PipeChat Digest #3051 - Wednesday, August 14, 2002
 
RE: malcolm's anagrams!
  by "Jonathan Orwig" <giwro@earthlink.net>
RE: rebuking Reubke
  by <cmys13085@blueyonder.co.uk>
Re: NOT about the widgets vs. waldfloetes war (grin)
  by "Mike Gettelman" <mike3247@earthlink.net>
Re: rebuking Reubke
  by "jon bertschinger" <jonberts@magiccablepc.com>
Re: My little home practice organ
  by "jon bertschinger" <jonberts@magiccablepc.com>
Re: My little home practice organ
  by "jon bertschinger" <jonberts@magiccablepc.com>
Re: NOT about the widgets vs. waldfloetes war (grin)
  by <quilisma@socal.rr.com>
Re: 94th Psalm rebuke.....
  by <Cremona502@cs.com>
Re: Last Sunday
  by <Cremona502@cs.com>
Re: NOT about the widgets vs. waldfloetes war (grin)
  by "Douglas A. Campbell" <dougcampbell@juno.com>
Re: Central/Eastern Europe
  by <Cremona502@cs.com>
Re: Organs at Home
  by <Cremona502@cs.com>
Re: Allen available
  by "J. Nathan" <jnatpat@infi.net>
Re: Suggestion for new topic:Alternative practice instruments
  by <Chicaleee@aol.com>
 

(back) Subject: RE: malcolm's anagrams! From: "Jonathan Orwig" <giwro@earthlink.net> Date: Wed, 14 Aug 2002 15:52:40 -0700       > -----Original Message----- > From: pipechat@pipechat.org [mailto:pipechat@pipechat.org]On Behalf Of > Marika E. Buchberger, LRPS > Sent: Wednesday, August 14, 2002 2:54 PM > To: PipeChat > Subject: Re: malcolm's anagrams! > > > you can try this link at well for an excellent anagram server. > > http://wordsmith.org/anagram/index.html > > Ross & Lynda Wards wrote: > > > Could you send me a copy of that anagram-making software? > It'd be fun not > > only for an elderly kid like me, but my wife and daughters, > both teachers, > > could have with it, too. > > Ross > > -----Original Message----- > > From: Malcolm Wechsler <manderusa@earthlink.net> > > To: PipeChat <pipechat@pipechat.org> > > Date: Thursday, August 15, 2002 9:26 AM > > Subject: Re: malcolm's anagrams! > > > > >Actually, they both are anagrams for Mander Organs!!! > > > > > >You must not think I spent hours working on that. I did a > quick internet > > >search for "Anagram" and the very first offering was a > program into which > > >you typed your original, and out came literally thousands > of anagrams, most > > >not making sense, but fun none the less. There were a > couple I let get > > away, > > >like Drag Namer Son(!) and Gonad Man Errs. These don't > bear too much > > >scrutiny! > > > > > >Cheerybye, > > > > > >Malcolm > > > > > >----- Original Message ----- > > >From: "Jonathan B. Hall" <jonathan@jonathanbhall.com> > > >To: "PipeChat" <pipechat@pipechat.org> > > >Sent: Wednesday, August 14, 2002 4:12 PM > > >Subject: malcolm's anagrams! > > > > > > > > >> >Dear <DMA Ranger Son> * > > >> > > >> --GRANDMA ROSEN? > > >> > > >> > > >> >Didn't you learn nothin' at school? Generations of > Organ students have > > >> called the piece the Rebuke, and you can sure they were > aware of its > > >> anagramatical connection at all times. > > >> > > >> Cheers, > > >> > > >> Malcolm Wechsler > > >> <Damn Groaners> * > > >> > > >> > > >> --A GRAND SERMON? > > >> > > >> > > >> > > >> *Anagrams! > > >> > > >> --Did I get 'em right?? > > >> > > > > > > > > > > > > > > >"Pipe Up and Be Heard!" > > >PipeChat: A discussion List for pipe/digital organs & > related topics > > >HOMEPAGE : http://www.pipechat.org > > >List: mailto:pipechat@pipechat.org > > >Administration: mailto:admin@pipechat.org > > >Subscribe/Unsubscribe: mailto:requests@pipechat.org > > > Anagrams... they're fun...   Jonathan Mark Orwig (my full name)is:   "Organ Wait, John Mark"....!!!   Cheers,   Jonathan Orwig Pastor of Worship First Baptist Church of Riverside, CA USA ----------------------------------------- Organist, composer, computer geek   --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.381 / Virus Database: 214 - Release Date: 08/02/2002    
(back) Subject: RE: rebuking Reubke From: <cmys13085@blueyonder.co.uk> Date: Thu, 15 Aug 2002 01:19:58 +0100   Hello,   Another favourite of mine is the Jongen, "Sinfonia Erotica"   Then there is the "Pastoral Sympathy"   The setting know as "Wood in the fridge"   And then....by devious canonic means "F in Darke"   Regards,   Colin Mitchell UK    
