter AGO. Hutchings-Votey 1902 Opus 1480, 3M. 55 R., 60 stops, the largest remaining Hutchings concert hall organ in the world. Demo. by Mark Steinbach. Hutchings-Votey 1907 Opus 1637 3M. 39 R., restored by Thompson-Allen. Demo. by Peter Krasinski. Aeolian-Skinner 1968 installed 1970, Opus 1507, 3M. 34R. contains 1903 Austin pipework, in a church designed, built, and decorated by the LaFarge family. Demo. by Pierre Masse Casavant-Freres 1925 Opus 1106 former residence organ, now with Aeolian-Skinner 4 M. console in large elegant church. Demo. by Peter LaMoria & Michael Yang. For further info. or registration, call Judy Ollikkala at 508-754-7885 E-mail: firstname.lastname@example.org Checks to "Worcester Chapter AGO" c/o Judy Ollikkala, 71 Deerfield St. Worcester MA 01602