PipeChat Digest #2822 - Friday, April 26, 2002
 
RE: Two Choirs Join Forces in Concert
  by "Glenda" <gksjd85@access.aic-fl.com>
Hymns ;]
  by "Rev. Ed" <edwardorgan@hotmail.com>
SOMEWHAT OFF-TOPIC: Rudiments of Music for adult beginners (X-posted)
  by <quilisma@socal.rr.com>
Re: Hymns ;]
  by "Dennis" <hcbaroque@yahoo.com>
A new organ
  by <Posthorn8@aol.com>
Aaron David Miller at Garden City Cathedral 4/14
  by "Malcolm Wechsler" <manderusa@earthlink.net>
Re: Hymns ;]
  by "Karl Moyer" <kmoyer@marauder.millersville.edu>
Re: Help!
  by "WDBabcock" <WDBabcock@msn.com>
Re: Two Choirs Join Forces in Concert
  by "WDBabcock" <WDBabcock@msn.com>
 

(back) Subject: RE: Two Choirs Join Forces in Concert From: "Glenda" <gksjd85@access.aic-fl.com> Date: Fri, 26 Apr 2002 06:54:26 -0500     What an extremely exciting program - how I for one would love to be there!   Glenda Sutton        
(back) Subject: Hymns ;] From: "Rev. Ed" <edwardorgan@hotmail.com> Date: Fri, 26 Apr 2002 15:23:58 +0000     Subject: Hymns     > > One Sunday a pastor asked his congregation to consider giving a little = >extra in the offering plate. He said that whoever gave the most would be >able to pick out three hymns. After the offering plates were passed, the =   >pastor glanced down and noticed that someone had contributed a $1,000 >bill. He was so excited that he immediately shared his joy with his >congregation, and said he'd like to personally thank the person who had >placed the money in the plate. > A very quiet, elderly, saintly widow shyly raised her hand. The = pastor asked her to come to the front. Slowly she made her way to the pastor. = He told her how wonderful it was that she gave so much and asked her to pick out three hymns. Her eyes brightened as she looked over the congregation, pointed to the three handsomest men in the building and said, "I'll take = him and him and him!"       _________________________________________________________________ Send and receive Hotmail on your mobile device: http://mobile.msn.com    
(back) Subject: SOMEWHAT OFF-TOPIC: Rudiments of Music for adult beginners (X-posted) From: <quilisma@socal.rr.com> Date: Fri, 26 Apr 2002 08:35:13 -0700   Does anyone know of a good Rudiments of Music course or book that ISN'T keyboard-oriented? I have to teach my seminarians enough so they can sight-sing melodies from the Hymnal for their final exams.   Yes, believe it or not, there IS a music course that's required for ordination in the ACC (chuckle). They have to be able to sing the Collects, Prophecies, Epistles and Gospels from just the diacritical marks; they have to be able to sight-sing a portion of a Preface and the Exsultet (!) from square notes; and they have to at least be able to sight-sing melodies from the Hymnal in modern notation.   I've taught them solfege for the chant, and they do pretty well with that; I'm about to start on modern notation, but we only meet for two hours a week, and I don't have time to give them a full conservatory sight-singing course.   HELP!   Cheers,   Bud    
(back) Subject: Re: Hymns ;] From: "Dennis" <hcbaroque@yahoo.com> Date: Fri, 26 Apr 2002 09:16:46 -0700 (PDT)   > Her eyes brightened as she looked over the congregation, pointed to the three handsomest men in the building and said, "I'll take > him > and him > and him!"   Never saw that coming. Quite funny, I must say.   Dennis     __________________________________________________ Do You Yahoo!? Yahoo! Games - play chess, backgammon, pool and more http://games.yahoo.com/  