(back) Subject: Re: NOT about the widgets vs. waldfloetes war (grin) From: "Mike Gettelman" <mike3247@earthlink.net> Date: Wed, 14 Aug 2002 21:01:11 -0400       TubaMagna@aol.com wrote:   > Bud's right. > I've seen five manual electronics that still failed to permit certain > historical registrations, even with close to two hundred "equivalent" > "ranks". If it truly IS the opportunity to build the "ultimate" organ, = at > least make an EFFORT.   Certainly Seb, but you are a unique, and way fussy customer. The "Ultimate Organ" for you would have to be CUSTOM built, and I'm sure it = can be designed to respect the historical registrations you describe. You = would just have to give up the toy counter. :-)   Mike    
(back) Subject: Re: rebuking Reubke From: "jon bertschinger" <jonberts@magiccablepc.com> Date: Wed, 14 Aug 2002 20:06:38 -0500   I was always under the illusion that is was "Rebuke's 94th Psalm", but then I was raised Lutheran, and eventually turned R.C.   jon bertschinger  
(back) Subject: Re: My little home practice organ From: "jon bertschinger" <jonberts@magiccablepc.com> Date: Wed, 14 Aug 2002 20:11:32 -0500     thanks for your entry Tuba....just earlier last year?...hmmm what month is this now? we did a very nice little 5r for an organist friend of ours. The origins of the pipework were from an Esty she had acquired several years ago. resourses are 8' Gemshorn (revoiced into nice tapered Prinzipal)...it has Hask. basses too!, 8' Bourdon, 4' Open Flute (metal), 2 2/3' Twelfth, and a 4' ROHRSCHALMEI. The console switching is courtesy of 1960's Allen. She's in love with it, and it serves her very well.   jon bertschinger  
(back) Subject: Re: My little home practice organ From: "jon bertschinger" <jonberts@magiccablepc.com> Date: Wed, 14 Aug 2002 20:15:45 -0500     oops..gad....the Bourdon is 16'...how could I forget that...cause it's really nice.   jon bertschinger  
(back) Subject: Re: NOT about the widgets vs. waldfloetes war (grin) From: <quilisma@socal.rr.com> Date: Wed, 14 Aug 2002 19:04:06 -0700   With respect, Mike, 19th century American PIPE organ builders built "off-the-shelf" STOCK models that managed to have MORE of the voicing and MORE of the stops necessary for the LITERATURE than a LOT of late 20th century and early 21st century organs, both electronic AND pipe.   For instance, NO 19th century organ of just about ANY size WHATSOEVER omitted the Great 8' Open Diapason ... they KNEW it was essential, particularly in acoustically DEAD American churches.   Another point: the LITERATURE is the LITERATURE.   If you're going to PLAY Franck, you need an 8' Oboe in the Swell and some species of reed chorus; if you're going to PLAY Couperin, you need a Cornet that can be juxtaposed to the Cromorne AND the Trumpet ... and so forth. MOST electronics of any size can muster two or three principal choruses to play baroque music; but it usually goes downhill from THERE regarding anything ELSE, *particularly* Romantic music.   IF electronic makers ARE selling their instruments as a SUBSTITUTE for the pipe organ, then they SHOULD be building them to play the LITERATURE of the pipe organ ...   Here's an issue of aesthetics: I can't think offhand of ANYTHING that has been composed FOR the electronic AS an electronic ... AS the preferred medium for realizing the composition ... maybe others can.   BIG exception: the HAMMOND, which (you gotta love 'em) has carved out for itself a very secure niche in gospel, jazz and rock music. But even there, a DIGITAL *substitute* for a tonewheeler Hammond is NOT acceptable to a LOT of people (grin).   I don't think Seb's any "fussier" than I am as to what an organ needs to have on it, and what it needs to DO. As I said earlier, I have a VERY clear picture of what the new organ for my church MUST do ... ACCOMPANY. It's NOT a recital organ; it's a service-playing organ. Fortunately, in the course of doing THAT, it will also be able to play a fair amount of LITERATURE, and, as much as space and budget allowed, I have provided for that as well.   