PipeChat Digest #3199 - Monday, October 28, 2002
 
Funeral Music
  by "Bruce Miles" <bruce@gbmuk.fsnet.co.uk>
Fwd:  FL Organ Concerts
  by <Myosotis51@aol.com>
PAROCHIAL SCHOOL MUSIC POSITION (xpost, off topic)
  by <ScottFop@aol.com>
Re: Funeral Music
  by <Cremona502@cs.com>
Re: Funeral Music
  by <Chicaleee@aol.com>
Ken Cowan in Kalamazoo
  by "Paul R. Hochstetler" <prhoch@michiana.org>
52 Scale Principal
  by "First Christian Church of Casey, IL" <kzrev@rr1.net>
Re: Ken Cowan in Kalamazoo
  by "C. Joseph Nichols" <cjn@nicholsandsimpson.com>
Re: Funeral Music
  by <Gfc234@aol.com>
Re: Funeral Music
  by <Cremona502@cs.com>
Re: Funeral Music
  by <Cremona502@cs.com>
Re: Ken Cowan in Kalamazoo
  by "Karl Moyer" <kmoyer@marauder.millersville.edu>
Re: Funeral Music
  by <Gfc234@aol.com>
Re: Funeral Music
  by <Pepehomer@aol.com>
Re: Shepherd's Farewell
  by <ContraReed@aol.com>
 

(back) Subject: Funeral Music From: "Bruce Miles" <bruce@gbmuk.fsnet.co.uk> Date: Mon, 28 Oct 2002 11:24:51 -0000   Suggestions for music to fill a half hour or so before a funeral service = are requested.   I usually use the Mayhew album 'Thanksgiving and Remembrance' for most of it - a typical programme might include :-   Adagietto from 5th Symphony (Mahler) Herzlich thut mich verlangen (BWV727) (JSB) Liebster Jesu, wir sind hier (BWV730 or 731) (JSB) I know that my redeemer liveth (Handel) O rest in the Lord (Mendelssohn) Panis Angelicus (Franck) Pie Jesu (from Requiem)(Faure) Shepherds' Farewell (Berlioz) and, to accompany the coffin and funeral procession in Largo (Handel)   (the great thing about Largo is that you can cut or extend it very easily = to get the timing just right. Nimrod and Solemn Melody I save for Armistice day.) But this programme is hackneyed and getting a bit stale, at least to me - though perhaps not to most of the mourners who are probably not regular church-goers anyway.   Suggestions for a different but suitable programme are requested. (we do = not have a choir).   Many thanks   Bruce Miles    
(back) Subject: Fwd: FL Organ Concerts From: <Myosotis51@aol.com> Date: Mon, 28 Oct 2002 09:45:26 EST   *************************************************** UPCOMING EVENTS ***************************************************   CARLO CURLY November 10, 2002 at 3:30PM Carlo Curly will perform on a 4 manual Allen Renaissance organ 1st Presbyterian Church of Bradenton, 1402 Manatee Avenue West For more information, call Mathis Music at: (941) 924-2202 or (800) 749-2202 Admission: $5.00   November 11, 2002 at 7:00PM Carlo Curly will perform on a 4 manual Allen Renaissance\pipe combination organ 1st Presbyterian Church of Bonita Springs 9751 Bonita Beach Rd, Bonita Springs For more information, call the church at: 941-992-3233 or call Mathis Music at: (941) 924-2202 or (800) 749-2202 Admission: Free   DIANE BISH November 17, 2002 at 4:00PM Diane Bish playing Allen Diane Bish Signature Series 80 Stop three manual. =   East Naples United Methodist Church 2701 Airport Rd. So. Naples, FL For more information, call Mathis Music at: (941) 924-2202 or (800) 749-2202 Admission: Free   CHORAL WORKSHOP Saturday, January 4, 2003 Clinician: Pepper Choplin 9:00AM - 2:30PM Covenant Life Presbyterian Church Sarasota, FL For more information, call Mathis Music at: 1-800-749-2202   *************************************************** NEW MATHIS MUSIC ONLINE STORE! ***************************************************   Mathis Music is pleased to announce the opening of its online store. Now you can purchase your music without ever leaving your home! View our extensive selection of Piano Methods materials. . . with new music being added weekly. Special 10% discounts for all online music purchases. Visit the store at: http://www.mathismusic.com/html/shop.htm   Browse our extensive selection of:   Piano Methods Materials at: http://www.mathismusic.com/html/methods.htm   Classical Music at: http://www.mathismusic.com/html/classical.html   CD Sheet Music at: http://www.mathismusic.com/html/classical_cd.html   Holiday Music at: http://www.mathismusic.com/html/holiday.html     *************************************************** PLEASE FORWARD THIS ISSUE ***************************************************   If you haven't already done so, please forward this issue to one or two of your friends or business associates. Thanks so much!   To subscribe to the Mathis Music Newsletter go to: www.mathismusic.com and enter your email address in the appropriate box or send an email to: subscriptions@MathisMusic.com. In the body of the email type: subscribe newsletter youremailaddress   If you want to unsubscribe go to: www.mathismusic.com and enter your email address in the appropriate box and select "unsubscribe" or send an email to: subscriptions@MathisMusic.com. In the body of the email type: unsubscribe newsletter youremailaddress to remove yourself automatically.   Click on the link below to be removed from the Mathis Music Newsletter mailing list. http://mathismusic.com/cgi-bin/subme/subscribe.cgi?Myosotis51@aol.com    
