PipeChat Digest #3214 - Friday, November 8, 2002
 
pipe organ cheap
  by "John Vanderlee" <jovanderlee@vassar.edu>
(no subject)
  by <ahremsen40@aol.com>
Re: Quintaton - thanks
  by "Bruce Miles" <bruce@gbmuk.fsnet.co.uk>
Re: Naming names
  by "Bro. Lawrence" <st_lawrence40@yahoo.com>
Re: Naming names
  by "Stanley Lowkis" <nstarfil@attbi.com>
Re: Quintaton - thanks
  by <Gfc234@aol.com>
Re: Quintaton - thanks
  by <Cremona502@cs.com>
Re: Quintaton - thanks
  by <ProOrgo53@aol.com>
Re: Quintaton
  by "Hugh Drogemuller" <hdrogemuller@sympatico.ca>
Re: Quintaton oops.........
  by "Hugh Drogemuller" <hdrogemuller@sympatico.ca>
Re: Quintaton oops.........
  by "Teah" <teahzg@charter.net>
Re: Quintaton oops.........
  by <Cremona502@cs.com>
doucaine
  by <TubaMagna@aol.com>
Re: Quintaton oops.........
  by "Ross & Lynda Wards" <TheShieling@xtra.co.nz>
Doucaine
  by "Hugh Drogemuller" <hdrogemuller@sympatico.ca>
Re: Quintaton oops.........
  by "Ross & Lynda Wards" <TheShieling@xtra.co.nz>
Re: doucaine
  by <Cremona502@cs.com>
Organ Music In Les Miserables
  by <Pologaptommy@aol.com>
Re: Doucaine
  by <Gfc234@aol.com>
 

(back) Subject: pipe organ cheap From: "John Vanderlee" <jovanderlee@vassar.edu> Date: Thu, 7 Nov 2002 07:08:41 -0800   >>Hi people, >> >>We found a barn full of goodies which will be donated to our cause, >>if we find a new owner for the organ in the house. check our listing >>out on ebay:   Item #: 920248695   John V  
(back) Subject: (no subject) From: <ahremsen40@aol.com> Date: Thu, 7 Nov 2002 09:09:15 EST   Greetings List!   Does anyone know the location of Ralph Kneerium (Not spelled corrrectly). =   The last I heard Ralph was in Florida. Many thanks for any help you can = give me. Allan  
(back) Subject: Re: Quintaton - thanks From: "Bruce Miles" <bruce@gbmuk.fsnet.co.uk> Date: Thu, 7 Nov 2002 15:53:03 -0000   Bruce,   You are not too critical at all, it's good to get comments on my organs sounds which have something constructive to say. Too many say how perfect they are (untrue) or even just 'cool' (useless).   I see from your website that your 75 Casavant Quintaton is at 16 ft. I = would have thought that an 8ft stop was generally of more use, but then I've no personal experience this stop. The little 1859 2/15 organ I play on = Sundays has no Quintaton, but it does have two 4ft flutes on the Great, one p stopped, and mf harmonic - both very useful.   I would love to take advantage of your offer of a 'sample' - will reply privately on this.   t'other Bruce --   Bruce Miles (Vale of York UK)   ----- Original Message ----- From: <Cremona502@cs.com> To: <pipechat@pipechat.org> Sent: Wednesday, November 06, 2002 8:44 PM Subject: Re: Quintaton - thanks     > In a message dated 11/6/02 2:35:10 AM Eastern Standard Time, > bruce@gbmuk.fsnet.co.uk writes: > > > > www.gbmuk.fsnet.co.uk/misc.html > > Bruce, > I listened to your synthesized Quintaton and I don't think it bears good > resemblance to a Quintaton. It sounds much more like a unison flute = and a > mutation and really lack the "haunting beauty" of a Quintaton. The > Quintaton has great warmth and a somewhat fuzzy sound. The upper harmonics, > although very prominent are also very subtle. For an easily accessible good > example, I'd suggest getting the G Donald Harrison CD which is the first in > the King of Instrument series. > > Or, just to toot my own horn (!!), if you'll send me your snail mail address > I'll make you a tape of the 75 Casavant Quintaton which I enjoy so much. > > Please forgive me if I sound too critical... perhaps I should start a > Quintaton Fan Club! ;-) > > Bruce in the Muttastery at Howling Acres http://members.tripod.com/Brucon502 > ...an opportunity for health & wealth http://visionsuccess.com/BC2053 >    
