PipeChat Digest #2863 - Tuesday, May 21, 2002
 
Re: A voice in church this morning
  by "Paul Austin" <peri@ntlworld.com>
 

(back) Subject: Re: A voice in church this morning From: "Paul Austin" <peri@ntlworld.com> Date: Tue, 21 May 2002 09:13:18 +0100   This is a multi-part message in MIME format.   ------=3D_NextPart_000_002E_01C200A7.BF01CD60 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   > On the other hand, the present head of Harrison & Harrison, Mark =3D Venning, > has at least an MA and his FRCO, though whether he does tuning rounds = =3D or not > I'm not sure. > I only know of one organbuilder in NZ who is a good organist. > Ross     I am not aware of Mr Venning carrying out any tuning work, as all the =3D tuners I am aware of who work for H+H are NOT trained to play the final result. = =3D He is a fantastic organist though, and he has performed some great recitles = =3D at one of the UK's finest organs, Durham Cathedral. What a machine!!   Paul     For the statistically minded - the organ has 98 speaking stops (5746 =3D pipes) in 7 divisions, and 22 other drawstops.=3D20   Pedal (30 notes) Located north and south sides; upperwork behind lower = =3D casework on north side. 1 Double Open Wood 32 1876 . .=3D20 2 Open Wood I 16 1876 . .=3D20 3 Open Wood II 16 1876/1935 . .=3D20 4 Open Diapason 16 1876 . Part in north side front......=3D20 5 Violone 16 1876 Called Dulciana from 1905 to 1970 Part in north = =3D side front=3D20 6 Dulciana 16 1935/1970 Part ex.1935 Ch.OD South choir aisle =3D front=3D20 7 Bourdon 16 1876 . .=3D20 8 Contra Viola 16 1935 Derived from No.84; formerly Violone .=3D20 9 Octave Wood 8 1876/1935 18 from No.2 .=3D20 10 Principal 8 1876 . .=3D20 11 Cello 8 1876/1935/1970 18 from No5; pt.ex 1935 Ch.OD .=3D20 12 Dulciana 8 1935/1970 18 from No.6; 12 ex.1935 Ch.VdaG .=3D20 13 Flute 8 1876 . .=3D20 14 Twelfth 51/3 1876/1970 Part from 1876 Ped. Mixture .=3D20 15 Super Octave Wood 4 1876/1935 18 from No's 2 + 9 .=3D20 16 Octave Cello 4 1935/1970 18 from No's 5 + 11; pt.ex.Ch.OD .=3D20 17 Twenty Second 2 1876/1970 Part from 1876 Ped. Mixture .=3D20 18 Mixture 19:22:26:29 IV 1876/1970 Remade 1970 .=3D20 19 Double Ophicleide 32 1935 18 from No.21 In Bombarde Division=3D20 20 Double Trombone 32 1876/1970 Bottom 12 new 1970 .=3D20 21 Ophicleide 16 1935 . In Bombarde Division=3D20 22 Trombone 16 1876 . .=3D20 23 Cor Anglais 16 1935 Derived from No.92 .=3D20 24 Tromba 8 1876 . .=3D20 25 Cornett 4 1970 . .=3D20 Choir to Pedal . . . .=3D20 Great to Pedal . . . .=3D20 Swell to Pedal . . . .=3D20 Solo to Pedal . . . .=3D20 ..=3D20 Great (58 notes) Located above the console, behind south side main =3D front.=3D20 26 Double Open Diapason 16 1876 =3D ...................................................... South side front = =3D pipes.......=3D20 27 Contra Clarabella 16 1876/1935.... 12 from No.7 .=3D20 28 Open Diapason I 8 1935 . .=3D20 29 Open Diapason II 8 1876 . .=3D20 30 Open Diapason III 8 1876 . .=3D20 31 Open Diapason IV 8 1935 . .=3D20 32 Gamba 8 1876 . .=3D20 33 Claribel Flute 8 1876 24 from No.34 .=3D20 34 Stopped Diapason 8 1876 . .=3D20 35 Octave 4 1876 . .=3D20 36 Principal 4 1935 . .=3D20 37 Harmonic Flute 4 1876 . .=3D20 38 Octave Quint 22/3 1876 . .=3D20 39 Super Octave 2 1876 . .=3D20 40 Mixture 19:22:26:29 IV 1876/1970 Some new pipes in 1970 .=3D20 41 Scharf 29:33:36 III 1970 . .=3D20 42 Contra Posaune 16 1970 . .=3D20 43 Posaune 8 1876 Harmonic trebles 1905 .=3D20 44 Clarion 4 1876 Harmonic trebles 1905 .=3D20 [Great] Reeds on Choir . . . .=3D20 Choir to Great . . . .=3D20 Swell to Great . . . .=3D20 Solo to Great . . . .=3D20     Swell (enclosed) (58 notes) Located behind north side main front. 45 =3D Double Diapason 16. 1876......... =3D ................................................... =3D .............................................