(back) Subject: A new organ From: <Posthorn8@aol.com> Date: Fri, 26 Apr 2002 13:56:52 EDT     --part1_fb.25516f9c.29faeee4_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Sent to me by a friend....very funny   Dear List   We are excited to announce the signing of a contract for a new pipe organ to be located in the HBSC Arena in uptown Buffalo. The arena has become a Mecca for many cultural events. The organ will be known as the John Sire Holms organ in memory of that famed organist, and will be hung from the rafters in recognition of the loss of that great man, who was also hung. He was renouned for his efforts in the rebuilding of Buffalo after the great fire, and singularly repopulating much of the city. Holmst died at the hands of the hangman. It was a serious mistake, but that is another story. .. The organ will comprise some 119 ranks of pipe work including 8 ranks of (real) 32' pedal stops. The instrument will have the new swinging chests as designed by Henri Foucault. These chests are to operated via infrared controls. This will allow the main 5 manual console for concerts as well as the portable keyboard to be utilized for hockey games. A smaller\ secondary console will be placed in a private booth owned by Dr. Nodro Nemo, inventor of the surgical Nemonoxilator. Mr. Nemo is providing all the funds for the construction and installation of the instrument.   Wind pressures for this instrument will be at 15-15/16, 27-1/2, and 150-3/8". The console will be on a platform that is lifted by air so it can be brought out onto the ice, or the overlay floor. Because of strict city ordinances in public buildings, the winding will be made of cast iron.   There will be no swell chambers as such, but rather there will be chambers with overhead doors that open prior to playing. The elevated position of the pipe work will help protect the pipes from damage due to errant hockey pucks, basket balls, and horseshoes. The only question we have not fully addressed are the flock of birds that inhabit the rafters of the building. We thought we would need to enclose everything in chicken wire but the good doctor came to the rescue with a Nemolaserviscerator which he feels will cure the bird problem permenantly. It has been tried and does rid the rafters of the birds, but it has also burned holes in the roof and one employee working in the rafters did loose a finger when the machine was turned on and was inadvertantly aimed at him..   In addition to the pipe work there will be a large array of percussive sounds. This includes those commonly found on Theatre Organs in addition to many special sounds that are particular to the Buffalo, Western New York vernacular and one more commonly associated with the Bronx. Also there will be a full floating Theramin division which includes a Theramin Celeste.   GREAT 32 Normandy 16 Vilaphone 8 Pretensia 8 Obnoxia (Sw) 8 Clirasella 8 Tackycardia 8 Amas 8 Twiddle-dd 8 Twiddledum Celeste 4 Caterwaller 4 Muelhaw 2 Concretum 2 Tiskunuto Mixture I Mixup III Imperium VII Gadsatnasty X 32 Trumpetfromhell 16 Obonoxinator 8 CisternNatorium 8 Clandestiney     SWELL 32 Overipum 16 Platzingotz 8 Mistcarriage 8 Plagerisuma 8 Hockienacht 8 Amrfstatic 8 Uglyglatisma 8 Monsterium II 5-1/8 Preternatural 4 Felinenondomesticus celeste 2-3/4 Onno 2 stopdat 1 snot Hereitnot IX 16 Trompetulous 8 Shofarshogood 8 Hautgirl 8 SweetCharlotte 4 Shutitoff   CHOIR 32 QE-II 32 QE-II (Celeste) 16 Inabsentia 8 Ubermench 8 Cascadia 8 Pliznomo 8 Flauto Pontificus 8 Flauto Pontificus Celeste 8 Oldsmobsnob 4 Voce Klaxon 4 Petifeelia 2 Cogitoergosum Drybearing IV 16 Contrafog 8 Opelessa 8 Freudianslip 4 Matreinlaw   SOLO 16 Religiosoos 16 Flatulosa (pedal) 8 Lucyamo 8 Fantasmagoria 8 Prognosticator 4 Pusstilenza 2 Snippit. 8 Inches 8 Tooter horn     ECHO 8 Fistula imposa 8 Pimpleassa 8 Trichtertreat 4 Hoover 4 Bassillus - Prepared for 2 Klaxon 8 Scapegoat 4 Banger 2 Much   PEDAL 32 Flatulosa 32 Contra Gibberish 32 Harmonica 16 Gardenhosa 16 Snubb basse 16 Fife 8 Octavia 8 Float 4 Strawberry Float BananaSplit II 32 Oh Mary Don't Ask 16 Possum 16 Pulldeplug 8 Trident 4 Shalyou   The contract has been let to Diaperash & Talcum Inc., a local firm that has a legacy of pampering our local organ community for generations.   