PipeChat Digest #3145 - Thursday, September 26, 2002
 
Re: String player organists?
  by "Paul Opel" <popel@sover.net>
Re: String player organists?
  by "John Vanderlee" <jovanderlee@vassar.edu>
RE: TV Churches, Chamades and Hymn Playing--Long
  by <RMB10@aol.com>
Re: copyrightable silence
  by "Margo Dillard" <dillardm@airmail.net>
Stealing the thunder
  by <cmys13085@blueyonder.co.uk>
Re: String player organists?
  by "Alan Freed" <acfreed0904@earthlink.net>
Re: String player organists?
  by "Randolph Runyon" <runyonr@muohio.edu>
Personal Liability Insurance and music teachers.
  by <Paulaustin11@aol.com>
Re: String player organists?
  by "Alan Freed" <acfreed0904@earthlink.net>
NYC organ recital
  by "Hoffman, Christine" <hoffmanc@SAINTIGNATIUSLOYOLA.ORG>
Re: Personal Liability Insurance and music teachers.
  by "Alan Freed" <acfreed0904@earthlink.net>
Re: String player organists?
  by "Randolph Runyon" <runyonr@muohio.edu>
Re: String player organists?
  by "Richard Zhu" <info@materialfair.com>
 

(back) Subject: Re: String player organists? From: "Paul Opel" <popel@sover.net> Date: Thu, 26 Sep 2002 06:43:09 -0500   If I can get two-for-the-price-of-one, then, sure!   Paul   >>In a message dated 9/24/02 6:12:09 PM Eastern Daylight Time, >>popel@sover.net writes: >> >>>I'm to do a presentation on "Small Organs and Instruments" next July at = the >>>Region I AGO regional convention on Cape Cod. I have a budget for guest >>>instrumentalists, and would like to hire three or four other = musicians. >>> > >My wife is an organist and my daughters are cellist and viola-ist(is >that right?) respectively. would that help? > >John V > >"Pipe Up and Be Heard!" >PipeChat: A discussion List for pipe/digital organs & related topics >HOMEPAGE : http://www.pipechat.org >List: mailto:pipechat@pipechat.org >Administration: mailto:admin@pipechat.org >Subscribe/Unsubscribe: mailto:requests@pipechat.org     http://www.sover.net/~popel/agomain.html      
(back) Subject: Re: String player organists? From: "John Vanderlee" <jovanderlee@vassar.edu> Date: Thu, 26 Sep 2002 07:51:06 -0700   >If I can get two-for-the-price-of-one, then, sure!   What IS the Price? John   >Paul > >>>In a message dated 9/24/02 6:12:09 PM Eastern Daylight Time, >>>popel@sover.net writes: >>> >>>>I'm to do a presentation on "Small Organs and Instruments" next July = at the >>>>Region I AGO regional convention on Cape Cod. I have a budget for = guest >>>>instrumentalists, and would like to hire three or four other = musicians. >>>> >> >>My wife is an organist and my daughters are cellist and viola-ist(is >>that right?) respectively. would that help? >> >>John V >> >>"Pipe Up and Be Heard!" >>PipeChat: A discussion List for pipe/digital organs & related topics >>HOMEPAGE : http://www.pipechat.org >>List: mailto:pipechat@pipechat.org >>Administration: mailto:admin@pipechat.org >>Subscribe/Unsubscribe: mailto:requests@pipechat.org > > > http://www.sover.net/~popel/agomain.html > > > >"Pipe Up and Be Heard!" >PipeChat: A discussion List for pipe/digital organs & related topics >HOMEPAGE : http://www.pipechat.org >List: mailto:pipechat@pipechat.org >Administration: mailto:admin@pipechat.org >Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: RE: TV Churches, Chamades and Hymn Playing--Long From: <RMB10@aol.com> Date: Thu, 26 Sep 2002 07:59:25 EDT   Paul Emmons wrote regarding the use of a trompette en chamade: >On ordinary Sundays, such a stop shouldn't be used more than once in a >service. When I had one, I used it once or twice a month only, and >sometimes it was only for a very brief outburst during a hymn, just a = quick >five-or-six note flourish over a climactic word like a flash of = lightning, >and that would be it.   