Cheers,   Bud         Mike Gettelman wrote: > > TubaMagna@aol.com wrote: > > > Bud's right. > > I've seen five manual electronics that still failed to permit certain > > historical registrations, even with close to two hundred "equivalent" > > "ranks". If it truly IS the opportunity to build the "ultimate" organ, = at > > least make an EFFORT. > > Certainly Seb, but you are a unique, and way fussy customer. The > "Ultimate Organ" for you would have to be CUSTOM built, and I'm sure it = can > be designed to respect the historical registrations you describe. You = would > just have to give up the toy counter. :-) > > Mike > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: Re: 94th Psalm rebuke..... From: <Cremona502@cs.com> Date: Wed, 14 Aug 2002 22:27:53 EDT     --part1_d2.1c82874c.2a8c6ba9_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 8/14/02 3:04:46 PM Eastern Daylight Time, RCOLASACCO@popcouncil.org writes:     > In NYC all screwing around MUST be done silently after 11 pm--so as not = to > disturb the neighbors on the other side of the paper thin walls.   When I lived in Atlanta back in the late 60's, I had a cute little = efficiency apartment in an old brownstone on Peachtree Stree at 14th. There were = four people in the building who were under 60. The building was affectionately =   called "Menopause Manor."   Anyway, in our lease there was a wonderful clause which read:   Tenants may not hammer, nail, or screw on the walls.   We did try to behave!!! ;-)     Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_d2.1c82874c.2a8c6ba9_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 8/14/02 3:04:46 PM Eastern Daylight Time, RCOLASACCO@popcouncil.org = writes: <BR> <BR> <BR></FONT><FONT COLOR=3D"#800000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: = #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: = 5px">In NYC all screwing around MUST be done silently after 11 pm--so as = not to disturb the neighbors on the other side of the paper thin = walls.</FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR> <BR>When I lived in Atlanta back in the late 60's, I had a cute little = efficiency apartment in an old brownstone on Peachtree Stree at 14th. = &nbsp;There were four people in the building who were under 60. &nbsp;The = building was affectionately called "Menopause Manor." <BR> <BR>Anyway, in our lease there was a wonderful clause which read: <BR> <BR>Tenants may not hammer, nail, or screw on the walls. <BR> <BR>We did try to behave!!! &nbsp;;-) <BR> <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_d2.1c82874c.2a8c6ba9_boundary--  
(back) Subject: Re: Last Sunday From: <Cremona502@cs.com> Date: Wed, 14 Aug 2002 22:37:50 EDT     --part1_120.147f3d55.2a8c6dfe_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 8/14/02 3:28:15 PM Eastern Daylight Time, RonSeverin@aol.com writes:     > From what you are telling me, either one or both organ AMPS are > too loud.   I've gotten most of the stops balanced, leaving me without reeds or = mixture. It's a small, dead room and the congregation is mostly over 60 so they = won't miss the mixture and reeds. I'd sure like to have an Oboe and a = Clarinet, but such is live. Yeesh.. not even a tierce, but I do gotta nasat!! ;-)   <> nother thing these older CMOS organs have a tendency to CLIP if too = many > stops are drawn at once. .... schnippe ...These confuse and cause = computer > over ride causing the CLIPPING. Try it my way and you'll see a big > difference. Just think of soft stops as wind robbers, as in the Baroque > era, and that should > make the sound big but with clarity.   This is one of the practices I've continued from the baroque revival (I = went to one and was "saved" wooohoooo!). So I didn't notice this phonomenon, =   although I do seem to recall being warned of this with the 600 series back = in louisiana (80's).     > Do you have alterable voices and add on cards and a card reader?   