PipeChat Digest #3386 - Friday, January 17, 2003
 
Review of Olivier Houette and Vincent Dubois in Nashville
  by <DarrylbytheSea@aol.com>
Who directs a funeral or wedding-non organic
  by <RMB10@aol.com>
RE: Weddings and wierd music
  by "Glenda" <gksjd85@direcway.com>
Re: Turkey Buzzards and Taste
  by "Margo Dillard" <dillardm@airmail.net>
Re: Some of Netscape 7's other wonderful features!
  by "Noel Stoutenburg" <mjolnir@ticnet.com>
Hilarious funeral music
  by "Alan Freed" <acfreed0904@earthlink.net>
Wedding "Complicators"
  by "Mickey Sadler" <msadler@netset.com>
Organ Article in AJC
  by <Pepehomer@aol.com>
Re:  Mediocrity
  by "Mark Koontz" <markkoontz@yahoo.com>
Re: Complete Bach CD Set?
  by <Gfc234@aol.com>
Re: Complete Bach CD Set?
  by "Arie Vandenberg" <ArieV@classicorgan.com>
RE: Complete Bach CD Set?
  by "Charles E. Brown" <chabrown@bellatlantic.net>
 

(back) Subject: Review of Olivier Houette and Vincent Dubois in Nashville From: <DarrylbytheSea@aol.com> Date: Fri, 17 Jan 2003 06:24:44 EST     --part1_65.75b095a.2b5941fc_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Hi, Y'all!   Last Sunday afternoon, Nashvillians were treated to a fabulous concert = played by the two young French organists, Olivier Houette and Vincent Dubois. = Both are first0-prize-winners from the Paris Conservertory and both are = students of Olivier Latry. It was an incredibly wonderful concert and many AGO'ers were present. One very well-known organist told me "this is the best organ =   concert she had been to in years," while another younger star-on-the = rising told me he had goosebumps for the first time in his life while listening = to a live organ concert." It was a great day for the organ!   They played: Bach: D Major P/F (Dubois) Bach: Passacaglia (Houette) Durufle: P & F on Alain (Dubois) Vierne: Scherzetto (from 24 pieces) and First Movement of Symph. III (Houette) Liszt: Consolation and P & F on BACH (Dubois) Escaich: Versets on "Victimae Paschali" (Houette) Dubois: Improvisation   You can read the review by Marcel Smith of the "Nashville Scene" by going = to the URL below.   <A = HREF=3D"http://www.nashscene.com/cgi-bin/article.cgi?story=3DThis_Week:Arts= :Classical">http://www.nashscene.com/cgi-bin/article.cgi?story=3DThis_Week:= Arts:Classical</A>   It's a beautiful,. snowy, out-of-school day in Nashville. Between my new = lazy boy recliner, fireplace, hausorgel, and the new Grisham novel, I'm ready = for a blizzard!   Yours,   Darryl by the Sea   --part1_65.75b095a.2b5941fc_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2 FAMILY=3D"SCRIPT" = FACE=3D"Comic Sans MS" LANG=3D"0">Hi, Y'all!<BR> <BR> Last Sunday afternoon, Nashvillians were treated to a fabulous concert = played by the two young French organists, Olivier Houette and Vincent = Dubois. Both are first0-prize-winners from the Paris Conservertory and = both are students of Olivier Latry. It was an incredibly wonderful concert = and many AGO'ers were present. One very well-known organist told me "this = is the best organ concert she had been to in years," while another younger = star-on-the rising told me he had goosebumps for the first time in his = life while listening to a live organ concert." It was a great day for the = organ!<BR> <BR> They played:<BR> Bach: D Major P/F (Dubois)<BR> Bach: Passacaglia (Houette)<BR> Durufle: P &amp; F on Alain (Dubois)<BR> Vierne: Scherzetto (from 24 pieces) and First Movement of Symph. III = (Houette)<BR> Liszt: Consolation and P &amp; F on BACH (Dubois)<BR> Escaich: Versets on "Victimae Paschali" (Houette)<BR> Dubois: Improvisation<BR> <BR> You can read the review by Marcel Smith of the "Nashville Scene" by going = to the URL below. <BR> <BR> <A = HREF=3D"http://www.nashscene.com/cgi-bin/article.cgi?story=3DThis_Week:Arts= :Classical">http://www.nashscene.com/cgi-bin/article.cgi?story=3DThis_Week:= Arts:Classical</A><BR> <BR> It's a beautiful,. snowy, out-of-school day in Nashville. Between my new = lazy boy recliner, fireplace, hausorgel, and the new Grisham novel, I'm = ready for a blizzard!<BR> <BR> Yours,<BR> <BR> Darryl by the Sea</FONT></HTML>   --part1_65.75b095a.2b5941fc_boundary--  
