PipeChat Digest #2946 - Wednesday, July 3, 2002
 
Re: Reverie about Virgil Fox
  by "Mike Gettelman" <mike3247@earthlink.net>
RE: Organist Recruiting
  by "Keith Wannamaker" <Keith@Wannamaker.org>
RE: Organist Recruiting
  by "douglas morgan" <dkmorgan76209@yahoo.com>
RE: Ach!!
  by "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org>
Re: Organist Recruiting
  by "Marika E. Buchberger, LRPS" <marika57@earthlink.net>
RE: Extension question
  by "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org>
RE: Organist Recruiting
  by "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org>
Re: Organist Recruiting
  by "Tommy Becnel" <tbecnel@cajunnet.com>
RE: Organist Recruiting
  by "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org>
Re: Extension question
  by <Cremona502@cs.com>
Re: Minor update to "Rapidly failed console"
  by <RonSeverin@aol.com>
Reuter Organs
  by "Josh & Amy Edwards" <fbcorganist@charter.net>
Re: Reuter Organs
  by "Sand Lawn" <glawn@jam.rr.com>
It's about organs
  by "Brent Johnson" <brentmj@swbell.net>
 

(back) Subject: Re: Reverie about Virgil Fox From: "Mike Gettelman" <mike3247@earthlink.net> Date: Wed, 03 Jul 2002 07:02:18 -0400       Glenda wrote:   > [snip] > > I was struck by three exposures I have had to the piece "Litanies" by > Jehan Alain in the last 3 months, and by their very difference in > presentation. [snip]   Hi Glenda, Litanies is one of my very favorite pieces of organ music. I have heard the Bowyer rendition and several others on recordings as well as = some live presentations of it at concerts out at Oberlin by some students, and = by Todd Wilson at Severance Hall, but the version that struck me as quite different, and perhaps more faithful to Alain's original intent was performed by Marie Claire Alain on a Pipedreams program. She seemed to = play it in a way that made the complicated time changes make more sense to me. = It also seemed like all the notes were cleanly offered instead of the slip = and slide legato styles I have heard before. It is on my list to find the CD = of her recording of Jehan's music. Happy listening Mike    
(back) Subject: RE: Organist Recruiting From: "Keith Wannamaker" <Keith@Wannamaker.org> Date: Wed, 3 Jul 2002 08:17:24 -0500   One of my pet peeves is the fact that most churches guard their instruments with ferocious fervor, whilst lamenting that organists are so hard to come by. I leave our console accessible all the time for a number of reasons. First, A kid exploring the console is *not* going to hurt anything and might very well pique an interest. Further, it is such a pain for a guest organist to have to track down that key in the bench.   Reminds me of a nice, warm day when I was to play for a wedding rehearsal at a church I was unfamiliar with. Imagine my surprise when I showed up early to practice, motorcycle helmet in one hand, music in the other, to be told by the office lady that, "We don't let just *anyone* play our organ!" The sad part is it turned out to be an Allen.   Keith   -----Original Message----- From: Chicaleee@aol.com Sent: Tuesday, July 02, 2002 11:24 PM To: pipechat@pipechat.org Subject: Re: Organist Recruiting     Paul,   Here's my 4 cents. I was also 4 when I first had the privilege of "playing" on a pipe organ.  
(back) Subject: RE: Organist Recruiting From: "douglas morgan" <dkmorgan76209@yahoo.com> Date: Wed, 3 Jul 2002 05:41:55 -0700 (PDT)   Dear Keith:   I wish more people felt like you do.   When I was in high school learning to play the organ, our organist kept the organ locked and wouldn't let anyone touch it. She wouldn't have let God have a key to it.   During a weding, the main switch to the blower was turned off and locked. The clergy had to cut the padlock off in order to use the organ. Nobody there had a key.   Shortly afterward, the church got a new organist. The only positive contribution the old one made was to get out of there. Many, many would-be organists were lost and were not allowed to develop their talent because of her. D. Keith Morgan     --- Keith Wannamaker <Keith@Wannamaker.org> wrote: > One of my pet peeves is the fact that most churches > guard > their instruments with ferocious fervor, whilst > lamenting that > organists are so hard to come by. I leave our > console accessible > all the time for a number of reasons. First, A kid > exploring the > console is *not* going to hurt anything and might > very well > pique an interest. Further, it is such a pain for a > guest organist > to have to track down that key in the bench. > > Reminds me of a nice, warm day when I was to play > for a wedding > rehearsal at a church I was unfamiliar with. > Imagine my surprise > when I showed up early to practice, motorcycle > helmet in one hand, > music in the other, to be told by the office lady > that, "We don't > let just *anyone* play our organ!" The sad part is > it turned out > to be an Allen. > > Keith > > -----Original Message----- > From: Chicaleee@aol.com > Sent: Tuesday, July 02, 2002 11:24 PM > To: pipechat@pipechat.org > Subject: Re: Organist Recruiting > > > Paul, > > Here's my 4 cents. I was also 4 when I first had > the privilege of > "playing" on a pipe organ. > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital > organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >     __________________________________________________ Do You Yahoo!? Sign up for SBC Yahoo! Dial - First Month Free http://sbc.yahoo.com  
(back) Subject: RE: Ach!! From: "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org> Date: Wed, 3 Jul 2002 08:47:36 -0400     Did you slide off the opposite side of the bench or into the hole of hell, i.e., the pedal board or both? =3D=3D=3D The furniture wax thing is a bummer. Happened to me and my mother was the one doing the waxing.   Jim H.  
(back) Subject: Re: Organist Recruiting From: "Marika E. Buchberger, LRPS" <marika57@earthlink.net> Date: Wed, 03 Jul 2002 08:54:19 -0400   My own personal experience with organs and organists:   Going back to my childhood. A doctor who lived in the same apartment building I lived and grew up in had a farm in South New Jersey. On that farm he had an unknown pipe organ which I used to "play" endlessly for hours. I was just a kid and I had no lessons, but I used to really get into it and I loved that organ. There was a musician in the doctor's family; his daughter held a Ph.D. in music from Oxford. She loved to listen to my "playing". Actually, it was more "doodling" than anything else but she felt I had a strong talent. Alas, my parents were too into themselves to be bothered with their children. Anyway.....   A few years ago, I was in a church and I approached the organ and the organist. No names mentioned but when I reached for the keyboard of the organ, the organist had the nerve to slap my hand away!! He came very close to getting his head knocked off by me but I controlled my temper and just looked at him as if he were crazy. Turns out after getting to know him, he is crazy!   Those were my two experiences with the organ. One, profound and wonderful and the other, "spooky", to say the least.   marika   douglas morgan wrote:   > Dear Keith: > > I wish more people felt like you do. > > When I was in high school learning to play the organ, > our organist kept the organ locked and wouldn't let > anyone touch it. She wouldn't have let God have a key > to it. > > During a weding, the main switch to the blower was > turned off and locked. The clergy had to cut the > padlock off in order to use the organ. Nobody there > had a key. > > Shortly afterward, the church got a new organist. The > only positive contribution the old one made was to get > out of there. Many, many would-be organists were lost > and were not allowed to develop their talent because > of her. > D. Keith Morgan > > --- Keith Wannamaker <Keith@Wannamaker.org> wrote: > > One of my pet peeves is the fact that most churches > > guard > > their instruments with ferocious fervor, whilst > > lamenting that > > organists are so hard to come by. I leave our > > console accessible > > all the time for a number of reasons. First, A kid > > exploring the > > console is *not* going to hurt anything and might > > very well > > pique an interest. Further, it is such a pain for a > > guest organist > > to have to track down that key in the bench. > > > > Reminds me of a nice, warm day when I was to play > > for a wedding > > rehearsal at a church I was unfamiliar with. > > Imagine my surprise > > when I showed up early to practice, motorcycle > > helmet in one hand, > > music in the other, to be told by the office lady > > that, "We don't > > let just *anyone* play our organ!" The sad part is > > it turned out > > to be an Allen. > > > > Keith > > > > -----Original Message----- > > From: Chicaleee@aol.com > > Sent: Tuesday, July 02, 2002 11:24 PM > > To: pipechat@pipechat.org > > Subject: Re: Organist Recruiting > > > > > > Paul, > > > > Here's my 4 cents. I was also 4 when I first had > > the privilege of > > "playing" on a pipe organ. > > > > "Pipe Up and Be Heard!" > > PipeChat: A discussion List for pipe/digital > > organs & related topics > > HOMEPAGE : http://www.pipechat.org > > List: mailto:pipechat@pipechat.org > > Administration: mailto:admin@pipechat.org > > Subscribe/Unsubscribe: mailto:requests@pipechat.org > > > > __________________________________________________ > Do You Yahoo!? > Sign up for SBC Yahoo! Dial - First Month Free > http://sbc.yahoo.com > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org   -- "So many men, so few bullets"      
(back) Subject: RE: Extension question From: "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org> Date: Wed, 3 Jul 2002 08:56:05 -0400   The problem with these "borrowings" to choose a bad word to classify them, is that if you couple manuals for fullness you get very little added IF anything at all. It's like lite beer. --------------- Duplexing is the borrowing of a stop from one manual to another "usually ACCOMPNIMENTAL" soft stops for flexability.   Unification: is borrowing a stopped flute or diapason rank at several different pitches on two or more manual divisions.    
(back) Subject: RE: Organist Recruiting From: "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org> Date: Wed, 3 Jul 2002 09:12:02 -0400   Turns out after getting to know him, he is crazy!   ....and so it is the case for most organists!! Robert Bernardino Colasacco  
(back) Subject: Re: Organist Recruiting From: "Tommy Becnel" <tbecnel@cajunnet.com> Date: Wed, 03 Jul 2002 08:16:28 -0500   When I was an organist at another church, I went to the present chapel where I assist at the 11 am liturgy and played the new Rogers pipe/digital =   combo on the university campus. The priest asked me to sub a couple of times during the summer session, but mostly I would just pass a half-hour or hour of playing something I liked. Years later, after a fiasco with a change in pastors and the sudden demise of a music program I worked 12 years to build (the church is now happy/clappy and all youth/praise, etc), =   I went back to that chapel. The DOWorship asked me if I wanted to play along with them after I subbed for the Midnight Mass. If they had everything locked years ago, they wouldn't have an organist now.   I agree with the open console idea. It's also good when one wants to just go around to local churches and see what's in the area. Then when a = funeral or some other emergency that you're asked to sub for comes up, you have a better idea of what's facing you BEFORE YOU GET THERE.   I also think that the idea of "protecting" and old Allen, or worse, a CONN =   (maybe they thought someone with musical sensibilities would try to take = an axe to it) is funny.   TB    
(back) Subject: RE: Organist Recruiting From: "COLASACCO, ROBERT" <RCOLASACCO@popcouncil.org> Date: Wed, 3 Jul 2002 09:55:25 -0400   I was very lucky, my high school in the Bronx had a three manual organ = that one of the music teachers (Mr. Greitzer, whom I'll NEVER forget) used to use to play the Star Spangled Banner at assemblies and then played = shmoozie recessional music afterwards as we all screamed and ran out of the auditorium. I was so taken aback by the sight of the thing and the sound = it made (and I don't know who built the beast although the tuner once told me it was a Mohler) I one day approached Mr. Greitzer and asked him about the organ and if it was like the piano, i.e., are the notes 1/2 step. You see = as a kid I saw an album cover photo of E. Power Biggs sitting at the console of the Michealskerk in Zwolle, a four manual Schnitger, and I showed it to my older brother and told him that it had four manuals because the organ = is tuned in quarter "notes" (I meant tones but was too young to know that) = but I fell in love with that Bach at Zwolle album and St. Anne in particular = is my favorite P&F of Bach. And THAT recording of it is still the best one = in my opinion. Back to the HS story. With that history behind me I approached Mr. Greitzer to ask about the organs tuning and he said it is like a piano tuned in 1/2 tones and asked me if I would like to play it. Just like that!!! I was shocked and I said yes and I attempted to play it and was so excited (at age 16 no less) and almost peed myself...to be blunt. He said = to me, anytime you have free time and want to practice just come to my room = and I'll give you the key. (The blower switch, oddly, was operated by a two-tined fork type key which was located in the center of the front of = the stage, a good 20 feet away from the console. The organ itself was in a beautiful mahogany case at the back of the stage.) Wow!! not only access = to the organ but TRUST. Someone trusted me whom I had never before ever = spoke with in my life. I took him up on his offer and this was the start of my love affair mit orgel und the opening of one of many doors to adulthood = and maturity; after all some "stranger" trusted me with a major = responsibility. You see, I attended what in the 60s was considered one of the badest high schools in the Bronx which, however, had one of the best HS music departments in the city (second only to M&A) and probably THE best basketball team in NYC. Blah, blah, blah.   You see coming from a not very religious (thank god) family I wouldn't = know from churches and their organs except for the very few occasions when I'd attend a service for some particular reason or other I very much listened = to and adored the organ music. Or course, as a child I couldn't distinguish good from bad organ playing. I just adored the sounds.   Robert Bernardino Colasacco     -----Original Message----- From: Tommy Becnel [mailto:tbecnel@cajunnet.com] Sent: Wednesday, July 03, 2002 9:16 AM To: PipeChat Subject: Re: Organist Recruiting     When I was an organist at another church, I went to the present chapel where I assist at the 11 am liturgy and played the new Rogers pipe/digital =   combo on the university campus. The priest asked me to sub a couple of times during the summer session, but mostly I would just pass a half-hour or hour of playing something I liked. Years later, after a fiasco with a change in pastors and the sudden demise of a music program I worked 12 years to build (the church is now happy/clappy and all youth/praise, etc), =   I went back to that chapel. The DOWorship asked me if I wanted to play along with them after I subbed for the Midnight Mass. If they had everything locked years ago, they wouldn't have an organist now.   I agree with the open console idea. It's also good when one wants to just go around to local churches and see what's in the area. Then when a = funeral or some other emergency that you're asked to sub for comes up, you have a better idea of what's facing you BEFORE YOU GET THERE.   I also think that the idea of "protecting" and old Allen, or worse, a CONN =   (maybe they thought someone with musical sensibilities would try to take an axe to it) is funny.   TB     "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:pipechat@pipechat.org Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: mailto:requests@pipechat.org  
(back) Subject: Re: Extension question From: <Cremona502@cs.com> Date: Wed, 3 Jul 2002 11:31:43 EDT     --part1_bf.22ae88a0.2a5472df_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 7/3/02 9:58:41 AM Atlantic Daylight Time, RCOLASACCO@popcouncil.org writes: > The problem with these "borrowings" to choose a bad word to classify = them, > is that if you couple manuals for fullness you get very little added IF > anything at all. It's like lite beer.   Although the "coupling and getting nothing" is a problem with duplexing, = in a small instrument it is worth the minor frustration when you consider the =   benefits of expanded use of resources.   Borrowing causes problems with coupling, etc, and there is more trade-off with borrowing, but in many cases it's not difficult to live with.   A case in point. Wicks built in 1958.   Great: Diapason 8, Octave 4, Twelfth 2-2/3, Fifteenth 2 duplexed from choir: Harmonic Flute 8 4; Gemshorn 8 4 Choir: Viola 8, Harmonic Flute 8 4, Gemshorn 8 4, Dolcan 8 4 2-2/3 2 1-3/5 , Dolcan Celeste 8 tc Swell: Geigen Principal 8, Gedeckt 16 8 4, Gamba 8 4, Gamba Celeste 8 tc, = Nazard 2-2/3 2, Trumpet 8 4 Pedal: Open Diapason 16 8 5-1/3 (12 pipes, ext gr 8), Bourdon 16, = Lieblich Gedeckt 16 8 (sw), Bass Flute 8 (ch HF), Cello 8 (sw), Trombone 16 (12 pipes, extension sw Trumpet)   This organ is very versatile and does its job well, especially with the advantage of the independent Great principal chorus. The only problem I =   found was with the lack of independent 4' stops in the Choir and Swell. This was solved by replacing the Gamba Celeste with a 4' principal, and = the Dolcan Celeste with a 4' spitzflute.   The most important thing, though, is to explore the instrument and lear = what is straight and what is borrowed or duplexed, and then use the instrument = to the best of its ability. This is especially important when playing big pieces. By omitting extended stops at pitches not really needed, the clarity of the sound is improved.   The basic rule: Know thine instrument!! ;-)   Bruce in the Muttestery   with the Baskerbeagles at <A = HREF=3D"http://members.tripod.com/brucon502">HowlingAcres</A> = http://members.tripod.com/brucon502 .... need extra money??? visit http://www.visionsuccess.com/BC2053 enjoy shopping?? visit www.freestoreclub.com/go/BDawg   --part1_bf.22ae88a0.2a5472df_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><BODY BGCOLOR=3D"#80ff80"><FONT = COLOR=3D"#008000" SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Tahoma" = LANG=3D"0"><I>In a message dated 7/3/02 9:58:41 AM Atlantic Daylight Time, = RCOLASACCO@popcouncil.org writes: </FONT><FONT COLOR=3D"#000000" = style=3D"BACKGROUND-COLOR: #80ff80" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></I><BR> <BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">The problem with = these "borrowings" to choose a bad word to classify them,<BR> is that if you couple manuals for fullness you get very little added = IF<BR> anything at all. It's like lite beer.</BLOCKQUOTE><BR> </FONT><FONT COLOR=3D"#008000" style=3D"BACKGROUND-COLOR: #80ff80" = SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Tahoma" LANG=3D"0"><I><BR> </FONT><FONT COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #80ff80" = SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></I>Although the = "coupling and getting nothing" is a problem with&nbsp; duplexing, in a = small instrument it is worth the minor frustration when you consider the = benefits of expanded use of resources.&nbsp;&nbsp;&nbsp;&nbsp; <BR> <BR> Borrowing causes problems with coupling, etc, and there is more trade-off = with borrowing, but in many cases it's not difficult to live = with.&nbsp;&nbsp; <BR> <BR> A case in point.&nbsp;&nbsp; Wicks built in 1958.<BR> <BR> Great:&nbsp;&nbsp; Diapason 8, Octave 4, Twelfth 2-2/3, Fifteenth 2<BR> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; duplexed from choir:&nbsp; = Harmonic Flute 8 4; Gemshorn 8 4<BR> Choir:&nbsp; Viola 8, Harmonic Flute 8 4, Gemshorn 8 4, Dolcan 8&nbsp; 4&nbsp; 2-2/3&nbsp; 2&nbsp; 1-3/5 , Dolcan Celeste 8 tc<BR> Swell:&nbsp; Geigen Principal 8, Gedeckt 16 8 4, Gamba 8 4, Gamba Celeste = 8 tc,&nbsp; Nazard 2-2/3&nbsp; 2, Trumpet 8 4<BR> Pedal:&nbsp; Open Diapason 16 8&nbsp; 5-1/3 (12 pipes, ext gr 8), Bourdon = 16, Lieblich Gedeckt 16 8 (sw), Bass Flute 8&nbsp; (ch HF), Cello 8 (sw), = Trombone 16 (12 pipes,&nbsp; extension sw Trumpet)<BR> <BR> This organ is very versatile and does its job well, especially with the = advantage of the independent Great principal chorus.&nbsp;&nbsp;&nbsp; The = only problem I found was with the lack of independent 4' stops in the = Choir and Swell.&nbsp;&nbsp; This was solved by replacing the Gamba = Celeste with a 4' principal, and the Dolcan Celeste with a 4' = spitzflute.<BR> <BR> The most important thing, though, is to explore the instrument and lear = what is straight and what is borrowed or duplexed, and then use the = instrument to the best of its ability.&nbsp;&nbsp; This is especially = important when playing big pieces.&nbsp;&nbsp; By omitting extended stops = at pitches not really needed, the clarity of the sound is improved.<BR> <BR> The basic rule:&nbsp;&nbsp; Know thine instrument!!&nbsp; ;-)<BR> <BR> Bruce in the Muttestery <BR> <BR> with the Baskerbeagles at&nbsp; <A = HREF=3D"http://members.tripod.com/brucon502">HowlingAcres</A></FONT><FONT = COLOR=3D"#008000" style=3D"BACKGROUND-COLOR: #80ff80" SIZE=3D2 = FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">&nbsp;&nbsp; = http://members.tripod.com/brucon502<BR> ....&nbsp; need extra money???&nbsp;&nbsp; visit&nbsp;&nbsp; = http://www.visionsuccess.com/BC2053<BR> enjoy shopping??&nbsp;&nbsp; visit&nbsp; www.freestoreclub.com/go/BDawg = <BR> </FONT></HTML> --part1_bf.22ae88a0.2a5472df_boundary--  
(back) Subject: Re: Minor update to "Rapidly failed console" From: <RonSeverin@aol.com> Date: Wed, 3 Jul 2002 11:47:10 EDT   Dear Josh:   Have an electrician put a lock box on the plug so that won't happen again. It's too much of a temptation to plug in the vacuum or floor polisher and forget to replug the organ power supply.   Ron  
(back) Subject: Reuter Organs From: "Josh & Amy Edwards" <fbcorganist@charter.net> Date: Wed, 3 Jul 2002 13:44:55 -0400   This is a multi-part message in MIME format.   ------=3D_NextPart_000_000D_01C22297.D0EB8FE0 Content-Type: text/plain; charset=3D"us-ascii" Content-Transfer-Encoding: 7bit   Does anyone know of an opus list online for all Reuter Organs manufactured? I'm looking for information on a rebuilt Reuter in Morristown, TN at the church I will be serving at. Thanks, Josh Edwards   ------=3D_NextPart_000_000D_01C22297.D0EB8FE0 Content-Type: text/html; charset=3D"us-ascii" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META HTTP-EQUIV=3D3D"Content-Type" CONTENT=3D3D"text/html; =3D charset=3D3Dus-ascii"> <TITLE>Message</TITLE>   <META content=3D3D"MSHTML 6.00.2716.2200" name=3D3DGENERATOR></HEAD> <BODY> <DIV><SPAN class=3D3D373054417-03072002><FONT face=3D3DArial = size=3D3D2>Does =3D anyone know of=3D20 an opus list online for all Reuter Organs manufactured?&nbsp; I'm =3D looking for=3D20 information on a rebuilt Reuter in Morristown, TN at the church I will =3D be=3D20 serving at.</FONT></SPAN></DIV> <DIV><SPAN class=3D3D373054417-03072002><FONT face=3D3DArial=3D20 size=3D3D2></FONT></SPAN>&nbsp;</DIV> <DIV><SPAN class=3D3D373054417-03072002><FONT face=3D3DArial=3D20 size=3D3D2>Thanks,</FONT></SPAN></DIV> <DIV><SPAN class=3D3D373054417-03072002><FONT face=3D3DArial = size=3D3D2>Josh=3D20 Edwards</FONT></SPAN></DIV> <DIV><SPAN class=3D3D373054417-03072002></SPAN>&nbsp;</DIV></BODY></HTML>   ------=3D_NextPart_000_000D_01C22297.D0EB8FE0--    
(back) Subject: Re: Reuter Organs From: "Sand Lawn" <glawn@jam.rr.com> Date: Wed, 3 Jul 2002 16:00:56 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0008_01C222AA.D1321420 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   MessageSorry to send this to the whole list, but have no private address = =3D for Josh Edwards .... if you are going to 1st Baptist, Morristown, TN, = =3D that would be the 1977 Reuter, #1929 rebuilt by Randall Dyer in 1992.   Sand Lawn ----- Original Message -----=3D20 From: Josh & Amy Edwards=3D20 To: PipeChat=3D20 Sent: Wednesday, July 03, 2002 12:44 PM Subject: Reuter Organs       ------=3D_NextPart_000_0008_01C222AA.D1321420 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD><TITLE>Message</TITLE> <META content=3D3D"text/html; charset=3D3Diso-8859-1" =3D http-equiv=3D3DContent-Type> <META content=3D3D"MSHTML 5.00.2314.1000" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT size=3D3D2>Sorry to send this to the whole list, but have no = =3D private=3D20 address for Josh Edwards ....&nbsp; if you are going to 1st Baptist, =3D Morristown,=3D20 TN, that would be the 1977 Reuter, #1929 rebuilt by Randall Dyer in=3D20 1992.</FONT></DIV> <DIV>&nbsp;</DIV> <DIV><FONT size=3D3D2>Sand Lawn</FONT></DIV> <BLOCKQUOTE=3D20 style=3D3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: = =3D 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px"> <DIV style=3D3D"FONT: 10pt arial">----- Original Message ----- </DIV> <DIV=3D20 style=3D3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =3D black"><B>From:</B>=3D20 <A href=3D3D"mailto:fbcorganist@charter.net" =3D title=3D3Dfbcorganist@charter.net>Josh=3D20 &amp; Amy Edwards</A> </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>To:</B> <A=3D20 href=3D3D"mailto:pipechat@pipechat.org" =3D title=3D3Dpipechat@pipechat.org>PipeChat</A>=3D20 </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 03, 2002 = =3D 12:44=3D20 PM</DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Subject:</B> Reuter Organs</DIV> <DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>   ------=3D_NextPart_000_0008_01C222AA.D1321420--    
(back) Subject: It's about organs From: "Brent Johnson" <brentmj@swbell.net> Date: Wed, 03 Jul 2002 16:44:35 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0009_01C222B0.E9D0D100 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   A site I frequent makes a comment about an organ. Kind of =3D interesting to get an outside point of view.   http://www.brunching.com/features/btdtpizzapipes.html   Organizer, Brent Johnson   ------=3D_NextPart_000_0009_01C222B0.E9D0D100 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 6.00.2716.2200" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial size=3D3D2>&nbsp;&nbsp;&nbsp;&nbsp; A site I =3D frequent makes a=3D20 comment about an organ.&nbsp; Kind of interesting to get an outside =3D point of=3D20 view.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2><A=3D20 href=3D3D"http://www.brunching.com/features/btdtpizzapipes.html">http://www= =3D ..brunching.com/features/btdtpizzapipes.html</A></FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Organizer, Brent =3D Johnson</FONT></DIV></BODY></HTML>   ------=3D_NextPart_000_0009_01C222B0.E9D0D100--