(back) Subject: PAROCHIAL SCHOOL MUSIC POSITION (xpost, off topic) From: <ScottFop@aol.com> Date: Mon, 28 Oct 2002 11:16:49 EST     --part1_153.1692832f.2aeebcf1_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Hello All. I am posting this for a colleague who has asked me to assist = them in finding their new music teacher. Please forward this to anyone you = know that may be interested. Thank you.     St. Louis Catholic School, Austin, TX is seeking a new full time music teacher for a large and vibrant Parish School. The position is available immediately. The position currently includes teaching general music and directing the 6th grade choir (hopefully to be expanded to include other grades). The new music teacher will work closely with the parish's staff musicians in planning and implementing weekly school Liturgies and annual school choral programs. Accompanists are available on staff to assist. There is also an option to train and direct two additional non-school children's choirs for substantial extra compensation. Knowledge of traditional Roman Catholic Liturgy highly desirable. Knowledge of RSCM training methods also desirable but not mandatory. Salary commensurate = with education and experience. Full Diocesan benefits (major medical, dental, pension, disability, etc) included with salary. Please send Curriculum = Vitae and three professional references to Scott Foppiano, 7601 Burnet Road, Austin, TX 78757 or fax to Scott Foppiano at (512) 454-2010.     Thank you. -SF   --part1_153.1692832f.2aeebcf1_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">Hello All.&nbsp; I am posting this for a = colleague who has asked me to assist them in finding their new music = teacher.&nbsp; Please forward this to anyone you know that may be = interested.&nbsp; Thank you.<BR> <BR> <BR> St. Louis Catholic School, Austin, TX is seeking a new full time music = teacher for a large and vibrant Parish School.&nbsp; The position is = available immediately.&nbsp; The position currently includes teaching = general music and directing the 6th grade choir (hopefully to be expanded = to include other grades).&nbsp; The new music teacher will work closely = with the parish's staff musicians in planning and implementing weekly = school Liturgies and annual school choral programs.&nbsp; Accompanists are = available on staff to assist.&nbsp; There is also an option to train and = direct two additional non-school children's choirs for substantial extra = compensation. Knowledge of traditional Roman Catholic Liturgy highly = desirable.&nbsp; Knowledge of RSCM training methods also desirable but not = mandatory.&nbsp; Salary commensurate with education and experience.&nbsp; = Full Diocesan benefits (major medical, dental, pension, disability, etc) = included with salary.&nbsp; Please send Curriculum Vitae and t <BR> <BR> Thank you.&nbsp; -SF<BR> </FONT></HTML> --part1_153.1692832f.2aeebcf1_boundary--  
(back) Subject: Re: Funeral Music From: <Cremona502@cs.com> Date: Mon, 28 Oct 2002 11:48:33 EST     --part1_7d.2ff336b4.2aeec461_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 10/28/02 7:57:53 AM Eastern Standard Time, bruce@gbmuk.fsnet.co.uk writes:     > Suggestions for a different but suitable programme are requested. (we do = not > have a choir). >   The music I play for funerals is generally more on the bright side.... = some of my favorites aer:   Jesu, Joy of Man's Desiring - Bach Sheep May Safely Graze - Bach Reflection - Frank Asper Adagio (Choral III) - Franck Adagio (Choral I) - Franck Prayer (Suite Gothique) - Boellmann Prelude (12 Pieces) - Boellmann Air (Water Music) - Handel Agnus Dei (Faure Requiem) - personal arrangement (trio) Prelude on Malabar - Sowerby Prelude on Charterhouse - Sowerby Cantilena (from a Sonata, don't remember which one) - Rheinberger Pastorale - Alec Rowley   Improvisations on hymns requested by the family are also included among = the above pieces.   