(back) Subject: Who directs a funeral or wedding-non organic From: <RMB10@aol.com> Date: Fri, 17 Jan 2003 06:56:50 EST     --part1_1d3.273164.2b594982_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Ross wrote: Same here. I do not use the term "Funeral Director" for an undertaker, either. My job, as Vicar, is to direct the funeral.     As a funeral director/mortician/undertaker, whatever you want to call it, = I feel my job is to direct all the arrangements prior to and following the church service. As the owner of the funeral home where I work says to the =   ministers, "when you see my smiling face, I am in charge. When you see my =   bald little head walking away, you are in charge." What happens during = the service is completely up to the minister and family. We always double = check with the minister that the time of the service is good with his schedule = and the church's schedule, but any specifics of what will happen during the service are up to the family and minister. We take charge of getting the family in the church and out of the church when the service is over. However, we direct lots of other things, like coordinating the cemetery arrangements, obituaries in the newspaper, etc. It's those things that we =   direct.   Wedding directors (church appointed ones--not the independent "wedding consultan/tdirectors) are the same way. They make sure everything is in = line with the church guidlines and get the wedding party in and out. What = happens during the service is up to the bride, groom, and minister--and the = bride's mother!   Monty Bennett   --part1_1d3.273164.2b594982_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2 FAMILY=3D"SANSSERIF" = FACE=3D"Arial" LANG=3D"0">Ross wrote: Same here. I do not use the term = "Funeral Director" for an undertaker,<BR> either. My job, as Vicar, is to direct the funeral.<BR> <BR> <BR> As a funeral director/mortician/undertaker, whatever you want to call it, = I feel my job is to direct all the arrangements prior to and following the = church service.&nbsp; As the owner of the funeral home where I work says = to the ministers, "when you see my smiling face, I am in charge.&nbsp; = When you see my bald little head walking away, you are in charge."&nbsp; = What happens during the service is completely up to the minister and = family.&nbsp; We always double check with the minister that the time of = the service is good with his schedule and the church's schedule, but any = specifics of what will happen during the service are up to the family and = minister.&nbsp; We take charge of getting the family in the church and out = of the church when the service is over.&nbsp; However, we direct lots of = other things, like coordinating the cemetery arrangements, obituaries in = the newspaper, etc.&nbsp; It's those things that we direct.<BR> <BR> Wedding directors (church appointed ones--not the independent "wedding = consultan/tdirectors) are the same way.&nbsp; They make sure everything is = in line with the church guidlines and get the wedding party in and = out.&nbsp; What happens during the service is up to the bride, groom, and = minister--and the bride's mother!<BR> <BR> Monty Bennett</FONT></HTML>   --part1_1d3.273164.2b594982_boundary--  
(back) Subject: RE: Weddings and wierd music From: "Glenda" <gksjd85@direcway.com> Date: Fri, 17 Jan 2003 06:37:09 -0600   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0011_01C2BDF2.E258F050 Content-Type: text/plain; charset=3D"us-ascii" Content-Transfer-Encoding: 7bit   Oh, God, I have just learned something at 6:30 this morning! I thought the singer was saying "Hona Li" all these years!     I would have played it for him without a qualm, given those circumstances.     