PipeChat Digest #3100 - Saturday, August 31, 2002
 
Re: a cavil  Re: Cavaille-Coll 6-CD set
  by "Arno Schuh" <arno.schuh@in-trier.de>
Cavaille-Coll 6-CD set
  by "William T. Van Pelt" <bill@organsociety.org>
Wooden pipes
  by <cmys13085@blueyonder.co.uk>
RE: flute/organ music?
  by "Glenda" <gksjd85@direcway.com>
RE: OHS Chicago 2002 - 6/29 Posting #6
  by "Glenda" <gksjd85@direcway.com>
Re: OHS Chicago 2002 - 6/29 Posting #6
  by "Stanley Lowkis" <nstarfil@attbi.com>
music for flute/organ
  by <Hell-Felix@t-online.de>
Music for manuals only - Error
  by <cmys13085@blueyonder.co.uk>
Hell-concerts@t-online.de
  by "Paul Austin" <paulaustin1@btopenworld.com>
 

(back) Subject: Re: a cavil Re: Cavaille-Coll 6-CD set From: "Arno Schuh" <arno.schuh@in-trier.de> Date: Fri, 30 Aug 2002 23:15:45 +0200     From: "Robert Lind" <Robert_Lind@cch.com> Sent: Friday, August 30, 2002 8:45 PM I might be interested in this if more info. were provided on the website. E.g., who is playing what music on what instruments?   Sorry for any misspellings and missing diacritical french characters:   Pincemaille: PF sur ARISTIDE - Pierre Pincemaille, St. Denis, Basilique Lefebure-Wely: Andante Grazioso Religi"se - Kurt Lueders, Poikilorgue Alcan: 8 Preludes dans les tons d'eglise - Georges Lartigau, St. Pierre, Verberie Neukomm: Voluntary. Boely: Lyre ce n'est pas en ce chant; Esprits divins; Voici la 1. entree; Le vermeil du soleil. Neukomm: Voluntary, theme et 4 variations - Georges Lartigau, Chapelle Royale, Dreux. Benoist: Grand Choeur; Elevation; Allegretto; Duo - Kurt Lueders, St. = Paul, Nimes Chauvet: Offwertoire pour l'Epiphanie; Offertoire sur un Noel - Kurt Lueders, Notre Dame, St. Omer Franck: Petit Offertoire; Kyrie pour la Messe de noel; Grand choeur - Georges Lartigau, St.-Vincent-de-Paul, Paris. Collin: Communion; Allegretto; Elevation. Thomas: Prelude. Lefebure-Wely: Fugue - Kurt Lueders, St. Jean, El Beuf. Loret: Fantaisie Pastorale - Kurt Lueders, Notre Dame, St. Dizier. Lemmens: Adagio. Franck: Petit Offertoire; Offertoire sur un noel Breton - Jose Manuel Azcue, St. Maria del coro, San Sebastian. Chauvet: Andantino; Andante; Grand Choeur; Offertoire sur un noel - Kurt Lueders, St. Martin, Clameci. Vilbac: Prelude - Kurt Lueders, Notre Dame, Epernay. Franck: Quasi Marcia, trois antiennes - Georges Lartigau, St. Remy, = Vanver. Loret: Piece a double espression. Russeau: Priere - Kurt Lueders, Chapelle des Jesuites, Lyon. Lefebure-Wely: Prelude - Kurt Lueders, Chateauvillain,. Chauvet: Piece in h - Kurt Lueders, St.-Jean-Baptist, Long. Guilmant: Offertoire del hymne Ave maris stella - Joan Hermans, Sacre = Coeur, Hasselt. Gounod: Marche Solennelle; Introduction de la scene de eglise (Faust). Berlioz/Guilmant: L'adieu des bergiers - Kurt Lueders, Ambares et Lagrave. Lemmens: Fugue. Loret: Etude in h - Kurt Lueders, Immaculee Conception, El Beuf Franck: Non troppo lento; Allegretto - Georges Lartigau, St. Etienne, El Beuf. Benoist: fugue sur le chant de Pange lingua - Kurt Lueders, St. Godard, Rouen. Guilmant: Legende et Final Symphonique; Gavotta - Kurt Lueders, St. = Etienne, Caen. Salome: Canon in c - Kurt Lueders, St. Quen, Rouen. Guilmant: Elegie Fugue. Marty: Entree pour noel - Kurt Lueders, Les El = Beuf, Caudebec. Lefebure-Wely: Priere. Franck: Andantino. Lemmens: Priere - Christoph = Martin Frommen, St. Salvador, Sao Salvador da Bahia. Usandizaga: Fantaisie. Boellmann: Versets de heures mystiques op. 30 - = Jose Manuel Azcue, Cathedrale, Azkoitia. Couperin: Offertoire sur les Grands Jeux. St.-Martin: Meditation = Improvisee; Carillon Improvisee - Leonce de St.-Martin, Kathedrale Notre Dame, Paris. Roth: Improvisation sur la Messe Gregorienne - Daniel Roth, St. Sulpice, Paris. Butuzova: 10 Pieces on the theme of a French folk song - Alexei Parshin, Tschaikowsky-Konservatorium, Moskau. Roth: 4 Improvisations sur des melodies Gregorienns - Daniel Roth, Sacre Coeur, Paris. Tournemire: Prelude et Fresque (Orgue Mystique) - Naji Hakim, Sacre Coeur, Paris Hakim: Fantaisie sur Adeste fideles - Naji Hakim und Marie-Bernadette Dufourcet, (Grande Orgue/Orgue de choeur), Sacre Coeur, Paris. Pierne: 3 Pieces pour orgue op. 29. Bonnet: Elfes op. 7/11. Jongen: Menuet-Scherzo op. 53/2. Dubois: In Paradisum (9 aus 12 Pieces) - Leonhard Amselgruber, Priesterseminar, Zaitzkofen   Hth.   Btw. unfortunately in this 6 CD reissue Motette droped some pieces from = the 7 LP edition (that where not available elsewhere) and replaced it with = some other pieces (from still available CDs) in this collection. Really disapointing!   Greetings Arno      
