PipeChat Digest #2616 - Tuesday, January 1, 2002
 
Re: New Orleans OHS
  by <Innkawgneeto@cs.com>
Re: Cornopeanopticon
  by <TubaMagna@aol.com>
my contributions
  by "Ross & Lynda Wards" <TheShieling@xtra.co.nz>
plain text
  by "Gary Black" <gblack@ocslink.com>
Re: shifting organs / Why Karl????
  by "Rodney West" <rodneywest72@yahoo.com>
Plain text formatting in Netscape
  by "noel jones" <gedeckt@usit.net>
Re: PipeChat Digest #2615 - 01/01/02
  by "Ken_Earl01" <ken_earl01@hotmail.com>
Re: my contributions
  by "Hugh Drogemuller" <hdrogemuller@sympatico.ca>
Re: Organbuilder Levi U. Stuart (1827-1904)
  by "Sand Lawn" <sandlawn@bayou.com>
Re: not-too-difficult soprano solo
  by "Randolph Runyon" <runyonr@muohio.edu>
French baroque registrations
  by <quilisma@socal.rr.com>
Re: Source of statement on T.C. Lewis records (was  PipeChat  Digest #261
  by "Hugh Drogemuller" <hdrogemuller@sympatico.ca>
More music for sale
  by <Cremona502@cs.com>
Re: Sorry ,More Bad news
  by "Karl Moyer" <kmoyer@marauder.millersville.edu>
Re: shifting organs
  by <Cremona502@cs.com>
Re: Wellington Cathedral organ
  by <Cremona502@cs.com>
Re: shifting organs
  by <Cremona502@cs.com>
Re: plain text
  by <ContraReed@aol.com>
Re: not-too-difficult soprano solo
  by <Cremona502@cs.com>
 

(back) Subject: Re: New Orleans OHS From: <Innkawgneeto@cs.com> Date: Tue, 1 Jan 2002 18:00:39 EST     --part1_99.1fb9d227.29639997_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Peter, dear Peter, please please please go easy on the Mint Julips and Hurricanes!!   Great drinks, but WOW, do they pack a wallop!!   Peace to you on your trip. I love New Orleans.   Neil by the Bay   --part1_99.1fb9d227.29639997_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><BODY BGCOLOR=3D"#ffffff"><FONT = SIZE=3D2>Peter, dear Peter, please please please go easy on the Mint = Julips and Hurricanes!! <BR> <BR>Great drinks, but WOW, do they pack a wallop!! <BR> <BR>Peace to you on your trip. &nbsp;I love New Orleans. <BR> <BR>Neil by the Bay</FONT></HTML>   --part1_99.1fb9d227.29639997_boundary--  
(back) Subject: Re: Cornopeanopticon From: <TubaMagna@aol.com> Date: Tue, 1 Jan 2002 18:01:47 EST   Dear Pipe Chatters: I think Bruce Miles has summed it up, stating it as simply as he can, attempting to avoid the creation of any further confusion. He quotes one written source, and gives two accounts of actual examples he has played. The Cornopean, AS INTENDED, is by no means supposed to be "brash," raucous," or "brassy." At no point in the written history of the art is = this type of tone elucidated as either the goal, intent, or or epitome. The most frequent description given by English and American = organbuilders and analysts, the chief proponents of this stop for use in Swell = departments between about 1850 and 1930, has always remained "mid-way in both tone and =   value between a Trumpet and a Horn." Round tone, "close tone," as the British would say. This does NOT eliminate the possibility of these stops being "bright," but brightness is VERY distinct from brassy, brash, = raucous, rough, or unrefined.   Sebastian Matthaus Gluck New York City  
(back) Subject: my contributions From: "Ross & Lynda Wards" <TheShieling@xtra.co.nz> Date: Wed, 2 Jan 2002 12:22:36 +1300   Thank you for those who offered me some advice. I've found the appropriate spot and clicked "Plain Text", where it had been on Rich Format (HTML) - whatever that means. Let me know if things are now OK, please. About Cornopeans. Interesting to hear about smooth Cornopeans. I'm = referring to English ones, of course, the oldest I know well being an 1860s = Bevington on a 1-manual organ that is almost fully enclosed but has about 9 rks of pipes. The Geo.Croft organ firm in NZ put a lot of Cornopeans in their Swell organs, even on tiny jobs of 10 ranks total, from the beginning of their firm in 1898 through till about 1960 when control of the firm moved on. = None of the Cornopeans I know is smooth-toned, nothing like a Horn. Yes, about Harrison restoring Lewis. If the "real Lewis" being referred to was Melbourne Cathedral, it is indeed a most remarkable instrument and H&H did a very grand job restoring it. The only problem at Melbourne is the siting - the sound does not get down the long nave well at all. The later restoration of a big Lewis by H&H is of course the absolutely wonderful 4-deck at Southwark Cathedral, across the Thames from St Paul's. H&H removed the Willis additions there and restored the organ to its original specification and pressures, taking enormous care. It is now an exceedingly fine organ indeed despite its siting (the result of the Cathedral authorities, not Lewis himself). Wellington Cathedral organ, to Malcolm Wechsler who was wondering if he could find it beautiful, is to all of us here, starkly and brutally = hideous (stronger word than ugly). The Croft firm, who rebuilt the organ in the 1970s, were forced to follow the architect's sketches, but what they had wanted was just as bad - I have the builder's sketch in front of me as I write this - it was for a 32ft pipe fence of a few correctly-proportioned pipes, but most over-length to "make up the height" of the square frontage to the chamber. That would have been even more Yuk than the present mess that does nothing for me visually nor for the projection or cohesion of = the sound. Anyway, let me know if my postings are now OK. I must not forget to say "Thank you" to now-Canadian expatriate NZer Hugh Drogemuller, who has written kindly in the last couple of days. I well remember his gracious friendship and keen interest in his homeland. Hugh, would this List, do you think, be interested in the whole story of St Mary of the Angels' organ of the late Max Fernie's? To whet your appetite, List, that was the one organ, built in 1958, which transformed organ appreciation in NZ, yet it was of strange idiosyncratic design and was of just 19rks over 3 manuals and Pedals. Kind regards to all (including my critics - I hope you'll keep reading me, though, as I'm bigheaded enough to think you might learn something from a retired clergyman in New Zealand, despite your presumptions about me). = [Ross now ducks for cover, expeditiously!] Ross        
(back) Subject: plain text From: "Gary Black" <gblack@ocslink.com> Date: Tue, 1 Jan 2002 17:20:31 -0600   This is a multi-part message in MIME format.   ------=3D_NextPart_000_002F_01C192E8.9DC22960 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   HI list. Off topic, I need help too concerning how I get to plain text = =3D and where to find it on my computer. Thanks in advance. Gary   ------=3D_NextPart_000_002F_01C192E8.9DC22960 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 6.00.2600.0" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial size=3D3D2>HI list.&nbsp; Off topic,&nbsp; I = need =3D help too=3D20 concerning how I get to plain text and where to find it on my computer. = =3D Thanks=3D20 in advance.&nbsp; Gary</FONT></DIV></BODY></HTML>   ------=3D_NextPart_000_002F_01C192E8.9DC22960--    
(back) Subject: Re: shifting organs / Why Karl???? From: "Rodney West" <rodneywest72@yahoo.com> Date: Tue, 1 Jan 2002 15:47:31 -0800 (PST)     --- Stanley Lowkis <nstarfil@mediaone.net> wrote: > > Karl, > > Why? Maybe, because the messages are not worth > reading? >   This sounds much like a put-down, and I sincerely hope that Mr. Lowkis doesn't intend his comment to be as such. I enjoy these organ lists, find them very informative, and once in awhile try to contribute what ever I humbly am able to. Let's begin the new year with a higher level of thinking.   __________________________________________________ Do You Yahoo!? Send your FREE holiday greetings online! http://greetings.yahoo.com  
(back) Subject: Plain text formatting in Netscape From: "noel jones" <gedeckt@usit.net> Date: Tue, 01 Jan 2002 18:49:10 -0500   In Netscape:   EDIT PREFERENCES MAIL & NEWSGROUPS Formatting =95 Use the Plain Text Editor to compose messages.     noel jones  
(back) Subject: Re: PipeChat Digest #2615 - 01/01/02 From: "Ken_Earl01" <ken_earl01@hotmail.com> Date: Wed, 2 Jan 2002 00:18:18 -0000   I understood that the organbuilding firm of T C Lewis was bought out by = the firm of Henry Willis & Sons Ltd in 1919, that latter firm actually = building some organs under the name of 'Willis & Lewis Ltd' (Morningside Parish Church, Edinburgh, being one example).   Also, Henry Willis & Sons Ltd bought out the firm of Scovell & Co in 1945, despite the firms of Scovell and Lewis having worked in partnership on several instruments from as early as 1908.   Surely the House of Willis would have had the records of T C Lewis under these circumstances, and which may now be with the BIOS (British Institute of Organ Studies) now that Mr Henry Willis V has sold the firm of Henry Willis & Sons Ltd.??   Ken Earl  
(back) Subject: Re: my contributions From: "Hugh Drogemuller" <hdrogemuller@sympatico.ca> Date: Tue, 01 Jan 2002 19:33:18 -0500   At 12:22 PM 02/01/2002 +1300, Ross Wards wrote: (SNIP) > Hugh, >would this List, do you think, be interested in the whole story of St = Mary >of the Angels' organ of the late Max Fernie's? >To whet your appetite, List, that was the one organ, built in 1958, which >transformed organ appreciation in NZ, yet it was of strange idiosyncratic >design and was of just 19rks over 3 manuals and Pedals.   I think they would especially if you make Max Fernie's connection with Westminster Cathedral and his passion for Edmund Schulze Diapason sound. =   These are two connections that everyone should understand. Speaking of Max; I remember the day that I went with him to the = Wellington Town Hall. He was playing a funeral at St. Mary of the Angels , I climbed =   the stairs, quietly in to the rear gallery, Max was sitting looking over the rail keeping abreast of the progress of the service. Afterwards he showed me the space that he and others had made as a Choir rehearsal area. =   As I remember it much of the floor was a series of risers all poured from solid concrete. At that time Max had a superb choir that specialised =   in, I believe, works of the Renaissance. They had some great recordings = out on vinyl as I remember it. My overwhelming memory of the 30-minutes or so in the Wellington Town Hall =   Concert chamber was of Max gradually building to full organ. The instrument is very smooth and the ensemble is tight. I did not realise how =   much power there was until Max took his hands and feet off the keys !   HD    
(back) Subject: Re: Organbuilder Levi U. Stuart (1827-1904) From: "Sand Lawn" <sandlawn@bayou.com> Date: Tue, 01 Jan 2002 18:42:45 -0600   The Tracker, Vol. 30, No. 1, 1986 has a rather extensive article re the = Ferrises and the Stuarts with an annotated opus list. Also, The Tracker, Vol.3, = No. 3 has an additional article re Stuart organs in New York and New Jersey.   Sand Lawn   TubaMagna@aol.com wrote:   > Dear List Members: > > Does anybody on either of these chat lists have first-hand knowledge of = the > construction details of the work of Levi Underwood Stuart, half-brother = of > organbuilder Richard M. Ferris? Particularly his two-manual instruments = from > the early 1870s?    
