PipeChat Digest #4095 - Tuesday, November 4, 2003
 
Olivier Latry in Detroit
  by <DarrylbytheSea@aol.com>
Re: Olivier Latry in Detroit
  by <Gfc234@aol.com>
Re: Unwanted spam
  by "Alan Freed" <acfreed0904@earthlink.net>
Re: consultants responsibilities
  by "Roy Redman" <rredman@imagin.net>
Fwd: Diapason free sample
  by "Administrator" <admin@pipechat.org>
BBC Radio 3 "Composer of the week"
  by "Bob Conway" <conwayb@sympatico.ca>
Junchen's Theatre Organ books
  by "First Christian Church of Casey, Illinois" <kzrev@rr1.net>
Re: Children's choir music
  by "Alicia Zeilenga" <azeilenga@theatreorgans.com>
RE: Children's choir music
  by "Emmons, Paul" <PEMMONS@wcupa.edu>
RE: Paul Creston
  by "Emmons, Paul" <PEMMONS@wcupa.edu>
Re: DR. INA GRAPENTHIN ORGAN RECIATL
  by <OrgelspielerKMD@aol.com>
Re: DR. INA GRAPENTHIN ORGAN RECIATL
  by "John L. Speller" <jlspeller@mindspring.com>
VOLUME IV  Re: Junchen's Theatre Organ books (x post)
  by <ScottFop@aol.com>
Re: VOLUME IV  Re: Junchen's Theatre Organ books (x post)
  by "jch" <opus1100@catoe.org>
RE: Paul Creston
  by "leora holcomb" <leh637@yahoo.com>
Re: consultants responsibilities
  by <TubaMagna@aol.com>
The best organ consultant...
  by <TubaMagna@aol.com>
VOLUME III   Re: VOLUME IV  Re: Junchen's Theatre Organ books (x post)
  by <ScottFop@aol.com>
Bach's Memento, was Olivier Latry in Detroit
  by "Glenda" <gksjd85@direcway.com>
Re: VOLUME III   Re: VOLUME IV  Re: Junchen's Theatre Organ books (x  pos
  by "David Scribner" <david@blackiris.com>
 

(back) Subject: Olivier Latry in Detroit From: <DarrylbytheSea@aol.com> Date: Tue, 4 Nov 2003 07:52:11 EST   Hi, Y'all!   In a private e-mail, I asked Donna Hollis if she would write a little = review to the Lists concerning Olivier's concert in Detroit last week. In her = note to me she mentions a .pdf file of the program to download. I think this is against the rules, but if this has interest to you, please write me = privately and I'll forward it to you. In this .pdf file was the program, bio, organ = spec, and some promo for future concerts.   Olivier played: Bach/Dupre: Sinfonia to Cantata 29 Berlioz/Busser: Marche hongroise Alkan: Priere Franck: Chorl in a minor Intermission Guilmant: Final from Sonata I Vierne: Clair de lune, Feux follets, Carillon de Westminster Improvisation   I'm confused about something--on the pgoram in the same size as the = Sinfonia to Cantata 29 and indented like the transcription name (Transcription pour =   orgue de Marcel Dupre), it says, "Marche du veilleur de nuit" = (Orchestration de Charles-Marie Widor). I don't know what this is . . . so, help, y'all!   Donna said: In response to Darryl Miller's request, I have attached the concert = program book as an Adobe Acrobat Reader (PDF) file. If you wish to print the = program (printed landscape on 8 1/2 x 11" folded in half) you will have to reset = the print settings to landscape.   This was the first real test of the newly installed Austin organ at the cathedral. Of course the concert was a phenomenal experience, not only due to Mr. Latry's skill, but also the superb acoustics in the cathedral. The preceding day he held a master class for the organ students at Wayne State University. For Mr. Latry's improvisation, he was given two pieces to improvise from (I was unable to find out what they were), after a few = brief minutes, he proceeded to improvise on them for approximately 20 minutes. = He used no music during the concert (except for the two works he improvised from).   There was discussion with Mr. Latry about his returning sometime next year to do a Vierne concert with the Archdiocesan Chorus. If this event should materialize, I will post the information to this group.   Yours,   Darryl Miller aka Darryl by the Sea    
(back) Subject: Re: Olivier Latry in Detroit From: <Gfc234@aol.com> Date: Tue, 4 Nov 2003 08:38:45 EST   In a message dated 11/4/2003 6:53:35 AM Central Standard Time, DarrylbytheSea@aol.com writes: I'm confused about something--on the pgoram in the same size as the = Sinfonia to Cantata 29 and indented like the transcription name (Transcription pour =   orgue de Marcel Dupre), it says, "Marche du veilleur de nuit" = (Orchestration de Charles-Marie Widor). I don't know what this is . . . so, help, y'all! Published in 1925, Widor wrote 6 transcriptions of Bach works. The collection was given the name Bach's Memento. The fourth composition in = the set is Marche du Veilleur de Nuit (Moderato), and is a transcription from Bach = Cantata BWV 140 (Wachet Auf). It is a free paraphrase of the chorale. Other = pieces in the work are based on the Pastorella (BWV 590), The Harpsichord = Preludes in d minor(BWV 851), and e minor(BWV 855), Second mvmnt. of Siciliano in g = min (from Sonate fur Flote und Cembalo in Eb Major (BWV 1031), and the final chorus of St. Matthaus Passion (BWV 244). Hope this helps! Cheers, gfc   Gregory Ceurvorst M.M. Organ Performance Student Northwestern University Director of Music and Organist St. Peter's U.C.C. Frankfort, IL 847.332.2788 home 708.243.2549 mobile gfc234@aol.com    
(back) Subject: Re: Unwanted spam From: "Alan Freed" <acfreed0904@earthlink.net> Date: Tue, 04 Nov 2003 08:50:45 -0500   On 11/2/03 12:24 AM, "John L. Speller" <jlspeller@mindspring.com> wrote:   > I thought it very discourteous to send a message like that unsolicited > to listmembers as "spam" and promptly deleted it.   I felt the same way, and responded the same way.   Alan    
(back) Subject: Re: consultants responsibilities From: "Roy Redman" <rredman@imagin.net> Date: Tue, 04 Nov 2003 06:57:04 -0600   If the company or its principals are members of APOBA or AIO, then a = complaint can be sent there. If they are not members why not? Roy Redman   Del Case wrote:   > > > On a number of occasions I have served as an organ consultant > on a variety of projects, pipe, electronic, tracker, EP, large, > small. Some have been gratis, others for pay. > > Some things I have seen recently on these lists, plus a personal > experience have caused me to do some serious thinking about consulting, > especially ethical and liability concerns, among others. > > I was recently asked to examine and report on a fairly recent = installation > by a small, local builder. All parties involved shall remain unnamed, = to > protect me. > > The organ in question was a rebuild/enlargment. It contains a = significant > amount of incomplete and poor quality work. It also differs in several > serious ways from the contract stoplist. For example, three stops that > are listed as independent ranks are derived from one single rank. = Another > two stops that are listed as separate ranks are from one. A mixture = that > is listed as IV is III. This is a shortage of four ranks. A new chest > that was designated as slider is not. The contract allowed the builder = to > "rebuild" manual chests or replace with new slider chests at his option. > Guess which option he chose? The amount of "rebuilding" done is suspect > since some chests currently need releathering. > > So how does this relate to consulting? There was a consultant. The = contract > said that when the organ was played publicly, that is a recital as = opposed > to service playing, it was considered accepted by the church. You > guessed it, the consultant played a recital and the builder says the > organ > is finished. > > Who shares in the liability/responsibility for this mess? > > Any reactions? > > Del W. Case > Pacific Union College > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: Fwd: Diapason free sample From: "Administrator" <admin@pipechat.org> Date: Tue, 4 Nov 2003 08:11:54 -0600   > >Request a free sample copy of the November issue of The Diapason. >Cover: Dobson Pipe Organ Builders, Cathedral of Our Lady of the >Angels, Los Angeles, CA. Features: "Albert Schweitzer Organ >Festival/USA," by David Spicer; "John Tavener's 'The Veil of the >Temple'," by Barbara Betenbaugh; "On the Road in Bach Country with >Michael Barone," by Mary Ann Dodd; "House of Hope Organ Institute," >by Norma Stevlingson. >News, appointments, reviews of music, books and recordings, >calendar, recital programs, classified advertising. >Send your request to editor Jerome Butera, jbutera@sgcmail.com     -- **************************************** David Scribner Owner / Co-Administrator PipeChat   http://www.pipechat.org mailto:admin@pipechat.org  
(back) Subject: BBC Radio 3 "Composer of the week" From: "Bob Conway" <conwayb@sympatico.ca> Date: Tue, 4 Nov 2003 11:14:10 -0500   Anyone at all interested in French organ music should listen to the = BBC's programme "Composer of the week". This week it is all on French = Organs, French Organists and French Organ Composers.   Go to http://www.bbc.co.uk/radio3/classical/index.shtml and follow the = link to "Composer of the Week".   The programme is live at 12.00 noon GMT, which means for us in ET it is = on at 7.00 am, - but you can listen to it at any time by following the = link for the daily programmes.   So far, the programmes have been excellent, and we are only at the = second one of five in all.   As far as I can remember, this is the first time the BBC have done an = all organ series, listen to it, you may never hear another!   Bob Conway  
(back) Subject: Junchen's Theatre Organ books From: "First Christian Church of Casey, Illinois" <kzrev@rr1.net> Date: Tue, 4 Nov 2003 10:29:21 -0600   Should anyone happen to have volumes 1 & 2 of Junchen's theatre organ encyclopedia, he or she would like to sell, please let me know.   Thanks!   Dennis Steckley          
(back) Subject: Re: Children's choir music From: "Alicia Zeilenga" <azeilenga@theatreorgans.com> Date: Tue, 04 Nov 2003 12:18:10 -0600   Shelley, I don't know exactly what you are looking for, but it seems like when I was in children's choir we used music arranged for 2 sopranos. I played the recorder on the second part a few times ;) Alicia Zeilenga Sub-Dean AGO@UI "Santa Caecilia, ora pro nobis"     -----Original Message----- From: "Shelley Culver" <culverse@westminster.edu> To: <pipechat@pipechat.org> Date: Mon, 03 Nov 2003 19:49:20 -0500 Subject: Children's choir music   > Hi everyone-- > > I've recently acquired a kid's choir at my church, and all they come > with is one measly little book of cheesy choruses. The Director of > Music > tells me that I have a budget for new music, so now I need some places > to find music or some recommendations of music to get. The pieces need > to be super, ultra, mega simple. There's only 6 or 7 kids usually, but > they're spirited and love to sing. So if anyone has any suggestions, > please send them to me and I'll be forever thankful!! > > Shelley > > Shelley E. Culver > Box 1489 > Westminster College > New Wilmington, PA 16172 > School #: 724.946.6912 > Cell #: 716.450.3845 > AIM: ShellBell0206 > Email: culverse@westminster.edu > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org >      
(back) Subject: RE: Children's choir music From: "Emmons, Paul" <PEMMONS@wcupa.edu> Date: Tue, 4 Nov 2003 16:08:21 -0500   I'm showing my age here, but one of the books my choir sang from when I = was a kid was called "The Belfry Book". Actually, it was published in = two volumes, one red and one blue.   The pieces were in one or two voices, of which the lower voice was not = usually needed, just 1-3 pages each. The advantage of some of these = selections was that they were arrangements of classical melodies, e.g. = the Saint Anthony Chorale used by Haydn or the theme from Brahms's = Academic Festival Overture. It was pleasant, when coming upon the real = repertoire some years later, that I already knew the melodies because I = had sung them in children's choir.   Of course, I don't know whether the Belfry Books are still in print, but = you might be able to acquire them used. The songs are easy, they have a = certain quality due to the melodies on which they are based, and as I = recall the words are substantial and sound. But I would hope that they = would eventually go to the bottom of the pile and a choir could be = working on more authentic originals: IMHO every child should learn Jesu, = Joy of Man's Desiring, Franck's Panis Angelicus, Mozart's Ave Verum, = Wesley's "Lead me, Lord", for example, with Handel's "Let the bright = cherubim" for a challenge. What more contemporary material you should = give them depends partly on denomination. But please don't sell the = children short! They can thrive on the best there is and appreciate it = for the remainder of their lives. Mine have sung Leighton, Howells, = Langlais, and Ridout. There ought to be a law against wasting their = time on ephermeral schlock. I feel strongly about this.   Good luck!    
(back) Subject: RE: Paul Creston From: "Emmons, Paul" <PEMMONS@wcupa.edu> Date: Tue, 4 Nov 2003 16:11:18 -0500   I used to be Music Librarian at Central Washington University, = Ellensburg. Paul Creston had been on the music faculty there for = awhile, so ever since that time some effort was made to acquire his = music in both printed and recorded form. We never had the resources to = do an exhaustive job of it, but as I recall we had Marilyn Mason's = recording of the suite, as well as the score for that work.       > -----Original Message----- > From: M Fox [SMTP:ophicleide16@direcway.com] > Sent: Monday, November 03, 2003 9:25 PM > To: PipeChat > Subject: Re: Paul Creston >=20 > As far as I know, the Suite op. 70 is the only Creston solo organ work = that has been recorded. Donald Dumler recorded the Prelude at St. = Patrick's Cathedral on a Gothic CD; the intrepid Marilyn Mason recorded = the entire Suite many years ago on an obscure Mirrosonic LP; and the = redoubtable George Thalben-Ball recorded the very jolly Toccata on a = Vista LP.=20 > =20 > MAF >=20 > ----- Original Message -----=20 > From: Richard Hazelip <mailto:rhazelip@quik.com>=20 > To: PipeChat <mailto:pipechat@pipechat.org>=20 > Sent: Monday, November 03, 2003 5:00 PM > Subject: Paul Creston >=20 > I am studying the music of Paul Creston written for organ and am = especially interested in finding recordings of his organ music. It = seems obvious that the music was not widely recorded. Please let me = know if you have access to this treasure and are willing to help. > =20 > Richard Hazelip >=20  
(back) Subject: Re: DR. INA GRAPENTHIN ORGAN RECIATL From: <OrgelspielerKMD@aol.com> Date: Tue, 4 Nov 2003 17:01:35 EST   Dear List,   This new Schantz organ which is a III/38(?) instrument, is indeed a lovely =   thing. I should know being I had the opportunity to play it on Monday. I = got this opportunity because I work part time for the Fritzsche Organ Company. = The owner, Stephen Emery, is a marvelous curator of many fine instruments. I = am fortunate to be working for him. We were called to a tuning job at this church because the whole Great Division was out-of-tune with the rest of = the organ. So therefore, we repitched it. This was a most boring task, especially = for me, the note holder. Nevertheless, after a whole day of tuning, we got = the thing perfectly in tune. I pulled on all the stops and played a hymn, and =   everything was right on; I also checked certain combinations as well that = were troublesome before. However, being the climate fluctuations here lately, = it may not be fully in tune on Sunday, though it will be much better than before. = In fact, when we got there the Great was practically 1 1/2 steps flat. This = is unfortunate, as it takes a lot more time to tune something sharp than to = tune it flat. BTW, repitching the 2 IV rank mixtures was the most fun... :) = Well, at least I got to play it afterwards. I thought the reeds were commanding = and very big, which is unusual of Schantz, however, nice. In fact, the reeds over power the 2 IV rank mixtures. If you are in the area, do attend, as = it's a marvelous instrument. Unfortunately, I won't be there, as I'm going to = see Todd Wilson at Woolsey Hall at 8 p.m.. Ahem...I take back that unfortunately....(I am very excited about see Todd Wilson at Woolsey = Hall!!!)   Sincerely, Christopher J. Howerter, SPC Director of Music and Organist St. Paul's Lutheran Church Bethlehem, PA Cell: (610) 462-8017   In a message dated 11/4/03 5:02:26 AM Eastern Standard Time, pipechat@pipechat.org writeps:   > Subject: DR. INA GRAPENTHIN ORGAN RECIATL > From: <MH96@aol.com> > Date: Tue, 4 Nov 2003 00:51:32 EST > > > > NEW GALLERY SCHANTZ PIPE ORGAN RECITAL > > DR. INA GRAPENTHIN > (KUTZTOWN UNIVERSITY PROFESSOR &ST. JOHN'S > ORGANIST)) > SUNDAY, NOVEMBER 9 > 3:00 P.M. > ST. JOHN'S LUTHERAN CHURCH > 201 EAST MAIN STREET > KUTZTOWN, PA 19530 > 610-683-3140 > > NEW GALLERY SCHANTZ PIPE ORGAN RECITAL > >    
(back) Subject: Re: DR. INA GRAPENTHIN ORGAN RECIATL From: "John L. Speller" <jlspeller@mindspring.com> Date: Tue, 04 Nov 2003 16:15:44 -0600   OrgelspielerKMD@aol.com wrote:   > Dear List, > > This new Schantz organ which is a III/38(?) instrument, is indeed a > lovely thing. I should know being I had the opportunity to play it on > Monday. I got this opportunity because I work part time for the > Fritzsche Organ Company. The owner, Stephen Emery, is a marvelous > curator of many fine instruments. I am fortunate to be working for > him. We were called to a tuning job at this church because the whole > Great Division was out-of-tune with the rest of the organ. So > therefore, we repitched it. This was a most boring task, especially > for me, the note holder. Nevertheless, after a whole day of tuning, > we got the thing perfectly in tune. I pulled on all the stops and > played a hymn, and everything was right on; I also checked certain > combinations as well that were troublesome before. However, being the > climate fluctuations here lately, it may not be fully in tune on > Sunday, though it will be much better than before. In fact, when we > got there the Great was practically 1 1/2 steps flat.   This is an enormous amount, and would not generally be explained by seasonal fluctuations, however stratified the air in the organ chamber might be. My boss' dictum is that if an organ is unexpectedly out of tune, find out why before attempting to retune it. This happened the other day, when we found the Choir division of a three manual instrument badly out of tune. On exploring inside the instrument we found that a reservoir weight had shifted on the Choir reservoir and was colliding with the Tremolo when the reservoir rose. We moved it and the organ instantly went back into tune.   John Speller      
(back) Subject: VOLUME IV Re: Junchen's Theatre Organ books (x post) From: <ScottFop@aol.com> Date: Tue, 04 Nov 2003 17:27:07 -0500   This begs the question: Where is Volume IV? Will we ever see it? Is it = any closer to completion than the last time over the past two years when I = have made my annual inquiry?   Scott Foppiano  
(back) Subject: Re: VOLUME IV Re: Junchen's Theatre Organ books (x post) From: "jch" <opus1100@catoe.org> Date: Tue, 04 Nov 2003 17:18:29 -0600   I'm still waiting for the "Junchen VOL 3"   jch   At 04:27 PM 11/4/03, ScottFop@aol.com wrote:   >This begs the question: Where is Volume IV? Will we ever see it? Is it =   >any closer to completion than the last time over the past two years when = I >have made my annual inquiry? > >Scott Foppiano >"Pipe Up and Be Heard!" >PipeChat: A discussion List for pipe/digital organs & related topics >HOMEPAGE : http://www.pipechat.org >List: mailto:pipechat@pipechat.org >Administration: mailto:admin@pipechat.org >Subscribe/Unsubscribe: mailto:requests@pipechat.org    
(back) Subject: RE: Paul Creston From: "leora holcomb" <leh637@yahoo.com> Date: Tue, 4 Nov 2003 16:43:38 -0800 (PST)   The first Sunday I was to play in a large church the guest singer was from = UNT. As she walked to the podium to sing she handed me Paul Creston's = Twentythird Psalm. Having never seen the music before I quickly peeked = through it as the prayer ended. The second page had more sharps than I = could count and accidentals all over the place. I was able to sight read = the first page, but when it came to the second I played the melody and = chords. The ending was not too difficult, considering what I had just = been through. After the service she complimented me, but added that the = middle part was "different' from her regular accompanist's rendition. = After the service the Music Director told me he was supposed to have given = me the music a week before but had forgotten. This same music director = was later fired for some of the same problems as Bishops and Priests in = other denominations. In fact, of all the music directors for whom I have = played, 5 have been fired, or allowed to resign. The churches just keep it quiet and don't even send their past records to the = next church to which they apply. Lee   "Emmons, Paul" <PEMMONS@wcupa.edu> wrote:I used to be Music Librarian at = Central Washington University, Ellensburg. Paul Creston had been on the = music faculty there for awhile, so ever since that time some effort was = made to acquire his music in both printed and recorded form. We never had = the resources to do an exhaustive job of it, but as I recall we had = Marilyn Mason's recording of the suite, as well as the score for that = work.       > -----Original Message----- > From: M Fox [SMTP:ophicleide16@direcway.com] > Sent: Monday, November 03, 2003 9:25 PM > To: PipeChat > Subject: Re: Paul Creston > > As far as I know, the Suite op. 70 is the only Creston solo organ work = that has been recorded. Donald Dumler recorded the Prelude at St. = Patrick's Cathedral on a Gothic CD; the intrepid Marilyn Mason recorded = the entire Suite many years ago on an obscure Mirrosonic LP; and the = redoubtable George Thalben-Ball recorded the very jolly Toccata on a Vista = LP. > > MAF > > ----- Original Message ----- > From: Richard Hazelip > To: PipeChat > Sent: Monday, November 03, 2003 5:00 PM > Subject: Paul Creston > > I am studying the music of Paul Creston written for organ and am = especially interested in finding recordings of his organ music. It seems = obvious that the music was not widely recorded. Please let me know if you = have access to this treasure and are willing to help. > > Richard Hazelip > "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:pipechat@pipechat.org Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: mailto:requests@pipechat.org         --------------------------------- Do you Yahoo!? Protect your identity with Yahoo! Mail AddressGuard  
(back) Subject: Re: consultants responsibilities From: <TubaMagna@aol.com> Date: Tue, 4 Nov 2003 19:57:26 EST   Had the church had an attorney read over the contract, they simply would = not have been permitted to sign something so ambiguous.  
(back) Subject: The best organ consultant... From: <TubaMagna@aol.com> Date: Tue, 4 Nov 2003 20:11:18 EST   The best organ consultant just might be a fine, reputable = organbuilder, paid for his services, who does not have the time to actually take on the contract himself, or is not inclined to bid on the instrument. To clarify: a reputable organbuilder with a backlog long enough for = him to not be in the running to build the organ, but who still would have the = time to oversee the design, construction, installation, and finishing of the = organ. There are organists and academics who DO make fine consultants, especially if they have been through the process of commissioning and = organ for their own church or university, and have seen the project through from start to finish. The fact remains that a fine organbuilder will have THE INTERESTS OF = THE INSTRUMENT highest on his list, protecting the project from pitfalls from = both sides. Botched organbuilding projects are not always destroyed by the builder; organ funds DO disappear, organists DO go nuts with change = orders, or hire their hobbyist friends from college to make changes, or decide that ten = digital "mixtures" should be added to their Hutchings. Clergy changes, outside contractors damage instruments in progress, etc. An organbuilder, not a theoretician, will remind the church about insurance issues, installation = choreography, acoustical matters, etc., since they have had to face it all before, and = keep a mental list of errors they have made or witnessed in the past. Anybody can claim to be a consultant; there is one fellow out there = who will design the ultimate "American Classic" organ for you over the = internet. And he is counting on the fact that somebody will fall for it.   Sebastian M. Gluck New York City  
(back) Subject: VOLUME III Re: VOLUME IV Re: Junchen's Theatre Organ books (x post) From: <ScottFop@aol.com> Date: Tue, 4 Nov 2003 21:15:23 EST   In a message dated 11/4/03 5:23:38 PM Central Standard Time, opus1100@catoe.org writes:   > I'm still waiting for the "Junchen VOL 3" > > jch   It's available from the OHS online shop.   Scott F. Foppiano Cantantibus organis Caecilia Domino decantabat.    
(back) Subject: Bach's Memento, was Olivier Latry in Detroit From: "Glenda" <gksjd85@direcway.com> Date: Tue, 04 Nov 2003 20:10:36 -0600   Who publishes this?   Thanks,   Glenda Sutton gksjd85@direcway.com   -----Original Message----- =20 Published in 1925, Widor wrote 6 transcriptions of Bach works.=A0 The collection was given the name=A0Bach's Memento.=A0 The fourth = composition in the set=A0is Marche du Veilleur de Nuit=A0 (Moderato), and=A0is a transcription from Bach Cantata BWV 140 (Wachet Auf).=A0 It is a free paraphrase of the chorale.=A0 Other pieces in the work are based on the Pastorella (BWV 590), The Harpsichord Preludes in d minor(BWV 851), and e minor(BWV 855), Second mvmnt. of Siciliano in g min (from Sonate fur Flote und Cembalo in Eb Major (BWV 1031), and the final chorus of St. Matthaus Passion (BWV 244).=A0 Hope this helps! Cheers,=20 gfc =A0        
(back) Subject: Re: VOLUME III Re: VOLUME IV Re: Junchen's Theatre Organ books (x post) From: "David Scribner" <david@blackiris.com> Date: Tue, 4 Nov 2003 20:19:08 -0600   >In a message dated 11/4/03 5:23:38 PM Central Standard Time, >opus1100@catoe.org writes: > >>I'm still waiting for the "Junchen VOL 3" >> >>jch >> > > >It's available from the OHS online shop.   Scott   What is available from the OHS online shop is NOT David Junchen's Volume 3. Some of us are waiting for the JUNCHEN version of Volume 3!   David