PipeChat Digest #2677 - Wednesday, January 30, 2002
 
re: St. Andrew's, Tampa
  by <RMB10@aol.com>
Buxtehude reverie
  by "Glenda" <gksjd85@access.aic-fl.com>
Sainte-Chapelle and Cologne Cathedral
  by "Glenda" <gksjd85@access.aic-fl.com>
Re: Buxtehude reverie
  by "Randolph Runyon" <runyonr@muohio.edu>
Re: Sainte-Chapelle and Cologne Cathedral
  by "Randolph Runyon" <runyonr@muohio.edu>
Quick Karg-Elert question
  by "Emmons, Paul" <pemmons@wcupa.edu>
Tampa St. John's
  by "Judy A. Ollikkala" <71431.2534@compuserve.com>
Re: Buxtehude reverie
  by "Margo Dillard" <dillardm@airmail.net>
Quick Grunenwald question
  by "Emmons, Paul" <pemmons@wcupa.edu>
Re: Quick Grunenwald answer
  by "Stephen Ohmer" <knopfregal@yahoo.com>
Re: Quick Karg-Elert question
  by "Karl Moyer" <kmoyer@marauder.millersville.edu>
You've Come a Long Way, Buxtehude reverie
  by "Malcolm Wechsler" <manderusa@earthlink.net>
UPDATE: Chicago International Organ Festival 17 - 19 February 200	2
  by "Cole, Carroll" <CCole@fourthchurch.org>
Re: Buxtehude reverie
  by <Cremona502@cs.com>
Re: Buxtehude reverie
  by <Cremona502@cs.com>
Westminster Choir in Concert at Fourth Presbyterian Church in Chi	cago
  by "Cole, Carroll" <CCole@fourthchurch.org>
Re: Quick Karg-Elert question
  by "Noel Stoutenburg" <mjolnir@ticnet.com>
Festival Alleluias
  by "Joshua Edwards" <fbcorganist@charter.net>
Re: Festival Alleluias
  by "David Scribner" <david@blackiris.com>
 

(back) Subject: re: St. Andrew's, Tampa From: <RMB10@aol.com> Date: Wed, 30 Jan 2002 07:57:37 EST     --part1_da.12e93950.298947c1_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Dear List- Preston Smith, formerly of St. Philip's Church, Charleston, SC, and Stella =   Maris RC Church, Sullivan's Island, SC, is the Organist and Master of the Choirs at St. Andrew's Church, Tampa. Marilyn Cowell is the Assisting Organist. The church has a Fisk (3 manual--if I remember correctly) and = the church has an active music program. I'm not sure what the church had for = an instrument prior to the Fisk. Preston sent me their music schedule for 2001-2002 and here is the info:   Sunday, Feb. 3, 2002 9:30 and 11:15 services Simple Gifts--Aaron Copland O rest in the Lord (Elijah)--Felix Mendelssohn   5:00 PM Candlemas Procession with Holy Eucharist and Organ Recital Guest Musicians: Members of the Assoc. of Anglican Musicians, Region IV When to the temple Mary went--Johann Eccard Mass of the Quiet Hour--George Oldroyd Ave Maria--Robert Parsons O nata lux--Thomas Tallis   Sunday February 10, 2002 9:30 and 11:15 services Surge, illuminare--Byrd Beautiful Savior--F. Melius Christiansen   Ash Wednesday 12:00 Noon and 6:00 PM Mass for four voices--Byrd Miserere mei--Byrd Call to remembrance--Richard Farrant   Sunday, February 17, 2002 9:30 and 11:15 Call to remembrance--Farrant Hide not thou thy face--Farrant   Hope some of this info is of interest. Monty Bennett   --part1_da.12e93950.298947c1_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D3 FAMILY=3D"SERIF" = FACE=3D"Times New Roman" LANG=3D"0">Dear List-<BR> Preston Smith, formerly of St. Philip's Church, Charleston, SC, and Stella = Maris RC Church, Sullivan's Island, SC, is the Organist and Master of the = Choirs at St. Andrew's Church, Tampa.&nbsp; Marilyn Cowell is the = Assisting Organist.&nbsp; The church has a Fisk (3 manual--if I remember = correctly) and the church has an active music program.&nbsp; I'm not sure = what the church had for an instrument prior to the Fisk.