Alas, no. This is a feature that I really enjoyed in Louisiana on the 3m =   600. Sadly, apparently the A-people got wind of it and altered the = alterable system so that it was no longer fun. Curses!! There were 10 (4Gr, = 4Sw, 2Ch) on the organ I played; I especially liked the reeds. I did one = recital at which the advertising included a note for people to bring their phone bills which were used in improvisations!       Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_120.147f3d55.2a8c6dfe_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 8/14/02 3:28:15 PM Eastern Daylight Time, RonSeverin@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">From what you are = telling me, either one or both organ AMPS are <BR>too loud. </FONT><FONT COLOR=3D"#000000" SIZE=3D3 = FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR> <BR>I've gotten most of the stops balanced, leaving me without reeds or = mixture. &nbsp;It's a small, dead room and the congregation is mostly over = 60 so they won't miss the mixture and reeds. &nbsp;&nbsp;I'd sure like to = have an Oboe and a Clarinet, but such is live. &nbsp;Yeesh.. not even a = tierce, but I do gotta nasat!! &nbsp;;-) <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>&lt;A<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">nother thing these = older CMOS organs have a tendency to CLIP if too many stops are drawn at = once. .... &nbsp;schnippe ...These confuse and cause computer over ride = causing the CLIPPING. &nbsp;&nbsp;Try it my way and you'll see a big = difference. Just think of soft stops as wind robbers, as in the Baroque = era, and that should <BR>make the sound big but with clarity. </FONT><FONT COLOR=3D"#000000" = SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">This is one of the practices I've continued from = the baroque revival (I went to one and was "saved" &nbsp;wooohoooo!). = &nbsp;&nbsp;So I didn't notice this phonomenon, although I do seem to = recall being warned of this with the 600 series back in louisiana (80's). <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Do you have = alterable voices and add on cards and a card reader? </FONT><FONT = COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR> <BR>Alas, no. &nbsp;&nbsp;This is a feature that I really enjoyed in = Louisiana on the 3m 600. &nbsp;Sadly, apparently the A-people got wind of = it and altered the alterable system so that it was no longer fun. = &nbsp;&nbsp;Curses!! &nbsp;&nbsp;&nbsp;&nbsp;There were 10 &nbsp;(4Gr, = 4Sw, 2Ch) on the organ I played; I especially liked the reeds. = &nbsp;&nbsp;I did one recital at which the advertising included a note for = people to bring their phone bills which were used in improvisations! <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR> <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_120.147f3d55.2a8c6dfe_boundary--  
(back) Subject: Re: NOT about the widgets vs. waldfloetes war (grin) From: "Douglas A. Campbell" <dougcampbell@juno.com> Date: Wed, 14 Aug 2002 22:41:46 -0400   > TubaMagna@aol.com wrote: > > > Bud's right. > > I've seen five manual electronics that still failed to permit certain > > historical registrations, even with close to two hundred "equivalent" > > "ranks". If it truly IS the opportunity to build the "ultimate" organ, at > > least make an EFFORT.   There has been much discussion on the list about small organs (under 15 ranks or so) and there always seems to be discussion of the LARGE organs (over 70 ranks). I would like to ask people to speak to the "middle ground" - the 30 to 60 rank range, especially as it applies to the practical installation in a typical American church ( "How dry I am").   Where would you break from 2 manuals to three?   Where would you add that "other reed" (and which reed would it be) ?   At what point does the full swell reed chorus appear? How about an independent Pedal Reed ?   A question for builders: What percentage of instruments you build (or rebuild) fall in this range ?   A question for maintenance providers: What percentage of the instruments you maintain fall in this category ?       Douglas A. Campbell Skaneateles, NY   ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! Juno offers FREE or PREMIUM Internet access for less! Join Juno today! For your FREE software, visit: http://dl.www.juno.com/get/web/.  