Specification comments are welcome as still have another $6,000,000.cn to spend on this project.   Happy first of April.   Brian     --part1_fb.25516f9c.29faeee4_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>Sent to me by a = friend....very funny<BR> <BR> Dear List <BR> <BR> We are excited to announce the signing of a contract for a <BR> new pipe organ to be located in the HBSC Arena in <BR> uptown Buffalo.&nbsp; The arena has become a Mecca for <BR> many cultural events.&nbsp; The organ will be known as the John Sire <BR> Holms organ in memory of that famed organist, and <BR> will be hung from the rafters in recognition of the loss <BR> of that great man, who was also hung.&nbsp; He was renouned for <BR> his efforts in the rebuilding of Buffalo after the great fire, and <BR> singularly repopulating much of the city.&nbsp; Holmst died at the hands = of <BR> the hangman.&nbsp; It was a serious mistake, but that is another story. = <BR> .. <BR> The organ will comprise some 119 ranks of pipe work <BR> including 8 ranks of (real) 32' pedal stops.&nbsp; The instrument will = <BR> have the new swinging chests as designed by Henri Foucault.&nbsp;&nbsp; = <BR> These chests are to operated via infrared controls.&nbsp; This will <BR> allow the main 5 manual console for concerts as well as the <BR> portable keyboard to be utilized for hockey games.&nbsp; A smaller\ <BR> secondary console will be placed in a private booth <BR> owned by Dr. Nodro Nemo, inventor of the surgical Nemonoxilator. <BR> Mr. Nemo is providing all the funds for the construction <BR> and installation of the instrument.&nbsp;&nbsp; <BR> <BR> Wind pressures for this instrument will be at 15-15/16, 27-1/2, <BR> and 150-3/8".&nbsp; The console will be on a platform that is lifted <BR> by air so it can be brought out onto the ice, or the overlay = floor.&nbsp;&nbsp; <BR> Because of strict city ordinances in public buildings, the winding <BR> will be made of cast iron. <BR> <BR> There will be no swell chambers as such, but rather there will <BR> be chambers with overhead doors that open prior to playing. <BR> The elevated position of the pipe work will help protect <BR> the pipes from damage due to errant hockey pucks, basket <BR> balls, and horseshoes. The only question we have not fully addressed <BR> are the flock of birds that inhabit the rafters of the = building.&nbsp;&nbsp; <BR> We thought we would need to enclose everything in chicken wire <BR> but the good doctor came to the rescue with a Nemolaserviscerator <BR> which he feels will cure the bird problem permenantly. It has been <BR> tried and does rid the rafters of the birds, but it has also burned <BR> holes in the roof and one employee working in the rafters did <BR> loose a finger when the machine was turned on and was inadvertantly <BR> aimed at him.. <BR> <BR> In addition to the pipe work there will be a large array of <BR> percussive sounds.&nbsp; This includes those commonly found <BR> on Theatre Organs in addition to many special sounds <BR> that are particular to the Buffalo, Western New York <BR> vernacular and one more commonly associated with the <BR> Bronx. Also there will be a full floating Theramin <BR> division which includes a Theramin Celeste. <BR> <BR> GREAT <BR> 32 Normandy <BR> 16 Vilaphone <BR> 8 Pretensia <BR> 8 Obnoxia (Sw) <BR> 8 Clirasella <BR> 8 Tackycardia <BR> 8 Amas <BR> 8 Twiddle-dd <BR> 8 Twiddledum Celeste <BR> 4 Caterwaller <BR> 4 Muelhaw <BR> 2 Concretum <BR> 2 Tiskunuto <BR> Mixture I <BR> Mixup III <BR> Imperium VII <BR> Gadsatnasty X <BR> 32 Trumpetfromhell <BR> 16 Obonoxinator <BR> 8 CisternNatorium <BR> 8 Clandestiney <BR> <BR> <BR> SWELL <BR> 32 Overipum <BR> 16 Platzingotz <BR> 8 Mistcarriage <BR> 8 Plagerisuma <BR> 8 Hockienacht <BR> 8 Amrfstatic <BR> 8 Uglyglatisma <BR> 8 Monsterium II <BR> 5-1/8 Preternatural <BR> 4 Felinenondomesticus celeste <BR> 2-3/4 