(back) Subject: Re: Naming names From: "Bro. Lawrence" <st_lawrence40@yahoo.com> Date: Thu, 7 Nov 2002 08:50:49 -0800 (PST)   --0-1617804778-1036687849=3D:2633 Content-Type: text/plain; charset=3Dus-ascii     "Alan Freed" said: Date: Wed, 06 Nov 2002 14:45:37 -0500   I think you're right, Greg. It should be evident to all that not one = person said anything in a mean tone (little pun there for the cognoscenti) of voice, from the first mention to the last, on-list or off (so far as I = know).   Alan =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D   Alan:   I've been on this list only a few days yet my opinion of the people here = is that they are a well-tempered group.   Lawrence         --------------------------------- Do you Yahoo!? U2 on LAUNCH - Exclusive medley & videos from Greatest Hits CD --0-1617804778-1036687849=3D:2633 Content-Type: text/html; charset=3Dus-ascii   <P><FONT size=3D3>"Alan Freed" said:&nbsp;</FONT><FONT size=3D3>Date: Wed, = 06 Nov 2002 14:45:37 -0500<BR><BR></FONT><FONT size=3D3>I think you're = right, Greg.&nbsp; It should be evident to all that not one person<BR>said = anything in a mean tone (little pun there for the cognoscenti) = of<BR>voice, from the first mention to the last, on-list or off (so far as = I know).<BR><BR>Alan<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</FONT></P> <P><FONT size=3D3>Alan:</FONT></P> <P><FONT size=3D3>I've been on this list only a few days yet my opinion of = the people here is that they are a well-tempered group.</FONT></P> <P><FONT size=3D3>Lawrence<BR></P></FONT><p><br><hr size=3D1>Do you = Yahoo!?<br> <a = href=3D"http://rd.yahoo.com/launch/mailsig/*http://launch.yahoo.com/u2">U2 = on LAUNCH</a> - Exclusive medley & videos from Greatest Hits CD --0-1617804778-1036687849=3D:2633--  
(back) Subject: Re: Naming names From: "Stanley Lowkis" <nstarfil@attbi.com> Date: Thu, 07 Nov 2002 12:14:16 -0500       "Bro. Lawrence" wrote: > > "Alan Freed" said: Date: Wed, 06 Nov 2002 14:45:37 -0500 > > I think you're right, Greg. It should be evident to all that not one = person > said anything in a mean tone (little pun there for the cognoscenti) of > voice, from the first mention to the last, on-list or off (so far as I > know). > > Alan > =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D > > Alan: > > I've been on this list only a few days yet my opinion of the people here = is > that they are a well-tempered group. > > Lawrence >   Also, some are flexible; others just windy.   Stan    
(back) Subject: Re: Quintaton - thanks From: <Gfc234@aol.com> Date: Thu, 7 Nov 2002 12:32:15 EST     --part1_11.1b74984.2afbfd9f_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   I agree-I listsned to the sound sample a few days ago-if my memory serves = me correctly, it sounded like an 8' flute with an undervoiced sesqualtera = drawn. Greg   --part1_11.1b74984.2afbfd9f_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>I agree-I listsned to = the sound sample a few days ago-if my memory serves me correctly, it = sounded like an 8' flute with an undervoiced sesqualtera drawn. <BR>Greg</FONT></HTML>   --part1_11.1b74984.2afbfd9f_boundary--  
(back) Subject: Re: Quintaton - thanks From: <Cremona502@cs.com> Date: Thu, 7 Nov 2002 14:17:13 EST     --part1_43.148baf57.2afc1639_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 11/7/02 10:56:22 AM Eastern Standard Time, bruce@gbmuk.fsnet.co.uk writes:     > I see from your website that your 75 Casavant Quintaton is at 16 ft. I = would > have thought that an 8ft stop was generally of more use, but then I've = no > personal experience this stop. The little 1859 2/15 organ I play on = Sundays > has no Quintaton, but it does have two 4ft flutes on the Great, one p > stopped, and mf harmonic - both very useful. >   Alas, this Casavant suffers from being a "child of the times" having been during the rebellion against things romantic and before all of the information was in on "what a baroque organ is!" It is unfortunate = that there are no strings, BUT after using the Gemshorn/Celeste for a couple of =   months I cannot imagine trading it in because it's just downright scrumptious. The Quintaton just does not do the job as a 16' stop; a Bourdon (or I suppose for this vintage, a Bordun!) would have been much = more useful. However, I love the stop for little fugues and for a solo voice. = It does work very well in combination of 16 and 4 or 2 for episodic usage. It's another stop that I would not have chosen, but since it is there I really enjoy it. I would really enjoy having a 16 Principal on the Great =   since I like Rheinberger and those guys, as well for hymn playing.   Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_43.148baf57.2afc1639_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 11/7/02 10:56:22 AM Eastern Standard Time, bruce@gbmuk.fsnet.co.uk writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I see from your = website that your 75 Casavant Quintaton is at 16 ft. I would <BR>have thought that an 8ft stop was generally of more use, but then I've = no <BR>personal experience this stop. The little 1859 2/15 organ I play on = Sundays <BR>has no Quintaton, but it does have two 4ft flutes on the Great, one p <BR>stopped, and mf harmonic - both very useful. <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>Alas, this Casavant suffers from being a "child of the times" having = been during the rebellion against things romantic and before all of the = information was in on "what a baroque organ is!" = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;It is unfortunate that there are no strings, = BUT after using the Gemshorn/Celeste for a couple of months I cannot = imagine trading it in because it's just downright scrumptious. = &nbsp;&nbsp;&nbsp;The Quintaton just does not do the job as a 16' stop; a = Bourdon (or I suppose for this vintage, a Bordun!) would have been much = more useful. &nbsp;However, I love the stop for little fugues and for a = solo voice. &nbsp;It does work very well in combination of 16 and 4 or 2 = for episodic usage. &nbsp;&nbsp;It's another stop that I would not have = chosen, but since it is there I really enjoy it. &nbsp;&nbsp;I would = really enjoy having a 16 Principal on the Great since I like Rheinberger = and those guys, as well for hymn playing. <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_43.148baf57.2afc1639_boundary--  
(back) Subject: Re: Quintaton - thanks From: <ProOrgo53@aol.com> Date: Thu, 7 Nov 2002 14:23:30 EST     --part1_f6.23ec00a0.2afc17b2_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   It makes a wonderful solo stop when played up an octave (personal = opinion)!   Dale G. Rider, MSM, CAGO Organist/Director of Music Ministries First Baptist Church (American) Kansas City, Missouri Volunteer Staff Organist Community of Christ Auditorium & Temple Independence, Missouri   --part1_f6.23ec00a0.2afc17b2_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">It makes a wonderful solo stop when played up an = octave (personal opinion)!<BR> <BR> </FONT><FONT COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" = SIZE=3D2 FAMILY=3D"SERIF" FACE=3D"Book Antiqua" LANG=3D"0">Dale G. Rider, = </FONT><FONT COLOR=3D"#000000" style=3D"BACKGROUND-COLOR: #ffffff" = SIZE=3D1 FAMILY=3D"SERIF" FACE=3D"Book Antiqua" LANG=3D"0"><I>MSM, = CAGO<BR> </I>Organist/Director of Music Ministries<BR> First Baptist Church (American)<BR> Kansas City, Missouri<BR> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Volunteer Staff = Organist<BR> <B><I>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Community of = Christ</B></I> Auditorium &amp; Temple<BR> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Independence, = Missouri</FONT></HTML>   --part1_f6.23ec00a0.2afc17b2_boundary--  
