PipeChat Digest #3716 - Monday, June 2, 2003
 
Homo quidam -- accurate translation
  by <quilisma@socal.rr.com>
today (X-posted)
  by <quilisma@socal.rr.com>
Re: today (X-posted)
  by "John L. Speller" <jlspeller@mindspring.com>
Re: that pesky Wicks
  by <DarrylbytheSea@aol.com>
RE: Langlais
  by "Emmons, Paul" <pemmons@wcupa.edu>
RE: Langlais
  by "Emmons, Paul" <pemmons@wcupa.edu>
RE: Langlais
  by "Emmons, Paul" <pemmons@wcupa.edu>
RE: that pesky Wicks
  by "Storandt, Peter" <pstorandt@okcu.edu>
Re: that pesky Wicks
  by <BlueeyedBear@aol.com>
Re: Gluck Practice Organs
  by <lindr@cch.com>
Re: Gluck Practice Organs
  by <quilisma@socal.rr.com>
Organ Recording
  by "Paul Soulek" <soulek@frontiernet.net>
RE: Gluck Practice Organs
  by "Andrew Mead" <mead@eagle.ca>
Re: Salve Regina (was Langlais)
  by "Emmons, Paul" <pemmons@wcupa.edu>
Re: Gluck Practice Organs
  by <quilisma@socal.rr.com>
Re: Bruce Cornely's new hymn for OHS convention
  by <Cremona502@cs.com>
 

(back) Subject: Homo quidam -- accurate translation From: <quilisma@socal.rr.com> Date: Mon, 02 Jun 2003 02:33:31 -0700   On 1 Jun 2003,, quilisma@socal.rr.com wrote concerningaccurate translation of "Homo quidam"~:     > Can somebody (Fr. Marshall? Deon?) make an accurate translation of: > > Homo quidam fecit coenam magnam, et vocavit multos: > et misit servum suum hora coenae dicere invitatis ut venirent, > qui omnia parata sunt, alleluia. >     (literally) A certain man made a great dinner and called many; and at the hour of the meal sent his servant to tell those invited that they should come, since all things were ready, alleluia.   The KJV tanslation is fairly literal and nicely literate.   Cheers   | | | | | | | | | | Deon Irish | \ Titular Organist and Choirmaster | | St Michael & All Angels \ / Observatory, Cape http://stmichael.org.za      
(back) Subject: today (X-posted) From: <quilisma@socal.rr.com> Date: Mon, 02 Jun 2003 03:49:46 -0700   Played the 9:00 Mass ... probably too soon ... had to sit down on the stairs coming and going. Sub will play the 11:00 Mass through the summer; should have an Associate in place by September.   Fire Dept. wouldn't let them do a stair-climber for me, so they're doing an ELEVATOR (chuckle). That's OK ... should have made the buildings accessible to begin with ... one elevator will serve both buildings, thanks to the bridge between the two.   9:00 Mass was JAMMED, again. Thought Communion was done; then they started coming out of the PARISH HALL. One of the Deacons was out of town, so we only had three people distributing ... took FOREVER.   I REALLY don't know what we're going to do. The rector is changing the schedule to 7:30 - 8:45 - 10:30 in the Fall, with duplicate Sunday Schools at 8:45 and 10:30 ... hopefully that'll even out the attendance somewhat. Saturday night Mass is next, I guess, probably in conjunction with the High School Youth Group meeting. No gee-tars, though (grin).   When I got there to practice with the chanter at 8:15, I noticed that the 7:45 Mass was about half-full ... THAT'S a big jump TOO.   Choir's off for the summer ... chanter's singing both Masses.   We transfer the External Solemnity to Sunday, and the lessons. My chanter told me that the RCs have done that permanently, at least in this diocese. FELT like Ascension ... they WAILED on the hymns ... Crown Him With Many Crowns, Alleluia! Sing To Jesus, At The Name of Jesus, All Hail the Power of Jesus' Name ... closing voluntary was a Grand Choeur (improvised) on ALL of 'em (chuckle).   Cheers,   Bud            
(back) Subject: Re: today (X-posted) From: "John L. Speller" <jlspeller@mindspring.com> Date: Mon, 02 Jun 2003 07:22:23 -0500       quilisma@socal.rr.com wrote:   > > Fire Dept. wouldn't let them do a stair-climber for me, so they're > doing an ELEVATOR (chuckle). That's OK ... should have made the > buildings accessible to begin with ... one elevator will serve both > buildings, thanks to the bridge between the two.   My wife is currently on her way, via the east coast, to her study leave in England; the girls and I will be following on Sunday. She stopped off yesterday at Christ Church, Reading, Pa., where she was Associate Rector 1987-93. Her predecessor, John Horner, Associate Rector 1982-87, was also there. Yesterday Christ Church had the dedication of their new building linking the church and parish house, which also includes an elevator. This also coincided with a party to mark the retirement of the Rev. Canon Walter L. Krieger, after 23 years as Rector. The Bishop, Paul Marshall, commented on how appropriate it was to be dedicating an elevator at Ascensiontide. I wonder what an appropriate prayer for this might be <g>   John Speller, St. Mark's, St. Louis.        
(back) Subject: Re: that pesky Wicks From: <DarrylbytheSea@aol.com> Date: Mon, 2 Jun 2003 11:29:10 EDT     --part1_76.2e3b369d.2c0cc746_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   Hi, Y'all!   I have heard miraculous results from revoicing Wicks organs. There is one organ here in Nashville (actually Donelson) which received a make-over = from the very talented hands and ears of Ken List, now of the Schantz Company. He = and Dwayne Short (now sales rep for Schantz in the Southwest) made same = fabulous changes to his little two-manual. I had only heard the organ once before = in its Wicks state and laughed at some of the rough voicings and ugly sounds I = heard, but after Ken and Dwayne did their work, it sounded like a real organ!   So . . . yes, a Wicks can be revoiced and made to sound anew.   Yours,   Darryl by the Sea   --part1_76.2e3b369d.2c0cc746_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: quoted-printable   <HTML><FONT FACE=3D3Darial,helvetica><FONT SIZE=3D3D2 FAMILY=3D3D"SCRIPT" = FACE=3D =3D3D"Comic Sans MS" LANG=3D3D"0">Hi, Y'all!<BR> <BR> I have heard miraculous results from revoicing Wicks organs. There is one = or=3D gan here in Nashville (actually Donelson) which received a make-over from = th=3D e very talented hands and ears of Ken List, now of the Schantz Company. He = a=3D nd Dwayne Short (now sales rep for Schantz in the Southwest) made same = fabul=3D ous changes to his little two-manual. I had only heard the organ once = before=3D in its Wicks state and laughed at some of the rough voicings and ugly = sound=3D s I heard, but after Ken and Dwayne did their work, it sounded like a real = o=3D rgan!<BR> <BR> So . . . yes, a Wicks can be revoiced and made to sound anew.<BR> <BR> Yours,<BR> <BR> Darryl by the Sea</FONT></HTML>   --part1_76.2e3b369d.2c0cc746_boundary--  
(back) Subject: RE: Langlais From: "Emmons, Paul" <pemmons@wcupa.edu> Date: Mon, 2 Jun 2003 12:08:08 -0400   Daniel Muller writes:   > I do wish I could find (1) a good hearty postlude or three on Salve Regina,   The Finale from Eben's _Nedelny Hudba_ quotes the later, major-mode "Salve Regina" very prominently and triumphantly in the final pages. I don't = know if this movement qualifies for your postlude no. 1 on Salve Regina, but it certainly deserves no. 2 or no. 3. The caveats being (1) It begins rather softly; (2) Salve Regina does not appear until the end; (3) It sounds extremely difficult, although Judith Hancock recently told me that it = isn't as difficult as it sounds; (4) It is no longer readily available in the = U.S. and may be (scandalously, as the composer's most famous work) out of = print. Patelson's has been working on finding a copy for me for almost a month-- = no word from them yet.   But if you can get it and can learn it, it's a spectacular musical evocation, reportedly, of Christ routing the forces of evil.          
(back) Subject: RE: Langlais From: "Emmons, Paul" <pemmons@wcupa.edu> Date: Mon, 2 Jun 2003 12:08:30 -0400       > -----Original Message----- > From: quilisma@socal.rr.com [SMTP:quilisma@socal.rr.com] > Sent: Sunday, June 01, 2003 10:29 PM > To: PipeChat > Subject: Re: Langlais >=20 >=20 >=20 > Daniel Muller wrote: > > I can only second the motion for the Paraphrase sur "Salve = Regina." > > Unfortunately, though, I tried to use it last year as a postlude > > during Ordinal Time, and the subtleties were lost in the exiting > > shuffle of feet. (I guess I should be glad that what carpet there > > had been was ripped out a few years ago, as well as that there is = no > > noise from talking!) Still a beautiful piece, and since written = for > > harmonium, easily adaptable to all kinds of organs; for example, a > > Spanish-style organ with divided manual. > > > > > > I do wish I could find (1) a good hearty postlude or three on = Salve > > Regina, and (2) the text and melody for Vol. II "Homo quidam;" it = is > > not in the current Gradual. >=20 > "Homo quidam" is on page 1101 of the "typical" edition of the Liber=20 > Usualis ... it's a commemoration at Laudes on the Sunday within the=20 > Octave of Corpus Christi ... I can't find an English translation ...=20 > roughly: >=20 > "There was a man who made a great supper, and invited many: and when = the=20 > hour of supper was come, the servants said, those who were invited = have=20 > come; all is ready, alleluia." >=20 > Not exactly on Salve Regina, but the old WLSM "Postlude on All The = Deo=20 > Gratias" book has a couple of neat things on Mass IX. >=20 > Isn't one of the late Widor symphonies based on Salve Regina? Or am I =   > dreaming? >=20 > Heiller wrote one, I'm almost SURE. >=20 > Cheers, >=20 > Bud >=20 >=20 > > > > Daniel Muller Blessed Sacrament Church Dallas > > > > ["Chapman Gonz=E1lez" <chapmanp@comcast.net> wrote on Sat, 31 May = 2003 > > 20:29:21 -0400: > > > > "I have just discovered the Prelude Modal and the Paraphrase sur > > "Salve Regina" from the Langlais 'Vingt-quatre Pieces.' Are there > > any others that people like either from Vol. I or II? I read > > through Vol. I, ..."] > > > > > > > > > > "Pipe Up and Be Heard!" PipeChat: A discussion List for > > pipe/digital organs & related topics HOMEPAGE : > > http://www.pipechat.org List: mailto:pipechat@pipechat.org > > Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: > > mailto:requests@pipechat.org > > > > >=20 >=20 >=20 >=20 > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related = topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org  
(back) Subject: RE: Langlais From: "Emmons, Paul" <pemmons@wcupa.edu> Date: Mon, 2 Jun 2003 12:12:39 -0400   Bud asks:   >Isn't one of the late Widor symphonies based on Salve Regina? Or am I dreaming?   You're thinking of the Salve Regina in symphony 2: an early symphony, yet = a late work. Widor the perennial revisor added it much later. It is of the vintage of the Symphonies Gothique and Romane, with all the profondeur = that implies.   I am very fond of it indeed. It deserves to be on anyone's list of favorites. But it's not a postlude.      
(back) Subject: RE: that pesky Wicks From: "Storandt, Peter" <pstorandt@okcu.edu> Date: Mon, 2 Jun 2003 11:22:22 -0500   This is a multi-part message in MIME format.   ------_=3D_NextPart_001_01C32923.257A3C10 Content-Type: text/plain; charset=3D"us-ascii" Content-Transfer-Encoding: quoted-printable   The Wicks at Subiaco Abbey in Arkansas brought to life a few years ago by the Merlins at Nichols & Simpson is another example of this transformation.   =3D20   Peter   =3D20   -----Original Message----- From: DarrylbytheSea@aol.com [mailto:DarrylbytheSea@aol.com]=3D20 Sent: Monday, June 02, 2003 9:29 AM To: pipechat@pipechat.org Subject: Re: that pesky Wicks   =3D20   Hi, Y'all!   I have heard miraculous results from revoicing Wicks organs. There is one organ here in Nashville (actually Donelson) which received a make-over from the very talented hands and ears of Ken List, now of the Schantz Company. He and Dwayne Short (now sales rep for Schantz in the Southwest) made same fabulous changes to his little two-manual. I had only heard the organ once before in its Wicks state and laughed at some of the rough voicings and ugly sounds I heard, but after Ken and Dwayne did their work, it sounded like a real organ!   So . . . yes, a Wicks can be revoiced and made to sound anew.   Yours,   Darryl by the Sea     ------_=3D_NextPart_001_01C32923.257A3C10 Content-Type: text/html; charset=3D"us-ascii" Content-Transfer-Encoding: quoted-printable   <html>   <head> <META HTTP-EQUIV=3D3D"Content-Type" CONTENT=3D3D"text/html; =3D charset=3D3Dus-ascii">     <meta name=3D3DGenerator content=3D3D"Microsoft Word 10 (filtered)">   <style> <!-- /* Font Definitions */ @font-face {font-family:Tahoma; panose-1:2 11 6 4 3 5 4 4 2 4;} @font-face {font-family:"Comic Sans MS"; panose-1:3 15 7 2 3 3 2 2 2 4;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} a:link, span.MsoHyperlink {color:blue; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline;} span.EmailStyle17 {font-family:Arial; color:navy;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in;} div.Section1 {page:Section1;} --> </style>   </head>   <body lang=3D3DEN-US link=3D3Dblue vlink=3D3Dpurple>   <div class=3D3DSection1>   <p class=3D3DMsoNormal><font size=3D3D2 color=3D3Dnavy face=3D3DArial =3D FAMILY=3D3DSCRIPT><span style=3D3D'font-size:10.0pt;font-family:Arial;color:navy'>The Wicks at =3D Subiaco Abbey in </span></font><font size=3D3D2 color=3D3Dnavy = face=3D3DArial><span =3D style=3D3D'font-size:10.0pt;font-family:Arial;color:navy'>Arkansas</span></= =3D font><font size=3D3D2 color=3D3Dnavy face=3D3DArial><span =3D style=3D3D'font-size:10.0pt;font-family:Arial; color:navy'> brought to life a few years ago by the Merlins at Nichols =3D &amp; Simpson is another example of this transformation.</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D2 color=3D3Dnavy = face=3D3DArial><span =3D style=3D3D'font-size: 10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D2 color=3D3Dnavy = face=3D3DArial><span =3D style=3D3D'font-size: 10.0pt;font-family:Arial;color:navy'>Peter</span></font></p>   <p class=3D3DMsoNormal><font size=3D3D2 color=3D3Dnavy = face=3D3DArial><span =3D style=3D3D'font-size: 10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal style=3D3D'margin-left:.5in'><font size=3D3D2 =3D face=3D3DTahoma><span style=3D3D'font-size:10.0pt;font-family:Tahoma'>-----Original =3D Message-----<br> <b><span style=3D3D'font-weight:bold'>From:</span></b> =3D DarrylbytheSea@aol.com [mailto:DarrylbytheSea@aol.com] <br> <b><span style=3D3D'font-weight:bold'>Sent:</span></b> Monday, June 02, = =3D 2003 9:29 AM<br> <b><span style=3D3D'font-weight:bold'>To:</span></b> =3D pipechat@pipechat.org<br> <b><span style=3D3D'font-weight:bold'>Subject:</span></b> Re: that pesky = =3D Wicks</span></font></p>   <p class=3D3DMsoNormal style=3D3D'margin-left:.5in'><font size=3D3D3 =3D face=3D3D"Times New Roman"><span style=3D3D'font-size:12.0pt'>&nbsp;</span></font></p>   <p class=3D3DMsoNormal style=3D3D'margin-left:.5in'><font size=3D3D2 =3D face=3D3D"Comic Sans MS"><span style=3D3D'font-size:10.0pt;font-family:"Comic Sans MS"'>Hi, Y'all!<br> <br> I have heard miraculous results from revoicing Wicks organs. There is =3D one organ here in Nashville (actually Donelson) which received a make-over from =3D the very talented hands and ears of Ken List, now of the Schantz Company. He and = =3D Dwayne Short (now sales rep for Schantz in the Southwest) made same fabulous =3D changes to his little two-manual. I had only heard the organ once before in its = =3D Wicks state and laughed at some of the rough voicings and ugly sounds I heard, = =3D but after Ken and Dwayne did their work, it sounded like a real organ!<br> <br> So . . . yes, a Wicks can be revoiced and made to sound anew.<br> <br> Yours,<br> <br> Darryl by the Sea</span></font></p>   </div>   </body>   </html> =3D00 ------_=3D_NextPart_001_01C32923.257A3C10--  
(back) Subject: Re: that pesky Wicks From: <BlueeyedBear@aol.com> Date: Mon, 02 Jun 2003 13:12:53 -0400   In a message dated 6/2/2003 11:22:22 AM Eastern Standard Time, = pstorandt@okcu.edu writes:   > The Wicks at Subiaco Abbey in Arkansas brought to life a few years ago = by the Merlins at Nichols & Simpson is another > example of this transformation. > > Peter   i heard the old wicks at subiaco back in the early 80s. it was a prime = example of a bad instrument in a good room. glad to hear it's now a = good/good situation.  
(back) Subject: Re: Gluck Practice Organs From: <lindr@cch.com> Date: Mon, 2 Jun 2003 12:11:36 -0500     With no 8' to support them, I should think the hapless chapel singers will sing "Hole-y, Hole-y, Hole-y" with gusto. :-) There seems to be another hole between the two pitches of a Sesquialtera. Why is the tierce up an octave? I'm not sure I've run across this before.   Bob Lind confused and searching for a little normality in a mixed-up world   Sebastian M. Gluck writes:   After the Guild regionals, we will be installing a new one in Alexander Chapel at First Presbyterian Church in New York City. Its six ranks will = be   16 Dulciana 16 Stopped Diapason (wood) 4 Principal 4 Chimney Flute 2-2/3 Nasard 4/5 Tierce   The chapel seats fifty people.        
(back) Subject: Re: Gluck Practice Organs From: <quilisma@socal.rr.com> Date: Mon, 02 Jun 2003 10:53:36 -0700   I'm not Sebastian, but I presume the Dulciana and Stopped Diapason are extended to 8'. I imagine the 4/5 designation for the Tierce means it only goes down to tenor C. The same is also possible for the 4' Principal ... perhaps notes 1-12 are borrowed from the Stopped Diapason (and Dulciana?).   Cheers,   Bud   lindr@cch.com wrote: > With no 8' to support them, I should think the hapless chapel singers = will > sing "Hole-y, Hole-y, Hole-y" with gusto. :-) There seems to be another > hole between the two pitches of a Sesquialtera. Why is the tierce up an > octave? I'm not sure I've run across this before. > > Bob Lind > confused and searching for a little normality in a mixed-up world > > Sebastian M. Gluck writes: > > After the Guild regionals, we will be installing a new one in Alexander > Chapel at First Presbyterian Church in New York City. Its six ranks will = be > > 16 Dulciana > 16 Stopped Diapason (wood) > 4 Principal > 4 Chimney Flute > 2-2/3 Nasard > 4/5 Tierce > > The chapel seats fifty people. > > > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >        
(back) Subject: Organ Recording From: "Paul Soulek" <soulek@frontiernet.net> Date: Mon, 02 Jun 2003 13:23:40 -0500   There are many churches in my area that can't seem to find an organist on a given Sunday and have asked if I might record some hymns for them to use. I plan on doing that this summer (digitally recording a new-ish Rodgers), but am wondering about a few things regarding copyright.   How long does the copyright protection last on hymns? Our denomination uses two hymnals; one was published in 1941 and the other in 1982. I have heard that all hymns in the 1941 hymnal are public domain; does this mean that I can use these "at will", or is there some type of permission that I need to obtain. Also, I would love to hear from someone regarding the permission that I need in order to record some of the newer hymns (Lift High the Cross, etc.).   These recordings would be used for worship purposes only. I know that each hymnal uses different harmonizations of the melody, so I plan to use some of my own in addition to the ones found in the hymnal. This is something that I hope will help me finance my college expenses a bit (attending Concordia-Seward, NE next fall, to become a Director of Parish Music), as well as benefit the Church as a whole.   Any other comments regarding this subject would be most welcome!   Thanks! Paul  
(back) Subject: RE: Gluck Practice Organs From: "Andrew Mead" <mead@eagle.ca> Date: Mon, 2 Jun 2003 14:42:43 -0400   I thought I was dreaming when I read that specification. It really does exist. We know who, what, when and where, but why? Or, did I miss = something?   -----Original Message----- From: pipechat@pipechat.org [mailto:pipechat@pipechat.org]On Behalf Of lindr@cch.com Sent: Monday, June 02, 2003 1:12 PM To: PipeChat Subject: Re: Gluck Practice Organs     With no 8' to support them, I should think the hapless chapel singers will sing "Hole-y, Hole-y, Hole-y" with gusto. :-) There seems to be another hole between the two pitches of a Sesquialtera. Why is the tierce up an octave? I'm not sure I've run across this before.   Bob Lind confused and searching for a little normality in a mixed-up world   Sebastian M. Gluck writes:   After the Guild regionals, we will be installing a new one in Alexander Chapel at First Presbyterian Church in New York City. Its six ranks will = be   16 Dulciana 16 Stopped Diapason (wood) 4 Principal 4 Chimney Flute 2-2/3 Nasard 4/5 Tierce   The chapel seats fifty people.              
(back) Subject: Re: Salve Regina (was Langlais) From: "Emmons, Paul" <pemmons@wcupa.edu> Date: Mon, 2 Jun 2003 14:30:24 -0400   Daniel Muller writes:   > I do wish I could find (1) a good hearty postlude or three on Salve Regina,   Another that comes to mind: the postlude from Tournemire's Mass for the Assumption uses the mode-i Salve Regina melody as well as quoting Ave = Maris Stella extensively. The pedals thunder it out (or at least part of the melody) in a passage during the first section.   This is a long, exquisite movement, and atypical as a postlude in that the middle section is very slow and quiet. But it should be a very effective postlude, and Tournemire clearly intended it as such, so far be it from us to argue with him :-)    
(back) Subject: Re: Gluck Practice Organs From: <quilisma@socal.rr.com> Date: Mon, 02 Jun 2003 11:55:18 -0700   It seems that EVERYBODY missed the phrase "UNIT organ" ... those are the RANKS ... Sebastian didn't give how they're disposed.   Cheers,   Bud   Andrew Mead wrote: > I thought I was dreaming when I read that specification. It really does > exist. We know who, what, when and where, but why? Or, did I miss = something? > > -----Original Message----- > From: pipechat@pipechat.org [mailto:pipechat@pipechat.org]On Behalf Of > lindr@cch.com > Sent: Monday, June 02, 2003 1:12 PM > To: PipeChat > Subject: Re: Gluck Practice Organs > > > With no 8' to support them, I should think the hapless chapel singers = will > sing "Hole-y, Hole-y, Hole-y" with gusto. :-) There seems to be another > hole between the two pitches of a Sesquialtera. Why is the tierce up an > octave? I'm not sure I've run across this before. > > Bob Lind > confused and searching for a little normality in a mixed-up world > > Sebastian M. Gluck writes: > > After the Guild regionals, we will be installing a new one in Alexander > Chapel at First Presbyterian Church in New York City. Its six ranks will = be > > 16 Dulciana > 16 Stopped Diapason (wood) > 4 Principal > 4 Chimney Flute > 2-2/3 Nasard > 4/5 Tierce > > The chapel seats fifty people. > > > > > > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >        
(back) Subject: Re: Bruce Cornely's new hymn for OHS convention From: <Cremona502@cs.com> Date: Mon, 2 Jun 2003 15:01:42 EDT     --part1_18d.1ae8f190.2c0cf916_boundary Content-Type: text/plain; charset=3D"US-ASCII" Content-Transfer-Encoding: 7bit   In a message dated 6/1/03 5:36:48 PM Eastern Daylight Time, acfreed0904@earthlink.net writes:     > Well, that's all very well and good. But has Bruce composed a > chorale-prelude on Laufmann? >   hmmmmm.... now to find a title for the CP.... how do you say "when piggies =   fly" in German? snrk snrk   Bruce, with Miles, Molly and Degui in the Muttastery at Howling Acres http://members.tripod.com/Brucon502   FEED AN ANIMAL FOR FREE <A = HREF=3D"http://tinyurl.com/2j5i">http://tinyurl.com/2j5i</A> (please it'll = only take a minute!)     --part1_18d.1ae8f190.2c0cf916_boundary Content-Type: text/html; charset=3D"US-ASCII" Content-Transfer-Encoding: quoted-printable   <HTML><FONT FACE=3D3Darial,helvetica><FONT SIZE=3D3D2>In a message dated = 6/1/03=3D 5:36:48 PM Eastern Daylight Time, acfreed0904@earthlink.net writes: <BR> <BR> <BR><BLOCKQUOTE TYPE=3D3DCITE style=3D3D"BORDER-LEFT: #0000ff 2px solid; = MARGIN-=3D LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Well, that's all very = well=3D20=3D and good. &nbsp;But has Bruce composed a <BR>chorale-prelude on Laufmann? <BR></FONT><FONT COLOR=3D3D"#000000" SIZE=3D3D3 FAMILY=3D3D"SANSSERIF" = FACE=3D3D"Ar=3D ial" LANG=3D3D"0"></BLOCKQUOTE> <BR></FONT><FONT COLOR=3D3D"#000000" SIZE=3D3D2 FAMILY=3D3D"SANSSERIF" = FACE=3D3D"Ar=3D ial" LANG=3D3D"0"> <BR>hmmmmm.... now to find a title for the CP.... how do you say "when = piggi=3D es fly" in German? &nbsp;snrk snrk <BR> <BR>Bruce, with Miles, Molly and Degui &nbsp;in the Muttastery at Howling = Ac=3D res http://members.tripod.com/Brucon502 = &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR> <BR>FEED AN ANIMAL FOR FREE <A = HREF=3D3D"http://tinyurl.com/2j5i">http://tinyu=3D rl.com/2j5i</A> (please it'll only take a minute!) <BR></FONT></HTML>   --part1_18d.1ae8f190.2c0cf916_boundary--