Onno <BR> 2 stopdat <BR> 1 snot <BR> Hereitnot IX <BR> 16 Trompetulous <BR> 8 Shofarshogood <BR> 8 Hautgirl <BR> 8 SweetCharlotte <BR> 4 Shutitoff <BR> <BR> CHOIR <BR> 32 QE-II <BR> 32 QE-II (Celeste) <BR> 16 Inabsentia <BR> 8 Ubermench <BR> 8 Cascadia <BR> 8 Pliznomo <BR> 8 Flauto Pontificus <BR> 8 Flauto Pontificus Celeste <BR> 8 Oldsmobsnob <BR> 4 Voce Klaxon <BR> 4 Petifeelia <BR> 2 Cogitoergosum <BR> Drybearing IV <BR> 16 Contrafog <BR> 8 Opelessa <BR> 8 Freudianslip <BR> 4 Matreinlaw <BR> <BR> SOLO <BR> 16 Religiosoos <BR> 16 Flatulosa (pedal) <BR> 8 Lucyamo <BR> 8 Fantasmagoria <BR> 8 Prognosticator <BR> 4 Pusstilenza <BR> 2 Snippit. <BR> 8 Inches <BR> 8 Tooter horn <BR> <BR> <BR> ECHO <BR> 8 Fistula imposa <BR> 8 Pimpleassa <BR> 8 Trichtertreat <BR> 4 Hoover <BR> 4 Bassillus - Prepared for <BR> 2 Klaxon <BR> 8 Scapegoat <BR> 4 Banger <BR> 2 Much <BR> <BR> PEDAL <BR> 32 Flatulosa <BR> 32 Contra Gibberish <BR> 32 Harmonica <BR> 16 Gardenhosa <BR> 16 Snubb basse <BR> 16 Fife <BR> 8 Octavia <BR> 8 Float <BR> 4 Strawberry Float <BR> BananaSplit II <BR> 32 Oh Mary Don't Ask <BR> 16 Possum <BR> 16 Pulldeplug <BR> 8 Trident <BR> 4 Shalyou <BR> <BR> The contract has been let to Diaperash &amp; Talcum Inc., <BR> a local firm that has a legacy of pampering our local <BR> organ community for generations. <BR> <BR> Specification comments are welcome as still have <BR> another $6,000,000.cn&nbsp; to spend on this project. <BR> <BR> Happy first of April. <BR> <BR> Brian <BR> </FONT><FONT COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" = SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"arial" LANG=3D"0"><BR> </FONT></HTML> --part1_fb.25516f9c.29faeee4_boundary--  
(back) Subject: Aaron David Miller at Garden City Cathedral 4/14 From: "Malcolm Wechsler" <manderusa@earthlink.net> Date: Fri, 26 Apr 2002 14:47:08 -0400   Dear Lists and Friends,   On Sunday, April 14th, having not been there for many years, I betook myself to The Cathedral of the Incarnation in Garden City, Long Island, a lovely, brooding sort of Victorian pile with a large Casavant instrument of fairly recent vintage. I know very little of the history of this place, other than that it has a very interesting one - history, that is. I know that Horatio Parker taught for a time at the Cathedral School, and left us a hymn tune called Garden City in honor of that, one that seems not to have made it into the 1982 Hymnal, but was in the 1940. I know also that this place was the site of what I have been told was the largest instrument ever built by Hilborne Roosevelt, having something like eight divisions, one of which spoke to the outdoors through special Swell shutters, for use at outdoor services. I have attended a number of recitals there, but it has been a while and I have missed it. Having heard Marvin Mills play some really lovely music by Aaron David Miller in a recital at St. Agnes Church in Manhattan some time ago, and having had cyber-correspondence with Aaron's manager, Penny Lorenz, in recent years, I thought it was time to try to hear him, and this was my chance, at a manageable distance. Good move, good program, good organ, and a fine player. I was glad I came.   What an opening salvo! The Dupre B Major Prelude and Fugue! Aaron plays from memory. There was no music in sight the whole time. He took right off chasing the B Major around the room, and he won hands down. This is one of those great test pieces written to find any signs of weakness in students at the Paris Conservatoire. He deserves the Premiere Prix! It was fabulous. I was sitting a bit close to the Chancel Organ, having opted to pay an extra $5 to be in "preferred seating." This front organ is not shy at all, and with the Mixtures in full play, gets pretty sharp. It really ceased to bother me in this powerful display of virtuosity. Aaron looks a bit muscle bound in how he carries himself at the console, seeming a bit stiff, like me trying to wear last year's suit (or last week's). Well, never mind. Forget I said that. The playing was totally unfettered, exciting all the way.   