(back) Subject: Re: Central/Eastern Europe From: <Cremona502@cs.com> Date: Wed, 14 Aug 2002 23:08:10 EDT     --part1_136.126fb872.2a8c751a_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 8/14/02 5:30:26 PM Eastern Daylight Time, TubaMagna@aol.com writes:     > Any word on flood damage? Passau, Prague, Salzburg, etc. have been > underwater for days now, and we haven't heard anything about damage to >   ..... and Texas as well!   Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_136.126fb872.2a8c751a_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 8/14/02 5:30:26 PM Eastern Daylight Time, TubaMagna@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Any word on flood = damage? &nbsp;Passau, Prague, Salzburg, etc. have been <BR>underwater for days now, and we haven't heard anything about damage to =   <BR>instruments.</BLOCKQUOTE> <BR> <BR>.... and Texas as well! <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_136.126fb872.2a8c751a_boundary--  
(back) Subject: Re: Organs at Home From: <Cremona502@cs.com> Date: Wed, 14 Aug 2002 23:12:09 EDT     --part1_fd.1c413d74.2a8c7609_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Tim, Nice stoplist. I presume your satisfied tonally? Any outstanding = colours?   In a message dated 8/14/02 5:37:34 PM Eastern Daylight Time, teahzg@charter.net writes:     > Great: Quintadena 16', Prinzipal 8', Hohlpfeife 8', Spitzflote 4', = Octave > 4', Quint3', Octave 2', Mixtur IV-V, Cornet IV, Trompet 8', Sw to Gt, > Gt to Ped > Swell: Prestant 8', Gedackt 8', Spielflote 4', Octave 4', Nasat 3', > Waldflute 2', Sifflet 1', Scharff III, Sesquialtera II, Dulzian 8', Vox > Humana 8', Sw to Ped, Tremulant > Pedal: Subbass 16', Gedackt 8', Octave 8', Octave 4', Fagotto 16', > Schalmey 4' > >       Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_fd.1c413d74.2a8c7609_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>Tim, <BR>Nice stoplist. &nbsp;&nbsp;I presume your satisfied tonally? = &nbsp;&nbsp;Any outstanding colours? <BR> <BR>In a message dated 8/14/02 5:37:34 PM Eastern Daylight Time, = teahzg@charter.net writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Great: = &nbsp;Quintadena 16', Prinzipal 8', Hohlpfeife 8', Spitzflote 4', Octave = 4', Quint3', &nbsp;Octave 2', Mixtur IV-V, Cornet IV, Trompet 8', Sw to = Gt, <BR>Gt to Ped <BR>Swell: &nbsp;Prestant 8', Gedackt 8', Spielflote 4', Octave 4', Nasat = 3', Waldflute 2', Sifflet 1', Scharff III, Sesquialtera II, Dulzian 8', = Vox Humana 8', Sw to Ped, Tremulant <BR>Pedal: &nbsp;Subbass 16', Gedackt 8', Octave 8', Octave 4', Fagotto = 16', Schalmey 4' <BR> <BR></BLOCKQUOTE> <BR> <BR> <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_fd.1c413d74.2a8c7609_boundary--  
(back) Subject: Re: Allen available From: "J. Nathan" <jnatpat@infi.net> Date: Wed, 14 Aug 2002 22:34:52 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_00A1_01C243E2.CE42A820 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   Um....sorry, Bruce....das not me numbre...it's Pauls! Don't call it =3D looking for me ~ and if you value your life and your puppies, you WON'T = =3D call me before daybreak! =3D20   snrk back atchya   JNP ----- Original Message -----=3D20 From: Cremona502@cs.com=3D20 To: pipechat@pipechat.org=3D20 Sent: Wednesday, August 14, 2002 2:07 PM Subject: Re: Allen available     In a message dated 8/13/02 10:57:12 PM Eastern Daylight Time, =3D chercapa@enter.net writes:=3D20       Dear Nathan,=3D20 I am located in Schnecksville, Pa. 5 miles north of Allentown, =3D Pa. My number is *** *** ****=3D20       OK everybody! Beginning at 7pm EST, EVERY call Nathan and say "HI!!" = =3D For those of you who are