PipeChat Digest #3200 - Tuesday, October 29, 2002
 
Re: 5 manual organ
  by "Jim Hailey" <jhaileya10@charter.net>
Re: Shepherd's Farewell
  by "morton belcher" <littlebayus@yahoo.com>
Re: 52 Scale Principal
  by <TubaMagna@aol.com>
Concert Announcement
  by <LLWheels@aol.com>
Re: Funeral Music
  by <Cremona502@cs.com>
Re: Funeral Music
  by <Gfc234@aol.com>
Re: Funeral Music
  by "Bruce Miles" <bruce@gbmuk.fsnet.co.uk>
 

(back) Subject: Re: 5 manual organ From: "Jim Hailey" <jhaileya10@charter.net> Date: Mon, 28 Oct 2002 20:36:00 -0600   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0025_01C27EC1.A02A2660 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   Hey, don't apologize for having an Allen. Be thankful that you are not = =3D hooked up with the guitar, drums, etc.   My church just purchased a new Allen Renaissance and I am thrilled to =3D death with it. No, it is not a pipe organ, and I really wish it were, =3D but if you cannot have a steak, a pork chop tastes pretty good.   I had decided to take memories 15 and 16, using 15 for the choir and =3D soft music settings and 16 for the congregational settings. I learned = =3D yesterday that this was not the most intelligent thing that one can do.   I was playing a soft background for the Nicene Creed. A nice soft =3D string on the swell and a 16' violone on the pedal. I decided that I =3D would use the chimes on the great and touched the general piston to make = =3D the switch. (with this particular setting, it clears the great stops =3D and adds the chimes while the pedal and swell remain the same) I had =3D forgotten that I had switched the memory back to 16 so that I could go =3D straight into the sermon hymn.   So, instead of the soft string/chime that I was expecting, the =3D congregation was awakened by an e flat major chord with the trumpeta and = =3D trompette at about half volume. In addition, my soft pedal turned into = =3D a full plenum with the swell and great coupled. I think there is an =3D Old Testament reference about from the "depth of the bowels". Well, I = =3D may not have got to the depth, but I wasn't far from it.   Needless to say, there were more than a few stumblings with the Creed, =3D while I quickly found a more suitable setting to finish. =3D20   Oh well, if this is the worst that can happen.   Jim H.     ----- Original Message -----=3D20 From: Chicaleee@aol.com=3D20 To: pipechat@pipechat.org=3D20 Sent: Sunday, October 27, 2002 9:35 PM Subject: Re: 5 manual organ       ------=3D_NextPart_000_0025_01C27EC1.A02A2660 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 6.00.2719.2200" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial size=3D3D2>Hey, don't apologize for having an = =3D Allen.&nbsp; Be=3D20 thankful that you are not hooked up with the guitar, drums, =3D etc.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>My church just purchased a new = Allen=3D20 Renaissance&nbsp; and I am thrilled to death with it.&nbsp; No, it is =3D not a pipe=3D20 organ, and I really wish it were, but if you cannot have a steak, a pork = =3D chop=3D20 tastes pretty good.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>I had decided to take memories 15 and = =3D 16, using 15=3D20 for the choir and soft music settings and 16 for the congregational=3D20 settings.&nbsp;&nbsp; I learned yesterday that this was not the most =3D intelligent=3D20 thing that one can do.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>I was playing a soft background for = the =3D Nicene=3D20 Creed.&nbsp; A nice soft string on the swell and a 16' violone on the=3D20 pedal.&nbsp; I decided that I would use the chimes on the great and =3D touched the=3D20 general piston to make the switch.&nbsp;&nbsp;(with this particular =3D setting, it=3D20 clears the great stops and adds the chimes while the pedal and swell =3D remain the=3D20 same)&nbsp; &nbsp;I had forgotten that I had switched the memory back to = =3D 16 so=3D20 that I could go straight into the sermon hymn.