PipeChat Digest #2856 - Wednesday, May 15, 2002
 
RE: Defining Moments
  by <PHarri5833@aol.com>
Re: Defining Moments
  by <Wurlibird1@aol.com>
Re: Defining Moments
  by <RonSeverin@aol.com>
Maurizio Ciampi
  by "Domitila Ballesteros" <dballesteros@uol.com.br>
Maurizio Ciampi again
  by "Domitila Ballesteros" <dballesteros@uol.com.br>
defining moments
  by <quilisma@socal.rr.com>
Notice For All
  by <Phil_Cooper@dot.ca.gov>
Re: defining moments
  by "jch" <opus1100@catoe.org>
Florence Beatrice (Smith) Price
  by <Wuxuzusu@aol.com>
Re: Florence Beatrice (Smith) Price
  by "Robert Lind" <Robert_Lind@cch.com>
re: defining moments
  by "Domitila Ballesteros" <dballesteros@uol.com.br>
Re: defining moments
  by <Innkawgneeto@cs.com>
Re: defining moments
  by <ORGANUT@aol.com>
Re: Florence Beatrice (Smith) Price
  by <Gardum@aol.com>
Re: Maurizio Ciampi again
  by "Mike Gettelman" <mike3247@earthlink.net>
test
  by "Glenda" <gksjd85@access.aic-fl.com>
A real winner of a stupid question
  by "Glenda" <gksjd85@access.aic-fl.com>
P.S. to stupid question
  by "Glenda" <gksjd85@access.aic-fl.com>
re: Florence Beatrice (Smith) Price
  by "Domitila Ballesteros" <dballesteros@uol.com.br>
Re: defining moments
  by "John L. Speller" <jlspeller@mindspring.com>
 

(back) Subject: RE: Defining Moments From: <PHarri5833@aol.com> Date: Wed, 15 May 2002 06:59:38 EDT     --part1_19a.24c480c.2a13999a_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 15/05/02 08:16:50 GMT Daylight Time, cmys13085@blueyonder.co.uk [Colin Mitchell] writes:     > ... having become "hooked up" to the organ, when the school vacations = came > along, I would get on my bike ..... to hear Dr "Frank" Jackson accompany =   > Evensong or conduct as the case may be at the Minster. My memory was so > etched by the spine-tingling performnaces of Dupre and Bach, the > superlative (never bettered) accompaniment of the Psalms and service > settings......I can still re-call many of those moments. The trhill of > anticipating the use of the 32ft reed or blast on the BIG Tuba = Mirabilus.   My own experience is not dissimilar, being thrilled by the sound of Durham =   Cathedral's organ when I was about 7 after which I demanded lessons so = that I might get to be in charge of such a wonderful device! After a being = steered toward piano for a few years and making assaults on the local church = organ, I did get organ lessons in my home town in my early and mid teens and = between 17-20 finally reached a level where it was possible to have lessons on = that instrument in Durham which had so impressed me years before!   Peter M Harrison Director of Music, Emmanuel Church, Holcombe & P H Music 48 Moorfield : Edgworth Bolton : Lancs : BL7 0DH : GB fax: +44 (0)1204 853445 : tel: +44 (0)1204 853310 web: www.phmusic.co.uk reply email: peter@phmusic.co.uk   --part1_19a.24c480c.2a13999a_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">In a message dated 15/05/02 08:16:50 GMT = Daylight Time, cmys13085@blueyonder.co.uk [Colin Mitchell] writes:<BR> <BR> <BR> <BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">... having become = "hooked up" to the organ, when the school vacations came along, I would = get on my bike ..... to hear Dr "Frank" Jackson accompany Evensong or = conduct as the case may be at the Minster. My memory was so etched by the = spine-tingling performnaces of Dupre and Bach, the superlative (never = bettered) accompaniment of the Psalms and service settings......I can = still re-call many of those moments.&nbsp; The trhill of anticipating the = use of the 32ft reed or blast on the BIG Tuba Mirabilus.</FONT><FONT = COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 = FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE><BR> <BR> </FONT><FONT COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" = SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">My own experience = is not dissimilar, being thrilled by the sound of Durham Cathedral's organ = when I was about 7 after which I demanded lessons so that I might get to = be in charge of such a wonderful device</FONT><FONT COLOR=3D"#000000" = style=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">! After a being steered toward piano for a few = years and making assaults on the local church organ, I did get organ = lessons in my home town in my early and mid teens and between 17-20 = finally reached a level where it was possible to have lessons on that = instrument in Durham which had so impressed me years before!<BR> <BR> </FONT><FONT COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" = SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">Peter M = Harrison<BR> Director of Music, Emmanuel Church, Holcombe<BR> &amp;<BR> P H Music<BR> 48 Moorfield : Edgworth<BR> Bolton : Lancs : BL7 0DH : GB<BR> fax: +44 (0)1204 853445 : tel: +44 (0)1204 853310<BR> web: www.phmusic.co.uk<BR> reply email: peter@phmusic.co.uk</FONT></HTML>   --part1_19a.24c480c.2a13999a_boundary--  
(back) Subject: Re: Defining Moments From: <Wurlibird1@aol.com> Date: Wed, 15 May 2002 09:59:11 EDT   Growing up in rural America had not only its limitations but occasional blessings. It made exposure to new things more lasting memories. So it = was for me with the organ. As a very young child I was to accompany my mother = to a World War II Red Cross blood drive. She worked as a volunteer and a few = of us children fended for ourselves to be entertained. The drive was held at = a church which had a pipe organ. The mystique of this large sanctuary attracted me and I found the organ to = be a dare, sneaking up to its large console while my youthful contemporaries, hiding among the back pews, tittered and snickered at my bravado. I remember reaching up and touching the keys and it emitting this gawd-awful noise = which scared the dickens out of me, flushed my youthful comrades from the church = to safety, and left me captured by the returning organist who was there to practice for an upcoming special service. But the organist (Mrs. Stokowski was her name) did not scold me or rebuke = my trespass. Quite the contrary, she took time from her duties to show me = how the organ worked, let me play a few of those childlike things kids pick = out on the keyboard. Then she played for me and showed what the organ could = do tonally. I was totally captivated by its massive sound and majesty. Mrs. Stokowski =   not only would become my first music teacher but she is responsible for my =   developing passion for the organ, a passion that took on almost maniacal proportions in the coming years.   Thank you, Mrs. Stokowski. Your kindness and interest in a sneaky little = kid was to bear fruit in the future years. Forty-five years I have served as = a church organist, quite a legacy for a dear lady who shared a moment with a =   child's curiosity. There were other defining moments but this is the one that I remember most fondly and Mrs. Ruth Stokowski made it happen. She = is my hero.   Best wishes, Jim Pitts  
(back) Subject: Re: Defining Moments From: <RonSeverin@aol.com> Date: Wed, 15 May 2002 11:33:04 EDT   Dear Jim:   I thank God everyday for people like Mrs. Stokowski, who took a few minutes out of their life to plant a seed in a child's mind that they too could make this wonderful machine rumble and roar. A wonderful rememberence. Thankyou.   Ron Severin  
(back) Subject: Maurizio Ciampi From: "Domitila Ballesteros" <dballesteros@uol.com.br> Date: Wed, 15 May 2002 12:36:18 -0300   Hi,   Knows someone the organist Maurizio Ciampi? It seems that he was the only organist to record the Jeanne Demessieux's Studies. But, I haven't could (in the Internet) to find nothing about his bibliography, or about he works or where he plays. Actually, I have been looking for a lot in the Internet, but practically I didn't find anything about her. I think, someone who plays like him, should be more exposed. I don't understand this. Have someone an idea?   Domitila.      
(back) Subject: Maurizio Ciampi again From: "Domitila Ballesteros" <dballesteros@uol.com.br> Date: Wed, 15 May 2002 12:55:26 -0300   Hi, I forget to say, there are two years, my husband to call the Pontificio Santuario di Pompei, where the CD was recorder in 1994. Then, someone inform he no longer more works there. The CD provides some information about Jeanne Demessieux, about his works and about the organ of Pontificio Santuario. However, there aren't nothing about the organist.   Domitila    
(back) Subject: defining moments From: <quilisma@socal.rr.com> Date: Wed, 15 May 2002 09:06:04 -0700   The only pipe organ in Mulberry FL was a 7-stop tubular pneumatic Estey of 1906, got second-hand from a neighboring church sometime in the 1940s. It was guarded by the quintessential schoolmarm ... hair in a bun, hook nose, horn-rimmed glasses ... whenever she went on vacation, the key to the organ went with her.   Mother was at the church arranging flowers and cleaning the sanctuary with the ladies' auxiliary one Saturday morning, and I was with her ... I was about 9 years old, I think. Miss Addy was there, and the organ was open. I had been begging her to let me play the organ for a couple of years, to no avail. For some reason, that day she let me. So I played .... for HOURS.   The minister came in and listened for awhile. The next time Miss Addy went on vacation and took the organ key with her, he took a bolt cutter to the lock, turned on the organ, sat me down, and said, "YOU'RE playing next Sunday."   When Miss Addy got back, she was FURIOUS, but she got over it. Years later I went back and played for her niece's wedding. She came up to me and said, "HOW did you get those SOUNDS out of that organ?" Well, I was in college by then ... I'd learned to play with both feet (chuckle).   Cheers,   Bud  
(back) Subject: Notice For All From: <Phil_Cooper@dot.ca.gov> Date: Wed, 15 May 2002 10:07:08 -0700   Does anyone know of an edition of the organ chorales of Johann Philipp Kirnberger (student of Bach)?   Send answers to: Phil Cooper orgelboy@foothill.net   Thanks!    
(back) Subject: Re: defining moments From: "jch" <opus1100@catoe.org> Date: Wed, 15 May 2002 12:16:51 -0500   My home church's organ was 3m Casavant and the console was in view in the =   corner of the chancel. Every Sunday morning I sat in the very first pew so =   that I could see the organ and watch the organist. When I was in high school I took lessons from the church organist and got a chance to = practice on the organ, not that it did a whole lot of good. The other defining moment was when I saw and got a touch a theatre organ. It was a small 2/6 style D in the home of one of my dad's friends. My dad was studying organ =   with the house organist at Ambassador Theatre in St.Louis when talkies shattered his dream of becoming a theatre organist. He would play that 2/6 =   for hours whenever we visited and us kids got to try our little piano pieces on the WurliTzer. It was the first organ I ever had a chance to = play and now is in the process of installation in my house.   jch    
(back) Subject: Florence Beatrice (Smith) Price From: <Wuxuzusu@aol.com> Date: Wed, 15 May 2002 16:31:33 EDT   Greetings, During the 1920s & 30s Florence Beatrice (Smith) Price lived in the = Cheicago area. She was the first African-American Symphonist (1933) and composed = many works including some compositions for theatre organ. Does anyone in the Chicago area have any knowledge of this lady?   Please answer on the chatline, or privately to me at: Red Dirks@aol.com   Many thanks for your help.   Stan Krider  
(back) Subject: Re: Florence Beatrice (Smith) Price From: "Robert Lind" <Robert_Lind@cch.com> Date: Wed, 15 May 2002 15:44:36 -0500   Yes--I'm from Chicago and have the 4 volumes of her complete organ works. Some very worthwhile things are to be found, and I mean to play some soon. Cal Johnson from Sarah Lawrence is the = expert on this subject, and I think he's recorded a number of her works. She studied with Chadwick, IIRC. I'd like to know if she and my mentor Leo Sowerby ever met. If you want more info on publisher, CD, etc., I'll have time tomorrow, I hope.   Bob Lind in the Chicago suburbs         Florence Beatrice (Smith) Price     Greetings, During the 1920s & 30s Florence Beatrice (Smith) Price lived in the Cheicago area. She was the first African-American Symphonist (1933) and composed many works including some compositions for theatre organ. Does anyone in the Chicago area have any knowledge of this lady?   Please answer on the chatline, or privately to me at: Red Dirks@aol.com   Many thanks for your help.   Stan Krider    
(back) Subject: re: defining moments From: "Domitila Ballesteros" <dballesteros@uol.com.br> Date: Wed, 15 May 2002 17:55:30 -0300   Hi,   I'd like to have one beautiful history about one magnificent organ for which I in the begining, fell in love. Well... I live in Rio de Janeiro, and here, there are a few pipe organs, and many of them are broken or working precariously. My first organ, my first love was a Hammond. (by tubes). When I was 17, I studied piano in the School of Music. My teacher of piano said me: "Why not do you goes to the teacher of organ, and ask him some classes? (the organ's teacher of the School of Music). It was a very casual question In this school, where I'm just finishing my master's degree course, there is one Tamborini of 4 manuals.But I at least remember at that time to have ear some time he to sound. The teacher (that already died) at that time, that didn't know enough nor for him same, taught me to sit down in the organ without stepping in the pedalboard and more two or three things of the gender. Then it released me. (I know this verb "released" is wrong, but I don't know other). Then, in my church, the First Baptist Church in Rio de Janeiro, there was (today still here) one Hammond and I knew about one swiss teacher who lived in Rio. I then began to have classes of organ with him in my church. For first time in my life I had the experience of discover the pleasure to study several own hours by day of an instrument.   That's all   Domitila    
(back) Subject: Re: defining moments From: <Innkawgneeto@cs.com> Date: Wed, 15 May 2002 17:03:34 EDT     --part1_14b.def612b.2a142726_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   To whomever started this thread, thank you so much. I'm enjoying it immensely. The stories are not only heartwarming, but also inspiring and =   motivating.   God is indeed good.   Neil by the Bay     --part1_14b.def612b.2a142726_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">To whomever started this thread, thank you so = much.&nbsp; I'm enjoying it immensely.&nbsp;&nbsp; The stories are not = only heartwarming, but also inspiring and motivating.<BR> <BR> God is indeed good.<BR> <BR> Neil by the Bay<BR> <BR> </FONT></HTML> --part1_14b.def612b.2a142726_boundary--  
(back) Subject: Re: defining moments From: <ORGANUT@aol.com> Date: Wed, 15 May 2002 17:38:17 EDT     --part1_39.2722c1fc.2a142f49_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 5/15/2002 4:00:58 PM Central Daylight Time, dballesteros@uol.com.br writes:     > > Hi, > > I'd like to have one beautiful history about one magnificent organ for > which I in the begining, fell in love. > Well... I live in Rio de Janeiro, and here, there are a few pipe > organs, and many of them are broken or working precariously. > My first organ, my first love was a Hammond. (by tubes). > When I was 17, I studied piano in the School of Music. My teacher of > piano said me: "Why not do you goes to the teacher of organ, and ask > him some classes? (the organ's teacher of the School of Music). It was a > very casual question >   Hi Domitila, Interesting story, and thanks for sharing it with us.   Later, Phil Lyons Jr.         --part1_39.2722c1fc.2a142f49_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 5/15/2002 4:00:58 PM Central Daylight Time, dballesteros@uol.com.br = writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"> <BR>Hi, <BR> <BR>I'd like to have one beautiful history about one magnificent organ for <BR>which I in the begining, fell in love. <BR>Well... &nbsp;I live in Rio de Janeiro, and here, there are a few pipe <BR>organs, and many of them are broken or working precariously. <BR>My first organ, my first love was a Hammond. (by tubes). <BR>When I was 17, I studied piano in the School of Music. My teacher of <BR>piano said me: "Why &nbsp;not do you goes to the teacher of organ, and = ask <BR>him some classes? (the organ's teacher of the School of Music). It was = a <BR>very casual question <BR></BLOCKQUOTE> <BR> <BR>Hi Domitila, <BR> &nbsp;&nbsp;Interesting story, and thanks for sharing it with us. <BR> <BR>Later, <BR>Phil Lyons Jr. <BR> <BR> <BR></FONT></HTML>   --part1_39.2722c1fc.2a142f49_boundary--  
(back) Subject: Re: Florence Beatrice (Smith) Price From: <Gardum@aol.com> Date: Wed, 15 May 2002 17:51:41 EDT     --part1_1bf.1e8f2fa.2a14326d_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <A HREF=3D"http://www.uark.edu/libinfo/speccoll/price.html">Florence = Price Papers</A>   --part1_1bf.1e8f2fa.2a14326d_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2> <A = HREF=3D"http://www.uark.edu/libinfo/speccoll/price.html">Florence Price = Papers</A> </FONT></HTML>   --part1_1bf.1e8f2fa.2a14326d_boundary--  
(back) Subject: Re: Maurizio Ciampi again From: "Mike Gettelman" <mike3247@earthlink.net> Date: Wed, 15 May 2002 19:16:13 -0400     --------------7E03301DC1906B43861D7287 Content-Type: text/plain; charset=3Dus-ascii Content-Transfer-Encoding: 7bit   Hello Dornitia, In my experience as a newer Pipechat List Member, I have found most everyone will be most cordial for a while when you ask questions, but you will soon be prompted to do your homework before asking questions here. Google is where I start every inquiry I have on the Internet, whether it be organ music or motorcycles. Just for fun I ran a Google search on "Maurizio Ciampi" (being sure to include the quotation marks) and found about 15 pages of site hits containing this name, many of them not in English, but several of them obviously pertaining to the organ. If you = have not tried Google before, I think you might find what you seek there. It is an amazing search engine. Here is the URL: http://www.google.com/   I hope this helps you Mike   Domitila Ballesteros wrote:   > Hi, > I forget to say, there are two years, my husband to call the Pontificio > Santuario di Pompei, where the CD was recorder in 1994. Then, someone > inform he no longer more works there. > The CD provides some information about Jeanne Demessieux, about his > works and about the organ of Pontificio Santuario. > However, there aren't nothing about the organist. > > Domitila >   --------------7E03301DC1906B43861D7287 Content-Type: text/html; charset=3Dus-ascii Content-Transfer-Encoding: 7bit   <!doctype html public "-//w3c//dtd html 4.0 transitional//en"> <html> Hello Dornitia, <br>&nbsp;&nbsp;&nbsp; In my experience as a newer Pipechat List Member, I have found most everyone will be most cordial for a while when you ask questions, but you will soon be prompted to do your homework before asking questions here. <br>&nbsp;&nbsp;&nbsp; Google is where I start every inquiry I have on the Internet, whether it be organ music or motorcycles. Just for fun I ran a Google search on "Maurizio Ciampi" (being sure to include the = quotation marks) and found about 15 pages of site hits containing this name, many of them not in English, but several of them obviously pertaining to the organ. If you have not tried Google before, I think you might find what you seek there. It is an amazing search engine. <br>&nbsp;&nbsp;&nbsp; Here is the URL: <A = HREF=3D"http://www.google.com/">http://www.google.com/</A> <p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I hope this helps you <br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mike <p>Domitila Ballesteros wrote: <blockquote TYPE=3DCITE>Hi, <br>I forget to say, there are two years, my husband to call the = Pontificio <br>Santuario di Pompei, where the CD was recorder in 1994.&nbsp; Then, someone <br>inform he&nbsp; no longer more works there. <br>The CD provides some information about Jeanne Demessieux, about his <br>works and about the organ of Pontificio Santuario. <br>However, there aren't nothing about the organist. <p>Domitila <br><a href=3D"mailto:requests@pipechat.org"></a>&nbsp;</blockquote> </html>   --------------7E03301DC1906B43861D7287--    
(back) Subject: test From: "Glenda" <gksjd85@access.aic-fl.com> Date: Wed, 15 May 2002 19:16:23 -0500   This is a test of the Glenda Emergency Ventilation System - I think I'm off the lists.   Glenda Sutton        
(back) Subject: A real winner of a stupid question From: "Glenda" <gksjd85@access.aic-fl.com> Date: Wed, 15 May 2002 19:24:47 -0500   I'm of course getting ready for Pentecost, and was wondering - with the obvious similarities in the tune for "Veni Creator Spiritus" and "Komm, Gott, Schopfer, heiliger Geist" (and although my translation is not good, the same or similar text), does the latter originate from the former, or vice-versa, or do they come from the same source, such as plainchant?   I think all who know the answer will agree this is a particularly noteworthy stupid question, but I did not just want to assume and presume here. Fools rush in and all that jazz.   Yours,   Glenda Sutton   P.S. Thank you, David and Tim, for not bouncing me off the list - my server lost our e-mail account from Thursday evening until Tuesday evening. We ARE taking corrective action.        
(back) Subject: P.S. to stupid question From: "Glenda" <gksjd85@access.aic-fl.com> Date: Wed, 15 May 2002 19:32:40 -0500   Someone pointed out to Domitilia (sorry, I don't think that's the correct spelling) about the necessity of doing one's own homework.   My assumption was that these are the same piece. I typed "Komm, Gott, Schopfer, heiliger Geist" into Google, and obtained   http://www.lituanus.org/1980_2/80_2_02.htm   which is a scholarly article from "Lituanus: Lithuanian Quarterly Journal of Arts and Sciences". In it the author equates the two, the "Komm, Gott, Schopfer" being the German equivalent to the Latin plainchant. However, I wanted to be sure.   That's why the stupid question.   Glenda Sutton        
(back) Subject: re: Florence Beatrice (Smith) Price From: "Domitila Ballesteros" <dballesteros@uol.com.br> Date: Wed, 15 May 2002 21:56:35 -0300   Hi, Stan I looked for "Florence Beatrice (Smith) Price in the Chicago Library Catalog (University of Chicago) (online). I don't know if the information that I found are of help for you   The address is   http://ipac.lib.uchicago.edu/ipac/ipac?tm=3Dsum&db=3Duofc&se=3D%5Fzb3564041= &uk=3D%5Fzb4584723&bf=3D_ti&bc=3DJRL&ts=3D2001jun&mc=3Duse&lb=3Duofc&cs=3D4= 9158933&sf=3Dp&be=3DFlorence+Beatrice+%28Smith%29+Price&nb=3D&sn=3D30&pt=3D= brs&ls=3D4&ut=3Dipacpub&sw=3D&sd=3Duofc&bd=3Duofc&cl=3D2   or http://ipac.lib.uchicago.edu/ipac/ipac?tm=3Dbrowsec   and click on "library catalog". Then write "Florence Beatrice (Smith) Price" I copy this:   Title 1 of 1 from U. of Chicago Library Catalog for   Full Record Author: Price, Florence, 1888-1953.   Title: Chicago renaissance woman [sound recording] : Florence Beatrice Price organ works.   Imprint: Ithaca, NY : Calcante Recordings, c1997.   Description: 1 sound disc (73 min., 7 sec.) : digital ; 4 3/4 in.   Notes: Compact disc. Calvert Johnson, organist. Recorded Oct. 16-18, 1994, Christ Church, Episcopal, Savannah, Georgia.   Contents: Suite no. 1 for organ -- In quiet mood -- The hour glass -- Retrospection -- Festal march -- Variations on a folksong -- Adoration -- A pleasant thought -- Little melody -- Offertory -- Allegretto -- First sonata for organ.   Subjects: Suites (Organ) Sonatas (Organ) Organ music Music by Afro-American women composers.   Other entries: Johnson, Calvert, 1949-   Other titles: Florence Beatrice Price organ works   Standard no.: 2598901842   Pub. No: CAL CD014 : Calcante Recordings                                     There are    
(back) Subject: Re: defining moments From: "John L. Speller" <jlspeller@mindspring.com> Date: Wed, 15 May 2002 22:25:22 -0500   ----- Original Message ----- From: <quilisma@socal.rr.com> To: "pipechat" <pipechat@pipechat.org> Sent: Wednesday, May 15, 2002 11:06 AM Subject: defining moments     >I'd learned to play with both feet (chuckle).   You mean one foot on the pedals and the other on the swellpedal? <g>   John Speller