<BR> Preston sent me their music schedule for 2001-2002 and here is the = info:<BR> <BR> Sunday, Feb. 3, 2002&nbsp; 9:30 and 11:15 services<BR> Simple Gifts--Aaron Copland<BR> O rest in the Lord (Elijah)--Felix Mendelssohn<BR> <BR> 5:00 PM Candlemas Procession with Holy Eucharist and Organ Recital<BR> Guest Musicians:&nbsp; Members of the Assoc. of Anglican Musicians, Region = IV<BR> When to the temple Mary went--Johann Eccard<BR> Mass of the Quiet Hour--George Oldroyd<BR> Ave Maria--Robert Parsons<BR> O nata lux--Thomas Tallis<BR> <BR> Sunday February 10, 2002&nbsp;&nbsp;&nbsp; 9:30 and 11:15 services<BR> Surge, illuminare--Byrd<BR> Beautiful Savior--F. Melius Christiansen<BR> <BR> Ash Wednesday 12:00 Noon and 6:00 PM<BR> Mass for four voices--Byrd<BR> Miserere mei--Byrd<BR> Call to remembrance--Richard Farrant<BR> <BR> Sunday, February 17, 2002&nbsp;&nbsp;&nbsp;&nbsp; 9:30 and 11:15<BR> Call to remembrance--Farrant<BR> Hide not thou thy face--Farrant<BR> <BR> Hope some of this info is of interest.<BR> Monty Bennett</FONT></HTML>   --part1_da.12e93950.298947c1_boundary--  
(back) Subject: Buxtehude reverie From: "Glenda" <gksjd85@access.aic-fl.com> Date: Wed, 30 Jan 2002 06:58:58 -0600   I've been thinking of Buxtehude lately at the weirdest times, like when I should be preparing for court. I would be interested in your:   (1) favorite chorale prelude to play (that leaves Bruce out); and   (2) favorite non-choral organ piece to play.   Maybe I'll add him to the list of New Year's resolutions - there were several of his I started and quit.   Regards,   Glenda Sutton            
(back) Subject: Sainte-Chapelle and Cologne Cathedral From: "Glenda" <gksjd85@access.aic-fl.com> Date: Wed, 30 Jan 2002 06:58:58 -0600   The other day I was in Books a Million and happened upon this big coffee table book simply entitled "Churches". It contains about a page apiece on impressive churches around the world of various faiths, from the oldest to the youngest churches. So I've supplemented my bedtime reading with a couple pages per night and McCullough's book on John Adams.   Anyway, I was reading last night about Sainte-Chapelle (forgive me if the spelling is off - I'm too lazy to look it up) and Cologne Cathedral. There was no sign or mention of an organ at the former - is there, and can one describe it?   Regarding the latter, there was on the left a hanging (cantilevered, if you will) division. Can one describe for us the organ at Cologne?   Thanks so much,   Glenda Sutton        
(back) Subject: Re: Buxtehude reverie From: "Randolph Runyon" <runyonr@muohio.edu> Date: Wed, 30 Jan 2002 09:16:28 -0400   on 1/30/02 8:58 AM, Glenda at gksjd85@access.aic-fl.com wrote:   > I've been thinking of Buxtehude lately at the weirdest times, like when > I should be preparing for court. I would be interested in your: > > (1) favorite chorale prelude to play (that leaves Bruce out); and > > (2) favorite non-choral organ piece to play.   As for (2), I love the Prelude, Fugue, and Ciacona in C, as well as the Passacaglia and the Ciaconas (E Minor and C Minor). The last two are most conducive to reverie.     Randy Runyon Music Director Zion Lutheran Church Hamilton, Ohio runyonr@muohio.edu      
(back) Subject: Re: Sainte-Chapelle and Cologne Cathedral From: "Randolph Runyon" <runyonr@muohio.edu> Date: Wed, 30 Jan 2002 10:30:49 -0400   on 1/30/02 8:58 AM, Glenda at gksjd85@access.aic-fl.com wrote: I was reading last night about Sainte-Chapelle... > There was no sign or mention of an organ...r - is there, and > can one describe it? >   I don't believe there is one there, nor that it is used at present for religious services--only concerts, and of course as a tourist attraction = for the splendor of its glass and its being just about the only example extant where the statues and columns still have their paint.     Randy Runyon Music Director Zion Lutheran Church Hamilton, Ohio runyonr@muohio.edu      
(back) Subject: Quick Karg-Elert question From: "Emmons, Paul" <pemmons@wcupa.edu> Date: Wed, 30 Jan 2002 12:08:51 -0500   My music's at home and I'm not, so I can't look it up myself just now:   His chorale preludes op.65-66 (I have several volumes of the Marks = edition, now alas out of print) include one on Aus Tiefer Not; according to Edson, this is in vol. 5.   What is the opus number of this chorale prelude (opus xx, no. xx)?   (Please reply by e-mail, no need to bother the list). Thanks for your trouble, anyone who has the music.   Paul    
(back) Subject: Tampa St. John's From: "Judy A. Ollikkala" <71431.2534@compuserve.com> Date: Wed, 30 Jan 2002 12:35:03 -0500   Steve Ohmer is right, the original organ was a Casavant, augmented first = by Wicks, and then later by others. I was told that recently and forgot. I believe no Moller was involved. James Taylor was hired = Organist/Choirmaster there around 1979 from Fitchburg MA, and shortly before the family moved = to Tampa, it was discovered that he had cancer. He was alive for 2 years after the move and directed the choir, sometimes from a wheelchair, his wife Eleanor was the organist, and after his death she continued the music program. She has now been there for 22 years. Her assistant organist is Franklin Coleman, also originally from New England. Three of my four sons sang with the Taylors M&B Choir in Fitchburg MA at Christ Church Episcopal during the 1970's. Henry Hokans took over that choir after the Taylors left for Florida. He was there for 4 years, then Brenda Fraser Caldwell = who remains the Music Minister, but without the M&B Choir. Judy Ollikkala  
(back) Subject: Re: Buxtehude reverie From: "Margo Dillard" <dillardm@airmail.net> Date: Wed, 30 Jan 2002 12:23:48 -0600   > on 1/30/02 8:58 AM, Glenda at gksjd85@access.aic-fl.com wrote: > > > I've been thinking of Buxtehude lately at the weirdest times, like = when > > I should be preparing for court. I would be interested in your: > >> (2) favorite non-choral organ piece to play. >   2) is easy - except that I can't remember what key it is in - It is a Prelude and Fugue - I want to say in a - or maybe d the fugue theme is a spicky, dancy little dittie - short motives that echo   There now - that is clear isn't it.   Haven't played it in years - should get it out.   Margo    
(back) Subject: Quick Grunenwald question From: "Emmons, Paul" <pemmons@wcupa.edu> Date: Wed, 30 Jan 2002 13:20:50 -0500   Hmm, in search of Jean-Jacques Grunenwald's dates, I just looked him up in New Grove Dictionary, whose brief article notes that he was Dupre's assistant at Saint-Sulpice 1936-1945, but does not mention that he = succeeded Dupre. A strange omission, I thought. So, turning to Baker's = Biographical Dictionary, I found an almost identical article that also does not mention the fact.   Now I wonder whether it is a fact, or something I learned wrong in the = early 70s and never unlearned.   *Who* was the organist of Saint-Sulpice between Dupre and Roth?   If it was in fact Grunenwald, this tenure represents a high point in one's career and deserves to be included in these reference books.    
(back) Subject: Re: Quick Grunenwald answer From: "Stephen Ohmer" <knopfregal@yahoo.com> Date: Wed, 30 Jan 2002 10:49:31 -0800 (PST)   In a word: Grunenwald. He was immediate successor to the Dupre....   SteveOhmer   --- "Emmons, Paul" <pemmons@wcupa.edu> wrote: > Hmm, in search of Jean-Jacques Grunenwald's > dates, I just looked him up in > New Grove Dictionary, whose brief article notes > that he was Dupre's > assistant at Saint-Sulpice 1936-1945, but does > not mention that he succeeded > Dupre. A strange omission, I thought. So, > turning to Baker's Biographical > Dictionary, I found an almost identical article > that also does not mention > the fact. > > Now I wonder whether it is a fact, or something > I learned wrong in the early > 70s and never unlearned. > > *Who* was the organist of Saint-Sulpice between > Dupre and Roth? > > If it was in fact Grunenwald, this tenure > represents a high point in one's > career and deserves to be included in these > reference books. > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital > organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: > mailto:requests@pipechat.org >     =3D=3D=3D=3D=3D     __________________________________________________ Do You Yahoo!? Great stuff seeking new owners in Yahoo! Auctions! http://auctions.yahoo.com  
(back) Subject: Re: Quick Karg-Elert question From: "Karl Moyer" <kmoyer@marauder.millersville.edu> Date: Wed, 30 Jan 2002 13:56:43 -0500   Op. 76, No. 45.   Karl E. Moyer Lancaster PA   > From: "Emmons, Paul" <pemmons@wcupa.edu> > Reply-To: "PipeChat" <pipechat@pipechat.org> > Date: Wed, 30 Jan 2002 12:08:51 -0500 > To: "'Piporg-L'" <PIPORG-L@listserv.albany.edu>, "'PipeChat'" > <pipechat@pipechat.org> > Subject: Quick Karg-Elert question > > My music's at home and I'm not, so I can't look it up myself just now: > > His chorale preludes op.65-66 (I have several volumes of the Marks = edition, > now alas out of print) include one on Aus Tiefer Not; according to = Edson, > this is in vol. 5. > > What is the opus number of this chorale prelude (opus xx, no. xx)? > > (Please reply by e-mail, no need to bother the list). Thanks for your > trouble, anyone who has the music. > > Paul > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: You've Come a Long Way, Buxtehude reverie From: "Malcolm Wechsler" <manderusa@earthlink.net> Date: Wed, 30 Jan 2002 14:35:41 -0500   Dear Lists and Friends,   Well, what I mean by that strange heading is that Glenda cross posted the query below to both lists, and I realized that quite a few of the answers were sent to one list or the other, not both. Perhaps I can be an agent = for partial reconciliation!   For chorale preludes, I am afraid that, undiscriminating type that I am, I really love all those ornamented settings, which do, to be sure, as Paul Emmons says, sound rather formulaic and alike. One addition made to my = 1916 Hook & Hastings when it was installed by Patrick Murphy in my church a few years BM (before Malcolm) was a very nice Sesquialtera, which I believe = was a gift of Bill Voetberg (an occasional resident of PipOrg-L), who was organist at the time. For this, I am grateful, partly because it does = bring these Buxtehude works to life. And who among us can not like Wie Schoen? = It might even merit an Haruffaroo from our resident CP-O-Phobe!   Along with several others, I deeply adore the big G Minor, the one with = the ostinato pedal in the first section. That's a landmark out of Lubeck. I cannot hear it often enough.   Vernon deTar assigned me the Chaconne in E Minor all those years ago = because it was easy, and he did not want to tax the person he frequently = introduced as his worst student! (Charlie Schramm, who occasionally pokes his nose = into one of these lists, brought me peace just a few years ago by telling me = that it was o.k., Vernon did that to him as well, and therefore, there might = have been others! This was wonderful news!) To Vernon, I remain grateful for = the E Minor Chaconne for whatever reason. A couple of others mentioned this = work in their lists. Seth Bingham (1882-1972) was a great figure in the = American organ world - Roulade has been mentioned happily on these lists recently, = or Remoulade, as a friend who watches the food chanel too much always calls = it. He may provide some insight into attitudes or understandings his = generation may have held concerning music of the Baroque. This was, remember, the period when the editor of the old American Organist Magazine was referring to most Baroque music as "graveyard gems," and "resurrected relics!" (Tony Baglivi keeps those feelings to himself!) Bingham produced an edition of "that sort" of music including the E Minor Chaconne, and did the most amazing thing. He omitted all the repeats. The lovely music that = accompanies each statement of the bass is repeated by Buxtehude, and Bingham, I = suppose inspired by the Bach C Minor, which got along fine without each section being repeated, took it all out, with a little note to the effect that it "seemed redundant to the editor."   Thanks to Glenda for her reverie, and I hope this is some of what she is looking for.   Malcolm Wechsler www.mander-organs.com   ----- Original Message ----- From: "Glenda" <gksjd85@access.aic-fl.com> To: <pipechat@pipechat.org>; <PIPORG-L@listserv.albany.edu> Sent: Wednesday, January 30, 2002 7:58 AM Subject: Buxtehude reverie     > I've been thinking of Buxtehude lately at the weirdest times, like when > I should be preparing for court. I would be interested in your: > > (1) favorite chorale prelude to play (that leaves Bruce out); and > > (2) favorite non-choral organ piece to play. > > Maybe I'll add him to the list of New Year's resolutions - there were > several of his I started and quit. > > Regards, > > Glenda Sutton >        
(back) Subject: UPDATE: Chicago International Organ Festival 17 - 19 February 200 2 From: "Cole, Carroll" <CCole@fourthchurch.org> Date: Wed, 30 Jan 2002 15:11:52 -0600   Sunday, February 17, 2002 3:00 p.m. Peter Richard Conte The Fourth Presbyterian Church of Chicago 126 East Chestnut Street Suggested Donations: $12 / $10 seniors, students, and AGO members http://www.visitchicago.com/chicago-guide.shtml   PROGRAM OVERTURE TO "CANDIDE" by Leonard Bernstein (transcribed by Peter Richard Conte) OVERTURE TO THE MAGIC FLUTE by Wolfgang Amadeus Mozart (transcribed by A. = L. Peace) OVERTURE TO THE MERRY WIVES OF WINDSOR by Otto Nicolai (transcribed by = Peter Richard Conte) NIGHT ON THE BARE MOUNTAIN by Modest Mussorgskij (transcribed by Peter Richard Conte) OVERTURE DI BALLO by Arthur Sullivan (transcribed by Peter Richard Conte) RUY BLAS OVERTURE by Felix Mendelssohn (transcribed by Peter Richard = Conte) GRACEFUL GHOST RAG by William Bolcom (transcribed by Peter Richard Conte) IL BARBIERE DI SIVIGLIA (Sinfonia) by Gioachino Rossini (transcribed by Peter Richard Conte)   Peter Richard Conte is an organist who's great skill and innovative style can be completely enjoyed by any general audience -not just by other organists and organ buffs. He programs transcriptions (many of them works = he has arranged himself) of recognizable audience favorite pieces, including many of the great opera arias and overtures, rather than merely offering transcriptions of obscure orchestral works translated into (equally = obscure) organ works. Peter Richard Conte is highly and widely regarded for his skill as a performer, arranger of organ transcriptions, and for his unique and varied programs-not many performers today offer a Bach Prelude and Fugue followed by Bizet's "Carmen" or a Strauss waltz. He has been featured several times on National Public Radio and on ABC national television's "Good Morning America" and performs many times each week on the legendary Wanamaker = Organ in Philadelphia of which he is the fourth Grand Court Organist. He will be a featured artist at the 2003 national convention of the American Guild of Organists.     C. Carroll Cole, Coordinator of Fine Arts Fourth Presbyterian Church 126 East Chestnut Street, Chicago, IL 60611-2094 312.787.2729, ext. 252 facsimile 312.787.4584 ccole@fourthchurch.org <http://www.fourthchurch.org>      
(back) Subject: Re: Buxtehude reverie From: <Cremona502@cs.com> Date: Wed, 30 Jan 2002 17:18:45 EST     --part1_4d.1859b81a.2989cb45_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 1/30/02 7:59:43 AM Eastern Standard Time, gksjd85@access.aic-fl.com writes:     > <I've been thinking of Buxtehude lately at the weirdest times, like when > I should be preparing for court. I would be interested in your: > > (1) favorite chorale prelude to play (that leaves Bruce out);   snrk snrk snrk.....   and   > (2) favorite non-choral organ piece to play. > My favorite is the C major Prelude. Lots of fun motifs, manual changes = and divisional contrasts. Also some nice places for improvised ornamentation = and cadenzae!   After seeing the specs of the new Pasi organ for St. Cecilia Cathedral = with dual temperament, I was thinking how exciting it would be to play a piece with manual dialog and use well-temperament for the primary registration = and then meantone for the secondary episodes. The change in = colour/temperament would be very exciting and very impressive.... simply stunning!   Glenda, maybe you can tune two stops meantone-for-a-day!!!   Bruce Cornely < Cremona502@cs.com > with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Visit Howling Acres and meet the Baskerbeagles: Duncan, Miles, Molly & = Dewi < http://members.tripod.com/Brucon502 >   --part1_4d.1859b81a.2989cb45_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 1/30/02 7:59:43 AM Eastern Standard Time, gksjd85@access.aic-fl.com = writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">&lt;I've been = thinking of Buxtehude lately at the weirdest times, like when <BR>I should be preparing for court. &nbsp;I would be interested in your: <BR> <BR>(1) favorite chorale prelude to play (that leaves Bruce out); = </FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">snrk snrk snrk..... <BR> <BR>and <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">(2) favorite = non-choral organ piece to play. <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR>My favorite is the C major Prelude. &nbsp;&nbsp;Lots of fun motifs, = manual changes and divisional contrasts. &nbsp;Also some nice places for = improvised ornamentation and cadenzae! <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">After seeing the specs of the new Pasi organ for = St. Cecilia Cathedral with dual temperament, I was thinking how exciting = it would be to play a piece with manual dialog and use well-temperament = for the primary registration and then meantone for the secondary episodes. = &nbsp;&nbsp;The change in colour/temperament would be very exciting and = very impressive.... simply stunning! &nbsp;&nbsp;&nbsp;&nbsp; <BR> <BR>Glenda, maybe you can tune two stops meantone-for-a-day!!! <BR> <BR> Bruce Cornely &lt; Cremona502@cs.com &gt;<I> </I> <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Visit Howling Acres <I>&nbsp;</I>and meet the Baskerbeagles: = &nbsp;Duncan, Miles, Molly &amp; Dewi <BR> &nbsp;&nbsp;&nbsp;&lt; &nbsp;http://members.tripod.com/Brucon502 = &gt;</FONT></HTML>   --part1_4d.1859b81a.2989cb45_boundary--  
(back) Subject: Re: Buxtehude reverie From: <Cremona502@cs.com> Date: Wed, 30 Jan 2002 17:28:10 EST     --part1_23.186cf71a.2989cd7a_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   By George, amazing.... I really enjoy the variations on How Brightly Shines the = Morning Star. Lots of fun and great exploitation of tuning nuances!!       Bruce Cornely < Cremona502@cs.com > with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" Visit Howling Acres and meet the Baskerbeagles: Duncan, Miles, Molly & = Dewi < http://members.tripod.com/Brucon502 >   --part1_23.186cf71a.2989cd7a_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2> By George, &nbsp; <BR>amazing.... I really enjoy the variations on How Brightly Shines the = Morning Star. &nbsp;&nbsp;Lots of fun and great exploitation of tuning = nuances!! <BR> <BR> <BR> <BR> Bruce Cornely &lt; Cremona502@cs.com &gt;<I> </I> <BR>with the Baskerbeagles in the Beagle's Nest ~ ""Haruffaroo, Bohawow!" <BR>Visit Howling Acres <I>&nbsp;</I>and meet the Baskerbeagles: = &nbsp;Duncan, Miles, Molly &amp; Dewi <BR> &nbsp;&nbsp;&nbsp;&lt; &nbsp;http://members.tripod.com/Brucon502 = &gt;</FONT></HTML>   --part1_23.186cf71a.2989cd7a_boundary--  