Before hearing the Bach/Vivaldi A Minor Concerto, Aaron made a concise and informative little speech (in what sounds like a rich tenor voice) about Bach's interest in all sorts of music by all sorts of composers from various eras. As part of his assimilation of this music, he sometimes transcribed pieces for organ. Having said that, he proceeded to play the first movement clearly and gently on the sweet-sounding back organ, with really very neat ornamentation, which I came to realize is one of the lovely features of his playing. The Adagio came back up front for some nice small combinations. The Final Allegro stayed up front, where the clarity & proximity added to the pleasure. This was done with great vitality, and again excellent and refreshing ornamentation.   Two new pieces for me today, in a manner of speaking! One followed now, the excellent Triptych of Fugues, by Gerald Near (1968). The other, Aaron's rich and full improvisation, a work that no one else in the whole world will ever hear! Anyway, the Triptych was written in honor of three new windows in the Presbyterian Church in Ann Arbor, the much loved Tiffany windows having been lost in a disastrous fire. Near fulfilled his commission in spades. Part One, huge, exciting, toccata like. Part Two, sweetly fugal. Part Three began with a quite full registration, again, a pleasantly dissonant contrapuntal exercise, morphing into a big Toccata. Wonderful music.   Mulet <Tu Es Petra> I simply wrote WOW! in my program. This was a frenetic and exciting end to the first half of the concert.   Energized by Aaron's playing as we were, I do believe everyone was quite ready and anxious to hear him improvise. He arrived back at the console with a Hymnal 1982, opened it and put it up on the rack, and remarkably, even though at the distance I could only see a blur, I knew what the tune was. It was not telepathy; just sheer Holmsian intelligence. On the left page, I could see the music of one hymn. On the other side was only text. I think there may only be one hymn like that in the book, and that is "By all your saints still striving. . . " to the stupendous tune, Kings Lynn, which, like many such English tunes, was adapted and harmonized by Vaughan Williams. It is the kind of tune that, were you handed a melody on which to improvise, you would want it be a tune just like this one. Aaron began ablaze with enchamades at full tilt. From then on, the tune was suggested and teased in various interesting ways. After a long frenetic section, we settled down to a gentle and celestial section with a Clarinet/Cromorne in back, accompaniment in the front, and later other solo sounds and combinations. Then a rapid fugal section building and building to a huge toccata. Then a highly ornamented chorale-prelude like section, reminiscent of the great chorale prelude toward the end of Sei gegruesset. Then rapid repeated notes again building into a magnificent toccata at various levels of sound, always with the theme lurking around somewhere. It all ended with a big, broad, full statement of the hymn tune somewhat alla Tertius Noble, but with Aaron's own very fresh harmonic language. This was a major work, a very full second half to the concert, and I think I was not alone in regretting that it had to end. Bravo!   Please don't miss an opportunity to hear this man. I am sure Penny Lorenz will be alerting us to upcoming concerts. Thanks to The Cathedral of the Incarnation, and Larry Tremsky, Organist and Choirmaster, for making this great concert possible.   Malcolm Wechsler www.mander-organs.com            