For the procession from the church I have used the conclusion of the = Franck a-minor Chorale, beginning after the Adagio. It works well since it = begins with a restatement of the beautiful melody which expands through a short fugue-like section and then continues to the glorious resurrection conclusion. I've notice several times that some people remained seated until it concluded, and have never had complaints about it being too loud. =   Since moving to a Baptist church, I've started to using an improvisation = on "When We All Get to Heaven" which is a favorite and can begin lightly.   I try to avoid too solemn music. I was told as a student that if people = cry at weddings or funerals it's usually the organist's fault.     Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_7d.2ff336b4.2aeec461_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 10/28/02 7:57:53 AM Eastern Standard Time, bruce@gbmuk.fsnet.co.uk writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Suggestions for a = different but suitable programme are requested. (we do not <BR>have a choir). <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>The music I play for funerals is generally more on the bright side.... = &nbsp;&nbsp;some of my favorites aer: <BR> <BR>Jesu, Joy of Man's Desiring &nbsp;- &nbsp;&nbsp;Bach <BR>Sheep May Safely Graze &nbsp;- &nbsp;Bach <BR>Reflection - Frank Asper <BR>Adagio (Choral III) &nbsp;- &nbsp;&nbsp;Franck <BR>Adagio (Choral I) &nbsp;- &nbsp;Franck <BR>Prayer (Suite Gothique) - Boellmann <BR>Prelude &nbsp;(12 Pieces) &nbsp;- &nbsp;Boellmann <BR>Air &nbsp;(Water Music) &nbsp;- &nbsp;Handel <BR>Agnus Dei (Faure Requiem) - personal arrangement (trio) <BR>Prelude on Malabar - Sowerby <BR>Prelude on Charterhouse - Sowerby <BR>Cantilena &nbsp;(from a Sonata, don't remember which one) - = Rheinberger <BR>Pastorale - Alec Rowley <BR> <BR>Improvisations on hymns requested by the family are also included = among the above pieces. <BR> <BR>For the procession from the church I have used the conclusion of the = Franck a-minor Chorale, beginning after the Adagio. &nbsp;&nbsp;It works = well since it begins with a restatement of the beautiful melody which = expands through a short fugue-like section and then continues to the = glorious resurrection conclusion. &nbsp;&nbsp;&nbsp;I've notice several = times that some people remained seated until it concluded, and have never = had complaints about it being too loud. &nbsp;&nbsp; <BR> <BR>Since moving to a Baptist church, I've started to using an = improvisation on "When We All Get to Heaven" which is a favorite and can = begin lightly. <BR> <BR>I try to avoid too solemn music. &nbsp;I was told as a student that if = people cry at weddings or funerals it's usually the organist's fault. <BR> <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_7d.2ff336b4.2aeec461_boundary--  
(back) Subject: Re: Funeral Music From: <Chicaleee@aol.com> Date: Mon, 28 Oct 2002 15:52:40 EST     --part1_71.28142c04.2aeefd98_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Thanks for the suggestions, Bruce. Glad to see you are enjoying your position. Lee   --part1_71.28142c04.2aeefd98_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>Thanks for the = suggestions, Bruce. &nbsp;Glad to see you are enjoying your position. = &nbsp;Lee</FONT></HTML>   --part1_71.28142c04.2aeefd98_boundary--  
(back) Subject: Ken Cowan in Kalamazoo From: "Paul R. Hochstetler" <prhoch@michiana.org> Date: Mon, 28 Oct 2002 18:44:18 -0600   With interest piqued by an announcement of Ken Cowan playing a dedicatory recital on a Nichols & Simpson organ, I made a two-hour trip to the Cathedral of St. Augustine in Kalamazoo, Michigan on Sunday afternoon, October 27. Pictures and a stoplist of this installation are available on the Nichols & Simpson website: nicholsandsimpson.com.   I did not attend with the intention of writing a review and made no notes. Indeed, I feel quite unqualified to write a critique of any recitalist's playing. But here are some observations.   The instrument is impressively presented in two towers framing a large window at the rear of the nave. The cathedral interior space conveys "cathedral," though it is not overly-ornamented. Most distressing was the gray carpet, gripping the building in its deadening clutches. Happily, there are plans for remedying this unfortunate circumstance.   