(back) Subject: Cavaille-Coll 6-CD set From: "William T. Van Pelt" <bill@organsociety.org> Date: Fri, 30 Aug 2002 18:09:57 -0400   Subject: a cavil Re: Cavaille-Coll 6-CD set From: "Robert Lind" <Robert_Lind@cch.com> Date: Fri, 30 Aug 2002 13:45:37 -0500   Regarding the survey of Cavaille-Coll organs on six CDs that has been produced by Motette CD firm, Robert Lind (very rightly) observes regarding the description on the OHS Catalog website:   d"I might be interested in this if more info. were provided . . . who is playing what music on what instruments? . . ."   I appreciate the opportunity that Mr. Lind has provided for an explanation of the admittedly uninformative description that appears on the OHS = Catalog website. OHS has had several inquiries about this set and I thought it important to let readers know that OHS would have it (at a very reasonable price).   In fact, we have little information on this set of CDs because the stock = is en route to OHS from Germany, where the set is made. The maker, Motette, has provided us with no more information than I put on the OHS website. When I know more, I will put it up.   Thanks to Mr. Lind for his kind observation that descriptions of items on the OHS Catalog site are generally informative.   Bill        
(back) Subject: Wooden pipes From: <cmys13085@blueyonder.co.uk> Date: Sat, 31 Aug 2002 00:13:07 +0100   Hello,   There is a glaring hole in my knowledge!   I wonder if anyone could tell me how wooden pipes are voiced?   Metal pipes I understand perfectly and I have voiced a few in my time. = However, I am completely mystified as to how a voicer "adjusts" a wooden = pipe without destroying it. Presumably, once voiced, it is more or less = irreversible short of using resins to fill nicks etc.   It seems to me that the whole process is far more critical than with = metal pipes.   Regards,   Colin Mitchell UK  
(back) Subject: RE: flute/organ music? From: "Glenda" <gksjd85@direcway.com> Date: Fri, 30 Aug 2002 18:23:53 -0500   Something unusual for flute and organ that I've done was one of the Mozart flute concertos (I think in D). The orchestral part was reduced for keyboard, and I further transcribed it for organ. It went over very well, but that was years ago, and I doubt I still have this music. However, a serious flutist (or flautist) would probably have or be able to find same.   Glenda Sutton gksjd85@direcway.com          
(back) Subject: RE: OHS Chicago 2002 - 6/29 Posting #6 From: "Glenda" <gksjd85@direcway.com> Date: Fri, 30 Aug 2002 18:23:53 -0500   I am not sure what being "knocked up with tea" is (although I have a guess), but is it as fun as being "broke over a table", a term I heard a few years ago?   Sorry, I couldn't resist - just got back from a convention at the Orlando smoke-filled Peabody, where I drank a great deal, smoked a cigarette or two, saw a bunch of old colleagues, learned how much money my program was getting from the legislature, involuntarily appeared on television three feet from the governor, and engaged in various and sundry activities. Not an organ in sight!   Glenda Sutton gksjd85@direcway.com     -----Original Message----- From: pipechat@pipechat.org [mailto:pipechat@pipechat.org] On Behalf Of Malcolm Wechsler     OHS Chicago 2002 - Saturday 6/29 Posting #6   This day had something of an English beginning, other than the fact that no one "knocked me up with tea," as the English like to say! Bus departure was again at the civilized hour of 9:00, for the short trip to St. James RC Church, Chicago.   Et cetera, et cetera, et cetera.      