Before I start, let me put on my flame suit......   It gets on my last nerve when people make such generalizations. There are = so many things that come into play: type of church, size of the instrument = and number of chamades, musicality of the organist, quality of the rank, etc.   TV churches have a touch of Hollywood already built in. Look at Coral = Ridge or the Crystal Cathedral or even Calvary Church. The Crystal Cathedral screams showmanship by its very nature, having 5 story glass doors that = open and fountains down the center aisle. Coral Ridge has been on TV for 25 years, and had one of the premier concert organists in the world as it's regular organist. Calvary Church, being an Evangelical church with a 205 rank organ in a building that seats over 6000, has a touch of show already =   built in. In cases like that, it's not like the typical middle-America church that seats maybe 700 and has a 40 rank organ topped off with a = party horn of some genre. Rules about how hymns are played or how the organ is = to be used just don't apply in situations like mega-churches or TV churches. =   Personally, I think some of the rules that have been taught have = absolutely ruined hymn playing. There are organists out there who can toss off major =   organ literature like it was Chopsticks who are the dullest service layers =   because of rules that were imposed on them. I have a friend who has a Master's degree in music from a major school. She is a fantastic musician =   and can tear through major literature without any trouble. However, her major organ teacher taught her that she should not change registration too =   often during a hymn, so when she plays a hymn, the registration NEVER changes, excpet for once in a while on a big hymn, she'll "kick it up a notch" and throw on another mixture and maybe another reed for the last verse. She doesn't understand why I paint the text when I play the hymn, working the swell shades, bringing stops on and off. It's just how we = were taught. I was taught to use the whole resources of the organ with good = taste and musicality and she was taught that a hymn only should be registered 8, = 4, 2, and the swell mixture, add swell reeds only on the last verse. One = word sums it up for me: BORING!   Anyway, back to TV churches and the like.... At Calvary Church, Charlotte, NC, there are 5 ranks of chamades, spread around the room, including a full length 16' chamade. The first thing = that people see when looking at the case are the chamades. I always found it interesting that people just assumed that those horizontal pipes were trumpets, even if they knew nothing about the organ. When playing the = noon time concerts, twice weekly, visitors would always ask to hear the = trumpets, so I ended up writing an arrangement of Amazing Grace that started on the Erzahler Celeste, built up to full organ with chamades (alternating right = and left chamades) and ending on the Celestial division Flute Celeste with the =   softest of the 6 32' stops. A true musician knows when and how to use a chamade to it's full potential, regardless of what kind of "rules" are imposed against it. When you have 5 chamades to choose from, there are varying degrees of volume and color, plus in the case of the Calvary = organ, placement also affected the sound. The center Millenial Trumpets (3 independent ranks--16, 8, 4) were at a height that placed them speaking = into the 2nd balcony, while the Trompette de Gabriel and the Herald Trumpet = were not as high, and spoke directly into the 1st balcony. Since more people = sat in the 1st balcony than in the second, it was always pretty safe to use the Millenial Trumpets because they sounded like big chorus reeds, and didn't part people's hair like the other two ranks of chamades on the right and = left sides of the room.   