The three 32-foot stops are, given the space and financial considerations, digital. I do not mention this because it was obvious--it was not--but because some people like to know what has been electronically added. Indeed, neither the program book nor the N&S website make mention of this. Such an oversight should be corrected because it can lead an observer's mind to wonder what else might be hidden.   Here is Ken's program for the afternoon.   Passacaglia in c minor, BVW 582 (J. S. Bach)   Roulade (Seth Bingham)   From "Pieces de Fantasie" (Vierne) Claire de Lune Toccata   Symphonie V (Widor) Allegro Vivace   Overture to Oberon (Weber)   Nocturne from Shylock (Faure)   Fantasy on Wachet Auf ruft unx Stimme (Reger)   I have heard of Ken Cowan's excellent playing and the stories are true! Though not face-to-face with the audience, he was able to engage them verbally in the few introductory remarks he made throughout the program. As he played, I observed that many others were pleased with his selections, technique and registrations (some of the flutes on this organ were absolutely charming). Broad smiles and head-nodding were evident around me.   I can attest that Ken also spoke to non-organists in the room. A friend, new to such an event, sat with me and said he especially liked the pieces which began quietly and grew in intensity until the power of the reeds added to the ensemble gave him chills.   My preconceived notions told me I would not enjoy the Max Reger piece, but I was wrong! Hearing the tune shine through some of the dense harmonies, was an enjoyable experience and was a welcome change from the usual Baroque treatments of this enduring melody.   Ken is not afraid to play transcriptions; these pieces seemed to endear him to the listeners. And his choice of Saint-Saens "Danse Macabre" for an encore was perfect for this time of year. Hearing the motifs float from division to division and suddenly realizing that I was listening to a theater organ made me laugh with delight.   Yes, it was worth missing my Sunday afternoon nap. The organ seems to be a satisfying and versatile instrument and Ken is most definitely a performer to be experienced.   Paul  
(back) Subject: 52 Scale Principal From: "First Christian Church of Casey, IL" <kzrev@rr1.net> Date: Mon, 28 Oct 2002 18:14:59 -0600   I have the opportunity to purchase a 52 scale, 1/4 cut up, principal for = my home organ. I know this is a rather small scale. Is it likely to be on = the stringy side, or does that depend on factors such as voicing.   Thanks for your input.   Dennis Steckley "For I am possessed of a cat, surpassing in beauty, from whom I take occasion to bless Almighty God."    
(back) Subject: Re: Ken Cowan in Kalamazoo From: "C. Joseph Nichols" <cjn@nicholsandsimpson.com> Date: Mon, 28 Oct 2002 19:44:19 -0500     ----- Original Message ----- From: "Paul R. Hochstetler" <prhoch@michiana.org> To: <pipechat@pipechat.org> Sent: Monday, October 28, 2002 7:44 PM Subject: Ken Cowan in Kalamazoo       > The three 32-foot stops are, given the space and financial > considerations, digital. I do not mention this because it was > obvious--it was not--but because some people like to know what has > been electronically added. Indeed, neither the program book nor the > N&S website make mention of this. Such an oversight should be > corrected because it can lead an observer's mind to wonder what else > might be hidden. > Thanks for your comments regarding Ken Cowan's program on our new = instrument in Kalamazoo.   Our website only lists the stoplists of the instruments. There are SO = many elements that contribute to the way our instruments sound and function = that are far more important to us than a few digital 32' stops. We are very candid with all about how we build our organs and can't imagine trying to "hide" anything. The console and organ cases were open for all who were interested immediately after the program. Many people availed themselves = of the opportunity to look, feel, and ask questions.   Nichols & Simpson was not responsible for the content nor the printing of the program booklet.   C. Joseph Nichols http://www.nicholsandsimpson.com    
(back) Subject: Re: Funeral Music From: <Gfc234@aol.com> Date: Mon, 28 Oct 2002 19:58:55 EST     --part1_15c.161cd253.2aef374f_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   lets not forget the erbarm dich mein by bach-although they say it is of doubtful origin--its just sooooooo pretty.   --part1_15c.161cd253.2aef374f_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2> lets not forget the = erbarm dich mein by bach-although they say it is of doubtful origin--its = just sooooooo pretty.</FONT></HTML>   --part1_15c.161cd253.2aef374f_boundary--  
(back) Subject: Re: Funeral Music From: <Cremona502@cs.com> Date: Mon, 28 Oct 2002 19:59:35 EST     --part1_36.302e79ae.2aef3777_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 10/28/02 11:49:20 AM Eastern Standard Time, Cremona502@cs.com writes:     > Adagio (Choral I) - Franck >   I often play the entire beginning of the Chorale I, through the Adagio. = It's a very solid and uplifting piece.   Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_36.302e79ae.2aef3777_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 10/28/02 11:49:20 AM Eastern Standard Time, Cremona502@cs.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Adagio (Choral I) = &nbsp;- &nbsp;&nbsp;Franck <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>I often play the entire beginning of the Chorale I, through the = Adagio. &nbsp;It's a very solid and uplifting piece. <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_36.302e79ae.2aef3777_boundary--  
(back) Subject: Re: Funeral Music From: <Cremona502@cs.com> Date: Mon, 28 Oct 2002 20:01:01 EST     --part1_a4.2e9a6b3e.2aef37cd_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 10/28/02 3:53:12 PM Eastern Standard Time, Chicaleee@aol.com writes:     > Thanks for the suggestions, Bruce. Glad to see you are enjoying your >   Yup.... mucho mucho.... especially now that the french reeds have been tuned. They are really amazing to work with. Guilmant sounds = wunnaful!!!   Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_a4.2e9a6b3e.2aef37cd_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 10/28/02 3:53:12 PM Eastern Standard Time, Chicaleee@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Thanks for the = suggestions, Bruce. &nbsp;Glad to see you are enjoying your position. = </BLOCKQUOTE> <BR> <BR>Yup.... mucho mucho.... &nbsp;&nbsp;&nbsp;especially now that the = french reeds have been tuned. &nbsp;They are really amazing to work with. = &nbsp;&nbsp;Guilmant sounds wunnaful!!! <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_a4.2e9a6b3e.2aef37cd_boundary--  
(back) Subject: Re: Ken Cowan in Kalamazoo From: "Karl Moyer" <kmoyer@marauder.millersville.edu> Date: Mon, 28 Oct 2002 19:44:21 -0500   Cowan will play the large Steinmeyer next 25 June at the cathedral in Altoona PA for the OHS convention.   Karl E. Moyer Lacnaster PA    
(back) Subject: Re: Funeral Music From: <Gfc234@aol.com> Date: Mon, 28 Oct 2002 20:24:19 EST     --part1_152.169943a0.2aef3d43_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   toccata adagio and fugue -bach -the adagio---also the adagio from widor = 5, franck prelude fugue and variation. brahms chorales. will think of = more.. off to practice. greg   --part1_152.169943a0.2aef3d43_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2> toccata adagio and = fugue -bach -the adagio---also the adagio from widor 5, franck prelude = fugue and variation. &nbsp;brahms chorales. &nbsp;&nbsp;will think of = more.. <BR>off to practice. <BR>greg</FONT></HTML>   --part1_152.169943a0.2aef3d43_boundary--  
(back) Subject: Re: Funeral Music From: <Pepehomer@aol.com> Date: Mon, 28 Oct 2002 20:30:30 -0500   Someone mentioned the Shepherd's Farewell by Berlioz - is this your own = transcription, or is there an organ transcription in print? Coming up on = Christmas, this would make me (and hopefully many others) quite happy! = Sure, it won't have the same "mystery" as using a full choir, but just the = music alone will do.   Justin Karch Organist, Holy Trinity LCMS Rome, GA  
(back) Subject: Re: Shepherd's Farewell From: <ContraReed@aol.com> Date: Mon, 28 Oct 2002 20:42:58 EST   In a message dated 10/28/02 8:31:23 PM Eastern Standard Time, Pepehomer@aol.com writes:   << Someone mentioned the Shepherd's Farewell by Berlioz - is this your own =   transcription, or is there an organ transcription in print? >>   Couldn't you just use the piano-accompaniment reduction from a choral = score, and add your own registrations???