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>So, instead of the soft string/chime = =3D that I was=3D20 expecting, the congregation was&nbsp;awakened by an e flat major chord =3D with the=3D20 trumpeta and trompette at about half volume.&nbsp; In addition, my soft = =3D pedal=3D20 turned into a full plenum with the swell and great coupled.&nbsp;&nbsp; = =3D I think=3D20 there is an Old Testament reference about from the "depth of the=3D20 bowels".&nbsp;&nbsp; Well, I may not have got to the depth, but I wasn't = =3D far=3D20 from it.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Needless to say, there were more than = a =3D few=3D20 stumblings with the Creed, while I quickly found a more suitable setting = =3D to=3D20 finish.&nbsp; </FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Oh well, if this is the worst that = can=3D20 happen.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Jim H.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <BLOCKQUOTE=3D20 style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =3D BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> <DIV style=3D3D"FONT: 10pt arial">----- Original Message ----- </DIV> <DIV=3D20 style=3D3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =3D black"><B>From:</B>=3D20 <A title=3D3DChicaleee@aol.com=3D20 href=3D3D"mailto:Chicaleee@aol.com">Chicaleee@aol.com</A> </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>To:</B> <A =3D title=3D3Dpipechat@pipechat.org=3D20 href=3D3D"mailto:pipechat@pipechat.org">pipechat@pipechat.org</A> </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Sent:</B> Sunday, October 27, 2002 = =3D 9:35=3D20 PM</DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Subject:</B> Re: 5 manual =3D organ</DIV> <DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>   ------=3D_NextPart_000_0025_01C27EC1.A02A2660--      
(back) Subject: Re: Shepherd's Farewell From: "morton belcher" <littlebayus@yahoo.com> Date: Mon, 28 Oct 2002 18:55:12 -0800 (PST)     --- ContraReed@aol.com wrote: > In a message dated 10/28/02 8:31:23 PM Eastern > Standard Time, > Pepehomer@aol.com writes: > > << Someone mentioned the Shepherd's Farewell by > Berlioz - is this your own > transcription, or is there an organ transcription in > print? >> >   Possibly. This piece is in Paul Hammill's In Quiet Joy published by Harold Flammer.... though I'm not sure if this collection of nice, quiet organ pieces is still in print or not.   Best wishes,   Morton Belcher fellow list member   > Couldn't you just use the piano-accompaniment > reduction from a choral score, > and add your own registrations??? > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital > organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >     __________________________________________________ Do you Yahoo!? HotJobs - Search new jobs daily now http://hotjobs.yahoo.com/  
(back) Subject: Re: 52 Scale Principal From: <TubaMagna@aol.com> Date: Mon, 28 Oct 2002 21:58:21 EST   That depends. To me, "Principal" means a 4' stop, in which case that is NOT a small = scale. If it is an 8' rank, scaled as a 52 at 8' CC, then you're talking "Viola." What's the pitch?   Sebastian M. Gluck New York City  
(back) Subject: Concert Announcement From: <LLWheels@aol.com> Date: Mon, 28 Oct 2002 22:54:07 EST     --part1_a1.2fc8549f.2aef605f_boundary Content-Type: text/plain; charset=3D"UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en   You are all coridally invited to the opening recital of our = four-manual=3D20 75-stop instrument, originally built as Austin Organ Co. No. 1628, 1928 = and=3D20 rebuilt this year by John-Paul Buzard Organbuilders.   