=3D20 46 Open Diapason I 8 1876 . .=3D20 47 Open Diapason II 8 1876 . .=3D20 48 Lieblich Gedeckt 8 1876 . .=3D20 49 Salicional 8 1876 Previously on Choir .=3D20 50 Vox Angelica (TC) 8 1876 . .=3D20 51 Principal 4 1876 . .=3D20 52 Harmonic Flute 4 1876 . .=3D20 53 Fifteenth 2 1876 . .=3D20 54 Mixture 12:15:17:19:22 IV/V 1876 . .=3D20 55 Oboe 8 1876 . .=3D20 56 Vox Humana 8 1876 . .=3D20 Tremulant . . . .=3D20 57 Double Trumpet 16 1876 . .=3D20 58 Trumpet 8 1876 Harmonic trebles 1905 .=3D20 59 Clarion 4 1876 Harmonic trebles 1905 .=3D20 Solo to Swell . . . .=3D20 ..=3D20 Choir (enclosed) (58 notes) Located behind choir stalls in western =3D choir arcade on south side. 60. Bourdon 16 1876......... Formerly =3D Lieblich Bourdon................ =3D ................................................=3D20 61 Flauto Traverso 8 1876 . .=3D20 62 Gedeckt 8 1876 Formerly Lieblich Gedeckt .=3D20 63 Viole d'Amour 8 1876 Previously on Swell .=3D20 64 Gemshorn 48 1876 . .=3D20 65 Flauto Traverso 4 1876 . .=3D20 66 Stopped Flute 4 1876 Formerly Lieblich Flute .=3D20 67 Nazard 22/3 1970 . .=3D20 68 Piccolo 2 1876 Formerly Harmonic Piccolo .=3D20 69 Tierce 13/5 1970 . .=3D20 70 Dulciana Mixture 15:19:22 III 1935 . .=3D20 71 Clarinet 8 1876 . .=3D20 Tremulant . . . .=3D20 Swell to Choir . . . .=3D20 Solo to Choir . . . .=3D20 Bombarde Tubas on Choir . . . .=3D20     Positive (on Choir keys) (58 notes) Located over Choir box in western = =3D choir arcade on south side 72 Flute a Chemin=3DE9e 8 1970... =3D ................................................ =3D ..........................................=3D20 73 Quintade 8 1970 . .=3D20 74 Prestant 4 1970 . .=3D20 75 Flute Ouverte 4 1970 . .=3D20 76 Doublette 2 1970 . .=3D20 77 Sesquialtera 12:17 II 1970 . .=3D20 78 Larigot 11/3 1970 . .=3D20 79 Octavin 1 1970 . .=3D20 80 Octave Tierce 4/5 1970 . .=3D20 81 Cymbale 26:29:33 III 1970 . .=3D20 82 Dulzian 16 1970 . .=3D20 83 Trompette 8 1970 . .=3D20 Positive on Great . . . .=3D20 Positive on Solo . . . .=3D20     Solo (84 to 96 enclosed) (58 notes - No.92 has extra octave of pipes in = =3D treble for use with Octave and Unison Off)=3D20 Located in triforium on north side. (enclosed) . . . .=3D20 84. Harmonic Flute 8 1876/1935 =3D .................................................... =3D ...................................................=3D20 85 Concert Flute 4 1876/1935 . .=3D20 86 Harmonic Piccolo 2 1876/1935 . .=3D20 87 Contra Viola 16 1935 . .=3D20 88 Viole d'Orchestre 8 1935 . .=3D20 89 Viole Celeste 8 1935 . .=3D20 90 Viole Octaviante 4 1935 . .=3D20 91 Cornet de Violes 10:12:15 III.. 1935 . .=3D20 92 Cor Anglais 16 1935 . .=3D20 93 Corno di Bassetto 8 1876 . .=3D20 94 Orchestral Oboe 8 1876 . .=3D20 Tremulant . . . .=3D20 95 French Horn 8 1935 . .=3D20 96 Orchestral Tuba 8 1935 . .=3D20 (unenclosed) . . . .=3D20 97 Tuba 8 1876 Revoiced in 1905 and/or 1935 In Bombarde = Division=3D20 98 Tuba Clarion 4 1876 Revoiced in 1905 and/or 1935 In Bombarde =3D Division=3D20 Octave . . . .=3D20 Sub Octave . . . .=3D20 Unison Off . . . .=3D20   The Bombarde divison of 4 ranks (drawstops grouped together on LH jamb) = =3D is located behind the Dean's stall in the western choir arcade on the =3D north side.=3D20   Combination Couplers Pedal to Swell pistons (also by reversible thumb = =3D piston) . . .=3D20 Great and Pedal pistons coupled (also by reversible thumb piston) . = =3D .. .=3D20     Accessories=3D20 Balanced swell pedals to Swell (mechanical), Choir and Solo=3D20 10 foot pistons to Pedal organ; 10 foot pistons - Generals=3D20 Reversible foot pistons for Gt/Ped., Sw/Ped., Ch/Ped., Sw/Gt=3D20 Pedal cancel foot piston=3D20 10 thumb pistons each to Great, Swell, Choir/Positive, Solo=3D20 10 thumb pistons - Generals=3D20 Reversible pistons for manual/pedal and intermanual couplers=3D20 Reversible pistons for No's 20 and 22; non-reversible to No.96 and 97=3D20 General cancel piston=3D20 Setter mechanism with multiple memories installed=3D20   The pitch is C =3D3D 528 vibrations at 59 degrees F=3D20   The blowing equipment (3 Discus blowers) and humidifiers are by =3D Messrs.Watkins & Watson Ltd=3D20 Wind pressures=3D20 Pedal - flue work 11/2" to 6"; reeds 6", 12" and 20"=3D20 Great - flue work 4" and 5"; reeds 7"=3D20 Swell - flue work, Oboe and VH 31/2"; chorus reeds 7"=3D20 Choir - 23/4"=3D20 Solo - flue work and orchestral reeds 6"; French Horn and =3D Tubas 20"=3D20       www.harrison-organs.co.uk=3D20   =3D20   ------=3D_NextPart_000_002E_01C200A7.BF01CD60 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 5.50.4134.600" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial size=3D3D2> <P>&gt; On the other hand, the present head of Harrison &amp; Harrison, = =3D Mark=3D20 Venning,<BR>&gt; has at least an MA and his FRCO, though whether he does = =3D tuning=3D20 rounds or<BR>not<BR>&gt; I'm not sure.<BR>&gt; I only know of one =3D organbuilder=3D20 in NZ who is a good organist.<BR>&gt; Ross<BR><BR><BR>I am not aware of = =3D Mr=3D20 Venning carrying out any tuning work, as all the tuners<BR>I am aware of = =3D who=3D20 work for H+H are&nbsp;NOT trained to play the final result. He<BR>is a =3D fantastic=3D20 organist though, and he has performed some great recitles at<BR>one of =3D the UK's=3D20 finest organs, Durham Cathedral.&nbsp; What a =3D machine!!<BR><BR>Paul<BR></P> <P>For the statistically minded - the organ has <B>98 speaking stops =3D (5746=3D20 pipes)</B> in 7 divisions, and 22 other drawstops. </P> <P><B><U>Pedal</U></B> (30 notes)&nbsp; Located north and south sides; =3D upperwork=3D20 behind lower casework on <A=3D20 href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#northside">north =3D side</A>.=3D20 <TABLE cellSpacing=3D3D0 width=3D3D"100%" border=3D3D1> <TBODY> <TR> <TD>1</TD> <TD>Double Open Wood</TD> <TD>32</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>2</TD> <TD>Open Wood I</TD> <TD>16</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>3</TD> <TD>Open Wood II</TD> <TD>16</TD> <TD>1876/1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>4</TD> <TD>Open Diapason</TD> <TD>16</TD> <TD>1876</TD> <TD>.</TD> <TD>Part in <A=3D20 =3D href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#northside">north side = =3D   front</A>......</TD></TR> <TR> <TD>5</TD> <TD>Violone&nbsp;</TD> <TD>16</TD> <TD>1876</TD> <TD>Called Dulciana from 1905 to 1970</TD> <TD>Part in <A=3D20 =3D href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#northside">north side = =3D   front</A></TD></TR> <TR> <TD>6</TD> <TD>Dulciana&nbsp;</TD> <TD>16</TD> <TD>1935/1970</TD> <TD>Part ex.1935 Ch.OD</TD> <TD>South choir aisle front</TD></TR> <TR> <TD>7</TD> <TD>Bourdon</TD> <TD>16</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>8</TD> <TD>Contra Viola</TD> <TD>16</TD> <TD>1935</TD> <TD>Derived from No.84; formerly Violone</TD> <TD>.</TD></TR> <TR> <TD>9</TD> <TD>Octave Wood</TD> <TD>8</TD> <TD>1876/1935</TD> <TD>18 from No.2</TD> <TD>.</TD></TR> <TR> <TD>10</TD> <TD>Principal</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>11</TD> <TD>Cello</TD> <TD>8</TD> <TD>1876/1935/1970</TD> <TD>18 from No5; pt.ex 1935 Ch.OD</TD> <TD>.</TD></TR> <TR> <TD>12</TD> <TD>Dulciana</TD> <TD>8</TD> <TD>1935/1970</TD> <TD>18 from No.6;&nbsp; 12 ex.1935 Ch.VdaG</TD> <TD>.</TD></TR> <TR> <TD>13</TD> <TD>Flute</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>14</TD> <TD>Twelfth</TD> <TD>5<SUP><FONT size=3D3D-2>1</FONT></SUP>/<FONT =3D size=3D3D-2>3</FONT></TD> <TD>1876/1970</TD> <TD>Part from 1876 Ped. Mixture</TD> <TD>.