(back) Subject: Re: not-too-difficult soprano solo From: "Randolph Runyon" <runyonr@muohio.edu> Date: Tue, 01 Jan 2002 19:56:09 -0400   on 1/1/02 6:50 PM, quilisma@socal.rr.com at quilisma@socal.rr.com wrote:   > "The Sun Shall Be No More Thy Light" by Maurice Greene, in the = arrangement in > one > of the Morning Star Choir Books from Concorida ... the green one (Vol. = 2?) I > think. >Noel > variations on "Chartres" to go with it ... transpose 'em (or crank your > organ's > transposer) and use 'em for interludes between the verses. > > Anybody know the actual French name of the noel tune "Chartres"? I've > forgotten... > > Cheers, > > Bud > >   Is this the same tune Purvis did some variations on, I wonder? If so, you could do those for the interludes.     Randy Runyon Music Director Zion Lutheran Church Hamilton, Ohio runyonr@muohio.edu      
(back) Subject: French baroque registrations From: <quilisma@socal.rr.com> Date: Tue, 01 Jan 2002 17:03:53 -0800   I don't remember who wanted it, but Dennis Goward found it ... my little "thang" on French baroque registration is now a PDF in the ORGANchat archives, for any PIPEchatters that might want it. Organchat has open archives, I think. If not, let me know.   Cheers,   Bud    
(back) Subject: Re: Source of statement on T.C. Lewis records (was PipeChat Digest #2615)- 01/01/02 From: "Hugh Drogemuller" <hdrogemuller@sympatico.ca> Date: Tue, 01 Jan 2002 20:15:33 -0500   At 12:18 AM 02/01/2002 +0000, Ken_Earl01 wrote: >(SNIP) > >Surely the House of Willis would have had the records of T C Lewis under >these circumstances, and which may now be with the BIOS (British = Institute >of Organ Studies) now that Mr Henry Willis V has sold the firm of Henry >Willis & Sons Ltd.?? The source for my statement that Harrison's are the repository of the T.C. Lewis records is in the notes to the CD "Grand Music for Great Occasions" , a recording of the T.C. Lewis organ that stands in St. Paul's =   Cathedral, Melbourne, by Cathedral organist June Nixon on the Walsingham Classics label. To quote the notes.." The success of the work has not only shown the = wisdom of the cathedral authorities in entrusting it to the acknowledged experts =   in the field and present day custodians of the Lewis records..."   HD    
(back) Subject: More music for sale From: <Cremona502@cs.com> Date: Tue, 1 Jan 2002 20:31:27 EST     --part1_167.67b54de.2963bcef_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   I have finished cataloging the music available for sale. There is a = revised list now posted on my webpage < http://members.tripod.com/Brucon502/ .   Please remember that this music is used, and much of it is vintage music = that is no longer in print.   You're also invited to roam and sniff through HowlingAcres.... There are = now stories and other added goodies.   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly & Dewi Please visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_167.67b54de.2963bcef_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>I have finished = cataloging the music available for sale. &nbsp;There is a revised list now = posted on my webpage &lt; http://members.tripod.com/Brucon502/ . <BR> <BR>Please remember that this music is used, and much of it is vintage = music that is no longer in print. <BR> <BR>You're also invited to roam and sniff through HowlingAcres.... = &nbsp;There are now stories and other added goodies. <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Duncan, Miles, Molly &amp; Dewi &nbsp;&nbsp; <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;&nbsp;</FONT></HTML>   --part1_167.67b54de.2963bcef_boundary--  
(back) Subject: Re: Sorry ,More Bad news From: "Karl Moyer" <kmoyer@marauder.millersville.edu> Date: Tue, 01 Jan 2002 20:19:37 -0500   Let me invite others to join me in making donations to St. John's, Lunenburg, as they plan to rebuild. My dontation was specific to the purchase of a pipe organ, and they accepted it as such. Our support, even if seeminly miniscule, can encourage their determination for a pipe organ.   