From the one who once played "Dance of the Sugar Plum Fairy" just before the priest's procession,     Glenda Sutton   gksjd85@direcway.com         ------=3D_NextPart_000_0011_01C2BDF2.E258F050 Content-Type: text/html; charset=3D"us-ascii" Content-Transfer-Encoding: quoted-printable   <html>   <head> <META HTTP-EQUIV=3D3D"Content-Type" CONTENT=3D3D"text/html; =3D charset=3D3Dus-ascii">     <meta name=3D3DGenerator content=3D3D"Microsoft Word 10 (filtered)">   <style> <!-- /* Font Definitions */ @font-face {font-family:"Footlight MT Light"; panose-1:2 4 6 2 6 3 10 2 3 4;} @font-face {font-family:"Colonna MT"; panose-1:4 2 8 5 6 2 2 3 2 3;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} p.MsoEnvelopeReturn, li.MsoEnvelopeReturn, div.MsoEnvelopeReturn {margin:0in; margin-bottom:.0001pt; font-size:11.0pt; font-family:"Footlight MT Light";} a:link, span.MsoHyperlink {color:blue; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline;} p.MsoAutoSig, li.MsoAutoSig, div.MsoAutoSig {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} span.EmailStyle18 {font-family:Arial; color:blue; font-weight:normal; font-style:normal; text-decoration:none none;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in;} div.Section1 {page:Section1;} --> </style>   </head>   <body lang=3D3DEN-US link=3D3Dblue vlink=3D3Dpurple>   <div class=3D3DSection1>   <p class=3D3DMsoNormal><font size=3D3D3 color=3D3Dblue face=3D3DArial =3D FAMILY=3D3DSANSSERIF><span style=3D3D'font-size:12.0pt;font-family:Arial;color:blue'>Oh, God, I have = =3D just learned something at </span></font><font color=3D3Dblue = face=3D3DArial><span style=3D3D'font-family:Arial;color:blue'>6:30</span></font><font =3D color=3D3Dblue face=3D3DArial><span style=3D3D'font-family:Arial;color:blue'> this =3D morning!&nbsp; I thought the singer was saying &#8220;Hona Li&#8221;&nbsp; all these =3D years!</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D3 color=3D3Dblue = face=3D3DArial><span =3D style=3D3D'font-size: 12.0pt;font-family:Arial;color:blue'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D3 color=3D3Dblue = face=3D3DArial><span =3D style=3D3D'font-size: 12.0pt;font-family:Arial;color:blue'>I would have played it for him =3D without a qualm, given those circumstances.</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D3 color=3D3Dblue = face=3D3DArial><span =3D style=3D3D'font-size: 12.0pt;font-family:Arial;color:blue'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D3 color=3D3Dblue = face=3D3DArial><span =3D style=3D3D'font-size: 12.0pt;font-family:Arial;color:blue'>From the one who once played =3D &#8220;Dance of the Sugar Plum Fairy&#8221; just before the priest&#8217;s =3D procession,</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D3 color=3D3Dblue = face=3D3DArial><span =3D style=3D3D'font-size: 12.0pt;font-family:Arial;color:blue'>&nbsp;</span></font></p>   <div>   <p class=3D3DMsoAutoSig><font size=3D3D3 color=3D3Dblue face=3D3D"Colonna = =3D MT"><span style=3D3D'font-size:12.0pt;font-family:"Colonna =3D MT";color:blue'>Glenda</span></font><font color=3D3Dblue face=3D3D"Colonna MT"><span style=3D3D'font-family:"Colonna = =3D MT";color:blue'> Sutton</span></font></p>   <p class=3D3DMsoAutoSig><font size=3D3D3 color=3D3Dblue face=3D3D"Colonna = =3D MT"><span style=3D3D'font-size:12.0pt;font-family:"Colonna =3D MT";color:blue'>gksjd85@direcway.com</span></font></p>   </div>   <p class=3D3DMsoNormal><font size=3D3D3 color=3D3Dblue = face=3D3DArial><span =3D style=3D3D'font-size: 12.0pt;font-family:Arial;color:blue'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal style=3D3D'margin-left:.5in'><font size=3D3D3 =3D face=3D3D"Times New Roman"><span style=3D3D'font-size:12.0pt'>&nbsp;</span></font></p>   </div>   </body>   </html>   ------=3D_NextPart_000_0011_01C2BDF2.E258F050--      
(back) Subject: Re: Turkey Buzzards and Taste From: "Margo Dillard" <dillardm@airmail.net> Date: Fri, 17 Jan 2003 09:21:15 +0800   Yes - that is the scripture. The text is actually quite nice, I think. And there are verses which flesh out the scripture source - which many books don't include - they just sing the chorus (and I'm sure some sing it over, and over, and over...) The tune is rather dippy - not musical and actually not very sing-able. But the message is a good one:   And God will raise you up on eagle's wings, Bear you on the breath of dawn, Make you to shine like the sun, And hold you in the palm of God's hand.   My church uses it occasionally when the message is about God's support and comfort in adveristy - not too often, because it is musically lacking and so awkward to sing. But in the right setting, the text speaks in spite of the musical deficiencies.   I guess one of us out there is cyberland with a talent for melody-wriiting could come up with a better melody for the text. You can't really just pluck another one out of the hymnal (like you can with some bad hymn-tunes) because the meter is so irregular.   Any takers? Margo   Chicaleee@aol.com wrote:   > One of my favorite Bible verses is Isaiah 40:31: > "But those who hope in the Lord will renew their strength. They will > soar on wings like eagles; they will run and not grow weary, they will > walk and not be faint." Is this what the song implies? Lee    
(back) Subject: Re: Some of Netscape 7's other wonderful features! From: "Noel Stoutenburg" <mjolnir@ticnet.com> Date: Fri, 17 Jan 2003 09:29:37 -0600       Richard Schneider wrote:   > Know what else you're going to discover about Netscape 7? If you're > using it for EMAIL, you're going to find out that what you think is your > EMAIL in your files is NOT yours after all, but that it's being stored > online somewhere in Netscape's computers!   Since you don't seem to have a "netscape" domain name in your email = address, I doubt that your email is on Netscape's computers; rather, since most = ISP's offer a "webmail" option, I suspect the email is being stored on your = ISP's server.   That said, I am planning to upgrade to Mozilla, the Public Domain browser upon which Netscape is based, and I see that in the version corresponding = to Netscape 7, one sets the option as to whether to download mail, or leave = it on the server, is located in a different menu position than it is in the version of Mozilla corresponding to Netscape 4.7. In the more recent incarnation, the option appears (in Mozilla) under "offline and disk = space".   [Ob. Pipechat reference] I consider this change to be equivalent to = moving the Sforzando toe stud from the left side of the swell pedals to the = right.   ns      
(back) Subject: Hilarious funeral music From: "Alan Freed" <acfreed0904@earthlink.net> Date: Fri, 17 Jan 2003 10:45:58 -0500   > This message is in MIME format. Since your mail reader does not = understand this format, some or all of this message may not be legible.   --B_3125645158_2533909 Content-type: text/plain; charset=3D"ISO-8859-1" Content-transfer-encoding: quoted-printable   On 1/17/03 4:00 AM, "EchoGamba@aol.com" <EchoGamba@aol.com> wrote:   > The Brides name was Honour Leigh,   Well, all right. I=3DB9ll tell mine, then.   We=3DB9re in the Theatre District in Midtown Manhattan, on Restaurant Row. = Lot=3D s of actors, who make their livings as waiters, etc. A couple years ago, a waiter died; a guy about 40. A very well-liked fellow. Other waiters = from various restaurants came to us to request a Memorial Service. He was totally estranged from his bio-family upstate; his friends and co-workers were his family. They planned the service, with Pastor=3DB9s assistance. = I di=3D d the bulletin. =3D20   They chose the hymns, and wanted the bulletin to show not the = =3DB3names=3DB2 of th=3D e hymns, but only the =3DB3numbers=3DB2 in the book. Fine. The reason = became clear.   It was a fine service, well attended, and by common testimony very = helpful.   Final hymn: #568. Organist began the play-through; people opened their hymnals, and we all stood and sang, =3DB3God Save Our Gracious Queen.=3DB2 = And the whole congregation doubled over in hilarity! But then sang with gusto.   Motive had been: this is going to be a tough service, and we=3DB9re going = to NEED a laugh at this point. Well, it was NOT a tough service. But the laughter was welcome anyway.   