(back) Subject: Re: Quintaton From: "Hugh Drogemuller" <hdrogemuller@sympatico.ca> Date: Thu, 07 Nov 2002 16:27:30 -0500   At 02:17 PM 07/11/2002 -0500, Bruce wrote: > > >Alas, this Casavant suffers from being a "child of the times" having been =   >during the rebellion against things romantic and before all of the >information was in on "what a baroque organ is!"     A 1974 Casavant would be from the Brunzema era I would think. I rather think that a Quintadena is a "signature" stop in any Brunzema design. In a Casavant organ that I have some familiarity with the 16' Doucaine on the Great was exchanged for a 16' Quintadena. Successive Organists could not find a use for the Doucaine but the most recent one used it in his performance of certain Bach works.   HD    
(back) Subject: Re: Quintaton oops......... From: "Hugh Drogemuller" <hdrogemuller@sympatico.ca> Date: Thu, 07 Nov 2002 18:56:23 -0500   At 04:27 PM 07/11/2002 -0500, you wrote: >At 02:17 PM 07/11/2002 -0500, Bruce wrote: >> >> >>Alas, this Casavant suffers from being a "child of the times" having = been >>during the rebellion against things romantic and before all of the >>information was in on "what a baroque organ is!" > > >A 1974 Casavant would be from the Brunzema era I would think. I rather >think that a Quintadena is a "signature" stop in any Brunzema design. >In a Casavant organ that I have some familiarity with the 16' Doucaine on =   >the Great was exchanged for a 16' Quintadena. Successive Organists could >not find a use for the Doucaine but the most recent one used it in his >performance of certain Bach works.   OOPS....   The last sentence should have read " the most recent one used the 16' Quintadena in his performance of certain Bach works.   HD    
(back) Subject: Re: Quintaton oops......... From: "Teah" <teahzg@charter.net> Date: Thu, 7 Nov 2002 19:10:59 -0600   As I use the Quintadena 16' on my organ. It is a lovely stop that adds depth to the plenum without adding a great deal of weight to the color. = It is also a lovely solo stop when played an octave higher. I much prefer it to the muddiness of a Bourdon.   Tim   >performance of certain Bach works. > > OOPS.... > > The last sentence should have read " the most recent one used the 16' > Quintadena in his performance of certain Bach works. > > HD    
(back) Subject: Re: Quintaton oops......... From: <Cremona502@cs.com> Date: Thu, 7 Nov 2002 20:43:53 EST     --part1_11a.19c73505.2afc70d9_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 11/7/02 7:12:22 PM Eastern Standard Time, hdrogemuller@sympatico.ca writes:     > Successive Organists could > >not find a use for the Doucaine but the most recent one used it in his =   > >performance of certain Bach works. >   And a Doucaine is a small principal??   Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_11a.19c73505.2afc70d9_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 11/7/02 7:12:22 PM Eastern Standard Time, hdrogemuller@sympatico.ca = writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Successive = Organists could <BR>&gt;not find a use for the Doucaine but the most recent one used it = &nbsp;in his <BR>&gt;performance of certain Bach works. <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>And a Doucaine is a small principal?? <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_11a.19c73505.2afc70d9_boundary--  
(back) Subject: doucaine From: <TubaMagna@aol.com> Date: Thu, 7 Nov 2002 21:28:03 EST   Dear Bruce: A "Dou=E7aine" is most likely NOT a small Principal, but a cylindrical=20 half-length reed of some kind, similar to a Dulzian or a Curtal. A "Dulciane" might be considered a small Principal in some circles of=20 French nomenclature.   Sebastian M. Gluck New York City  
(back) Subject: Re: Quintaton oops......... From: "Ross & Lynda Wards" <TheShieling@xtra.co.nz> Date: Fri, 8 Nov 2002 16:05:13 +1300   As I understand it, a Doucaine (sorry I can't put a cedilla on that "c") = is a Clarinet, usually at 16ft pitch. Historically it may have been = different, but that's what J.W.Walker made as standard, according to Bob Pennells, = the CO of the firm when I visited him in 1992. He said people thought a Double Clarinet sounded a weird idea, so he gave them the Clarinet anyway under = the different name, keeping both him and the church happy.   