(back) Subject: Westminster Choir in Concert at Fourth Presbyterian Church in Chi cago From: "Cole, Carroll" <CCole@fourthchurch.org> Date: Wed, 30 Jan 2002 16:42:54 -0600   PLEASE SHARE THIS INFORMATION WITH YOUR CHOIRS and OTHERS WHO MIGHT BE INTERESTED   The Westminster Choir of Rider University will perform at Fourth Presbyterian Church on Friday, 22 March at 8:00 p.m. Under the direction = of Joseph Flummerfelt, their tour celebrates the 75th anniversary of the legendary ensemble. A professional college of music with a unique choral emphasis, Westminster prepares students at the undergraduate and graduate levels for careers in teaching, sacred music, and performance. Suggested donations: $20 reserved seating; $15 general seating; $12 = seniors and students; $10 for groups of 10 or more. To order tickets, call = 312.787.2729, ext. 231.   http://www.rider.edu/westminster/ensembles/westchoir.html   http://www.visitchicago.com/chicago-guide.shtml   C. Carroll Cole, Coordinator of Fine Arts Fourth Presbyterian Church 126 East Chestnut Street, Chicago, IL 60611-2094 312.787.2729, ext. 252 facsimile 312.787.4584 ccole@fourthchurch.org <http://www.fourthchurch.org>      
(back) Subject: Re: Quick Karg-Elert question From: "Noel Stoutenburg" <mjolnir@ticnet.com> Date: Wed, 30 Jan 2002 17:25:38 -0600       "Emmons, Paul" wrote:   > My music's at home and I'm not, so I can't look it up myself just now: > > His chorale preludes op.65-66 (I have several volumes of the Marks = edition, > now alas out of print) include one on Aus Tiefer Not; according to = Edson, > this is in vol. 5.   The version of "Aus tiefer Not" in Karg-Elert's opus 65 is number 45.   ns    
(back) Subject: Festival Alleluias From: "Joshua Edwards" <fbcorganist@charter.net> Date: Wed, 30 Jan 2002 21:05:11 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0003_01C1A9D1.CEC5C0D0 Content-Type: text/plain; charset=3D"us-ascii" Content-Transfer-Encoding: 7bit   Does anyone have a copy of the Festival Alleluias that they can scan and send to me. I have ordered the music but need it ASAP. Thank you, Josh Edwards   ------=3D_NextPart_000_0003_01C1A9D1.CEC5C0D0 Content-Type: text/html; charset=3D"us-ascii" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META HTTP-EQUIV=3D3D"Content-Type" CONTENT=3D3D"text/html; =3D charset=3D3Dus-ascii"> <TITLE>Message</TITLE>   <META content=3D3D"MSHTML 6.00.2712.300" name=3D3DGENERATOR></HEAD> <BODY> <DIV><SPAN class=3D3D323230402-31012002><FONT face=3D3DArial = size=3D3D2>Does =3D anyone have a=3D20 copy of the Festival Alleluias that they can scan and send to me.&nbsp; = =3D I have=3D20 ordered the music but need it ASAP.</FONT></SPAN></DIV> <DIV><SPAN class=3D3D323230402-31012002><FONT face=3D3DArial=3D20 size=3D3D2></FONT></SPAN>&nbsp;</DIV> <DIV><SPAN class=3D3D323230402-31012002><FONT face=3D3DArial = size=3D3D2>Thank=3D20 you,</FONT></SPAN></DIV> <DIV><SPAN class=3D3D323230402-31012002><FONT face=3D3DArial=3D20 size=3D3D2></FONT></SPAN>&nbsp;</DIV> <DIV><SPAN class=3D3D323230402-31012002><FONT face=3D3DArial = size=3D3D2>Josh=3D20 Edwards</FONT></SPAN></DIV></BODY></HTML>   ------=3D_NextPart_000_0003_01C1A9D1.CEC5C0D0--    
(back) Subject: Re: Festival Alleluias From: "David Scribner" <david@blackiris.com> Date: Wed, 30 Jan 2002 20:09:41 -0600   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_-1199679512=3D=3D_ma=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D Content-Type: text/plain; charset=3D"us-ascii" ; format=3D"flowed"   >Does anyone have a copy of the Festival Alleluias that they can scan >and send to me. I have ordered the music but need it ASAP. >   WHAT "Festival Alleluias"??? You aren't giving enough info.   David --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_-1199679512=3D=3D_ma=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D Content-Type: text/html; charset=3D"us-ascii"   <!doctype html public "-//W3C//DTD W3 HTML//EN"> <html><head><style type=3D"text/css"><!-- blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 } --></style><title>Re: Festival Alleluias</title></head><body> <blockquote type=3D"cite" cite><font size=3D"-1">Does anyone have a copy of the Festival Alleluias that they can scan and send to me.&nbsp; I have ordered the music but need it ASAP.</font></blockquote> <blockquote type=3D"cite" cite>&nbsp;</blockquote> <div><br></div> <div>WHAT &quot;Festival Alleluias&quot;???&nbsp; You aren't giving enough info.</div> <div><br></div> <div>David</div> </body> </html> --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_-1199679512=3D=3D_ma=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D--