Date: Sunday, November 3 Time: 3:00 PM Place: Kenwood United Methodist Church 2319 E. Kenwood Boulevard Milwaukee Wisconsin (414-332-5935) (I-94 to 794 East to Lakeside Exit, Lake Drive North approx 3 mi, up = curve=3D20 and hill to intersection - Lake Drive turns Right, go Straight ahead = which=3D20 becomes Kenwood Blvd., Church is 4 blocks ahead on Left)   Artist: Paul Jacobs (Paul Jacobs is represented by Paul Phillip = Truckenbrod=3D20 Concert Artists)   Program:   Sinfonia from Cantata No. 29 = =3D20=3D =3D20 Johann Sebastian Bach (1685-1750)   Chorale Prelude on "Nun komm, der Heiden Heiland", BWV 659   Trio Sonata in E minor, BWV 528 I. Adagio-Vivace II. Andante III. Un Poco Allegro   Prelude and Fugue in D major, BWV 532     INTERMISSION     Fantasia for Organ = =3D20=3D =3D20 John Weaver (b. 1937)   Fantasia in f minor, K. 594 = =3D20 Wolfgang Amadeus Mozart (1756-1791)   Variations on "America" = =3D20=3D =3D20 Charles Ives (1874-1954)     We think this will be an exciting program on a wonderful "new" instrument.   Paul Jacobs Bio: Paul Jacobs first came to national attention as a concert organist in = 2000=3D20 when he performed the complete organ works of J.S. Bach in 14 = consecutive=3D20 evenings both in New York City and in Philadelphia shortly after his = 23rd=3D20 birthday. Later in the year he trumped that achievement by performing = the=3D20 complete organ works of Bach in just one day -- an 18 hour marathon = in=3D20 Pittsburgh. During the summer of 2000 he was a featured performer at = the=3D20 National convention of the American Guild of Organists in Seattle, one of = tw=3D o=3D20 chosen to perform as a =3DE2=3D80=3D9CYoung Artist=3DE2=3D80=3D9D.   An active recitalist, Mr. Jacobs has memorized the complete organ works = of=3D20 Brahms, Franck, and Durufle, several suites of Messiaen, much of Bach, and = a=3D =3D20 vast range of other organ literature. In 2002 he performed the complete = orga=3D n=3D20 works of Messiaen in a series of one-day marathons in six major = American=3D20 cities, and beyond that he plans to do the complete organ works of Max = Reger=3D =3D20 in special marathon events. He recently made his South American debut = in=3D20 Brazil, and his European debut in Germany.   He has taken top prizes in several competitions, including the = National=3D20 Society of Arts and Letters Organ Competition in Washington DC, 1996, = the=3D20 Violette Cassel Organ Competition in Harrisburg, Pennsylvania, in 1998 = the=3D20 Albert Schweitzer National Organ Competition in Connecticut in 1998, and = the=3D =3D20 Fort Wayne National Organ Competition in Indiana in 1999. He has been=3D20 featured on National Public Radio=3DE2=3D80=3D99s = =3DE2=3D80=3D9CPipedreams=3DE2=3D80=3D9D pro=3D gram, and has performed=3D20 on three continents. Paul Jacobs began studying the piano at the age of = six=3D20 and the organ at age 13. By the age of 15 he had been appointed the = chief=3D20 organist of a parish of over 3,500 families in his hometown of = Washington,=3D20 Pennsylvania, and continued his studies with George Rau. He was awarded = a=3D20 full scholarship to study at the Curtis Institute of Music in = Philadelphia,=3D20 and graduated with a double major having studied organ with John Weaver = and=3D20 harpsichord with Lionel Party. He earned a Master=3DE2=3D80=3D99s degree = at the Ya=3D le School=3D20 of Music on full scholarship. During his student days at Curtis he served = as=3D =3D20 organist at the Washington Memorial Chapel, the National Shrine in = Valley=3D20 Forge, Pennsylvania. He is a recent recipient of Yale University=3DE2=3D80=3D99s H=3D oratio=3D20 Parker Memorial Award at the nomination of the faculty, the Faculty Prize = of=3D =3D20 the Yale Institute of Sacred Music, and the Philip Francis Nelson Prize.   Hope to see many of you there.   Larry Wheelock Director of Music Ministries Kenwood United Methodist Church Milwaukee, WI (musicdirector@Kenwood-UMC.org)       --part1_a1.2fc8549f.2aef605f_boundary Content-Type: text/html; charset=3D"UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en   <HTML><FONT FACE=3D3Darial,helvetica><FONT COLOR=3D3D"#000000" = FACE=3D3D"Geneva" F=3D AMILY=3D3D"SANSSERIF" SIZE=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: = #FFFFFF">You are a=3D ll coridally invited to the opening recital of our four-manual 75-stop = instr=3D ument, originally built as Austin Organ Co. No. 1628, 1928 and rebuilt = this=3D20=3D year by John-Paul Buzard Organbuilders.<BR> <BR> Date: Sunday, November 3<BR> Time: 3:00 PM<BR> Place: Kenwood United Methodist Church<BR> &nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; 2319 E. Kenwood = Boulevard<=3D BR> &nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; Milwaukee Wisconsin = (414-3=3D 32-5935)<BR> (I-94 to 794 East to Lakeside Exit, Lake Drive North approx 3 mi, up curve = a=3D nd hill to intersection - Lake Drive turns Right, go Straight ahead which = be=3D comes Kenwood Blvd., Church is 4 blocks ahead on Left)<BR> <BR> Artist: Paul Jacobs (Paul Jacobs is represented by </FONT><FONT = COLOR=3D3D"#00=3D 0000" FACE=3D3D"Geneva" FAMILY=3D3D"SANSSERIF" SIZE=3D3D"2" = STYLE=3D3D"BACKGROUND-CO=3D LOR: #FFFFFF">Paul Phillip Truckenbrod Concert Artists</FONT><FONT = COLOR=3D3D"=3D #000000" FACE=3D3D"Geneva" FAMILY=3D3D"SANSSERIF" SIZE=3D3D"2" = STYLE=3D3D"BACKGROUND=3D -COLOR: #FFFFFF">)<BR> <BR> Program:<BR> <BR> </FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Times New Roman" = FAMILY=3D3D"SERIF" SIZ=3D E=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: = #FFFFFF"><U>Sinfonia</U></FONT><FONT COLO=3D R=3D3D"#000000" FACE=3D3D"Times New Roman" FAMILY=3D3D"SERIF" SIZE=3D3D"2" = STYLE=3D3D"=3D BACKGROUND-COLOR: #FFFFFF"> </FONT><FONT COLOR=3D3D"#000000" = FACE=3D3D"Times New=3D Roman" FAMILY=3D3D"SERIF" SIZE=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: = #FFFFFF"><I>f=3D rom Cantata No. 29</I></FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Times New = Roman=3D " FAMILY=3D3D"SERIF" SIZE=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: = #FFFFFF">&nbsp;&nbs=3D p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&= n=3D bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp= ;=3D &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= s=3D p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Johann Sebastian = B=3D ach (1685-1750)<BR> <BR> Chorale Prelude on "</FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Times New = Roman"=3D20=3D FAMILY=3D3D"SERIF" SIZE=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: = #FFFFFF"><I>Nun komm,=3D der Heiden Heiland</I></FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Times = New Roma=3D n" FAMILY=3D3D"SERIF" SIZE=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: = #FFFFFF">", BWV 65=3D 9<BR> <BR> Trio Sonata in E minor, BWV 528<BR> &nbsp;&nbsp;&nbsp;&nbsp; I.&nbsp;&nbsp; Adagio-Vivace<BR> &nbsp;&nbsp;&nbsp;&nbsp; II.&nbsp; Andante<BR> &nbsp;&nbsp;&nbsp;&nbsp; III. Un Poco Allegro<BR> <BR> Prelude and Fugue in D major, BWV 532<BR> <BR> <BR> </FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Times New Roman" = FAMILY=3D3D"SERIF" SIZ=3D E=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF"><B>INTERMISSION<BR> </B></FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Times New Roman" = FAMILY=3D3D"SERIF"=3D SIZE=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF"><BR> <BR> Fantasia for = Organ&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=3D p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&= n=3D bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp= ;=3D &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb= s=3D p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&= n=3D bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp= ;=3D &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=3D p;&nbsp;&nbsp;&nbsp; John Weaver (b. 1937)<BR> <BR> Fantasia in f minor, K. = 594&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=3D nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs= p=3D ;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n= b=3D sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &=3D nbsp; Wolfgang Amadeus Mozart (1756-1791)<BR> <BR> Variations on = "America"&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=3D ;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n= b=3D sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &=3D nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs= p=3D ;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n= b=3D sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;= &=3D nbsp;&nbsp;&nbsp;&nbsp; Charles Ives (1874-1954)<BR> <BR> <BR> We think this will be an exciting program on a wonderful "new" = instrument.<B=3D R> <BR> Paul Jacobs Bio:<BR> </FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Arial" FAMILY=3D3D"SANSSERIF" = SIZE=3D3D"2=3D " STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF">Paul Jacobs first came to national = att=3D ention as a concert organist in 2000 when he performed the complete organ = wo=3D rks of J.S. Bach in 14 consecutive evenings both in New York City and in = Phi=3D ladelphia shortly after his 23rd birthday. Later in the year he trumped = that=3D achievement by performing the complete organ works of Bach in just one = day=3D20=3D -- an 18 hour marathon in Pittsburgh. During the summer of 2000 he was a = fea=3D tured performer at the National convention of the American Guild of = Organist=3D s in Seattle, one of two chosen to perform as a =3DE2=3D80=3D9CYoung = Artist=3DE2=3D80=3D =3D9D.<BR> <BR> An active recitalist, Mr. Jacobs has memorized the complete organ works of = B=3D rahms, Franck, and Durufle, several suites of Messiaen, much of Bach, and = a=3D20=3D vast range of other organ literature. In 2002 he performed the complete = orga=3D n works of Messiaen in a series of one-day marathons in six major American = c=3D ities, and beyond that he plans to do the complete organ works of Max = Reger=3D20=3D in special marathon events. He recently made his South American debut in = Bra=3D zil, and his European debut in Germany.<BR> <BR> He has taken top prizes in several competitions, including the National = Soci=3D ety of Arts and Letters Organ Competition in Washington DC, 1996, the = Violet=3D te Cassel Organ Competition in Harrisburg, Pennsylvania, in 1998 the = Albert=3D20=3D Schweitzer National Organ Competition in Connecticut in 1998, and the Fort = W=3D ayne National Organ Competition in Indiana in 1999. He has been featured = on=3D20=3D National Public Radio=3DE2=3D80=3D99s = =3DE2=3D80=3D9CPipedreams=3DE2=3D80=3D9D program, and ha=3D s performed on three continents. Paul Jacobs began studying the piano at = the=3D age of six and the organ at age 13. By the age of 15 he had been = appointed=3D20=3D the chief organist of a parish of over 3,500 families in his hometown of = Was=3D hington, Pennsylvania, and continued his studies with George Rau. He was = awa=3D rded a full scholarship to study at the Curtis Institute of Music in = Philade=3D lphia, and graduated with a double major having studied organ with John = Weav=3D er and harpsichord with Lionel Party. He earned a Master=3DE2=3D80=3D99s = degree at=3D the Yale School of Music on full scholarship. During his student days at = Cu=3D rtis he served as organist at the Washington Memorial Chapel, the National = S=3D hrine in Valley Forge, Pennsylvania. He is a recent recipient of Yale = Univer=3D sity=3DE2=3D80=3D99s Horatio Parker Memorial Award at the nomination of = the facult=3D y, the Faculty Prize of the Yale Institute of Sacred Music, and the Philip = F=3D rancis Nelson Prize.<BR> <BR> Hope to see many of you there.</FONT><FONT COLOR=3D3D"#000000" = FACE=3D3D"Geneva"=3D FAMILY=3D3D"SANSSERIF" SIZE=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: = #FFFFFF"><BR> <BR> </FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Helvetica Neue Bold Condensed" = LANG=3D =3D3D"0" SIZE=3D3D"3" STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF">Larry Wheelock</FONT><=3D FONT COLOR=3D3D"#000000" FACE=3D3D"Geneva" FAMILY=3D3D"SANSSERIF" = SIZE=3D3D"2" STYLE=3D =3D3D"BACKGROUND-COLOR: #FFFFFF"><BR> </FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Helvetica Neue Bold Condensed" = LANG=3D =3D3D"0" SIZE=3D3D"3" STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF">Director of = Music Mini=3D stries</FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Geneva" = FAMILY=3D3D"SANSSERIF" SI=3D ZE=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF"><BR> </FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Helvetica Neue Bold Condensed" = LANG=3D =3D3D"0" SIZE=3D3D"3" STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF">Kenwood United = Methodi=3D st Church</FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Geneva" = FAMILY=3D3D"SANSSERIF"=3D SIZE=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF"><BR> </FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Helvetica Neue Bold Condensed" = LANG=3D =3D3D"0" SIZE=3D3D"3" STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF">Milwaukee, = WI</FONT><F=3D ONT COLOR=3D3D"#000000" FACE=3D3D"Geneva" FAMILY=3D3D"SANSSERIF" = SIZE=3D3D"2" STYLE=3D =3D3D"BACKGROUND-COLOR: #FFFFFF"><BR> </FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Helvetica Neue Bold Condensed" = LANG=3D =3D3D"0" SIZE=3D3D"3" STYLE=3D3D"BACKGROUND-COLOR: = #FFFFFF">(musicdirector@Kenwood=3D -UMC.org)</FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Geneva" = FAMILY=3D3D"SANSSERIF"=3D SIZE=3D3D"2" STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF"><BR> <BR> </FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Courier" FAMILY=3D3D"FIXED" = SIZE=3D3D"1"=3D20=3D STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF"><I><BR> </FONT><FONT COLOR=3D3D"#000000" FACE=3D3D"Courier" FAMILY=3D3D"FIXED" = SIZE=3D3D"1"=3D20=3D STYLE=3D3D"BACKGROUND-COLOR: #FFFFFF"></I></FONT><FONT COLOR=3D3D"#000000" = FACE=3D =3D3D"Geneva" FAMILY=3D3D"SANSSERIF" SIZE=3D3D"2" = STYLE=3D3D"BACKGROUND-COLOR: #FFFF=3D FF"></FONT></HTML> --part1_a1.2fc8549f.2aef605f_boundary--  
(back) Subject: Re: Funeral Music From: <Cremona502@cs.com> Date: Mon, 28 Oct 2002 23:11:58 EST     --part1_16e.16472ab1.2aef648e_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 10/28/02 8:25:09 PM Eastern Standard Time, = Gfc234@aol.com writes:     > will think of more.. > Actually, I'd suggest anything beautiful and not sad! Death is merely = the entrance into incredible life!     Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_16e.16472ab1.2aef648e_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 10/28/02 8:25:09 PM Eastern Standard Time, Gfc234@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">will think of = more.. <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">Actually, I'd suggest anything beautiful and not = sad! &nbsp;&nbsp;&nbsp;Death is merely the entrance into incredible life! <BR> <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_16e.16472ab1.2aef648e_boundary--  
(back) Subject: Re: Funeral Music From: <Gfc234@aol.com> Date: Tue, 29 Oct 2002 03:08:56 EST     --part1_1a0.aea692d.2aef9c18_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   has anyone played an oberlinger organ? what did you think? how big was = it? greg.   --part1_1a0.aea692d.2aef9c18_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>has anyone played an = oberlinger organ? what did you think? &nbsp;how big was it? <BR>greg.</FONT></HTML>   --part1_1a0.aea692d.2aef9c18_boundary--  
(back) Subject: Re: Funeral Music From: "Bruce Miles" <bruce@gbmuk.fsnet.co.uk> Date: Tue, 29 Oct 2002 08:39:03 -0000   Justin ,   The Berlioz Shepherd's Farewell arrangement is in the Mayhew album I referred to, 'Thanksgiving and Remembrance'. This also includes some more = or less suitable funeral postludes.   Missing is the sublime Elegy of CHH Parry - it's in 'Ceremonial Music for Organ' (Oxford).   Bruce Miles       ----- Original Message ----- From: <Pepehomer@aol.com> To: <pipechat@pipechat.org> Sent: Tuesday, October 29, 2002 1:30 AM Subject: Re: Funeral Music     > Someone mentioned the Shepherd's Farewell by Berlioz - is this your own transcription, or is there an organ transcription in print? Coming up on Christmas, this would make me (and hopefully many others) quite happy! Sure, it won't have the same "mystery" as using a full choir, but just the music alone will do. > > Justin Karch > Organist, Holy Trinity LCMS > Rome, GA > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >