PipeChat Digest #3781 - Wednesday, July 2, 2003
 
almost on topic
  by "Margo Dillard" <dillardm@airmail.net>
Re: Fred's "Hair"
  by "Del Case" <dcase@puc.edu>
Re: Fred's "Hair"
  by <Cremona502@cs.com>
Re: More organ info...and thanks.....
  by "Paul Opel" <popel@sover.net>
Barden/Skinner Stoplist (long)
  by "Paul Opel" <popel@sover.net>
Re: Be Thankful, Ye from "The Cape"
  by "Paul Opel" <popel@sover.net>
BBC2 TV series - Bach's organ music
  by "Colin Mitchell" <cmys13085@yahoo.co.uk>
Re: Fred's "Hair"
  by "Blaine Ricketts" <blainericketts@comcast.net>
RE: Fred's "Hair"
  by "Storandt, Peter" <pstorandt@okcu.edu>
Re: BBC2 TV series - Bach's organ music
  by <lindr@cch.com>
Re: BBC2 TV series - Bach's organ music
  by "Colin Mitchell" <cmys13085@yahoo.co.uk>
Re: Fred's "Hair"
  by <DarrylbytheSea@aol.com>
Re: Fred's "Hair"
  by <Cremona502@cs.com>
Re: Fred's "Hair"
  by <TubaMagna@aol.com>
a resolution? (x-posted)
  by <quilisma@socal.rr.com>
Lemmens' Fanfare
  by "James Dawson" <wjdawson@oberlinmusic.com>
Re: Lemmens' Fanfare
  by <quilisma@socal.rr.com>
Re: Lemmens' Fanfare
  by <ProOrgo53@aol.com>
Re: Lemmens' Fanfare
  by <RMaryman@aol.com>
 

(back) Subject: almost on topic From: "Margo Dillard" <dillardm@airmail.net> Date: Wed, 02 Jul 2003 07:03:46 -0500   There is an interesting article in Monday's issue of Wired News relating to the ability to sue over things said on weblogs and e-mail lists. A court decision has been made which, if I understand the article correctly, basically says that if we say libelous things on these e-mail lists, the list managers/moderators themselves cannot be sued for what we said. They are defined as "facilitating speech", not as publishers.   I mention this simply because this subject has come up occasionally when people name names about issues with legal implications. At least this one court has said that our "fearless leaders" are safe from lawsuits over what we say -- unless they wrote the offending e-mail personally, that is ;-).   Here is the link:   http://www.wired.com/news/politics/0,1283,59424,00.html     Margo Dillard    
(back) Subject: Re: Fred's "Hair" From: "Del Case" <dcase@puc.edu> Date: Wed, 02 Jul 2003 07:51:25 -0700       Michael David wrote: > > Oh, I'm sure it's real and I'm also sure it all grew in Southern > California:-) If you have access to old issues of The Diapason, he was = bald > as a cue ball when he was at Riverside. > > Michael - I'm sure there's an inner resting story there >     The story, as I have heard it, is that the Schullers insisted. It went with the job at Crystal "Cathedral." No hair - no job.   Del W. Case Pacific Union College > > > >Our national president Fred Swann sat in the row ahead of us, and I was > >able to study his hair. Because of his ever perfect coif I always > >wondered if it was real, and am now convinced it is (although only his > >hairdresser knows for sure). Anyway, every hair was in place and he > >looked like he was enjoying himself. > > >  
(back) Subject: Re: Fred's "Hair" From: <Cremona502@cs.com> Date: Wed, 2 Jul 2003 12:00:05 EDT     --part1_4a.1f2fc231.2c345b85_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 7/2/03 10:49:59 AM Eastern Daylight Time, dcase@puc.edu =   writes:     > The story, as I have heard it, is that the Schullers insisted. It went > with the job at Crystal "Cathedral." No hair - no job. >   Well.... if they pay enough I'll wear a dress for 'em! ;-)   Bruce, with Miles, Molly and Degui in the Muttastery at Howling Acres http://members.tripod.com/Brucon502   FEED AN ANIMAL FOR FREE <A = HREF=3D"http://tinyurl.com/2j5i">http://tinyurl.com/2j5i</A> (please it'll = only take a minute!)     --part1_4a.1f2fc231.2c345b85_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: quoted-printable   <HTML><FONT FACE=3D3Darial,helvetica><FONT SIZE=3D3D2>In a message dated = 7/2/03=3D 10:49:59 AM Eastern Daylight Time, dcase@puc.edu writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3D3DCITE style=3D3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-=3D LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">The story, as I have = heard=3D20=3D it, is that the Schullers insisted. &nbsp;It went <BR>with the job at Crystal "Cathedral." No hair - no job. <BR></FONT><FONT COLOR=3D3D"#000000" SIZE=3D3D3 FAMILY=3D3D"SANSSERIF" = FACE=3D3D"Ar=3D ial" LANG=3D3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D3D"#000000" SIZE=3D3D2 FAMILY=3D3D"SANSSERIF" = FACE=3D3D"Ar=3D ial" LANG=3D3D"0"> <BR>Well.... if they pay enough I'll wear a dress for 'em! &nbsp;;-) <BR> <BR>Bruce, with Miles, Molly and Degui &nbsp;in the Muttastery at Howling = Ac=3D res http://members.tripod.com/Brucon502 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR> <BR>FEED AN ANIMAL FOR FREE <A = HREF=3D3D"http://tinyurl.com/2j5i">http://tinyu=3D rl.com/2j5i</A> (please it'll only take a minute!) <BR></FONT></HTML>   --part1_4a.1f2fc231.2c345b85_boundary--  
(back) Subject: Re: More organ info...and thanks..... From: "Paul Opel" <popel@sover.net> Date: Wed, 2 Jul 2003 11:13:48 -0500   Bruce's report reminds me of a bar in Lee, MA that has a nice square grand as the piano bar- the top has been replaced with thick piece of plate glass. You can see the hammers and dampers between the napkins as you drink- there are a half a dozen barstools set up around it, and the piano -is- the bar!   Paul O   At 8:41 PM -0500 7/1/3, Cremona502@cs.com wrote:   > >Your description of the Hammond sticking out from the case reminds me of = a >piano bar in a restaurant I used to frequent. The most outstanding >feature was the hammered copper concert grand piano bar. However, upon >close inspection one discovered the actual piano to be a WurliTzer spinet >pushed up beneath the "grand" box. To add insult to injury, there was >also a littl spinet organ next to it for variety!! A dream situation for >today's contemporary church!! ;-) > >Good luck with your project. Please keep us posted. > > > >Bruce, with Miles, Molly and Degui in the Muttastery at Howling Acres >http://members.tripod.com/Brucon502 > >FEED AN ANIMAL FOR FREE <http://tinyurl.com/2j5i>http://tinyurl.com/2j5i >(please it'll only take a minute!)     http://www.sover.net/~popel/agomain.html      
(back) Subject: Barden/Skinner Stoplist (long) From: "Paul Opel" <popel@sover.net> Date: Wed, 2 Jul 2003 11:17:18 -0500   Church of the Transfiguration Community of Jesus Orleans, MA   Nelson Barden, June 2003, from E.M Skinner components from 1907-1939   GREAT   16' Violone 8' First Diapason 8' Second Diapason 8' Flute Harmonique 8' Gemshorn 8' Gemshorn Celeste 4' Octave 4' Harmonic Flute 2' Fifteenth IV Willis Mixture 16' Posaune 8' Cornopean 4' Clarion Tremolo   SWELL   16' Bourdon 8' Diapason 8' Bourdon 8' Rohrflute 8' Salicional 8' Voix Celeste 8' Flauto Dolce 8' Flute Celeste 4' Octave 4' Triangle Flute 4' Unda Maris II III Willis Mixture 16' Waldhorn 8' Trumpet 4' Clarion 8' Oboe d'Amour 8' Vox Humana Tremolo   CHOIR:   16' Gemshorn 8' Small Diapason 8' Concert Flute 8' Lieblich Gedeckt 8' Erzahler 8' Erzahler Celeste 8' Viola 8' Viola Celeste 8' Flat Front Cello 8' Flat Front Celeste 8' Aeoline II 4' Principal 4' Flute 2.2/3' Nazard 1.3/5' Tierce 1.1/3' Larigot (prep) III-IV Low Mixture III High Mixture 16' Heckelphone 8' Flugelhorn 8' Heckelphone 8' English Horn 8' Clarinet Tremolo 8' Tuba Mirabilis 22" wind       PEDAL   32' Open Wood (ext) 32' Gemshorn (ext) 8' Erzahler (CH) 16' Violone (GT) 16' Bourdon (SW) 8' Violone (GT) 8' Concert Flute (CH) 4' Gemshorn (CH) 8' Bourdon (SW) 16' Waldorn (SW) 16' Posaune (GT) 8' Posaune (GT) 16' Heckelphone (CH) 8' Heckelphone (CH) 4' English Horn (CH)   16-8-4 Couplers as usual 256 level SSL memory system     (Copied from the 2003 Region I AGO Convention handbook)     From talking to various people after the recital, the organ is planned to be considerably enlarged. It is playing from a 4 manual EM Skinner = console, from op. 792, 1929; I gather that it will be reconfigured with stop tabs for space reasons, allowing about 80 more tabs than the drawknobs that are there currently. Clearly, the Pedal doesn't have much yet, and there's no French Horn, and the fourth manual doesn't do anything yet. If the next version continues with the same success, it's going to be worth a visit to the Cape all by itself- even if it's raining on the beaches!   Paul Opel       http://www.sover.net/~popel/agomain.html      
(back) Subject: Re: Be Thankful, Ye from "The Cape" From: "Paul Opel" <popel@sover.net> Date: Wed, 2 Jul 2003 11:16:55 -0500   Well, I just got back from the Cape myself- I'm playing clarinet in a = local production of "Jesus Christ, Superstar" and couldn't miss the rehearsal, = so I had to leave early.   This year, I was a presenter for the first time, on the topic of "Instruments with Small Organs." The organ (St. Mary of the Harbour, Provincetown) is a Bedient, 8-4-2, permanently coupled pedal with no independent ranks, so "small" is the operative word here! I'll be writing up my presentation and posting it in chunks (beware!) so I won't go into = it in detail now. Suffice it to say, preparing for the presentation scared me silly. I had repeated communications breakdowns (obstructionist local post office, my parents' new phone service, yadda-yadda-yadda) so I had much less practice and rehearsal time than I wanted. On Sunday (presentation on Monday!) I learned that my hoped-for violinist was not going to appear, so it was time to hustle. I realized that I could play the things I was planning to do with the violin on the clarinet, but that left me needing = an organist- certainly no shortage at the convention- and Brian Jones graciously agreed to play for me.   When I speak to a group or a class, I can't follow a script- I have to = have everything organized in my head, but there's no way I can write it all out and read it back. I was afraid that I'd run out of things to say after the first 15 minutes, look at the clock, and have to waffle for the next hour- but as it turned out, my time was cut by about 15 minutes for scheduling reasons, and I didn't get to do as much music as I wanted. I had planned = to do some Buxtehude with bassoon on the pedal solos and violin taking ornamented chorale lines, and ended up speaking with James David Christie on Sunday night, and found out he was going to be at my workshop-talk = about pressure!   People seemed to enjoy themselves; some were taking notes, and there were some good questions, so I guess I had my stuff together enough to be useful. As a multi-instrumentalist myself (keyboards, clarinets, = recorders, guitar and lute) I've done things with organ and instruments from both sides of the bench, and have learned enough to avoid a lot of the problems involved. So despite being a less-than-stellar organist sandwiched between recitals by Christa Rakich and Thomas Murray, it went well.   I did get to the Church of the Transfiguration in Orleans (home of the Gloria Dei Cantores) for the Evensong and Tom Murray's recital, and was gobsmacked. Nelson Barden's Skinner assemblage is currently 66 ranks, with plans to more than double its size, and to my ears, it already ranks as a great pilgrimage organ. Besides the Jongen, he played the Schumann 6 Canonic Studies and his transcription of the Elgar "Severn Suite." I'd heard him play the Elgar a few years ago at the Worcester, MA regional, = and was not impressed- the piece seemed mushy and not at all worth the labor, even on the Aeolian-Skinner at All Saints. There, it had no rhythmic definition- the pedal notes "bloomed" so slowly that I couldn't keep track of what was going on in the music. In Orleans, it was amazing- crisp, clear, and colorful, with a mellow Tuba on 22" wind and a 32' open wood that absolutely filled the room.   