Karl E. Moyer Lancaster PA   > From: Daniel Hopkins <danielwh1@ns.sympatico.ca> > Reply-To: "PipeChat" <pipechat@pipechat.org> > Date: Tue, 01 Jan 2002 18:19:50 -0400 > To: PipeChat <pipechat@pipechat.org> > Subject: Sorry ,More Bad news > > I am getting sick and tired of hearing of the destruction or near = destruction > of so many Beautiful churches the past few months > Well heres another first link is before todays fire > the second link is after todays fire > http://www.rootsweb.com/~nbpstgeo/stge4apic6.htm > http://www.rootsweb.com/~nbpstgeo/stge4b43.htm > > On the good side of the news > St. Johns Anglican Church in Lunenburg will be rebuilding there Church = using > what they can salvage of whats left. Right now they have a building of = sorts > built over and around to preserve whats left standing > > Danielwh > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: Re: shifting organs From: <Cremona502@cs.com> Date: Tue, 1 Jan 2002 20:37:02 EST     --part1_48.4475473.2963be3e_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 1/1/02 4:45:27 AM Eastern Standard Time, TheShieling@xtra.co.nz writes:     > Sorry, but I don't know how to make attachments, how to avoid them, or = even > have any idea what they are. I just type in under Reply to Author or = Compose > New Message. What am I doing wrong? >   None of Ross's posts that I have received have had attachments.   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly & Dewi http://members.tripod.com/Brucon502/baskerbargains Please visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_48.4475473.2963be3e_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 1/1/02 4:45:27 AM Eastern Standard Time, TheShieling@xtra.co.nz writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Sorry, but I don't = know how to make attachments, how to avoid them, or even <BR>have any idea what they are. I just type in under Reply to Author or = Compose <BR>New Message. What am I doing wrong? <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>None of Ross's posts that I have received have had attachments. <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Duncan, Miles, Molly &amp; Dewi = &nbsp;http://members.tripod.com/Brucon502/baskerbargains <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;&nbsp;</FONT></HTML>   --part1_48.4475473.2963be3e_boundary--  
(back) Subject: Re: Wellington Cathedral organ From: <Cremona502@cs.com> Date: Tue, 1 Jan 2002 20:44:44 EST     --part1_187.1525b19.2963c00c_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 1/1/02 5:17:46 AM Eastern Standard Time, TheShieling@xtra.co.nz writes:     > the cathedral itself, which latter is undoubtedly too long at 8.5 = seconds. > The fomer Director of Music, Philip Walsh, said that you cannot make = proper > music in that length of reverberation, all you can do is create fabulous =   > atmosphere.   I find this statement somewhat sad, especially having lived in areas with churches with "good" acoustics and reverberation of 2.5 seconds. (yuk ptui!!) Having a building with 8.5 seconds reverberation would be fabulous IMHO. I'd love to worship in it and to hear music made in it. = My recommendation, do the best you can and count your blessings. I guess = I'm strange, but I prefer "fabulous atmosphere" in worship to "making proper music." I reall don't see that the two are mutually exclusive. Some things may not work as well as others, polyphony perhaps, but that's not nearly as bad a polyphony in a dead room, or anything in a mediocre room. = When acoustics are "optimal" at about 2.5 - 3 seconds, the acoustics are = not bad enough to be corrected or good enough to be exciting. My feeling is =   that if the incumbent does not like the acoustics, there are places with = bad acoustics that would be glad to have him/her.   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly & Dewi http://members.tripod.com/Brucon502/baskerbargains Please visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_187.1525b19.2963c00c_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 1/1/02 5:17:46 AM Eastern Standard Time, TheShieling@xtra.co.nz writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">the cathedral = itself, which latter is undoubtedly too long at 8.5 seconds. The fomer = Director of Music, Philip Walsh, said that you cannot make proper music in = that length of reverberation, all you can do is create fabulous = atmosphere. </FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>I find this statement somewhat sad, especially having lived in areas = with churches with "good" acoustics and reverberation of 2.5 seconds. = &nbsp;(yuk ptui!!) &nbsp;&nbsp;&nbsp;&nbsp;Having a building with 8.5 = seconds reverberation &nbsp;would be fabulous IMHO. &nbsp;I'd love to = worship in it and to hear music made in it. &nbsp;&nbsp;My recommendation, = do the best you can and count your blessings. &nbsp;&nbsp;&nbsp;I guess = I'm strange, but I prefer "fabulous atmosphere" in worship to "making = proper music." &nbsp;&nbsp;I reall don't see that the two are mutually = exclusive. &nbsp;&nbsp;Some things may not work as well as others, = polyphony perhaps, but that's not nearly as bad a polyphony in a dead = room, or anything in a mediocre room. &nbsp;&nbsp;When acoustics are = "optimal" at about 2.5 - 3 seconds, the acoustics are not bad enough to be = corrected or good enough to be exciting. &nbsp;&nbsp;&nbsp;My feeling is = that if the incumbent does not like the acoustics, there are places with = ba <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Duncan, Miles, Molly &amp; Dewi = &nbsp;http://members.tripod.com/Brucon502/baskerbargains <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;&nbsp;</FONT></HTML>   --part1_187.1525b19.2963c00c_boundary--  
(back) Subject: Re: shifting organs From: <Cremona502@cs.com> Date: Tue, 1 Jan 2002 20:51:46 EST     --part1_109.b2ad176.2963c1b2_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   I would be very interested in hearing Ross share his knowledge of organs = in New Zealand. It would be quite refreshing to have actual organs = discussed on the list! But I beg, please share complete stoplists. A person would =   certainly not be satisfied to sit down at a console and see: 888444322IV 16884 ! Names! Give me names! ;-)   I vote YES!!!   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly & Dewi http://members.tripod.com/Brucon502/baskerbargains Please visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_109.b2ad176.2963c1b2_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>I would be very = interested in hearing Ross share his knowledge of organs in New Zealand. = &nbsp;&nbsp;It would be quite refreshing to have actual organs discussed = on the list! &nbsp;&nbsp;But I beg, please share complete stoplists. = &nbsp;A person would certainly not be satisfied to sit down at a console = and see: &nbsp;888444322IV 16884 ! &nbsp;&nbsp;Names! &nbsp;Give me names! =   <BR>;-) <BR> <BR>I vote YES!!! <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Duncan, Miles, Molly &amp; Dewi = &nbsp;http://members.tripod.com/Brucon502/baskerbargains <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;&nbsp;</FONT></HTML>   --part1_109.b2ad176.2963c1b2_boundary--  
(back) Subject: Re: plain text From: <ContraReed@aol.com> Date: Tue, 1 Jan 2002 20:53:42 EST   In a message dated 1/1/02 6:21:19 PM Eastern Standard Time, gblack@ocslink.com writes:   << HI list. Off topic, I need help too concerning how I get to plain = text and where to find it on my computer. Thanks in advance. Gary >>   That's probably a question which is best asked of the technical folks at = your Internet Service Provider. Each provider has different menus and ways to doing things. Call their tech support number and ask.  
(back) Subject: Re: not-too-difficult soprano solo From: <Cremona502@cs.com> Date: Tue, 1 Jan 2002 21:13:33 EST     --part1_164.67bc260.2963c6cd_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 1/1/02 4:33:19 PM Eastern Standard Time, = MFoxy9795@aol.com writes:     > There is a woman in my church choir with a nice light soprano voice with =   > some > training who would like to sing a solo. what suggestions do you all = have > for > something not hard to learn and appropriate for Epiphany? >   A really wonderful solo for this type of voice would be hymn no. 50 in the =   Hymnal 1940. The text is wonderfully haunting narrative and is very poetic.... the tune, "Chatres" is perfect for the text and a very light = voice.   Bruce Cornely ~ Cremona502@cs.com with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Duncan, Miles, Molly & Dewi http://members.tripod.com/Brucon502/baskerbargains Please visit Howling Acres at http://members.tripod.com/Brucon502/   --part1_164.67bc260.2963c6cd_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 1/1/02 4:33:19 PM Eastern Standard Time, MFoxy9795@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">There is a woman = in my church choir with a nice light soprano voice with some <BR>training who would like to sing a solo. &nbsp;what suggestions do you = all have for <BR>something not hard to learn and appropriate for Epiphany? <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>A really wonderful solo for this type of voice would be hymn no. 50 in = the Hymnal 1940. &nbsp;&nbsp;&nbsp;The text is wonderfully haunting = narrative and is very poetic.... the tune, "Chatres" is perfect for the = text and a very light voice. <BR> <BR>Bruce Cornely &nbsp;&nbsp;&nbsp;&nbsp;~ &nbsp;Cremona502@cs.com &nbsp; <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Duncan, Miles, Molly &amp; Dewi = &nbsp;http://members.tripod.com/Brucon502/baskerbargains <BR>Please visit Howling Acres at = &nbsp;&nbsp;http://members.tripod.com/Brucon502/ <BR> &nbsp;&nbsp;&nbsp;</FONT></HTML>   --part1_164.67bc260.2963c6cd_boundary--