We had been having a discussion on the merits of large farty Clarinets and he agreed thoroughly that an 8ft of this type, when combined with = mutations for solo use, or with Principals & Mixtures from 4ft upwards, made a great sound. He also agreed very fulsomely that a 16ft Clarinet of large-scale = is of far more use than a half-length Fagotto or other inverted-conical reed, as the cylindrical pipes of the Doucaine/Clarinet give it the basic fundamental harmonic that a half-length reed of other types lacks.   He suggested I try their 16ft in St Martin's-in-the-Fields, London. I did. It's a great rank.   As I remember it, there is a wonderful 16ft cylindrical reed on the = 2-manual Harrison & Harrison in the King's College Chapel, Aberdeen, as well.   Ross -----Original Message----- From: Cremona502@cs.com <Cremona502@cs.com> To: pipechat@pipechat.org <pipechat@pipechat.org> Date: Friday, November 08, 2002 2:44 PM Subject: Re: Quintaton oops.........     In a message dated 11/7/02 7:12:22 PM Eastern Standard Time, hdrogemuller@sympatico.ca writes:       Successive Organists could >not find a use for the Doucaine but the most recent one used it in = his >performance of certain Bach works.       And a Doucaine is a small principal??   Bruce in the Muttastery at Howling Acres http://members.tripod.com/Brucon502 ...an opportunity for health & wealth http://visionsuccess.com/BC2053    
(back) Subject: Doucaine From: "Hugh Drogemuller" <hdrogemuller@sympatico.ca> Date: Thu, 07 Nov 2002 22:04:45 -0500   List,   The example that I refer was in the clarinet style as Ross Wards correctly =   surmised. The scheme was from the time that Jean Louis Coignet was the "hands on" tonal director at Casavant. Undoubtedly it was inspired =   from French examples. My opinion of the stop was that it made a wonderful double under the = Great Principal chorus . It provided great support for congregational singing and was great to sing along with. Too bad the organists at the time did = not see it that way.   HD    
(back) Subject: Re: Quintaton oops......... From: "Ross & Lynda Wards" <TheShieling@xtra.co.nz> Date: Fri, 8 Nov 2002 17:34:48 +1300   Apologies to my own posting. I should have said Dulzian, not Doucaine, but to J.W.Walker and a number of folk, that is the same kind of thing in practice, even though in theory it should perhaps be fractional-length. = The London example is in fact labelled Dulzian, though a double Clarinet. Ross -----Original Message----- From: Ross & Lynda Wards <TheShieling@xtra.co.nz> To: PipeChat <pipechat@pipechat.org> Date: Friday, November 08, 2002 3:35 PM Subject: Re: Quintaton oops.........     >As I understand it, a Doucaine (sorry I can't put a cedilla on that "c") is >a Clarinet, usually at 16ft pitch. Historically it may have been = different, >but that's what J.W.Walker made as standard, according to Bob Pennells, = the >CO of the firm when I visited him in 1992. He said people thought a = Double >Clarinet sounded a weird idea, so he gave them the Clarinet anyway under the >different name, keeping both him and the church happy. > >We had been having a discussion on the merits of large farty Clarinets = and >he agreed thoroughly that an 8ft of this type, when combined with = mutations >for solo use, or with Principals & Mixtures from 4ft upwards, made a = great >sound. He also agreed very fulsomely that a 16ft Clarinet of large-scale = is >of far more use than a half-length Fagotto or other inverted-conical = reed, >as the cylindrical pipes of the Doucaine/Clarinet give it the basic >fundamental harmonic that a half-length reed of other types lacks. > >He suggested I try their 16ft in St Martin's-in-the-Fields, London. I = did. >It's a great rank. > >As I remember it, there is a wonderful 16ft cylindrical reed on the 2-manual >Harrison & Harrison in the King's College Chapel, Aberdeen, as well. > >Ross > -----Original Message----- > From: Cremona502@cs.com <Cremona502@cs.com> > To: pipechat@pipechat.org <pipechat@pipechat.org> > Date: Friday, November 08, 2002 2:44 PM > Subject: Re: Quintaton oops......... > > > In a message dated 11/7/02 7:12:22 PM Eastern Standard Time, >hdrogemuller@sympatico.ca writes: > > > > Successive Organists could > >not find a use for the Doucaine but the most recent one used it in his > >performance of certain Bach works. > > > > And a Doucaine is a small principal?? > > Bruce in the Muttastery at Howling Acres >http://members.tripod.com/Brucon502 > ...an opportunity for health & wealth http://visionsuccess.com/BC2053 > > >"Pipe Up and Be Heard!" >PipeChat: A discussion List for pipe/digital organs & related topics >HOMEPAGE : http://www.pipechat.org >List: mailto:pipechat@pipechat.org >Administration: mailto:admin@pipechat.org >Subscribe/Unsubscribe: mailto:requests@pipechat.org >    
(back) Subject: Re: doucaine From: <Cremona502@cs.com> Date: Thu, 7 Nov 2002 23:23:00 EST     --part1_19b.b7c5bcd.2afc9624_boundary Content-Type: text/plain; charset=3D"ISO-8859-1" Content-Transfer-Encoding: quoted-printable   In a message dated 11/7/02 9:28:03 PM Eastern Standard Time,=3D20 TubaMagna@aol.com writes:     > A "Dou=3DE7aine" is most likely NOT a small Principal, but a = cylindrical=3D20 > half-length reed of some kind, similar to a Dulzian or a Curtal. >=3D20   Thanks. Just checking because it appeared that the Quintaton was = replaced=3D20 with a Doucaine. Names get scrambled occasioanlly. Things aren't = always=3D20 what they seem! ;-)   Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_19b.b7c5bcd.2afc9624_boundary Content-Type: text/html; charset=3D"ISO-8859-1" Content-Transfer-Encoding: quoted-printable   <HTML><FONT FACE=3D3Darial,helvetica><FONT SIZE=3D3D2>In a message dated = 11/7/0=3D 2 9:28:03 PM Eastern Standard Time, TubaMagna@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3D3DCITE style=3D3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-=3D LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">A "Dou=3DE7aine" is most = like=3D ly NOT a small Principal, but a cylindrical half-length reed of some kind, = s=3D imilar to a Dulzian or a Curtal. <BR></FONT><FONT COLOR=3D3D"#000000" SIZE=3D3D3 FAMILY=3D3D"SANSSERIF" = FACE=3D3D"Ar=3D ial" LANG=3D3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D3D"#000000" SIZE=3D3D2 FAMILY=3D3D"SANSSERIF" = FACE=3D3D"Ar=3D ial" LANG=3D3D"0"> <BR>Thanks. &nbsp;Just checking because it appeared that the Quintaton was = r=3D eplaced with a Doucaine. &nbsp;&nbsp;&nbsp;Names get scrambled = occasioanlly.=3D &nbsp;Things aren't always what they seem! &nbsp;;-) <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Bruco=3D n502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com=3D /BC2053</FONT></HTML>   --part1_19b.b7c5bcd.2afc9624_boundary--  
(back) Subject: Organ Music In Les Miserables From: <Pologaptommy@aol.com> Date: Fri, 8 Nov 2002 02:09:17 EST   Hello list, I was wondering if any of you could tell me what organ music was playing during the Mass in the middle of the 1998 movie of Les Miserables, with = Liam Neeson. This was the scene where it first shows Cosette and Valjean 10 = years later, after they escape to the Convent in Paris. The music was playing during the Mass when the young nuns who were ending their Novitiate were taking their Vows of Profession.. The organ music during this scene is particularly beautiful, and I would = like to find this piece. Thanks Josh White   First United Methodist Church Graham, TX; www.fumcgraham.org Organ pictures: www.geocities.com/polo_gap_tommie    
(back) Subject: Re: Doucaine From: <Gfc234@aol.com> Date: Fri, 8 Nov 2002 04:14:12 EST     --part1_163.16b26102.2afcda64_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   yes-quiet 16' reeds under the plenum are lovely during hymns.   --part1_163.16b26102.2afcda64_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>yes-quiet 16' reeds = under the plenum are lovely during hymns.</FONT></HTML>   --part1_163.16b26102.2afcda64_boundary--