</TD></TR> <TR> <TD>15</TD> <TD>Super Octave Wood</TD> <TD>4</TD> <TD>1876/1935</TD> <TD>18 from No's 2 + 9</TD> <TD>.</TD></TR> <TR> <TD>16</TD> <TD>Octave Cello</TD> <TD>4</TD> <TD>1935/1970</TD> <TD>18 from No's 5 + 11; pt.ex.Ch.OD</TD> <TD>.</TD></TR> <TR> <TD>17</TD> <TD>Twenty Second</TD> <TD>2</TD> <TD>1876/1970</TD> <TD>Part from 1876 Ped. Mixture</TD> <TD>.</TD></TR> <TR> <TD>18</TD> <TD>Mixture 19:22:26:29</TD> <TD>IV</TD> <TD>1876/1970</TD> <TD>Remade 1970</TD> <TD>.</TD></TR> <TR> <TD>19</TD> <TD>Double Ophicleide</TD> <TD>32</TD> <TD>1935</TD> <TD>18 from No.21</TD> <TD>In <A=3D20 =3D href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#bombarde">Bombarde=3D2= 0 Division</A></TD></TR> <TR> <TD>20</TD> <TD>Double Trombone</TD> <TD>32</TD> <TD>1876/1970</TD> <TD>Bottom 12 new 1970</TD> <TD>.</TD></TR> <TR> <TD>21</TD> <TD>Ophicleide</TD> <TD>16</TD> <TD>1935</TD> <TD>.</TD> <TD>In <A=3D20 =3D href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#bombarde">Bombarde=3D2= 0 Division</A></TD></TR> <TR> <TD>22</TD> <TD>Trombone</TD> <TD>16</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>23</TD> <TD>Cor Anglais</TD> <TD>16</TD> <TD>1935</TD> <TD>Derived from No.92</TD> <TD>.</TD></TR> <TR> <TD>24</TD> <TD>Tromba</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>25</TD> <TD>Cornett</TD> <TD>4</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Choir to Pedal</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Great to Pedal</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Swell to Pedal</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Solo to Pedal</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR></TBODY></TABLE>. <BR><B><U>Great</U></B> (58 =3D notes)&nbsp;&nbsp;=3D20 Located above the console, behind <A=3D20 href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#southside">south side = =3D main=3D20 front.</A> <BR>&nbsp;=3D20 <TABLE cellSpacing=3D3D0 width=3D3D"100%" border=3D3D1> <TBODY> <TR> <TD>26</TD> <TD>Double Open Diapason</TD> <TD>16</TD> <TD>1876</TD> <TD>.....................................................</TD> <TD><A =3D href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#southside">South=3D20 side front pipes</A>.......</TD></TR> <TR> <TD>27</TD> <TD>Contra Clarabella</TD> <TD>16</TD> <TD>1876/1935....</TD> <TD>12 from No.7</TD> <TD>.</TD></TR> <TR> <TD>28</TD> <TD>Open Diapason I</TD> <TD>8</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>29</TD> <TD>Open Diapason II</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>30</TD> <TD>Open Diapason III</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>31</TD> <TD>Open Diapason IV</TD> <TD>8</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>32</TD> <TD>Gamba</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>33</TD> <TD>Claribel Flute</TD> <TD>8</TD> <TD>1876</TD> <TD>24 from No.34</TD> <TD>.</TD></TR> <TR> <TD>34</TD> <TD>Stopped Diapason</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>35</TD> <TD>Octave</TD> <TD>4</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>36</TD> <TD>Principal</TD> <TD>4</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>37</TD> <TD>Harmonic Flute</TD> <TD>4</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>38</TD> <TD>Octave Quint</TD> <TD>2<SUP><FONT size=3D3D-2>2</FONT></SUP>/<FONT =3D size=3D3D-2>3</FONT></TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>39</TD> <TD>Super Octave</TD> <TD>2</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>40</TD> <TD>Mixture 19:22:26:29</TD> <TD>IV</TD> <TD>1876/1970</TD> <TD>Some new pipes in 1970</TD> <TD>.</TD></TR> <TR> <TD>41</TD> <TD>Scharf&nbsp; 29:33:36</TD> <TD>III</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>42</TD> <TD>Contra Posaune</TD> <TD>16</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>43</TD> <TD>Posaune</TD> <TD>8</TD> <TD>1876</TD> <TD>Harmonic trebles 1905</TD> <TD>.