Alan       --B_3125645158_2533909 Content-type: text/html; charset=3D"ISO-8859-1" Content-transfer-encoding: quoted-printable   <HTML> <HEAD> <TITLE>Hilarious funeral music</TITLE> </HEAD> <BODY> <FONT FACE=3D3D"Times New Roman">On 1/17/03 4:00 AM, = &quot;EchoGamba@aol.com&qu=3D ot; &lt;EchoGamba@aol.com&gt; wrote:<BR> <BR> </FONT><BLOCKQUOTE><FONT FACE=3D3D"Arial">The Brides name was Honour = Leigh, <BR=3D > </FONT></BLOCKQUOTE><FONT FACE=3D3D"Times New Roman"><BR> Well, all right. &nbsp;I&#8217;ll tell mine, then. &nbsp;<BR> <BR> We&#8217;re in the Theatre District in Midtown Manhattan, on Restaurant = Row=3D .. &nbsp;Lots of actors, who make their livings as waiters, etc. &nbsp;A = coup=3D le years ago, a waiter died; a guy about 40. &nbsp;A very well-liked = fellow.=3D &nbsp;Other waiters from various restaurants came to us to request a = Memori=3D al Service. &nbsp;He was totally estranged from his bio-family upstate; = his =3D friends and co-workers were his family. &nbsp;They planned the service, = with=3D Pastor&#8217;s assistance. &nbsp;I did the bulletin. &nbsp;<BR> <BR> They chose the hymns, and wanted the bulletin to show not the = &#8220;names&=3D #8221; of the hymns, but only the &#8220;numbers&#8221; in the book. = &nbsp;F=3D ine. &nbsp;The reason became clear.<BR> <BR> It was a fine service, well attended, and by common testimony very = helpful.=3D <BR> <BR> Final hymn: &nbsp;#568. &nbsp;Organist began the play-through; people = opene=3D d their hymnals, and we all stood and sang, &#8220;God Save Our Gracious = Que=3D en.&#8221; &nbsp;And the whole congregation doubled over in hilarity! = &nbsp;=3D But then sang with gusto.<BR> <BR> Motive had been: &nbsp;this is going to be a tough service, and = we&#8217;re=3D going to NEED a laugh at this point. &nbsp;Well, it was NOT a tough = service=3D .. &nbsp;But the laughter was welcome anyway.<BR> <BR> Alan<BR> <BR> </FONT> </BODY> </HTML>     --B_3125645158_2533909--    
(back) Subject: Wedding "Complicators" From: "Mickey Sadler" <msadler@netset.com> Date: Fri, 17 Jan 2003 10:46:02 -0500   Hi All,   My wife is a wedding cake baker. We were at a Bridal Show recently with her cake designs and cakes for tasting. A wedding "coordinator" came up with her bride and started to taste some cake. She said to my wife "I remember now, I don't like your cake." She asked the bride if she liked it, and the bride, happily tasting away, said she thought it was great.   The wedding "coordinator" then handed my wife her business card and asked my wife to refer her to potential clients!   Unfortunately, the only music at the show was by DJs with lots of dance music. Not an organ to be found!   Back to lurking,   Mickey ---- Mickey E. Sadler Dublin, Ohio    
(back) Subject: Organ Article in AJC From: <Pepehomer@aol.com> Date: Fri, 17 Jan 2003 11:16:47 -0500   The Atlanta Journal-Constitution has an article today (Friday, Jan. 17) = about new pipe organs and their dedications. With all the talk about = Peachtree Methodist lately, I figured this fit right in. (AND I didn't = even have to search for this article - it's actually somewhat "featured" = on the Living section on the website)   http://www.accessatlanta.com/ajc/living/artsandbooks/0103/17organ.html   Justin Karch Organist, Holy Trinity LCMS Rome, GA  
(back) Subject: Re: Mediocrity From: "Mark Koontz" <markkoontz@yahoo.com> Date: Fri, 17 Jan 2003 11:53:42 -0500   Innkawgneeto wrote: > I'm wondering if it's mediocrity or complacency or apathy, some of each?   I think: easy buck. Mediocrity is easily "accessible" by its audience. = It's easy to produce. It's easy to play. It sells at high volumes.   Personally, I am a recovering mediocrit. I have all this mediocre organ = music that has withered like the grass. I'm finding it expensive to recover, = both financially and in effort. Non-mediocre music does not possess the = economy of scale that mediocrity does, making it more expensive. It requires that I = take technique more seriously, requiring more effort on my part.   Playing non-mediocre music in public is also like swimming upstream.   In the bargain, at last I begin to see that the extra effort builds = strength and resilience, and makes one more alert.   Now I want to see if I can draw in the others around me. I know there are = some lurkers around who just need the opportunity.   Mark Koontz      
(back) Subject: Re: Complete Bach CD Set? From: <Gfc234@aol.com> Date: Fri, 17 Jan 2003 12:19:15 EST     --part1_14d.1a6a3acd.2b599513_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   i like the lionel rogg on the 1761 silbermann at arlsheim. i also have the peter hurford which is full of registrational no-no's but = has some magnificently large and powerful rieger organs. greg   --part1_14d.1a6a3acd.2b599513_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   <HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>i like the lionel rogg = on the 1761 silbermann at arlsheim. <BR>i also have the peter hurford which is full of registrational no-no's = but has some magnificently large and powerful rieger organs. <BR>greg</FONT></HTML>   --part1_14d.1a6a3acd.2b599513_boundary--  
(back) Subject: Re: Complete Bach CD Set? From: "Arie Vandenberg" <ArieV@classicorgan.com> Date: Fri, 17 Jan 2003 12:37:46 -0500   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_13430064= =3D=3D_.ALT Content-Type: text/plain; charset=3D"us-ascii"; format=3Dflowed   At 12:19 PM 1/17/2003 -0500, you wrote: >i like the lionel rogg on the 1761 silbermann at arlsheim. >i also have the peter hurford which is full of registrational no-no's but =   >has some magnificently large and powerful rieger organs. >greg   Greg,   Whad'ya mean, full of registrational no-no's. I happen to think that some =   of Hurford's playing of Bach on disc, is pretty much the best there is. I =   think he has a wonderful sense of colour and rythem, that keeps my = attention.   As to other complete set ofCDs, and interesting version is Wolfganag = Rubsam on Phillips. It was done in the late 70s on a Metzler organ in Germany. Fine qulaity playing and very sober as well. I bleieve it was recently re-done on CD by Phillips. I have just a 2 disc sampling of it, and it is very good sounding. His newer recordings done on the Naxos label, is sometimes brilliant, but more often irritating in the extreme. It seems every turn of phrase is a big event, and causes some rythmic irregularities.   I don't know how far along Ton Koopman is with his traversal of the Bach organ works, but he is usually very interesting to listen to.   Another set, and I don't know if it is still available is Simon Preston. He is usually sane and solid.   Regards,   Arie V. --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_13430064= =3D=3D_.ALT Content-Type: text/html; charset=3D"us-ascii"   <html> At 12:19 PM 1/17/2003 -0500, you wrote:<br> <blockquote type=3Dcite cite><font face=3D"arial" size=3D2>i like the = lionel rogg on the 1761 silbermann at arlsheim. <br> i also have the peter hurford which is full of registrational no-no's but has some magnificently large and powerful rieger organs. <br> greg</font><font face=3D"arial"> </blockquote><br> Greg,<br> <br> Whad'ya mean, full of registrational no-no's.&nbsp; I happen to think that some of Hurford's playing of Bach on disc, is pretty much the best there is.&nbsp; I think he has a wonderful sense of colour and rythem, that keeps my attention.<br> <br> As to other complete set ofCDs, and interesting version is Wolfganag Rubsam on Phillips.&nbsp; It was done in the late 70s on a Metzler organ in Germany.&nbsp; Fine qulaity playing and very sober as well.&nbsp; I bleieve it was recently re-done on CD by Phillips.&nbsp; I have just a 2 disc sampling of it, and it is very good sounding.&nbsp; His newer recordings done on the Naxos label, is sometimes brilliant, but more often irritating in the extreme.&nbsp; It seems every turn of phrase is a big event, and causes some rythmic irregularities.<br> <br> I don't know how far along Ton Koopman is with his traversal of the Bach organ works, but he is usually very interesting to listen to.<br> <br> Another set, and I don't know if it is still available is Simon Preston.&nbsp; He is usually sane and solid.<br> <br> Regards,<br> <br> Arie V.</font></html>   --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D_13430064= =3D=3D_.ALT--      