Coral Ridge and The Crystal Cathedral also have chamades at opposite sides = of the room. Diane and Fred both used to use the chamades regularly to introduce hymns, and I don't think that it diminished the awe or splendor = of the rank. When there are party horns spread around the room, people want = to hear them. In churches like these where there are hundreds of visitors a week to services, they want to hear them, because they might only be there =   for the day--don't they get a chance to hear what the organ can do?   That's why I say generalizations rub me wrong. A true musician will know = how to make the most of the instrument and will work it to within an inch of = it's life, if that means using the chamades, or antiphonal division for echo pssages, or whatever. Don't get trapped into rules imposed by a third party. Use the innate musicianship that we have all been born with to enhance the service that = we are playing. Why have things on the instrument if they're not going to be =   used?   Monty Bennett  
(back) Subject: Re: copyrightable silence From: "Margo Dillard" <dillardm@airmail.net> Date: Thu, 26 Sep 2002 07:09:14 -0500   But you know folks, we could have an even bigger problem. If Cage owns = the "copyright" on not playing - then Schoenberg must own the copyright on everything else. He did write using ALL 12 notes in the scale, you know. = He didn't leave any for the rest of us. ;-)   Margo (wondering if her congregation would tolerate microtonal music...)     Jim Hailey wrote:   > Well, Glenda, you said it about half way down, "a jury with common = sense", > not to mention the attorney that would file it and the court that would = hear > it. So fellow listers, just remember this, the next time you pause too = long > before you begin your improv. > > Jim H >    
(back) Subject: Stealing the thunder From: <cmys13085@blueyonder.co.uk> Date: Thu, 26 Sep 2002 13:41:10 +0100   Hello,   I fel soooo guilty!   I went to hear Carlo Curley last weekend on a newly refurbished 4-manual = organ.   Talking to the organ builder afterwards, I happened to say the = following:-     ".....yes, it sounds very fine, but I can't help but think that the 32ft = reed is less good than before"   He gave me a startled look and replied, "Well it's an all new = rank....the old one was digital"   I quickly fled the scene.   Regards,   Colin Mitchell UK  
(back) Subject: Re: String player organists? From: "Alan Freed" <acfreed0904@earthlink.net> Date: Thu, 26 Sep 2002 09:28:01 -0400   I can't think right now of the name of the north German organist, 18th century, who used to sit at the console, playing the violin or viola, and accompanying himself on the pedal. Short name, one syllable? Borst? Or something like that?   It'll come to me (probably by e-mail, from one of you).   Alan   On 9/26/02 7:43 AM, "Paul Opel" <popel@sover.net> wrote:   > If I can get two-for-the-price-of-one, then, sure! > > Paul > >>> In a message dated 9/24/02 6:12:09 PM Eastern Daylight Time, >>> popel@sover.net writes: >>> >>>> I'm to do a presentation on "Small Organs and Instruments" next July = at the >>>> Region I AGO regional convention on Cape Cod. I have a budget for = guest >>>> instrumentalists, and would like to hire three or four other = musicians. >>>> >> >> My wife is an organist and my daughters are cellist and viola-ist(is >> that right?) respectively. would that help? >> >> John V >> >> "Pipe Up and Be Heard!" >> PipeChat: A discussion List for pipe/digital organs & related topics >> HOMEPAGE : http://www.pipechat.org >> List: mailto:pipechat@pipechat.org >> Administration: mailto:admin@pipechat.org >> Subscribe/Unsubscribe: mailto:requests@pipechat.org > > > http://www.sover.net/~popel/agomain.html > > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >    
(back) Subject: Re: String player organists? From: "Randolph Runyon" <runyonr@muohio.edu> Date: Thu, 26 Sep 2002 09:36:44 -0400     It was Nicholaus Bruhns (1665-1697).     Randy Runyon Music Director Zion Lutheran Church Hamilton, Ohio runyonr@muohio.edu           on 9/26/02 9:28 AM, Alan Freed at acfreed0904@earthlink.net wrote:   > I can't think right now of the name of the north German organist, 18th > century, who used to sit at the console, playing the violin or viola, = and > accompanying himself on the pedal. Short name, one syllable? Borst? Or > something like that? > > It'll come to me (probably by e-mail, from one of you). > > Alan > > On 9/26/02 7:43 AM, "Paul Opel" <popel@sover.net> wrote: > >> If I can get two-for-the-price-of-one, then, sure! >> >> Paul >> >>>> In a message dated 9/24/02 6:12:09 PM Eastern Daylight Time, >>>> popel@sover.net writes: >>>> >>>>> I'm to do a presentation on "Small Organs and Instruments" next July = at >>>>> the >>>>> Region I AGO regional convention on Cape Cod. I have a budget for = guest >>>>> instrumentalists, and would like to hire three or four other = musicians. >>>>> >>> >>> My wife is an organist and my daughters are cellist and viola-ist(is >>> that right?) respectively. would that help? >>> >>> John V >>> >>> "Pipe Up and Be Heard!" >>> PipeChat: A discussion List for pipe/digital organs & related topics >>> HOMEPAGE : http://www.pipechat.org >>> List: mailto:pipechat@pipechat.org >>> Administration: mailto:admin@pipechat.org >>> Subscribe/Unsubscribe: mailto:requests@pipechat.org >> >> >> http://www.sover.net/~popel/agomain.html >> >> >> >> "Pipe Up and Be Heard!" >> PipeChat: A discussion List for pipe/digital organs & related topics >> HOMEPAGE : http://www.pipechat.org >> List: mailto:pipechat@pipechat.org >> Administration: mailto:admin@pipechat.org >> Subscribe/Unsubscribe: mailto:requests@pipechat.org >> > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >    
(back) Subject: Personal Liability Insurance and music teachers. From: <Paulaustin11@aol.com> Date: Thu, 26 Sep 2002 09:46:54 EDT     --part1_14e.14bbaa04.2ac469ce_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Dear listers,   I work as a self employed music teacher. I teach piano, keyboard and of course organ. I have this morning recieved a call from a local primary school asking if I would be able to begin teaching organ during the day, a =   couple of days a week, at the school. Not being one to pass over the oppotunity of earning a few extra notes, I agreed. As well as being = police vetted, I am expected to hold a certificate proving that I hold personal liabilty insurance to the value of half a million quid!! Undertandable I suppose, but do any of you folks out there know how to go about it?? I = think the premium will out do the earnings!!   Thanks for advice!   Paul.   paulaustin11@aol.com   --part1_14e.14bbaa04.2ac469ce_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">Dear listers,<BR> <BR> I work as a self employed music teacher.&nbsp; I teach piano, keyboard and = of course organ.&nbsp; I have this morning recieved a call from a local = primary school asking if I would be able to begin teaching organ during = the day, a couple of days a week, at the school.&nbsp; Not being one to = pass over the oppotunity of earning a few extra notes,&nbsp; I = agreed.&nbsp; As well as being police vetted, I am expected to hold a = certificate proving that I hold personal liabilty insurance to the value = of half a million quid!!&nbsp; Undertandable I suppose, but do any of you = folks out there know how to go about it??&nbsp; I think the premium will = out do the earnings!!<BR> <BR> Thanks for advice!<BR> <BR> Paul.<BR> <BR> paulaustin11@aol.com</FONT></HTML>   --part1_14e.14bbaa04.2ac469ce_boundary--  
(back) Subject: Re: String player organists? From: "Alan Freed" <acfreed0904@earthlink.net> Date: Thu, 26 Sep 2002 09:50:33 -0400   On 9/26/02 9:36 AM, "Randolph Runyon" <runyonr@muohio.edu> wrote:   > It was Nicholaus Bruhns (1665-1697). > I even had the CENTURY wrong, for Pete's sake!   But that's the guy!   Alan    
(back) Subject: NYC organ recital From: "Hoffman, Christine" <hoffmanc@SAINTIGNATIUSLOYOLA.ORG> Date: Thu, 26 Sep 2002 09:45:21 -0400   SACRED MUSIC IN A SACRED SPACE Presents Andrew Henderson Assistant Organist of the Church of St. Ignatius Loyola and Finalist in the Dix-Huiti=E8me concours international d'orgue -=20 Grand Prix de Chartres 2002   Sunday, September 29, 2002 at 4:00 pm Church of St. Ignatius Loyola 980 Park Avenue at 84th Street New York City   performing works of Bach, Buxtehude, Widor, Durufl=E9, Dupr=E9, and=20 Sowerby. Mr. Henderson recently returned from France, where he=20 reached the final round of competition at Chartres cathedral in its 17th International Organ Competition. This recital will include Bach's Prelude and Fugue in E minor, "the Wedge" (BWV 548) and excerpts from Widor's 4th Organ Symphony from Henderson's Chartres program.   Tickets at the door are $20 or $15 for seniors and students. Advance- sale tickets are $15, $12 for seniors and students. Seating for the concert is general admission. Tickets may be purchased at the Church Parish House, 980 Park Avenue between 83rd and 84th Streets, any day between 9:00 A.M. and 9:00 P.M., by phone at (212) 288-2520, or online at www.saintignatiusloyola.org.=20   PROGRAM   Chorale fantasia: "Te Deum laudamus," BuxWV 218 Dietrich Buxtehude (1637-1707)=20 Three English Pieces Uppon 'La Mi Re' Anon (c.1550) The Queenes Alman William Byrd (1543-1623) Why aske ye? John Bull (c.1562-1628) Prelude and Fugue in E minor, BWV 548 Bach (1685-1750) Toccata Leo Sowerby (1895-1968) Excerpts from Symphony No. 4 Charles-Marie Widor (1844-1937) M=E9ditation (New York premiere) Maurice Durufl=E9 (1902-1986) Prelude and Fugue in B major, op. 7 Marcel Dupr=E9 (1886-1971)=20   Andrew Elliot Henderson (b. 1976) is a native of Thorold, Ontario. He is currently pursuing studies in music at The Juilliard School as a C. V. Starr Doctoral Fellow, and is the Assistant Organist at the Church of St. Ignatius Loyola in Manhattan.   