bashful, heavy breathing may suffice!!! ;-) = =3D For those on the "left coast" you can call before you leave for work in = =3D the morning!!! ;-)=3D20   snrk snrk=3D20   b=3D20   Bruce in the Muttastery at Howling Acres =3D http://members.tripod.com/Brucon502=3D20 ...an opportunity for health & wealth http://visionsuccess.com/BC2053 = =3D     ------=3D_NextPart_000_00A1_01C243E2.CE42A820 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 6.00.2716.2200" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3D"Palatino Linotype">Um....sorry, Bruce....das not = me=3D20 numbre...it's Pauls!&nbsp; </FONT><FONT face=3D3D"Palatino =3D Linotype">&nbsp;Don't=3D20 call it looking for me ~ and if you value your life and your puppies, =3D you WON'T=3D20 call me before daybreak!&nbsp; </FONT></DIV> <DIV><FONT face=3D3D"Palatino Linotype"></FONT>&nbsp;</DIV> <DIV><FONT face=3D3D"Palatino Linotype">snrk back atchya</FONT></DIV> <DIV><FONT face=3D3D"Palatino Linotype"></FONT>&nbsp;</DIV> <DIV><FONT face=3D3D"Palatino Linotype">JNP</FONT></DIV> <BLOCKQUOTE=3D20 style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =3D BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> <DIV style=3D3D"FONT: 10pt arial">----- Original Message ----- </DIV> <DIV=3D20 style=3D3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =3D black"><B>From:</B>=3D20 <A title=3D3DCremona502@cs.com=3D20 href=3D3D"mailto:Cremona502@cs.com">Cremona502@cs.com</A> </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>To:</B> <A =3D title=3D3Dpipechat@pipechat.org=3D20 href=3D3D"mailto:pipechat@pipechat.org">pipechat@pipechat.org</A> </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, August 14, =3D 2002 2:07=3D20 PM</DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Subject:</B> Re: Allen =3D available</DIV> <DIV><BR></DIV><FONT face=3D3Darial,helvetica><FONT size=3D3D2>In a =3D message dated=3D20 8/13/02 10:57:12 PM Eastern Daylight Time, <A=3D20 href=3D3D"mailto:chercapa@enter.net">chercapa@enter.net</A> writes: =3D <BR><BR><BR> <BLOCKQUOTE=3D20 style=3D3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px = =3D solid; MARGIN-RIGHT: 0px"=3D20 TYPE=3D3D"CITE">Dear Nathan, <BR>&nbsp;&nbsp;&nbsp;&nbsp;I am located in = =3D   Schnecksville, Pa. 5 miles north of Allentown, Pa. My number =3D is&nbsp;*** ***=3D20 ****&nbsp;<BR></BLOCKQUOTE><BR><BR>OK everybody! =3D &nbsp;&nbsp;Beginning at 7pm=3D20 EST, EVERY call Nathan and say "HI!!" &nbsp;&nbsp;For those of you who = =3D are=3D20 bashful, heavy breathing may suffice!!! &nbsp;;-) &nbsp;&nbsp;For =3D those on the=3D20 "left coast" you can call before you leave for work in the = morning!!!=3D20 &nbsp;;-) <BR><BR>snrk snrk <BR><BR>b <BR><BR>Bruce in the Muttastery = =3D at=3D20 Howling Acres http://members.tripod.com/Brucon502 <BR>...an =3D opportunity for=3D20 health &amp; wealth &nbsp;http://visionsuccess.com/BC2053</FONT>=3D20 </FONT></BLOCKQUOTE></BODY></HTML>   ------=3D_NextPart_000_00A1_01C243E2.CE42A820--      
(back) Subject: Re: Suggestion for new topic:Alternative practice instruments From: <Chicaleee@aol.com> Date: Thu, 15 Aug 2002 00:01:38 EDT     --part1_25.2c22c308.2a8c81a2_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   I've started learning to play the Mountain Dulcimer which I purchased at = an auction about 5 years ago. Not much chance of it becoming digital. Lee   --part1_25.2c22c308.2a8c81a2_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>I've started learning = to play the Mountain Dulcimer which I purchased at an auction about 5 = years ago. &nbsp;Not much chance of it becoming digital. = &nbsp;Lee</FONT></HTML>   --part1_25.2c22c308.2a8c81a2_boundary--