(back) Subject: Re: Hymns ;] From: "Karl Moyer" <kmoyer@marauder.millersville.edu> Date: Fri, 26 Apr 2002 14:34:59 -0400   This is like the topic-oriented preacher who announced that he was going = to preach about a Christian understanding of sex but needed a hymn to go with his sermon, and did anyone have any suggestions. A little old man, well into his 70's, in the back pew suggested quietly, "Yeah, we could sing 'Blessed Memories.'"   > From: "Rev. Ed" <edwardorgan@hotmail.com> > Reply-To: "PipeChat" <pipechat@pipechat.org> > Date: Fri, 26 Apr 2002 15:23:58 +0000 > To: organchat@yahoogroups.com > Cc: pipechat@pipechat.org > Subject: Hymns ;] > > > Subject: Hymns > > >>> One Sunday a pastor asked his congregation to consider giving a little >> extra in the offering plate. He said that whoever gave the most would = be >> able to pick out three hymns. After the offering plates were passed, = the >> pastor glanced down and noticed that someone had contributed a $1,000 >> bill. He was so excited that he immediately shared his joy with his >> congregation, and said he'd like to personally thank the person who had >> placed the money in the plate. > > A very quiet, elderly, saintly widow shyly raised her hand. The pastor > asked her to come to the front. Slowly she made her way to the pastor. = He > told her how wonderful it was that she gave so much and asked her to = pick > out three hymns. Her eyes brightened as she looked over the = congregation, > pointed to the three handsomest men in the building and said, "I'll take = him > and him > and him!" > > > > _________________________________________________________________ > Send and receive Hotmail on your mobile device: http://mobile.msn.com > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: Re: Help! From: "WDBabcock" <WDBabcock@msn.com> Date: Fri, 26 Apr 2002 15:35:57 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_00BA_01C1ED38.0F6C6CC0 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   I had a similar problem. I believe the solution is to use the layers =3D features. I upgraded almost immediately so I am not sure if the layers = =3D are in Note Pad or in the upgrade.   It is a neat program. Bill ----- Original Message -----=3D20 From: Paul Austin=3D20 To: PipeChat=3D20 Sent: Tuesday, April 23, 2002 11:43 AM Subject: Help!     Hi folks,   Yesterday I downloaded the free 'Finale Note Pad 2002' as recently =3D discussed on the list. Great fun! The only problem that I am =3D experiencing is that when I place (for example) a crotchet on the stave, = =3D and then attempt to place a note of a different value above or beneath =3D it, it changes the original note to that value. Can anyone tell me how = =3D to go about rectifying this problem? =3D20   Apart from that slight set back, its great, and thanks to whoever =3D mentioned it.   Paul.   peri@ntlworld.com     ------=3D_NextPart_000_00BA_01C1ED38.0F6C6CC0 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 6.00.2600.0" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT size=3D3D2>I had a similar problem.&nbsp; I believe the =3D solution is to=3D20 use the layers features.&nbsp; I upgraded almost immediately so I am not = =3D sure if=3D20 the layers are in Note Pad or in the upgrade.</FONT></DIV> <DIV><FONT size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT size=3D3D2>It is a neat program.</FONT></DIV> <DIV><FONT size=3D3D2>Bill</FONT></DIV> <BLOCKQUOTE dir=3D3Dltr=3D20 style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =3D BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> <DIV style=3D3D"FONT: 10pt arial">----- Original Message ----- </DIV> <DIV=3D20 style=3D3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =3D black"><B>From:</B>=3D20 <A title=3D3Dperi@ntlworld.com href=3D3D"mailto:peri@ntlworld.com">Paul = =3D Austin</A>=3D20 </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>To:</B> <A =3D title=3D3Dpipechat@pipechat.org=3D20 href=3D3D"mailto:pipechat@pipechat.org">PipeChat</A> </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, April 23, 2002 = =3D 11:43=3D20 AM</DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Subject:</B> Help!