Mr. Henderson completed his undergraduate studies in music with a BA from Cambridge University in England in June, 1999, where for three years he held the position of Organ Scholar at Clare College, Cambridge. With Clare College Chapel Choir he was featured on numerous BBC broadcasts, recordings and tours throughout Europe and North America. In June 2001 he completed a Master's Degree in organ performance from Yale University, on a full scholarship through the Yale Institute of Sacred Music. He has been featured as an accompanist on CBC Radio broadcasts and has played solo organ recitals at Westminster Abbey and at St. Paul's Cathedral, London. In the summer of 2000 he attained the Fellowship diploma of the Royal Canadian College of Organists, winning three scholarships. =20   Prior to his appointment at St. Ignatius, Andrew served as Organ Scholar at Trinity Episcopal Church in Torrington, Conn., and assisted Grammy Award-winning composer and conductor Paul Halley in the direction of his renowned choral ensembles Chorus Angelicus and Gaudeamus, acting as their principal accompanist. He also appears in concert with Halley in a program entitled Triptych, comprising of music composed by Halley for the unique combination of organ, harpsichord and piano. Mr. Henderson's teachers have included John Tuttle, David Sanger, Thomas Murray and John Weaver.  
(back) Subject: Re: Personal Liability Insurance and music teachers. From: "Alan Freed" <acfreed0904@earthlink.net> Date: Thu, 26 Sep 2002 09:55:35 -0400   > This message is in MIME format. Since your mail reader does not = understand this format, some or all of this message may not be legible.   --B_3115878936_8201430 Content-type: text/plain; charset=3D"ISO-8859-1" Content-transfer-encoding: quoted-printable   On 9/26/02 9:46 AM, "Paulaustin11@aol.com" <Paulaustin11@aol.com> wrote:   > As well as being police vetted, I am expected to hold a certificate = provi=3D ng > that I hold personal liabilty insurance to the value of half a million = qu=3D id!! > Undertandable I suppose, but do any of you folks out there know how to = go > about it?? I think the premium will out do the earnings!!   Paul:   Go for it. Make sure it happens. But you don=3DB9t pay a cent for the insurance. That=3DB9s the school=3DB9s responsibility. It=3DB9s THEIR = program. You=3DB9r=3D e just being a nice guy. All COSTS are theirs. (That may kill the whole thing, but that=3DB9s the way society is nowadays.)   Alan   --B_3115878936_8201430 Content-type: text/html; charset=3D"ISO-8859-1" Content-transfer-encoding: quoted-printable   <HTML> <HEAD> <TITLE>Re: Personal Liability Insurance and music teachers.</TITLE> </HEAD> <BODY> <FONT FACE=3D3D"Times New Roman">On 9/26/02 9:46 AM, = &quot;Paulaustin11@aol.com=3D &quot; &lt;Paulaustin11@aol.com&gt; wrote:<BR> <BR> </FONT><BLOCKQUOTE><FONT FACE=3D3D"Arial">As well as being police vetted, = I am =3D expected to hold a certificate proving that I hold personal liabilty = insuran=3D ce to the value of half a million quid!! &nbsp;Undertandable I suppose, = but =3D do any of you folks out there know how to go about it?? &nbsp;I think the = pr=3D emium will out do the earnings!!<BR> </FONT></BLOCKQUOTE><FONT FACE=3D3D"Times New Roman"><BR> Paul:<BR> <BR> Go for it. &nbsp;Make sure it happens. &nbsp;But you don&#8217;t pay a = cent=3D for the insurance. &nbsp;That&#8217;s the school&#8217;s responsibility. = &n=3D bsp;It&#8217;s THEIR program. &nbsp;You&#8217;re just being a nice guy. = &nbs=3D p;All COSTS are theirs. &nbsp;(That may kill the whole thing, but = that&#8217=3D ;s the way society is nowadays.) &nbsp;<BR> <BR> Alan</FONT> </BODY> </HTML>     --B_3115878936_8201430--    
(back) Subject: Re: String player organists? From: "Randolph Runyon" <runyonr@muohio.edu> Date: Thu, 26 Sep 2002 09:56:06 -0400   But you did have the correct number of syllables!   on 9/26/02 9:50 AM, Alan Freed at acfreed0904@earthlink.net wrote:   > On 9/26/02 9:36 AM, "Randolph Runyon" <runyonr@muohio.edu> wrote: > >> It was Nicholaus Bruhns (1665-1697). >> > I even had the CENTURY wrong, for Pete's sake! > > But that's the guy! > > Alan > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >    
(back) Subject: Re: String player organists? From: "Richard Zhu" <info@materialfair.com> Date: Thu, 26 Sep 2002 22:12:23 +0800   cGxlYXNlIHJlbW92ZSBtZSBmcm9tIHlvdXIgbWFpbCBsaXN0DQotLS0tLSBPcmlnaW5hbCBNZXN= z YWdlIC0tLS0tIA0KRnJvbTogIkFsYW4gRnJlZWQiIDxhY2ZyZWVkMDkwNEBlYXJ0aGxpbmsubmV= 0 Pg0KVG86ICJQaXBlQ2hhdCIgPHBpcGVjaGF0QHBpcGVjaGF0Lm9yZz4NClNlbnQ6IFRodXJzZGF= 5 LCBTZXB0ZW1iZXIgMjYsIDIwMDIgOToyOCBQTQ0KU3ViamVjdDogUmU6IFN0cmluZyBwbGF5ZXI= g b3JnYW5pc3RzPw0KDQoNCj4gSSBjYW4ndCB0aGluayByaWdodCBub3cgb2YgdGhlIG5hbWUgb2Y= g dGhlIG5vcnRoIEdlcm1hbiBvcmdhbmlzdCwgMTh0aA0KPiBjZW50dXJ5LCB3aG8gdXNlZCB0byB= z aXQgYXQgdGhlIGNvbnNvbGUsIHBsYXlpbmcgdGhlIHZpb2xpbiBvciB2aW9sYSwgYW5kDQo+IGF= j Y29tcGFueWluZyBoaW1zZWxmIG9uIHRoZSBwZWRhbC4gU2hvcnQgbmFtZSwgb25lIHN5bGxhYmx= l PyAgQm9yc3Q/IE9yDQo+IHNvbWV0aGluZyBsaWtlIHRoYXQ/DQo+IA0KPiBJdCdsbCBjb21lIHR= v IG1lIChwcm9iYWJseSBieSBlLW1haWwsIGZyb20gb25lIG9mIHlvdSkuDQo+IA0KPiBBbGFuDQo= + IA0KPiBPbiA5LzI2LzAyIDc6NDMgQU0sICJQYXVsIE9wZWwiIDxwb3BlbEBzb3Zlci5uZXQ+IHd= y b3RlOg0KPiANCj4gPiBJZiBJIGNhbiBnZXQgdHdvLWZvci10aGUtcHJpY2Utb2Ytb25lLCB0aGV= u LCBzdXJlIQ0KPiA+IA0KPiA+IFBhdWwNCj4gPiANCj4gPj4+IEluIGEgbWVzc2FnZSBkYXRlZCA= 5 LzI0LzAyIDY6MTI6MDkgUE0gRWFzdGVybiBEYXlsaWdodCBUaW1lLA0KPiA+Pj4gcG9wZWxAc29= 2 ZXIubmV0IHdyaXRlczoNCj4gPj4+IA0KPiA+Pj4+IEknbSB0byBkbyBhIHByZXNlbnRhdGlvbiB= v biAiU21hbGwgT3JnYW5zIGFuZCBJbnN0cnVtZW50cyIgbmV4dCBKdWx5IGF0IHRoZQ0KPiA+Pj4= + IFJlZ2lvbiBJIEFHTyByZWdpb25hbCBjb252ZW50aW9uIG9uIENhcGUgQ29kLiBJIGhhdmUgYSB= i dWRnZXQgZm9yIGd1ZXN0DQo+ID4+Pj4gaW5zdHJ1bWVudGFsaXN0cywgYW5kIHdvdWxkIGxpa2U= g dG8gaGlyZSB0aHJlZSAgb3IgZm91ciBvdGhlciBtdXNpY2lhbnMuDQo+ID4+Pj4gDQo+ID4+IA0= K PiA+PiBNeSB3aWZlIGlzIGFuIG9yZ2FuaXN0IGFuZCBteSBkYXVnaHRlcnMgYXJlIGNlbGxpc3Q= g YW5kIHZpb2xhLWlzdChpcw0KPiA+PiB0aGF0IHJpZ2h0PykgcmVzcGVjdGl2ZWx5LiB3b3VsZCB= 0 aGF0IGhlbHA/DQo+ID4+IA0KPiA+PiBKb2huIFYNCj4gPj4gDQo+ID4+ICJQaXBlIFVwIGFuZCB= C ZSBIZWFyZCEiDQo+ID4+IFBpcGVDaGF0OiAgQSAgZGlzY3Vzc2lvbiBMaXN0IGZvciBwaXBlL2R= p Z2l0YWwgb3JnYW5zICYgcmVsYXRlZCB0b3BpY3MNCj4gPj4gSE9NRVBBR0UgOiBodHRwOi8vd3d= 3 LnBpcGVjaGF0Lm9yZw0KPiA+PiBMaXN0OiBtYWlsdG86cGlwZWNoYXRAcGlwZWNoYXQub3JnDQo= + ID4+IEFkbWluaXN0cmF0aW9uOiAgbWFpbHRvOmFkbWluQHBpcGVjaGF0Lm9yZw0KPiA+PiBTdWJ= z Y3JpYmUvVW5zdWJzY3JpYmU6ICBtYWlsdG86cmVxdWVzdHNAcGlwZWNoYXQub3JnDQo+ID4gDQo= + ID4gDQo+ID4gaHR0cDovL3d3dy5zb3Zlci5uZXQvfnBvcGVsL2Fnb21haW4uaHRtbA0KPiA+IA0= K PiA+IA0KPiA+IA0KPiA+ICJQaXBlIFVwIGFuZCBCZSBIZWFyZCEiDQo+ID4gUGlwZUNoYXQ6ICB= B ICBkaXNjdXNzaW9uIExpc3QgZm9yIHBpcGUvZGlnaXRhbCBvcmdhbnMgJiByZWxhdGVkIHRvcGl= j cw0KPiA+IEhPTUVQQUdFIDogaHR0cDovL3d3dy5waXBlY2hhdC5vcmcNCj4gPiBMaXN0OiBtYWl= s dG86cGlwZWNoYXRAcGlwZWNoYXQub3JnDQo+ID4gQWRtaW5pc3RyYXRpb246ICBtYWlsdG86YWR= t aW5AcGlwZWNoYXQub3JnDQo+ID4gU3Vic2NyaWJlL1Vuc3Vic2NyaWJlOiAgbWFpbHRvOnJlcXV= l c3RzQHBpcGVjaGF0Lm9yZw0KPiA+IA0KPiANCj4gDQo+ICJQaXBlIFVwIGFuZCBCZSBIZWFyZCE= i DQo+IFBpcGVDaGF0OiAgQSAgZGlzY3Vzc2lvbiBMaXN0IGZvciBwaXBlL2RpZ2l0YWwgb3JnYW5= z ICYgcmVsYXRlZCB0b3BpY3MNCj4gSE9NRVBBR0UgOiBodHRwOi8vd3d3LnBpcGVjaGF0Lm9yZw0= K PiBMaXN0OiBtYWlsdG86cGlwZWNoYXRAcGlwZWNoYXQub3JnDQo+IEFkbWluaXN0cmF0aW9uOiA= g bWFpbHRvOmFkbWluQHBpcGVjaGF0Lm9yZw0KPiBTdWJzY3JpYmUvVW5zdWJzY3JpYmU6ICBtYWl= s dG86cmVxdWVzdHNAcGlwZWNoYXQub3JnDQo+IA0KPiANCj4gDQo=3D