The installation is unique- I don't know anything to compare it with. The building is a basilica, rather plain (frescoes and mosaics are in = progress, but will obviously take years to complete), with no crossing and no permanent furnishings except for the font near the entrance. The entire seating was reconfigured between Evensong and the recital, a nice trick indeed.   The organ is completely enclosed, with no visible pipework except the 32' open wood lying horizontally. It also takes up no floor space- it's in the side aisles, about 10' off the floor; currently, it takes up about 1/2 of the length of the c. 140' building on both sides.   Floor plan: _____________________________________________________________________ | | | | | Great Choir (Tuba) | | |_____________________________| |___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___| | \ | \ | = \ | = | | = | | = | | = / | Romanesque round arches dividing side aisles from nave / |___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ /   | _____________________________ | | | | | 32' open Swell | |______________________________________|_____________________________|     Elevation: / \ / \ /_____________________\ / | | \ / | | | | \ / | | | | \ | | | | | | | | | | | | | Organ | | | | Organ | | | | | | | | | | | | | | | | | | | | | | | | | |________| | | |_______| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |_____________|________________________|____________|   The pipe boxes, with long horizontal swell shutters on the entire front, are tucked into the side aisles, starting about 10' above the floor, and are mostly visible between the Romanesque arches, but extend to the ceiling. The swell shades open from the top down, so when the boxes are cracked, the sound is funnelled into the narrow space above the arches, so the transition from all-the-way-shut to open-just-a-bit is very gradual, and as more shutters open, they speak through the arches directly into the nave. The Tuba is aimed at the conchoidal apse, so it gets reflected straight out of the cartoon for the eventual mosaic (to be made in = Ravenna, and then imported!) of Christ Pantocrator.   It appears that the organ will eventually extend the full length of the side aisles, making for a "surround sound" reminiscent of the Wanamaker. Absolutely amazing sound- they seem to be letting Nelson do it the way he wants, and it works. Worth a visit!   Paul Opel     http://www.sover.net/~popel/agomain.html      
(back) Subject: BBC2 TV series - Bach's organ music From: "Colin Mitchell" <cmys13085@yahoo.co.uk> Date: Wed, 2 Jul 2003 18:32:26 +0100 (BST)   Hello,   We had the second night of Bach's organ music, last night....just ten minutes of it, played again by John Scott-Whiteley (York Minster).   The organ was the wonderful Silbermann at Freiburg.   I am happy to report that, following the loss of his coat at Naumberg, the continuity people obviously came to the rescue and John made his entrance in the same coat (with the dark glasses) once again.   We must excuse the TV luvvies .....THEY can make mistakes and call it art!   Regards,   Colin Mitchell UK   ________________________________________________________________________ Want to chat instantly with your online friends? Get the FREE Yahoo! Messenger http://uk.messenger.yahoo.com/  
(back) Subject: Re: Fred's "Hair" From: "Blaine Ricketts" <blainericketts@comcast.net> Date: Wed, 02 Jul 2003 10:44:16 -0700   The Schullers applied the "hair" pressures on Don Fontana, the Choral = Director in the early 1970's.   Blaine Ricketts       Del Case wrote:   > The story, as I have heard it, is that the Schullers insisted. It went > with the job at Crystal "Cathedral." No hair - no job.      
(back) Subject: RE: Fred's "Hair" From: "Storandt, Peter" <pstorandt@okcu.edu> Date: Wed, 2 Jul 2003 12:45:25 -0500   Makes one wonder about the source of the Schullers' hair.   -----Original Message----- From: Blaine Ricketts [mailto:blainericketts@comcast.net]=20 Sent: Wednesday, July 02, 2003 11:44 AM To: PipeChat Subject: Re: Fred's "Hair"   The Schullers applied the "hair" pressures on Don Fontana, the Choral Director in the early 1970's.   Blaine Ricketts       Del Case wrote:   > The story, as I have heard it, is that the Schullers insisted. It went > with the job at Crystal "Cathedral." No hair - no job.     "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:pipechat@pipechat.org Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: mailto:requests@pipechat.org      
(back) Subject: Re: BBC2 TV series - Bach's organ music From: <lindr@cch.com> Date: Wed, 2 Jul 2003 12:51:18 -0500     And I suppose that by the same token we must excuse Colin for being so worried about the coat that he couldn't tell us what the 10-minute Bach selection was. :-)   Bob Lind         We had the second night of Bach's organ music, last night....just ten minutes of it, played again by John Scott-Whiteley (York Minster).   The organ was the wonderful Silbermann at Freiburg.   I am happy to report that, following the loss of his coat at Naumberg, the continuity people obviously came to the rescue and John made his entrance in the same coat (with the dark glasses) once again.   We must excuse the TV luvvies .....THEY can make mistakes and call it art!   Regards,   Colin Mitchell UK        
(back) Subject: Re: BBC2 TV series - Bach's organ music From: "Colin Mitchell" <cmys13085@yahoo.co.uk> Date: Wed, 2 Jul 2003 19:25:29 +0100 (BST)   Hello,   OK....I was being artistic.   Actually, until I remind myself by watching the video, I can't actually remember what John played...I am busy decorating the house.   Why did I just KNOW that someone would ask?   For the moment, all I can tell you is that one was loud and the other soft, and both were Chorale Preludes!!   Will someone help me out here please? I am digging a grave for myself.   No! Hang on....I have a copy of the Radio Times........ (rushes downstairs).......this is real-time reality internet folks....   Got it!   Hang on.....   Saturday, Sunday, Monday.....here we are.   "Christum wir sollen lobe schon" BWV611   and   "Wir christenleut" BWV612   If you want the editions, the phone number for York Minster is in the Yellow Pages.   Regards,   Colin Mitchell UK       --- lindr@cch.com wrote: > > And I suppose that by the same token we must excuse > Colin for being so > worried about the coat that he couldn't tell us what > the 10-minute Bach > selection was. :-) > > Bob Lind     ________________________________________________________________________ Want to chat instantly with your online friends? Get the FREE Yahoo! Messenger http://uk.messenger.yahoo.com/  
(back) Subject: Re: Fred's "Hair" From: <DarrylbytheSea@aol.com> Date: Wed, 2 Jul 2003 14:39:09 EDT     --part1_7a.43603ec7.2c3480cd_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Hi, Y'all!   Back in the 80's when Fred when moved from one coast to the other coast, = he obviously added the hair. When he performed at the National Convention in = San Francisco at Davies Hall, he took his first bow, and when people stopped clapping, he said, "it's o.k, it won't fall off!" Well, of course, the = entire place popped and laughed and clapped and from then on he had them in the palm of = his hand and played a great concert!   Yours,   Darryl by the Sea   --part1_7a.43603ec7.2c3480cd_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: quoted-printable   <HTML><FONT FACE=3D3Darial,helvetica><FONT SIZE=3D3D2 FAMILY=3D3D"SCRIPT" = FACE=3D =3D3D"Comic Sans MS" LANG=3D3D"0">Hi, Y'all!<BR> <BR> Back in the 80's when Fred when moved from one coast to the other coast, = he=3D20=3D obviously added the hair. When he performed at the National Convention in = Sa=3D n Francisco at Davies Hall, he took his first bow, and when people stopped = c=3D lapping, he said, "it's o.k, it won't fall off!" Well, of course, the = entire=3D place popped and laughed and clapped and from then on he had them in the = pa=3D lm of his hand and played a great concert!<BR> <BR> Yours,<BR> <BR> Darryl by the Sea</FONT></HTML>   --part1_7a.43603ec7.2c3480cd_boundary--  
