PipeChat Digest #3146 - Friday, September 27, 2002
 
Re: String player organists?
  by "Richard Zhu" <info@materialfair.com>
the meaning of knocked up
  by <MFoxy9795@aol.com>
Re: anthem search
  by <MFoxy9795@aol.com>
Re: anthem search
  by "Robert Eversman" <highnote@mhtc.net>
transcription available?
  by "tom carter" <tcarter215@yahoo.com>
Re: anthem search
  by "Randolph Runyon" <runyonr@muohio.edu>
Buck Grand(e) Sonata in Eb (X-posted)
  by <Robert_Lind@cch.com>
Re: the meaning of knocked up
  by <Paulaustin11@aol.com>
RE: copyrightable silence
  by "Steve Chandler" <stevec@open-tech.com>
still looking for music(x-posted)
  by "Tom Hoehn" <thoehn@theatreorgans.com>
CBC show <In Performance tonight>
  by "danielwh1" <danielwh1@ns.sympatico.ca>
Re: TV Churches, Chamades and Hymn Playing--Long
  by <Cremona502@cs.com>
RE: Buck Grand(e) Sonata in Eb (X-posted)
  by "Glenda" <gksjd85@direcway.com>
RE: the meaning of knocked up
  by "Glenda" <gksjd85@direcway.com>
Re: TV Churches, Chamades and Hymn Playing--Long
  by "Jim Hailey" <jhaileya10@charter.net>
Re: Personal Liability Insurance and music teachers.
  by "Jim Hailey" <jhaileya10@charter.net>
Re: TV Churches, Chamades and Hymn Playing--Long
  by <Gfc234@aol.com>
M.I.A.
  by "Ray Ahrens" <Ray_Ahrens@msn.com>
 

(back) Subject: Re: String player organists? From: "Richard Zhu" <info@materialfair.com> Date: Thu, 26 Sep 2002 22:24:31 +0800   UGxlYXNlIHJlbW92ZSBtZSBmcm9tIHlvdXIgbWFpbCBsaXN0Lg0KDQpUa3MNCg0KLS0tLS0gT3J= p Z2luYWwgTWVzc2FnZSAtLS0tLSANCkZyb206ICJSaWNoYXJkIFpodSIgPGluZm9AbWF0ZXJpYWx= m YWlyLmNvbT4NClRvOiAiUGlwZUNoYXQiIDxwaXBlY2hhdEBwaXBlY2hhdC5vcmc+DQpTZW50OiB= U aHVyc2RheSwgU2VwdGVtYmVyIDI2LCAyMDAyIDEwOjEyIFBNDQpTdWJqZWN0OiBSZTogU3RyaW5= n IHBsYXllciBvcmdhbmlzdHM/DQoNCg0KPiBwbGVhc2UgcmVtb3ZlIG1lIGZyb20geW91ciBtYWl= s IGxpc3QNCj4gLS0tLS0gT3JpZ2luYWwgTWVzc2FnZSAtLS0tLSANCj4gRnJvbTogIkFsYW4gRnJ= l ZWQiIDxhY2ZyZWVkMDkwNEBlYXJ0aGxpbmsubmV0Pg0KPiBUbzogIlBpcGVDaGF0IiA8cGlwZWN= o YXRAcGlwZWNoYXQub3JnPg0KPiBTZW50OiBUaHVyc2RheSwgU2VwdGVtYmVyIDI2LCAyMDAyIDk= 6 MjggUE0NCj4gU3ViamVjdDogUmU6IFN0cmluZyBwbGF5ZXIgb3JnYW5pc3RzPw0KPiANCj4gDQo= + ID4gSSBjYW4ndCB0aGluayByaWdodCBub3cgb2YgdGhlIG5hbWUgb2YgdGhlIG5vcnRoIEdlcm1= h biBvcmdhbmlzdCwgMTh0aA0KPiA+IGNlbnR1cnksIHdobyB1c2VkIHRvIHNpdCBhdCB0aGUgY29= u c29sZSwgcGxheWluZyB0aGUgdmlvbGluIG9yIHZpb2xhLCBhbmQNCj4gPiBhY2NvbXBhbnlpbmc= g aGltc2VsZiBvbiB0aGUgcGVkYWwuIFNob3J0IG5hbWUsIG9uZSBzeWxsYWJsZT8gIEJvcnN0PyB= P cg0KPiA+IHNvbWV0aGluZyBsaWtlIHRoYXQ/DQo+ID4gDQo+ID4gSXQnbGwgY29tZSB0byBtZSA= o cHJvYmFibHkgYnkgZS1tYWlsLCBmcm9tIG9uZSBvZiB5b3UpLg0KPiA+IA0KPiA+IEFsYW4NCj4= g PiANCj4gPiBPbiA5LzI2LzAyIDc6NDMgQU0sICJQYXVsIE9wZWwiIDxwb3BlbEBzb3Zlci5uZXQ= + IHdyb3RlOg0KPiA+IA0KPiA+ID4gSWYgSSBjYW4gZ2V0IHR3by1mb3ItdGhlLXByaWNlLW9mLW9= u ZSwgdGhlbiwgc3VyZSENCj4gPiA+IA0KPiA+ID4gUGF1bA0KPiA+ID4gDQo+ID4gPj4+IEluIGE= g bWVzc2FnZSBkYXRlZCA5LzI0LzAyIDY6MTI6MDkgUE0gRWFzdGVybiBEYXlsaWdodCBUaW1lLA0= K PiA+ID4+PiBwb3BlbEBzb3Zlci5uZXQgd3JpdGVzOg0KPiA+ID4+PiANCj4gPiA+Pj4+IEknbSB= 0 byBkbyBhIHByZXNlbnRhdGlvbiBvbiAiU21hbGwgT3JnYW5zIGFuZCBJbnN0cnVtZW50cyIgbmV= 4 dCBKdWx5IGF0IHRoZQ0KPiA+ID4+Pj4gUmVnaW9uIEkgQUdPIHJlZ2lvbmFsIGNvbnZlbnRpb24= g b24gQ2FwZSBDb2QuIEkgaGF2ZSBhIGJ1ZGdldCBmb3IgZ3Vlc3QNCj4gPiA+Pj4+IGluc3RydW1= l bnRhbGlzdHMsIGFuZCB3b3VsZCBsaWtlIHRvIGhpcmUgdGhyZWUgIG9yIGZvdXIgb3RoZXIgbXV= z aWNpYW5zLg0KPiA+ID4+Pj4gDQo+ID4gPj4gDQo+ID4gPj4gTXkgd2lmZSBpcyBhbiBvcmdhbml= z dCBhbmQgbXkgZGF1Z2h0ZXJzIGFyZSBjZWxsaXN0IGFuZCB2aW9sYS1pc3QoaXMNCj4gPiA+PiB= 0 aGF0IHJpZ2h0PykgcmVzcGVjdGl2ZWx5LiB3b3VsZCB0aGF0IGhlbHA/DQo+ID4gPj4gDQo+ID4= g Pj4gSm9obiBWDQo+ID4gPj4gDQo+ID4gPj4gIlBpcGUgVXAgYW5kIEJlIEhlYXJkISINCj4gPiA= + PiBQaXBlQ2hhdDogIEEgIGRpc2N1c3Npb24gTGlzdCBmb3IgcGlwZS9kaWdpdGFsIG9yZ2FucyA= m IHJlbGF0ZWQgdG9waWNzDQo+ID4gPj4gSE9NRVBBR0UgOiBodHRwOi8vd3d3LnBpcGVjaGF0Lm9= y Zw0KPiA+ID4+IExpc3Q6IG1haWx0bzpwaXBlY2hhdEBwaXBlY2hhdC5vcmcNCj4gPiA+PiBBZG1= p bmlzdHJhdGlvbjogIG1haWx0bzphZG1pbkBwaXBlY2hhdC5vcmcNCj4gPiA+PiBTdWJzY3JpYmU= v VW5zdWJzY3JpYmU6ICBtYWlsdG86cmVxdWVzdHNAcGlwZWNoYXQub3JnDQo+ID4gPiANCj4gPiA= + IA0KPiA+ID4gaHR0cDovL3d3dy5zb3Zlci5uZXQvfnBvcGVsL2Fnb21haW4uaHRtbA0KPiA+ID4= g DQo+ID4gPiANCj4gPiA+IA0KPiA+ID4gIlBpcGUgVXAgYW5kIEJlIEhlYXJkISINCj4gPiA+IFB= p cGVDaGF0OiAgQSAgZGlzY3Vzc2lvbiBMaXN0IGZvciBwaXBlL2RpZ2l0YWwgb3JnYW5zICYgcmV= s YXRlZCB0b3BpY3MNCj4gPiA+IEhPTUVQQUdFIDogaHR0cDovL3d3dy5waXBlY2hhdC5vcmcNCj4= g PiA+IExpc3Q6IG1haWx0bzpwaXBlY2hhdEBwaXBlY2hhdC5vcmcNCj4gPiA+IEFkbWluaXN0cmF= 0 aW9uOiAgbWFpbHRvOmFkbWluQHBpcGVjaGF0Lm9yZw0KPiA+ID4gU3Vic2NyaWJlL1Vuc3Vic2N= y aWJlOiAgbWFpbHRvOnJlcXVlc3RzQHBpcGVjaGF0Lm9yZw0KPiA+ID4gDQo+ID4gDQo+ID4gDQo= + ID4gIlBpcGUgVXAgYW5kIEJlIEhlYXJkISINCj4gPiBQaXBlQ2hhdDogIEEgIGRpc2N1c3Npb24= g TGlzdCBmb3IgcGlwZS9kaWdpdGFsIG9yZ2FucyAmIHJlbGF0ZWQgdG9waWNzDQo+ID4gSE9NRVB= B R0UgOiBodHRwOi8vd3d3LnBpcGVjaGF0Lm9yZw0KPiA+IExpc3Q6IG1haWx0bzpwaXBlY2hhdEB= w aXBlY2hhdC5vcmcNCj4gPiBBZG1pbmlzdHJhdGlvbjogIG1haWx0bzphZG1pbkBwaXBlY2hhdC5= v cmcNCj4gPiBTdWJzY3JpYmUvVW5zdWJzY3JpYmU6ICBtYWlsdG86cmVxdWVzdHNAcGlwZWNoYXQ= u b3JnDQo+ID4gDQo+ID4gDQo+ID4gDQo+ID4qUi10F3mqPioNCj4gFgHYcutTP1PLorql71MIalq= B qa3pteeifrBzEPASG6f/ww0KPiCl52raP7i2Zi3aUy0uq1MtLquucymy2rYqVKi2P3MpUy0uq64= E bsc/t1J7bsc/t2opore567J+eci2Uw0K    
(back) Subject: the meaning of knocked up From: <MFoxy9795@aol.com> Date: Thu, 26 Sep 2002 10:24:52 -0400   In a message dated Fri, 30 Aug 2002 6:23:53 PM Eastern Standard Time, = gksjd85@direcway.com writes: > I am not sure what being "knocked up with tea" is (although I have a > guess), but is it as fun as being "broke over a table", a > term I heard a > few years ago?   well, "knocked up" does have a particular meaning in Britain, and it is = not "with tea"! Merry  
(back) Subject: Re: anthem search From: <MFoxy9795@aol.com> Date: Thu, 26 Sep 2002 10:41:14 -0400   "Highnote," Could you please list the suggestions you received and put them to the = list? Many organists are also choir directors and could find this useful. Merry   In a message dated Wed, 25 Sep 2002 6:09:15 PM Eastern Standard Time, = manderusa@earthlink.net writes:   > > Hi all, I need a suggestion for a 4 part anthem for All Saints Day not > based > > on Sine Nomine since we are singing the hymn. So as not to derail the > > current pipe thread please e mail me direct at > highnote@mhtc.net. > Something > > not too difficult <g> thanks ! > >      
(back) Subject: Re: anthem search From: "Robert Eversman" <highnote@mhtc.net> Date: Thu, 26 Sep 2002 10:31:25 -0500   Good point Merry !   Unfortunately I have not yet had a response. OK out there, what are y'all planning for an All Saints Day anthem this year? Please respond to the = list with the info so we can all benefit. Thanks !!!! :-) Robert   original message:   > "Highnote," > Could you please list the suggestions you received and put them to the list? Many organists are also choir directors and could find this useful. > Merry > responding to the following:   I need a suggestion for a 4 part anthem for All Saints Day not based on Sine Nomine since we are singing the hymn. Something not too difficult <g> thanks !      
(back) Subject: transcription available? From: "tom carter" <tcarter215@yahoo.com> Date: Thu, 26 Sep 2002 08:48:18 -0700 (PDT)   Anybody out there know of a transcription that is in-print of the Vivaldi Concerto in C RV 443?     =3D=3D=3D=3D=3D     __________________________________________________ Do you Yahoo!? New DSL Internet Access from SBC & Yahoo! http://sbc.yahoo.com  
(back) Subject: Re: anthem search From: "Randolph Runyon" <runyonr@muohio.edu> Date: Thu, 26 Sep 2002 11:54:31 -0400   We're doing "The Souls of the Righteous" by Stanley Marchant. Another possibility would be "If We Believe" by John Goss.     Randy Runyon Music Director Zion Lutheran Church Hamilton, Ohio runyonr@muohio.edu             on 9/26/02 11:31 AM, Robert Eversman at highnote@mhtc.net wrote:   > Good point Merry ! > > Unfortunately I have not yet had a response. OK out there, what are = y'all > planning for an All Saints Day anthem this year? Please respond to the = list > with the info so we can all benefit. Thanks !!!! :-) Robert > > original message: > >> "Highnote," >> Could you please list the suggestions you received and put them to the > list? Many organists are also choir directors and could find this = useful. >> Merry >> > responding to the following: > > I need a suggestion for a 4 part anthem for All Saints Day not > based on Sine Nomine since we are singing the hymn. Something > not too difficult <g> thanks ! > > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >    
(back) Subject: Buck Grand(e) Sonata in Eb (X-posted) From: <Robert_Lind@cch.com> Date: Thu, 26 Sep 2002 12:21:33 -0500       A colleague (with a nasty broken leg) is willing to photocopy the 1866(?) printing of this score for me, but first I thought I'd ask people on these = two lists if it is available anywhere in its original form or as a = republication somewhere along the line. Sounds like something W. Leupold would do, but = my Googling has led me nowhere.   Whilst on the subject of Buck, whose music with but a couple exceptions I = find distressingly difficult to find, I'd appreciate hearing about other good, = strong works of his. I have the Star Spangled Banner variations and some chorale preludes, and I don't want sentimental slow stuff. What about the 2nd = sonata and the Triumphal March? Good? Available anywhere? Anything else one should consider?   Many thanks, Robert Lind      
(back) Subject: Re: the meaning of knocked up From: <Paulaustin11@aol.com> Date: Thu, 26 Sep 2002 13:22:14 EDT     --part1_bc.2d1f13f2.2ac49c46_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 26/09/02 09:39:33 Pacific Daylight Time, = MFoxy9795@aol.com writes:     > In a message dated Fri, 30 Aug 2002 6:23:53 PM Eastern Standard Time, > gksjd85@direcway.com writes: > > I am not sure what being "knocked up with tea" is (although I have a > > guess), but is it as fun as being "broke over a table", a > > term I heard a > > few years ago? >   Are you sure you haven't confused the two?? "Knocked up over a table" = makes more sence to me??   Paul.   --part1_bc.2d1f13f2.2ac49c46_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">In a message dated 26/09/02 09:39:33 Pacific = Daylight Time, MFoxy9795@aol.com writes:<BR> <BR> <BR> <BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">In a message dated = Fri, 30 Aug 2002 6:23:53 PM Eastern Standard Time, gksjd85@direcway.com = writes:<BR> &gt; I am not sure what being "knocked up with tea" is (although I have = a<BR> &gt; guess), but is it as fun as being "broke over a table", a <BR> &gt; term I heard a<BR> &gt; few years ago?<BR> </BLOCKQUOTE><BR> <BR> Are you sure you haven't confused the two??&nbsp; "Knocked up over a = table" makes more sence to me??<BR> <BR> Paul.</FONT></HTML>   --part1_bc.2d1f13f2.2ac49c46_boundary--  
(back) Subject: RE: copyrightable silence From: "Steve Chandler" <stevec@open-tech.com> Date: Thu, 26 Sep 2002 14:00:53 -0500   > Paul Emmons wrote: > > The intended effect of Cage's piece is that the audience will begin to > notice whatever sounds are occurring, including those made by one = another. > So maybe it doesn't rise to cacophany, but the sounds in the environment = are > what are of interest. > > Glenda Sutton replied: > > (1) If the intent of Cage was for people to notice the > extraneous/ambient noises, I would consider that a compelling argument > against his ability to copyright same; he cannot own those sounds any > more than he can the silence itself. Furthermore, if they cannot be > reduced to writing/score, that fact would also hurt his case. >   I recall one of the aspects in the original press statement was something = about Cage creating the concept of silent pieces. I personally think it's = more limited than that. Cage created the concept of a silent work as a = venue for audience reaction, 4' 33" is a long and uncomfortable silence. = The concept may be copyrightable, but I have my doubts.   However the concept of a minute of silence as a way to honor those who = have died I have to believe is far older than 4' 33". It is a generic = concept, because whoever originated it didn't take credit for it and it is = now in the public domain. So whoever Batt is, he saved legal fees, but set = a bad precedence. I have to believe he would have prevailed in court. A = part of me wishes I could be that rich and lazy.   To bring this on topic has anyone ever witnessed a performance of 4'33" on = organ?   Steve Chandler    
(back) Subject: still looking for music(x-posted) From: "Tom Hoehn" <thoehn@theatreorgans.com> Date: Thu, 26 Sep 2002 15:57:05 -0400   Hi all -   Just a quick note to once again ask for sources or copies of the following pieces of music (piano solo or organ arrangements/transcriptions):   Candide Overture (Bernstein) HoeDown from Rodeo (Copland) Powerhouse (Scott)   Thanks in advance.   Tom Hoehn, Organist Tampa Theatre, Tampa, FL Roaring 20's Pizza & Pipes (substitute) First United Methodist Church, Clearwater, FL CFTOS/Manasota/OATOS/HiloBay/CIC-ATOS http://theatreorgans.com/tomhoehn      
(back) Subject: CBC show <In Performance tonight> From: "danielwh1" <danielwh1@ns.sympatico.ca> Date: Thu, 26 Sep 2002 17:39:33 -0300   this is a program which is played with the new Letourneau Pipe Organ. = Said to be the largest pipe organ built in canada since the 1930's.     From the Winspear Centre, organist Rachel Laurin joins the Edmonton = Symphony Orchestra in the world premiere of an ESO/CBC commission from Jacques = H=E9tu. Join host Eric Friesen for In Performance, Thursday at 8:00 p.m. (8:30 NT) on CBC Radio Two. http://www.radio.cbc.ca/programs/inperformance/    
(back) Subject: Re: TV Churches, Chamades and Hymn Playing--Long From: <Cremona502@cs.com> Date: Thu, 26 Sep 2002 18:11:44 EDT     --part1_1a5.92f4b92.2ac4e020_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 9/26/02 8:00:26 AM Eastern Daylight Time, RMB10@aol.com =   writes:     > . In churches like these where there are hundreds of visitors a > week to services, they want to hear them, because they might only be = there > for the day--don't they get a chance to hear what the organ can do? > >   Monty, I'm glad that you mentioned this point. It's a critical consideration for =   these organists. I was taught that every stop in the organ should be = used every week, even if just a few well-placed notes. I even used to use the harp when I had one!!   Decadently yours,   bruise   Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 ....an opportunity for health & wealth http://visionsuccess.com/BC2053   --part1_1a5.92f4b92.2ac4e020_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>In a message dated = 9/26/02 8:00:26 AM Eastern Daylight Time, RMB10@aol.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">. &nbsp;In = churches like these where there are hundreds of visitors a <BR>week to services, they want to hear them, because they might only be = there <BR>for the day--don't they get a chance to hear what the organ can do? = &nbsp; <BR> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0"> <BR>Monty, <BR>I'm glad that you mentioned this point. &nbsp;It's a critical = consideration for these organists. &nbsp;&nbsp;I was taught that every = stop in the organ should be used every week, even if just a few = well-placed notes. &nbsp;I even used to use the harp when I had one!! <BR> <BR>Decadently yours, <BR> <BR>bruise &nbsp; <BR> <BR>Bruce in the Muttastery at Howling Acres = http://members.tripod.com/Brucon502 <BR>...an opportunity for health &amp; wealth = &nbsp;http://visionsuccess.com/BC2053</FONT></HTML>   --part1_1a5.92f4b92.2ac4e020_boundary--  
(back) Subject: RE: Buck Grand(e) Sonata in Eb (X-posted) From: "Glenda" <gksjd85@direcway.com> Date: Thu, 26 Sep 2002 20:13:57 -0500   Robert, if you find out where to obtain the Buck sonata, please forward the information to me.   Thanks,   Glenda Sutton gksjd85@direcway.com          
(back) Subject: RE: the meaning of knocked up From: "Glenda" <gksjd85@direcway.com> Date: Thu, 26 Sep 2002 20:17:19 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0003_01C26599.BD735890 Content-Type: text/plain; charset=3D"us-ascii" Content-Transfer-Encoding: 7bit   Guys, this is from an old post - please check for viruses. We knocked tables and tea around a couple or three months ago - I've sworn off for the fall.     Glenda Sutton   gksjd85@direcway.com         ------=3D_NextPart_000_0003_01C26599.BD735890 Content-Type: text/html; charset=3D"us-ascii" Content-Transfer-Encoding: quoted-printable   <html>   <head> <META HTTP-EQUIV=3D3D"Content-Type" CONTENT=3D3D"text/html; =3D charset=3D3Dus-ascii">     <meta name=3D3DGenerator content=3D3D"Microsoft Word 10 (filtered)">   <style> <!-- /* Font Definitions */ @font-face {font-family:"Footlight MT Light"; panose-1:2 4 6 2 6 3 10 2 3 4;} @font-face {font-family:"Colonna MT"; panose-1:4 2 8 5 6 2 2 3 2 3;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} p.MsoEnvelopeReturn, li.MsoEnvelopeReturn, div.MsoEnvelopeReturn {margin:0in; margin-bottom:.0001pt; font-size:11.0pt; font-family:"Footlight MT Light";} a:link, span.MsoHyperlink {color:blue; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline;} p.MsoAutoSig, li.MsoAutoSig, div.MsoAutoSig {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} span.EmailStyle18 {font-family:Arial; color:blue; font-weight:normal; font-style:normal; text-decoration:none none;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in;} div.Section1 {page:Section1;} --> </style>   </head>   <body lang=3D3DEN-US link=3D3Dblue vlink=3D3Dpurple>   <div class=3D3DSection1>   <p class=3D3DMsoNormal><font size=3D3D3 color=3D3Dblue face=3D3DArial =3D FAMILY=3D3DSANSSERIF><span style=3D3D'font-size:12.0pt;font-family:Arial;color:blue'>Guys, this is = =3D from an old post &#8211; please check for viruses.&nbsp; We knocked tables and tea =3D around a couple or three months ago &#8211; I&#8217;ve sworn off for the =3D fall.</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D3 color=3D3Dblue = face=3D3DArial><span =3D style=3D3D'font-size: 12.0pt;font-family:Arial;color:blue'>&nbsp;</span></font></p>   <div>   <p class=3D3DMsoAutoSig><font size=3D3D3 color=3D3Dblue face=3D3D"Colonna = =3D MT"><span style=3D3D'font-size:12.0pt;font-family:"Colonna =3D MT";color:blue'>Glenda</span></font><font color=3D3Dblue face=3D3D"Colonna MT"><span style=3D3D'font-family:"Colonna = =3D MT";color:blue'> Sutton</span></font></p>   <p class=3D3DMsoAutoSig><font size=3D3D3 color=3D3Dblue face=3D3D"Colonna = =3D MT"><span style=3D3D'font-size:12.0pt;font-family:"Colonna =3D MT";color:blue'>gksjd85@direcway.com</span></font></p>   </div>   <p class=3D3DMsoNormal><font size=3D3D3 color=3D3Dblue = face=3D3DArial><span =3D style=3D3D'font-size: 12.0pt;font-family:Arial;color:blue'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal style=3D3D'margin-left:.5in'><font size=3D3D3 =3D face=3D3D"Times New Roman"><span style=3D3D'font-size:12.0pt'>&nbsp;</span></font></p>   </div>   </body>   </html>   ------=3D_NextPart_000_0003_01C26599.BD735890--      
(back) Subject: Re: TV Churches, Chamades and Hymn Playing--Long From: "Jim Hailey" <jhaileya10@charter.net> Date: Thu, 26 Sep 2002 21:40:40 -0500   Gee there Monty, maybe it has something to do with actually feeling the music and being part of it and leave the clinical stuff to the classroom. Unfortunately, a lot of musicians tend to become too technical in their approach and forget that music is art and there are really not rules, but guidelines. Every now and then, one should actually go outside of the guidelines.   Jim H.   ----- Original Message ----- From: <RMB10@aol.com> To: <pipechat@pipechat.org> Sent: Thursday, September 26, 2002 6:59 AM Subject: RE: TV Churches, Chamades and Hymn Playing--Long     > Personally, I think some of the rules that have been taught have absolutely > ruined hymn playing. >   so I ended up writing an arrangement of Amazing Grace that started on the >> That's why I say generalizations rub me wrong. A true musician will = know how > to make the most of the instrument and will work it to within an inch of it's > life, if that means using the chamades, or antiphonal division for echo > pssages, or whatever. > Don't get trapped into rules imposed by a third party. Use the innate > musicianship that we have all been born with to enhance the service that we > are playing. Why have things on the instrument if they're not going to = be > used? > > Monty Bennett > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >      
(back) Subject: Re: Personal Liability Insurance and music teachers. From: "Jim Hailey" <jhaileya10@charter.net> Date: Thu, 26 Sep 2002 21:43:02 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0024_01C265A5.B06C6C20 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   Personal liability, for what? I mean it ain't like you are a sports =3D coach. On the other hand, the most likely place to start will be the =3D company that carries your home owners. I have had to get extra coverage = =3D insurance and obtained it through my regular insurance carrier.   Jim H ----- Original Message -----=3D20 From: Paulaustin11@aol.com=3D20 To: pipechat@pipechat.org=3D20 Sent: Thursday, September 26, 2002 8:46 AM Subject: Personal Liability Insurance and music teachers.     Dear listers,   I work as a self employed music teacher. I teach piano, keyboard and = =3D of course organ. I have this morning recieved a call from a local =3D primary school asking if I would be able to begin teaching organ during = =3D the day, a couple of days a week, at the school. Not being one to pass = =3D over the oppotunity of earning a few extra notes, I agreed. As well as = =3D being police vetted, I am expected to hold a certificate proving that I = =3D hold personal liabilty insurance to the value of half a million quid!! = =3D Undertandable I suppose, but do any of you folks out there know how to =3D go about it?? I think the premium will out do the earnings!!   Thanks for advice!   Paul.   paulaustin11@aol.com=3D20   ------=3D_NextPart_000_0024_01C265A5.B06C6C20 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 6.00.2719.2200" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV><FONT face=3D3DArial size=3D3D2>Personal liability, for what?&nbsp; I = =3D mean it ain't=3D20 like you are a sports coach.&nbsp; On the other hand, the most likely =3D place to=3D20 start will be the company that carries your home owners.&nbsp; I have =3D had to get=3D20 extra coverage insurance and obtained it through my regular insurance=3D20 carrier.</FONT></DIV> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV> <DIV><FONT face=3D3DArial size=3D3D2>Jim H</FONT></DIV> <BLOCKQUOTE=3D20 style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =3D BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> <DIV style=3D3D"FONT: 10pt arial">----- Original Message ----- </DIV> <DIV=3D20 style=3D3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =3D black"><B>From:</B>=3D20 <A title=3D3DPaulaustin11@aol.com=3D20 href=3D3D"mailto:Paulaustin11@aol.com">Paulaustin11@aol.com</A> </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>To:</B> <A =3D title=3D3Dpipechat@pipechat.org=3D20 href=3D3D"mailto:pipechat@pipechat.org">pipechat@pipechat.org</A> </DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Sent:</B> Thursday, September 26, = =3D 2002 8:46=3D20 AM</DIV> <DIV style=3D3D"FONT: 10pt arial"><B>Subject:</B> Personal Liability =3D Insurance and=3D20 music teachers.</DIV> <DIV><BR></DIV><FONT face=3D3Darial,helvetica><FONT lang=3D3D0 =3D face=3D3DArial size=3D3D2=3D20 FAMILY=3D3D"SANSSERIF">Dear listers,<BR><BR>I work as a self employed = =3D music=3D20 teacher.&nbsp; I teach piano, keyboard and of course organ.&nbsp; I =3D have this=3D20 morning recieved a call from a local primary school asking if I would = =3D be able=3D20 to begin teaching organ during the day, a couple of days a week, at =3D the=3D20 school.&nbsp; Not being one to pass over the oppotunity of earning a =3D few extra=3D20 notes,&nbsp; I agreed.&nbsp; As well as being police vetted, I am =3D expected to=3D20 hold a certificate proving that I hold personal liabilty insurance to = =3D the=3D20 value of half a million quid!!&nbsp; Undertandable I suppose, but do =3D any of=3D20 you folks out there know how to go about it??&nbsp; I think the =3D premium will=3D20 out do the earnings!!<BR><BR>Thanks for=3D20 advice!<BR><BR>Paul.<BR><BR>paulaustin11@aol.com</FONT>=3D20 </FONT></BLOCKQUOTE></BODY></HTML>   ------=3D_NextPart_000_0024_01C265A5.B06C6C20--      
(back) Subject: Re: TV Churches, Chamades and Hymn Playing--Long From: <Gfc234@aol.com> Date: Fri, 27 Sep 2002 01:16:29 EDT     --part1_178.f579a6d.2ac543ad_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Chamades, antiphonal divisions and contra bombardes should certainly be = used in every service. I think the real key to successful use of these = luxuries is by making the congregation wait for them. I don't know about you guys, =   but when I'm listening to a church service or a recital, or playing one, I =   certainly save a few "bullets" for the right moment. I think that if = these stops are overused, they loose their mesmerizing effect-but at the right times, the produce shit-eating grins from everyone in the room! After = poeple hear those sounds, they can't wait to hear them again-it's like flooring = your car or riding a rollercoaster-its great, but it becomes less thrilling the =   more you do it. Gregory   --part1_178.f579a6d.2ac543ad_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>Chamades, antiphonal = divisions and contra bombardes should certainly be used in every service. = &nbsp;I think the real key to successful use of these luxuries is by = making the congregation wait for them. &nbsp;I don't know about you guys, = but when I'm listening to a church service or a recital, or playing one, I = certainly save a few "bullets" for the right moment. &nbsp;I think that if = these stops are overused, they loose their mesmerizing effect-but at the = right times, the produce shit-eating grins from everyone in the room! = &nbsp;After poeple hear those sounds, they can't wait to hear them = again-it's like flooring your car or riding a rollercoaster-its great, but = it becomes less thrilling the more you do it. <BR>Gregory</FONT></HTML>   --part1_178.f579a6d.2ac543ad_boundary--  
(back) Subject: M.I.A. From: "Ray Ahrens" <Ray_Ahrens@msn.com> Date: Fri, 27 Sep 2002 00:18:53 -0500     ------=3D_NextPart_001_0000_01C265BB.769EBF00 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable     It has been a while since we've heard from Bud Clark (quilisma) and Ron = S=3D everin. Youse guys ok?   ------=3D_NextPart_001_0000_01C265BB.769EBF00 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <HTML><BODY STYLE=3D3D"font:10pt verdana; border:none;"><DIV>&nbsp;</DIV> = <=3D DIV>It has been a while since we've heard from Bud Clark (quilisma) and = R=3D on Severin.&nbsp; Youse guys ok?</DIV></BODY></HTML>   ------=3D_NextPart_001_0000_01C265BB.769EBF00--