</TD></TR> <TR> <TD>44</TD> <TD>Clarion</TD> <TD>4</TD> <TD>1876</TD> <TD>Harmonic trebles 1905</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>[Great] Reeds on Choir</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Choir to Great</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Swell to Great</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Solo to Great</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR></TBODY></TABLE> <P><B><U>Swell</U></B> (enclosed) (58 notes)&nbsp; Located behind <A=3D20 href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#northside">north side = =3D main=3D20 front.</A>=3D20 <TABLE cellSpacing=3D3D0 width=3D3D"100%" border=3D3D1> <TBODY> <TR> <TD>45</TD> <TD>Double Diapason</TD> <TD>16.</TD> <TD>1876.........</TD> <TD>..................................................</TD> <TD>............................................</TD></TR> <TR> <TD>46</TD> <TD>Open Diapason I</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>47</TD> <TD>Open Diapason II</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>48</TD> <TD>Lieblich Gedeckt</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>49</TD> <TD>Salicional</TD> <TD>8</TD> <TD>1876</TD> <TD>Previously on Choir</TD> <TD>.</TD></TR> <TR> <TD>50</TD> <TD>Vox Angelica (TC)</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>51</TD> <TD>Principal</TD> <TD>4</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>52</TD> <TD>Harmonic Flute</TD> <TD>4</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>53</TD> <TD>Fifteenth</TD> <TD>2</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>54</TD> <TD>Mixture&nbsp; 12:15:17:19:22</TD> <TD>IV/V</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>55</TD> <TD>Oboe</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>56</TD> <TD>Vox Humana</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Tremulant</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>57</TD> <TD>Double Trumpet</TD> <TD>16</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>58</TD> <TD>Trumpet</TD> <TD>8</TD> <TD>1876</TD> <TD>Harmonic trebles 1905</TD> <TD>.</TD></TR> <TR> <TD>59</TD> <TD>Clarion</TD> <TD>4</TD> <TD>1876</TD> <TD>Harmonic trebles 1905</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Solo to Swell</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR></TBODY></TABLE>. <BR><B><U>Choir</U></B> (enclosed) = =3D (58=3D20 notes)&nbsp; Located behind choir stalls in <A=3D20 href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#southside">western = =3D choir arcade=3D20 on south side.</A>=3D20 <TABLE cellSpacing=3D3D0 width=3D3D"100%" border=3D3D1> <TBODY> <TR> <TD>60.</TD> <TD>Bourdon</TD> <TD>16</TD> <TD>1876.........</TD> <TD>Formerly Lieblich Bourdon................</TD> <TD>...............................................</TD></TR> <TR> <TD>61</TD> <TD>Flauto Traverso</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>62</TD> <TD>Gedeckt</TD> <TD>8</TD> <TD>1876</TD> <TD>Formerly Lieblich Gedeckt</TD> <TD>.</TD></TR> <TR> <TD>63</TD> <TD>Viole d'Amour</TD> <TD>8</TD> <TD>1876</TD> <TD>Previously on Swell</TD> <TD>.</TD></TR> <TR> <TD>64</TD> <TD>Gemshorn</TD> <TD>48</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>65</TD> <TD>Flauto Traverso</TD> <TD>4</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>66</TD> <TD>Stopped Flute</TD> <TD>4</TD> <TD>1876</TD> <TD>Formerly Lieblich Flute</TD> <TD>.</TD></TR> <TR> <TD>67</TD> <TD>Nazard</TD> <TD>2<SUP><FONT size=3D3D-2>2</FONT></SUP>/<FONT =3D size=3D3D-2>3</FONT></TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>68</TD> <TD>Piccolo</TD> <TD>2</TD> <TD>1876</TD> <TD>Formerly Harmonic Piccolo</TD> <TD>.</TD></TR> <TR> <TD>69</TD> <TD>Tierce</TD> <TD>1<SUP>3</SUP>/<FONT size=3D3D-2>5</FONT></TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>70</TD> <TD>Dulciana Mixture 15:19:22</TD> <TD>III</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>71</TD> <TD>Clarinet</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Tremulant</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Swell to Choir</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Solo to Choir</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Bombarde Tubas on Choir</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR></TBODY></TABLE> <P><B><U>Positive</U></B> (on Choir keys) (58 notes)&nbsp;&nbsp; Located = =3D over=3D20 Choir box in <A=3D20 href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#southside">western = =3D choir arcade=3D20 on south side</A>=3D20 <TABLE cellSpacing=3D3D0 width=3D3D"100%" border=3D3D1> <TBODY> <TR> <TD>72</TD> <TD>Flute a Chemin=3DE9e</TD> <TD>8</TD> <TD>1970...</TD> <TD>...............................................</TD> <TD>.........................................</TD></TR> <TR> <TD>73</TD> <TD>Quintade</TD> <TD>8</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>74</TD> <TD>Prestant</TD> <TD>4</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>75</TD> <TD>Flute Ouverte</TD> <TD>4</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>76</TD> <TD>Doublette</TD> <TD>2</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>77</TD> <TD>Sesquialtera 12:17</TD> <TD>II</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>78</TD> <TD>Larigot</TD> <TD>1<SUP><FONT size=3D3D-2>1</FONT></SUP>/<FONT =3D size=3D3D-2>3</FONT></TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>79</TD> <TD>Octavin</TD> <TD>1</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>80</TD> <TD>Octave Tierce</TD> <TD><SUP><FONT size=3D3D-2>4</FONT></SUP>/<FONT =3D size=3D3D-2>5</FONT></TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>81</TD> <TD>Cymbale&nbsp; 26:29:33</TD> <TD>III</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>82</TD> <TD>Dulzian</TD> <TD>16</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>83</TD> <TD>Trompette</TD> <TD>8</TD> <TD>1970</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Positive on Great</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Positive on Solo</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR></TBODY></TABLE> <P><B><U>Solo </U></B>(84 to 96 enclosed) (58 notes - No.92 has extra =3D octave of=3D20 pipes in treble for use with Octave and Unison Off) <BR>Located in =3D triforium on=3D20 <A href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#northside">north = =3D side.</A>=3D20 <TABLE cellSpacing=3D3D0 cellPadding=3D3D0 width=3D3D"100%" border=3D3D1> <TBODY> <TR> <TD></TD> <TD>(enclosed)</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>84.</TD> <TD>Harmonic Flute</TD> <TD>8</TD> <TD>1876/1935</TD> <TD>...................................................</TD> <TD>..................................................</TD></TR> <TR> <TD>85</TD> <TD>Concert Flute</TD> <TD>4</TD> <TD>1876/1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>86</TD> <TD>Harmonic Piccolo</TD> <TD>2</TD> <TD>1876/1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>87</TD> <TD>Contra Viola</TD> <TD>16</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>88</TD> <TD>Viole d'Orchestre</TD> <TD>8</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>89</TD> <TD>Viole Celeste</TD> <TD>8</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>90</TD> <TD>Viole Octaviante</TD> <TD>4</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>91</TD> <TD>Cornet de Violes 10:12:15</TD> <TD>III..</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>92</TD> <TD>Cor Anglais</TD> <TD>16</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>93</TD> <TD>Corno di Bassetto</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>94</TD> <TD>Orchestral Oboe</TD> <TD>8</TD> <TD>1876</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Tremulant</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>95</TD> <TD>French Horn</TD> <TD>8</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>96</TD> <TD>Orchestral Tuba</TD> <TD>8</TD> <TD>1935</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD>(unenclosed)</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD>97</TD> <TD>Tuba</TD> <TD>8</TD> <TD>1876</TD> <TD>Revoiced in 1905 and/or 1935</TD> <TD>In <A=3D20 =3D href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#bombarde">Bombarde=3D2= 0 Division</A></TD></TR> <TR> <TD>98</TD> <TD>Tuba Clarion</TD> <TD>4</TD> <TD>1876</TD> <TD>Revoiced in 1905 and/or 1935</TD> <TD>In <A=3D20 =3D href=3D3D"http://www.dur.ac.uk/~dot7rdh/stoplist.htm#bombarde">Bombarde=3D2= 0 Division</A></TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Octave</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Sub Octave</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Unison Off</FONT></I></TD> <TD>.</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR></TBODY></TABLE><A name=3D3Dbombarde></A><BR>The=3D20 <B><U>Bombarde</U></B> divison of 4 ranks (drawstops grouped together on = =3D LH=3D20 jamb) is located behind the Dean's stall in the western choir arcade on = =3D the=3D20 north side.=3D20 <P><B><U>Combination Couplers</U></B>=3D20 <TABLE cellSpacing=3D3D0 width=3D3D"100%" border=3D3D1> <TBODY> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Pedal to Swell pistons&nbsp;</FONT> =3D </I>(also=3D20 by reversible thumb piston)</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR> <TR> <TD></TD> <TD><I><FONT color=3D3D#990000>Great and Pedal pistons coupled=3D20 </FONT></I>(also by reversible thumb piston)</TD> <TD>.</TD> <TD>.</TD> <TD>.</TD></TR></TBODY></TABLE> <P><B><U>Accessories</U></B> <BR>Balanced swell pedals to Swell =3D (mechanical),=3D20 Choir and Solo <BR>10 foot pistons to Pedal organ;&nbsp; 10 foot pistons = =3D -=3D20 Generals <BR>Reversible foot pistons for Gt/Ped., Sw/Ped., Ch/Ped., =3D Sw/Gt=3D20 <BR>Pedal cancel foot piston <BR>10 thumb pistons each to Great, = Swell,=3D20 Choir/Positive, Solo <BR>10 thumb pistons - Generals <BR>Reversible =3D pistons for=3D20 manual/pedal&nbsp; and intermanual couplers <BR>Reversible pistons for =3D No's 20=3D20 and 22; non-reversible to No.96 and 97 <BR>General cancel piston =3D <BR>Setter=3D20 mechanism with multiple memories installed=3D20 <P>The pitch is C =3D3D 528 vibrations at 59 degrees F=3D20 <P>The blowing equipment (3 Discus blowers) and humidifiers are by=3D20 Messrs.Watkins &amp; Watson Ltd <BR>Wind pressures=3D20 <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Pedal - flue = =3D work=3D20 1<SUP><FONT size=3D3D-2>1</FONT></SUP>/<FONT size=3D3D-2>2</FONT>" to =3D 6";&nbsp; reeds=3D20 6", 12" and 20" =3D <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Great=3D20 - flue work 4" and 5";&nbsp; reeds 7"=3D20 <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Swell - flue = =3D work,=3D20 Oboe and VH 3<SUP><FONT size=3D3D-2>1</FONT></SUP>/<FONT =3D size=3D3D-2>2</FONT>"; chorus=3D20 reeds 7" <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =3D Choir -=3D20 2<SUP><FONT size=3D3D-2>3</FONT></SUP>/<FONT size=3D3D-2>4</FONT>"=3D20 <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Solo - = flue=3D20 work&nbsp; and orchestral reeds 6";&nbsp; French Horn and Tubas 20" </P> <P>&nbsp;</P> <P><A =3D href=3D3D"http://www.harrison-organs.co.uk">www.harrison-organs.co.uk</A>= =3D20 </P></FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2>&nbsp; </FONT></DIV></BODY></HTML>   ------=3D_NextPart_000_002E_01C200A7.BF01CD60--