(back) Subject: Re: Fred's "Hair" From: <Cremona502@cs.com> Date: Wed, 2 Jul 2003 14:50:04 EDT     --part1_1e0.c834896.2c34835c_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 7/2/03 1:45:05 PM Eastern Daylight Time, blainericketts@comcast.net writes:     > The Schullers applied the "hair" pressures on Don Fontana, the Choral > Director in > the early 1970's. >   Hmmmmm.....   I guess you could call it the "Hair Club for HIM"   nyuk nyuk   Bruce, with Miles, Molly and Degui in the Muttastery at Howling Acres http://members.tripod.com/Brucon502   FEED AN ANIMAL FOR FREE <A = HREF=3D"http://tinyurl.com/2j5i">http://tinyurl.com/2j5i</A> (please it'll = only take a minute!)     --part1_1e0.c834896.2c34835c_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: quoted-printable   <HTML><FONT FACE=3D3Darial,helvetica><FONT SIZE=3D3D2>In a message dated = 7/2/03=3D 1:45:05 PM Eastern Daylight Time, blainericketts@comcast.net writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3D3DCITE style=3D3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-=3D LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">The Schullers applied the = "=3D hair" pressures on Don Fontana, the Choral Director in <BR>the early 1970's. <BR></FONT><FONT COLOR=3D3D"#000000" SIZE=3D3D3 FAMILY=3D3D"SANSSERIF" = FACE=3D3D"Ar=3D ial" LANG=3D3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D3D"#000000" SIZE=3D3D2 FAMILY=3D3D"SANSSERIF" = FACE=3D3D"Ar=3D ial" LANG=3D3D"0"> <BR>Hmmmmm..... <BR> <BR>I guess you could call it the "Hair Club for HIM" <BR> <BR>nyuk &nbsp;nyuk <BR> <BR>Bruce, with Miles, Molly and Degui &nbsp;in the Muttastery at Howling = Ac=3D res http://members.tripod.com/Brucon502 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR> <BR>FEED AN ANIMAL FOR FREE <A = HREF=3D3D"http://tinyurl.com/2j5i">http://tinyu=3D rl.com/2j5i</A> (please it'll only take a minute!) <BR></FONT></HTML>   --part1_1e0.c834896.2c34835c_boundary--  
(back) Subject: Re: Fred's "Hair" From: <TubaMagna@aol.com> Date: Wed, 2 Jul 2003 16:16:40 EDT   The pressure by any religious organization to change one's appearance = is a stressful experience, as we all wish to be appreciated for who we are, = as we are. I continue to remain unaccustomed to my clients' almost universal insistence that I wear a paper grocery bag over my head "so as not to = frighten the congregants." It is not only humiliating; it interferes with my peripheral =   vision.   Sebastian M. Gluck back in New York City from Albany AGO on the super-heated, oxygen-free Amtrak non-express (mit schnackbar)  
(back) Subject: a resolution? (x-posted) From: <quilisma@socal.rr.com> Date: Wed, 02 Jul 2003 13:34:02 -0700   It APPEARS that the great dust-up about my health / ability to carry on at St. M's-by-the-Toll-Road has been resolved.   The assistant organist will take the 7:30 and 8:45 a.m. Masses; the chanter will direct the mixed choir at 8:45; I will take the 10:30 Mass with the men's schola, schola rehearsal (on Sunday morning, since someone else is playing at 8:45?), Tuesday Evensong, and all Holy Days except Maundy Thursday, Easter Vigil, and any Masses in excess of two on Christmas.   NOW let's see if he STICKS to that (chuckle).   Cheers,   Bud      
(back) Subject: Lemmens' Fanfare From: "James Dawson" <wjdawson@oberlinmusic.com> Date: Wed, 2 Jul 2003 16:48:43 -0400   This is a multi-part message in MIME format.   ------=3D_NextPart_000_0FC9_01C340B9.CC581D40 Content-Type: text/plain; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   I know Lemmens' Fafare is published separately by Willemsen, but does =3D anyone know if it is also available in some anthology? A friend =3D remembers seeing it in one of the E. Power Biggs anthologies--?   Jim Dawson     ------=3D_NextPart_000_0FC9_01C340B9.CC581D40 Content-Type: text/html; charset=3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable   <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D charset=3D3Diso-8859-1"> <META content=3D3D"MSHTML 6.00.2800.1170" name=3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D#ffffff> <DIV>I know Lemmens' Fafare is published separately by Willemsen, but =3D does=3D20 anyone know if it is also available in some anthology? A friend =3D remembers seeing=3D20 it in one of the E. Power Biggs anthologies--?</DIV> <DIV>&nbsp;</DIV> <DIV>Jim Dawson</DIV> <DIV>&nbsp;</DIV> <DIV>&nbsp;</DIV></BODY></HTML>   ------=3D_NextPart_000_0FC9_01C340B9.CC581D40--    
(back) Subject: Re: Lemmens' Fanfare From: <quilisma@socal.rr.com> Date: Wed, 02 Jul 2003 13:55:18 -0700   It's in "Everybody's Favorite Organ Music" (grin).   Cheers,   Bud   James Dawson wrote: > I know Lemmens' Fafare is published separately by Willemsen, but does > anyone know if it is also available in some anthology? A friend > remembers seeing it in one of the E. Power Biggs anthologies--? > > Jim Dawson > >        
(back) Subject: Re: Lemmens' Fanfare From: <ProOrgo53@aol.com> Date: Wed, 2 Jul 2003 17:18:56 EDT     --part1_1e4.c75a8c6.2c34a640_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   The Fanfare by Lemmens is in the Clarence Dickinson METHOD OF ORGAN = PLAYING book.   --part1_1e4.c75a8c6.2c34a640_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: quoted-printable   <HTML><FONT FACE=3D3Darial,helvetica><FONT SIZE=3D3D3 FAMILY=3D3D"SERIF" = FACE=3D3D"=3D Times New Roman" LANG=3D3D"0">The Fanfare by Lemmens is in the Clarence = Dickin=3D son METHOD OF ORGAN PLAYING book.</FONT></HTML>   --part1_1e4.c75a8c6.2c34a640_boundary--  
(back) Subject: Re: Lemmens' Fanfare From: <RMaryman@aol.com> Date: Wed, 2 Jul 2003 21:09:42 EDT     --part1_ea.3aae6194.2c34dc56_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 7/2/2003 4:43:56 PM Eastern Daylight Time, wjdawson@oberlinmusic.com writes:     > I know Lemmens' Fafare is published separately by Willemsen, but does > anyone know if it is also available in some anthology? A friend = remembers seeing > it in one of the E. Power Biggs anthologies--? > > Jim Dawson >   this piece is also published in Roger davis' "An Organist's Manual" which = is published by W. W. Norton. this volume al;so contains other useful = repertoire.   Rick in VA   --part1_ea.3aae6194.2c34dc56_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: quoted-printable   <HTML><FONT FACE=3D3Darial,helvetica><FONT SIZE=3D3D2>In a message dated = 7/2/20=3D 03 4:43:56 PM Eastern Daylight Time, wjdawson@oberlinmusic.com writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3D3DCITE style=3D3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-=3D LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I know Lemmens' Fafare is = p=3D ublished separately by Willemsen, but does anyone know if it is also = availab=3D le in some anthology? A friend remembers seeing it in one of the E. Power = Bi=3D ggs anthologies--? <BR>=3D20 <BR>Jim Dawson <BR></BLOCKQUOTE> <BR> <BR>this piece is also published in Roger davis' "An Organist's Manual" = whic=3D h is published by W. W. Norton. this volume al;so contains other useful = repe=3D rtoire. <BR> <BR>Rick in VA</FONT></HTML>   --part1_ea.3aae6194.2c34dc56_boundary--