(back) Subject: Re: OHS Chicago 2002 - 6/29 Posting #6 From: "Stanley Lowkis" <nstarfil@attbi.com> Date: Fri, 30 Aug 2002 22:18:40 -0400       Glenda wrote: > > I am not sure what being "knocked up with tea" is (although I have a > guess), but is it as fun as being "broke over a table", a term I heard a > few years ago?   This sounds like a deleterious aspersion to character.. An attractive female such as yourself being 'broke over the Table' does = not even merit a passing glance from this august body of list readers. > > Sorry, I couldn't resist - just got back from a convention at the > Orlando smoke-filled Peabody, where I drank a great deal, smoked a > cigarette or two, saw a bunch of old colleagues, learned how much money > my program was getting from the legislature, involuntarily appeared on > television three feet from the governor, and engaged in various and > sundry activities. Not an organ in sight!   The Governor (such that he is) is trying real hard to show leadership in Florida.   I suggest that you catch up on your Bushspeak, and focus on 911. "Keep your eye on the Terrorists"   helpfully, Stan   > > Glenda Sutton > gksjd85@direcway.com > > -----Original Message----- > From: pipechat@pipechat.org [mailto:pipechat@pipechat.org] On Behalf Of > Malcolm Wechsler > > OHS Chicago 2002 - Saturday 6/29 Posting #6 > > This day had something of an English beginning, other than the fact that > no > one "knocked me up with tea," as the English like to say! Bus departure > was > again at the civilized hour of 9:00, for the short trip to St. James RC > Church, Chicago. > > Et cetera, et cetera, et cetera. > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: music for flute/organ From: <Hell-Felix@t-online.de> Date: Sat, 31 Aug 2002 08:04:20 +0200 (CEST)   What about "3 Hallenser Sonaten" by G. F. Haendel. Beautiful music. I play them from Edition Peters, No. 4554   Felix  
(back) Subject: Music for manuals only - Error From: <cmys13085@blueyonder.co.uk> Date: Sat, 31 Aug 2002 09:34:57 +0100   Hello,   In a recent posting, I suggested "The Antwerp Carillon Book" as a good = source of material. The compiler of this tome (in facsimilie) was = Johannes de Gruyter and not van den Gheyn; the latter being a well known = Dutch composer.   Silly me!   Regards,   Colin Mitchell UK  
(back) Subject: Hell-concerts@t-online.de From: "Paul Austin" <paulaustin1@btopenworld.com> Date: Sat, 31 Aug 2002 09:40:03 -0700   This is a multi-part message in MIME format.   ------=3D_NextPart_000_001A_01C250D2.61D071C0 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   I recieved an email this morning from the address: =3D Hell-Concerts@t-online.de   This email was sent to my personal address, not via pipechat and =3D contained two attachments. I know the pipechat list does not generate =3D attachments. Are they safe to open???   Paul. paulaustin1@btopenworld.com   ------=3D_NextPart_000_001A_01C250D2.61D071C0 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 5.50.4522.1800" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial size=3D3D2>I recieved an email this morning =3D from&nbsp;the=3D20 address:&nbsp; <A=3D20 href=3D3D"mailto:Hell-Concerts@t-online.de">Hell-Concerts@t-online.de</A></= =3D FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>This email was sent to my personal = =3D address,=3D20 not&nbsp;via pipechat and contained two attachments.&nbsp; I know the =3D pipechat=3D20 list does not generate attachments.&nbsp; Are they safe to =3D open???</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Paul.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2><A=3D20 href=3D3D"mailto:paulaustin1@btopenworld.com">paulaustin1@btopenworld.com</= =3D A></FONT></DIV></BODY></HTML>   ------=3D_NextPart_000_001A_01C250D2.61D071C0--