(back) Subject: RE: Complete Bach CD Set? From: "Charles E. Brown" <chabrown@bellatlantic.net> Date: Fri, 17 Jan 2003 12:41:32 -0500   This is a multi-part message in MIME format.   ------=3D_NextPart_000_00EE_01C2BE25.C9F8FA40 Content-Type: text/plain; charset=3D"us-ascii" Content-Transfer-Encoding: 7bit   Greg:     What's a registrational no-no?     Charles     -----Original Message----- From: pipechat@pipechat.org [mailto:pipechat@pipechat.org] On Behalf Of Gfc234@aol.com Sent: Friday, January 17, 2003 12:19 PM To: pipechat@pipechat.org Subject: Re: Complete Bach CD Set?     i like the lionel rogg on the 1761 silbermann at arlsheim. i also have the peter hurford which is full of registrational no-no's but has some magnificently large and powerful rieger organs. greg     ------=3D_NextPart_000_00EE_01C2BE25.C9F8FA40 Content-Type: text/html; charset=3D"us-ascii" Content-Transfer-Encoding: quoted-printable   <html>   <head> <META HTTP-EQUIV=3D3D"Content-Type" CONTENT=3D3D"text/html; =3D charset=3D3Dus-ascii">     <meta name=3D3DGenerator content=3D3D"Microsoft Word 10 (filtered)">   <style> <!-- /* Font Definitions */ @font-face {font-family:Tahoma; panose-1:2 11 6 4 3 5 4 4 2 4;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} a:link, span.MsoHyperlink {color:blue; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline;} span.EmailStyle17 {font-family:Arial; color:navy;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in;} div.Section1 {page:Section1;} --> </style>   </head>   <body lang=3D3DEN-US link=3D3Dblue vlink=3D3Dpurple>   <div class=3D3DSection1>   <p class=3D3DMsoNormal><font size=3D3D2 color=3D3Dnavy = face=3D3DArial><span =3D style=3D3D'font-size: 10.0pt;font-family:Arial;color:navy'>Greg:</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D2 color=3D3Dnavy = face=3D3DArial><span =3D style=3D3D'font-size: 10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D2 color=3D3Dnavy = face=3D3DArial><span =3D style=3D3D'font-size: 10.0pt;font-family:Arial;color:navy'>What&#8217;s a registrational =3D no-no?</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D2 color=3D3Dnavy = face=3D3DArial><span =3D style=3D3D'font-size: 10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D2 color=3D3Dnavy = face=3D3DArial><span =3D style=3D3D'font-size: 10.0pt;font-family:Arial;color:navy'>Charles</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D2 color=3D3Dnavy = face=3D3DArial><span =3D style=3D3D'font-size: 10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal style=3D3D'margin-left:.5in'><font size=3D3D2 =3D face=3D3DTahoma><span style=3D3D'font-size:10.0pt;font-family:Tahoma'>-----Original =3D Message-----<br> <b><span style=3D3D'font-weight:bold'>From:</span></b> =3D pipechat@pipechat.org [mailto:pipechat@pipechat.org] <b><span style=3D3D'font-weight:bold'>On = =3D Behalf Of </span></b>Gfc234@aol.com<br> <b><span style=3D3D'font-weight:bold'>Sent:</span></b> Friday, January 17, = =3D 2003 12:19 PM<br> <b><span style=3D3D'font-weight:bold'>To:</span></b> =3D pipechat@pipechat.org<br> <b><span style=3D3D'font-weight:bold'>Subject:</span></b> Re: Complete =3D Bach CD Set?</span></font></p>   <p class=3D3DMsoNormal style=3D3D'margin-left:.5in'><font size=3D3D3 =3D face=3D3D"Times New Roman"><span style=3D3D'font-size:12.0pt'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal style=3D3D'margin-left:.5in'><font size=3D3D2 =3D face=3D3DArial><span style=3D3D'font-size:10.0pt;font-family:Arial'>i like the lionel rogg on = =3D the 1761 silbermann at arlsheim. <br> i also have the peter hurford which is full of registrational no-no's =3D but has some magnificently large and powerful rieger organs. <br> greg</span></font></p>   </div>   </body>   </html>   ------=3D_NextPart_000_00EE_01C2BE25.C9F8FA40--