</DIV> <DIV><BR></DIV> <DIV><FONT face=3D3DArial size=3D3D2>Hi folks,</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Yesterday I = downloaded&nbsp;&nbsp;the =3D   free&nbsp;'Finale Note Pad 2002' as&nbsp;recently discussed on the =3D list.&nbsp;=3D20 Great fun!&nbsp; The only problem that I am experiencing is that when = =3D I place=3D20 (for example) a&nbsp;crotchet on the stave, and then attempt to place = =3D a note=3D20 of a different value above or beneath it, it changes the original note = =3D to that=3D20 value.&nbsp; Can anyone tell me how to go about rectifying this =3D problem?&nbsp;=3D20 </FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Apart from that slight set back, = its =3D great, and=3D20 thanks to whoever mentioned it.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Paul.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2><A=3D20 href=3D3D"mailto:peri@ntlworld.com">peri@ntlworld.com</A></FONT></DIV> <DIV><FONT face=3D3DArial =3D size=3D3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>   ------=3D_NextPart_000_00BA_01C1ED38.0F6C6CC0--    
(back) Subject: Re: Two Choirs Join Forces in Concert From: "WDBabcock" <WDBabcock@msn.com> Date: Fri, 26 Apr 2002 16:26:19 -0500   While I can't get to New York, I'd love to see pictures, as I am sure = would many others. Please post. Thanks, Bill ----- Original Message ----- From: <TubaMagna@aol.com> To: <PIPORG-L@LISTSERV.ALBANY.EDU>; <pipechat@pipechat.org> Sent: Thursday, April 25, 2002 10:15 PM Subject: NYC: Two Choirs Join Forces in Concert     > GREAT SACRED CHORUSES > > The Choir of Saint Bartholomew's Episcopal Church > under the direction of William Trafka > The Choir of Congregation Emanu-El > under the directrion of Hunter Tillman > Scott Warren at the Guggenheim Memorial Pipe Organ (IV/135) > (first public use of the instrument) > > SUNDAY AFTERNOON, APRIL 28, 2002, at 4:OO > Congregation Emanu-El of the City of New York > Fifth Avenue at Sixty-Fifth Street > > Those wishing to see some of the organ, read instructions below... > > FROM THE ORATORIO TRADITION: > Haydn: The Heavens are Telling (from The Creation) > Mendelssohn: Lift Thine Eyes (from Elijah) > Mendelssohn: He Watching Over Israel (from Elijah) > Brahms: How Lovely Is They Dwelling Place (from the Requiem) > > FROM THE JEWISH TRADITION: > Rossi: Psalm 80 > Gounod-Rappaport: Seu Sheorim > Naumbourg: Hallelujah > > ORGAN SOLO: > Saint-Saens: Fantaisie in E-flat > > FROM THE ANGLICAN TRADITION: > Vaughan Williams: O Clap Your Hands > Howells: Like as the Hart Desireth the Water Brooks > Parry: I was Glad > > FROM THE AMERICAN TRADITION: > Bernstein: Psalm 131, 133 v1 (from The Chichester Psalms) > Thompson: Alleluia > Barber: Sure On This Shining Night > arr. Dawson: Ezekial Saw de Wheel > Dorsey: Precious Lord > > FROM THE OPERA TRADITION: > Verdi: Van Pensiero (from Nabucco) > > While the organ is not due to be completed until August 30, it is being used > in services and this is its first public hearing. If you would like to = see > the new console and the portions of the organ viewable from the catwalk = 80 > feet above the Bima (Pedal, Solo Main, Solo Brass, Orchestral String > Ensemble, and North Tuba Gallery), reply to this email and let me know, = so I > can give you instructions as to where to meet after the concert. To view > sections of the organ other than those mentioned, that must be done on = an > individual basis, as it involves climbing 50-foot ladders and a great = deal of > balancing and time considerations. I have had requests to continue to = post > the specifications of the instrument on these lists, one division at a time, > so I shall resume doing so. > SMG > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >