PipeChat Digest #4107 - Monday, November 10, 2003
 
Re: public domain?
  by "Domitila Ballesteros" <dballesteros@uol.com.br>
Re: John Knowles _?_; miscellaneous
  by "John Foss" <harfo32@yahoo.co.uk>
Allen MDS Expander II
  by "Joel Armengaud" <jarmengaud@apsydev.com>
Paine, Payne??
  by "Malcolm Wechsler" <manderusa@earthlink.net>
Re: John Knowles _?_; miscellaneous
  by "Robert Lind" <lindr@core.com>
Re: Allen MDS Expander II
  by "john volbeda" <johnvolbeda@hotmail.com>
RE: Paine, Payne??
  by "Glenda" <gksjd85@direcway.com>
Guilmant noels
  by "Glenda" <gksjd85@direcway.com>
Pipe Dreams/Looking for Advent Introit
  by "Fran Walker" <fwalker@northwestern.edu>
Re: Paine, Payne??
  by "John L. Speller" <jlspeller@mindspring.com>
 

(back) Subject: Re: public domain? From: "Domitila Ballesteros" <dballesteros@uol.com.br> Date: Mon, 10 Nov 2003 08:01:57 -0200   Go to   http://www.sheetmusicarchive.net/compositions_b/pre&fug2.pdf   or http://www.sheetmusicarchive.net/single_listing.cfm?composer_id=3D2   Domitila   Dr. Amy Fleming wrote:   >My daughter wanted to see a copy of Bach's Prelude and Fugue in C minor = BWV >847, the fugue part, to see if she could play it yet. I looked on the >public domain site but didn't see it. Am I missing something or is it = just >not up there? There were a couple of Inventions also that we did not = see >either. >Thanks, Amy Fleming > >"Pipe Up and Be Heard!" >PipeChat: A discussion List for pipe/digital organs & related topics >HOMEPAGE : http://www.pipechat.org >List: mailto:pipechat@pipechat.org >Administration: mailto:admin@pipechat.org >Subscribe/Unsubscribe: mailto:requests@pipechat.org > > > > >        
(back) Subject: Re: John Knowles _?_; miscellaneous From: "John Foss" <harfo32@yahoo.co.uk> Date: Mon, 10 Nov 2003 12:35:30 +0000 (GMT)   The recording I have of the Payne variations was sent to me by a friend in Australia from an Australian broadcast, and the writing on the CD is in his hand - he spells it Payne. A quick check on Google shows the John Knowles Payne concert hall at Harvard - I expect they've got it right. Yes, the Guilmant is "Infant Holy" - it comes from the first album of NOELS POUR ORGUE op 60 (there are 2) published by Schott, which include 18 pieces in all, 11 in the first and seven in the second. Well worth having in your stocking at Christmas! Maybe they are on the OHS CD? I have it around somewhere, but can't lay my hand on it at the moment. Murphy's law. John Foss   =3D=3D=3D=3D=3D www.johnfoss.gr http://groups.yahoo.com/group/orgofftop/ Topics of the week : Line from Plati Gene Robinson's appointment   ________________________________________________________________________ Want to chat instantly with your online friends? Get the FREE Yahoo! Messenger http://mail.messenger.yahoo.co.uk  
(back) Subject: Allen MDS Expander II From: "Joel Armengaud" <jarmengaud@apsydev.com> Date: Mon, 10 Nov 2003 13:38:42 +0100   Is someone the owner of an Allen MDS Expander II device? I have a couple of questions, before I decide or not to purchase it...   For instance, the documentation says: "Up to four Expander voices are = available simultaneously, and each may be assigned to a different organ = division". Does it mean that I can assign different voices to the same organ = division (like for instance the Swell keyboard)?   Thanks,   -Joel  
(back) Subject: Paine, Payne?? From: "Malcolm Wechsler" <manderusa@earthlink.net> Date: Mon, 10 Nov 2003 08:07:53 -0500   Hi John,   Interesting, this. I took my spelling in my OHS posting from Ann Marie Rigler's printed program in the Organ Handbook, and I note that John Henderson uses the Paine spelling in his book, and I have a late edition = of Corliss Arnold, and he does the same. However, what Harvard says possibly trumps all else. I suppose there might well have been Paine/Payne descendants at the dedication of the hall at Harvard. An incorrect = spelling would not have gone down well at all!   The old saying: "I don't care what you say about me. Just spell my name right" may apply! You say Lassus, I say Lasso.   Cheers,   Malcolm Wechsler www.mander-organs.com     ----- Original Message ----- From: "John Foss" <harfo32@yahoo.co.uk> To: "PipeChat" <pipechat@pipechat.org> Sent: Monday, November 10, 2003 7:35 AM Subject: Re: John Knowles _?_; miscellaneous     > The recording I have of the Payne variations was sent > to me by a friend in Australia from an Australian > broadcast, and the writing on the CD is in his hand - > he spells it Payne. A quick check on Google shows the > John Knowles Payne concert hall at Harvard - I expect > they've got it right.      
(back) Subject: Re: John Knowles _?_; miscellaneous From: "Robert Lind" <lindr@core.com> Date: Mon, 10 Nov 2003 08:06:07 -0600   Not believing for a moment that "Payne" is correct, I just Googled = "Harvard University" and keyed in "concert hall" in their search mechanism. Nothing but "Paine."   Bob Lind     ----- Original Message -----   > The recording I have of the Payne variations was sent > to me by a friend in Australia from an Australian > broadcast, and the writing on the CD is in his hand - > he spells it Payne. A quick check on Google shows the > John Knowles Payne concert hall at Harvard - I expect > they've got it right. .. > John Foss      
(back) Subject: Re: Allen MDS Expander II From: "john volbeda" <johnvolbeda@hotmail.com> Date: Mon, 10 Nov 2003 06:25:36 -0800   Hello Joel,   The Expander only allows one voice per MIDI channel. So, one for Swell, = one for Great, one for Pedal, etc.   There is a trick to allow two voice per MIDI channel and is explained at = the Allen-Organ Owners User Group.   http://groups.yahoo.com/group/Allen-Organ-Owners/   John Volbeda MDS 45 System 1200     >From: "Joel Armengaud" <jarmengaud@apsydev.com> >Reply-To: "PipeChat" <pipechat@pipechat.org> >To: <pipechat@pipechat.org> >Subject: Allen MDS Expander II >Date: Mon, 10 Nov 2003 13:38:42 +0100 > >Is someone the owner of an Allen MDS Expander II device? >I have a couple of questions, before I decide or not to purchase it... > >For instance, the documentation says: "Up to four Expander voices are >available simultaneously, and each may be assigned to a different organ >division". >Does it mean that I can assign different voices to the same organ = division >(like for instance the Swell keyboard)? > >Thanks, > >-Joel   _________________________________________________________________ MSN Shopping upgraded for the holidays! Snappier product search... http://shopping.msn.com    
(back) Subject: RE: Paine, Payne?? From: "Glenda" <gksjd85@direcway.com> Date: Mon, 10 Nov 2003 09:41:08 -0600   I googled too and only came up with "Paine".   Glenda Sutton gksjd85@direcway.com            
(back) Subject: Guilmant noels From: "Glenda" <gksjd85@direcway.com> Date: Mon, 10 Nov 2003 09:41:08 -0600   At least some of the Guilmant noels are found on the "CD Sheet Music" - I haven't checked to see if all are there, but would assume so. They are also found in Leupold's Guilmant collection, volume 12.   Glenda Sutton gksjd85@direcway.com     -----Original Message----- From: pipechat@pipechat.org [mailto:pipechat@pipechat.org] On Behalf Of John Foss   Yes, the Guilmant is "Infant Holy" - it comes from the first album of NOELS POUR ORGUE op 60 (there are 2) published by Schott, which include 18 pieces in all, 11 in the first and seven in the second. Well worth having in your stocking at Christmas! Maybe they are on the OHS CD? I have it around somewhere, but can't lay my hand on it at the moment. Murphy's law. John Foss          
(back) Subject: Pipe Dreams/Looking for Advent Introit From: "Fran Walker" <fwalker@northwestern.edu> Date: Mon, 10 Nov 2003 11:53:32 -0600   Yes, Stan, I've enjoyed the recently broadcast Pipe Dreams, as the pieces=20 didn't sound as esoteric as usual. Forgive me, I am not asking for dumbed= =20 down music, but rather perhaps sometimes more pieces with a melody every so= =20 often, and favorite Bach and other favorite repertoire selections a little= =20 more often. Whenever I turn on this station, I can't help but think that= =20 non-organists (including my church members) are also listening, and are=20 switching the station when they can't relate to the piece being=20 broadcast. I don't mean to seem unappreciative of Pipe Dreams; I feel so= =20 lucky to have it, especially on Friday nights (8-9pm?) in the Chicago area= =20 now, instead of in the middle of the night as in recent years. Michael=20 Barone is a wonderful commentator and he does indeed make the organ seem=20 more appealing to the "layman."   On the subject of make the organ seem more appealing to the "layman," I=20 would like to report that several in my congregation tell me they're=20 disappointed that our new pipe organ is placed so that they can't see the=20 organist playing (as in the past with our nice sounding but held together=20 with duct tape/rubber bands/bubble gum pipe organ). The new invisibility=20 makes it seem like The Phantom of the Organ is playing, or for that matter= =20 a tape recording could be playing. Plus in the past they liked seeing how= =20 the organ was played. But the present placement was required because it's= =20 a tracker; it *sounds really good, anyhow; here it is:   http://www.buzardorgans.com/opus/opus24-list.html   You are all invited to come and try it out; I'm there 5 days a week so we=20 can find a time. And you are welcome to give a recital on it, or play on a= =20 recital that I hope to organize after our handicap driveway=20 controversy/hoo-hah is over (I won't go there for now, ok?). Perhaps one=20 of my techie friends can set up a video-cam so the people can see us= playing.   LAST, BUT MOST URGENT, HELP! HELP!! OUR CHOIR DIRECTOR HAS USED THE SAME= =20 ADVENT INTROIT FOR 20 YEARS. OUR CHOIR WOULD LIKE A NEW ONE. ANY=20 SUGGESTIONS? IT'S ABOUT THE LENGTH OF ONE VERSE OF A HYMN SUNG=20 SLOWLY. HE'S BEEN USING AN ARRANGEMENT WHICH COMBINES "PICARDY" AND "VENI= =20 EMMANUEL." FIRST (AS I REMEMBER, IT'S SOMETHING LIKE THIS, ANYHOW) THE=20 WOMEN SING "VENI EMMANUEL" ALONE, THEN THE MEN SING PICARDY ALONE, THEN ALL= =20 TOGETHER SING BOTH TUNES/WORDS IN A CANON-TYPE ARRANGEMENT. ANY SUGGESTIONS= =20 FOR A *NEW PIECE? THANKS!!   Fran Walker (fwalker@northwestern.edu) Organist, North Shore United Methodist Church Glencoe, IL 847-835-1227 http://www.gbgm-umc.org/northshoreumc/       LITTLE LONGER THAT   The Skinner at the Cincinnati Union Terminal sounds as good in a recording= as it does in person. Mr. Barone, are there any plans ot offer these recordings for sale to the general public?   Stan Krider       At 04:01 AM 11/10/2003, you wrote: >PipeChat Digest #4106 - Monday, November 10, 2003 > > The Star Spangled Banner > by "John Foss" <harfo32@yahoo.co.uk> > Variations > by "John Foss" <harfo32@yahoo.co.uk> > RE: Skinner @ the Cincinnati Union Terminal > by <Wuxuzusu@aol.com> > John Knowles _?_; miscellaneous > by "Glenda" <gksjd85@direcway.com> > RE: Schola What? > by "Andr=E9s G=FCnther" <agun@telcel.net.ve> > Suor Angelica > by "=3D?Windows-1252?B?QW5kculzIEf8bnRoZXI=3D?=3D"= <agun@telcel.n > public domain? > by "Dr. Amy Fleming" <docamy@alltel.net> > brain teaser > by "Dr. Amy Fleming" <docamy@alltel.net> > brain teaser answer > by "Dr. Amy Fleming" <docamy@alltel.net> > Re: PipeChat Digest #4102 - 11/08/03 > by <hydrant@baskerbeagles.com> > Re: PipeChat Digest #4102 - 11/08/03 > by <hydrant@baskerbeagles.com> > Re: PipeChat Digest #4105 - 11/09/03 > by <hydrant@baskerbeagles.com> > Re: public domain? > by "Noel Stoutenburg" <mjolnir@ticnet.com> > > >---------------------------------------------------------------------- > >Subject: The Star Spangled Banner >From: "John Foss" <harfo32@yahoo.co.uk> >Date: Sun, 9 Nov 2003 13:25:55 +0000 (GMT) > >Dear list, >A small world - I had just been listening to the Star >Spangled Banner Variations by John Knowles PAYNE >played by Michael Dudman on the organ of Newcastle >Conservatorium NSW when I read Glenda's post. Michael >had discovered it during a recital tour of the USA for >the Australian Broadcasting Commission and added it to >his repertoire. It's a nice piece. >John Foos > >=3D=3D=3D=3D=3D >www.johnfoss.gr >http://groups.yahoo.com/group/orgofftop/ >Topics of the week : >Farewell to an era - Concorde says goodbye >50 years ago >Menu of the week : Moussaka > >________________________________________________________________________ >Want to chat instantly with your online friends? Get the FREE Yahoo! >Messenger http://mail.messenger.yahoo.co.uk > >---------------------------------------------------------------------- > >Subject: Variations >From: "John Foss" <harfo32@yahoo.co.uk> >Date: Sun, 9 Nov 2003 13:39:05 +0000 (GMT) > >Dear List, >Talking about Payne's Variations on the Star Spangled >Banner reminded me of another set of variations I >discovered from Michael Dudman's recordings - >Variations on a Polish Noel by Guilmant. With >Christmas in the offing I can highly recommend this >piece - lively and suitable for both concert and >church use. I discovered another set of variations by >Guilmant on the Choral "Was Gott tut, das ist >wohlgetan." This is not as well known as the Liszt >variations on the same theme, but as a piece of organ >music is, I think, better conceived for the >instrument. >John Foss > >=3D=3D=3D=3D=3D >www.johnfoss.gr >http://groups.yahoo.com/group/orgofftop/ >Topics of the week : >Farewell to an era - Concorde says goodbye >50 years ago >Menu of the week : Moussaka > >________________________________________________________________________ >Want to chat instantly with your online friends? Get the FREE Yahoo! >Messenger http://mail.messenger.yahoo.co.uk > >---------------------------------------------------------------------- > >Subject: RE: Skinner @ the Cincinnati Union Terminal >From: <Wuxuzusu@aol.com> >Date: Sun, 9 Nov 2003 13:20:20 EST > >Greetings, >Did anyone enjoy the recently broadcast Pipe Dreams as much as I did? > >The Skinner at the Cincinnati Union Terminal sounds as good in a recording= as >it does in person. Mr. Barone, are there any plans ot offer these= recordings >for sale to the general public? > >Stan Krider > > >---------------------------------------------------------------------- > >Subject: John Knowles _?_; miscellaneous >From: "Glenda" <gksjd85@direcway.com> >Date: Sun, 09 Nov 2003 13:22:40 -0600 > >To John Foss and others, > >My music and Henderson lists JKP's name as "Paine", not "Payne". Which >would be correct? Since we have both in this area, and each group >doesn't recognize the other spelling, I guess it is important to some. >Would Johnnie have been some kin to Thomas Paine? > >I'm very glad to hear of his Star-Spangled Banner variations. I once >heard someone play in recital his Fantasie on 'Ein Feste Burg', which >also was a nice piece. > >Yes, the Guilmant Variations on a Polish Carol(isn't that "Infant holy, >infant lowly"?) is a great little piece. So is his Offertoire on >'Joseph est bien Marie'. It seems to me that the Oxford Christmas book >has something by him on two carols, perhaps 'Greensleeves' and 'Adeste >fidelis'? > >Sounds like a nice recording. > >Glenda Sutton >gksjd85@direcway.com >(who this weekend got addicted to Book TV/C-Span2, with its coverage of >the Miami Book Fair, but will pause long enough to do a Google search) > > >-----Original Message----- >From: pipechat@pipechat.org [mailto:pipechat@pipechat.org] On Behalf Of >John Foss > >Talking about Payne's Variations on the Star Spangled >Banner reminded me of another set of variations I >discovered from Michael Dudman's recordings - >Variations on a Polish Noel by Guilmant. With >Christmas in the offing I can highly recommend this >piece - lively and suitable for both concert and >church use. I discovered another set of variations by >Guilmant on the Choral "Was Gott tut, das ist >wohlgetan." This is not as well known as the Liszt >variations on the same theme, but as a piece of organ >music is, I think, better conceived for the >instrument. > > > > >---------------------------------------------------------------------- > >Subject: RE: Schola What? >From: "Andr=E9s G=FCnther" <agun@telcel.net.ve> >Date: Sun, 9 Nov 2003 21:54:02 -0400 > >Andres Gunther >agun@telcel.net.ve > >Thanks, Malcolm. But honestly, the credit of this term goes to a dear >colleague and friend :) > >Cheers >Andres > >----- Original Message ----- >From: Malcolm Wechsler <manderusa@earthlink.net> >To: PipeChat <pipechat@pipechat.org> >Sent: Saturday, November 08, 2003 8:35 PM >Subject: Schola What? > > > > Andr=E9s, > > > > You will be forever remembered for "Schola Guitarum." That you for that! > > > > Malcolm > > > > > >---------------------------------------------------------------------- > >Subject: Suor Angelica >From: "=3D?Windows-1252?B?QW5kculzIEf8bnRoZXI=3D?=3D" <agun@telcel.net.ve> >Date: Sun, 9 Nov 2003 21:54:42 -0400 > >Andres Gunther >agun@telcel.net.ve > >Like many organists I am not an Opera friend :) - but yesteray evening I >went to a representation of "Suor Angelica" (from G. Puccini) in the "Anna >Julia Rojas Hall" of the Caracas Athaeneum, due to a special occasion:= Pablo >Castellanos, who was my organ instructor, conducted the Caracas= Philharmonic >Orchestra at the performance, and Napoelon Savelli, who was my >pupil, played the organ part! And I, squeezed between these two= generations, >sat as spectator waiting for the things to come. > >I learned that this One-Act-Opera had its first presentation at the NY= "Met" >on Dec 14 1918. The libretto is a Stinker, IMHO- Mix of "Verismo" and shady >aspects of a hypocresial catholic society carried to High Dramatics; a Nun >committing suicide-- Jeeech; a nasty Old Hat. But Puccini's music is >terrific, of course. >Also great was the presentation at the Athaeneum. Two of Venezuela's four >strong music points are precisely choral and orchestral performance, and >hencefore we have really good singers and orchestras. 'Zia Princessa' (the >bad, old Cocatoo who brings the bad news) was very convincing... the= scenery >wasn't always, however. When Zia Princessa leaned against a column, the >entire cloister colonnade started to shift aside and Zia Princessa swiftly >pulled it back into the right position- single left-handed! I had all >hands to do to avoid a LOL at this very dramatic moment. After the >presentation I saw that the whole affair is supended from steel cables and >learned that the actresses had the strict instruction to NOT to lean= against >the colonnade :) > >Pablo Castellanos isn't only a gifted organist / instructor (former student >of >Jean Langlais & Andre Fleury) but a great conductor too (he was student of >Sergiu Celibidache). Here, his task was rather tricky because the Orchestra >had to play *behind* the scene (the Anna Julia Rojas >Hall is for Theatre representations and has no orchestra groove). > >During the performance the nuns always kept their eyes beatifically= upturned >to heaven. I was fond of this gag- until I discovered that in the rear= upper >part of the hall, behind our backs, there was a screen, and on the screen >there was the live- projected image of Pablo from behind the scenery, >conducting and giving the entries to the actresses!- Further on, >spanish subtitulations were projected on another screen at the right side= of >the scene. This was quite helpful. Although italian is very similar to >spanish I wasn't forced to understand all and everything and a quick glance >now and then kept me on track- of course I had studied the libretto at >home before the presentation! > >Napoleon Savelli did a good job too. This was his first performance with an >orchestra. But the organ (a digital) was a disappointing affair. It just >hold volume with the orchestra but didn't surpass it, although "Napo" >Savelli told me that it was deafening behind the scene. The High >point for the Organ comes at the very moment when the miracle occurs- when >Suor Angelica's suicide is forgiven at last minute before she dies- but the >"King of Instruments" sounded just like another instrument more although >Napo used the "Tutti" and wide 'open swell'. I doubt that Mr. Skinner >would have stood up and yelled: "Thar she blows"!! :) > >Anyway the presentation was a success and all were in High Spirits >afterwards. For my junior colleague this could have been a breakthrough- >Pablo told him that, in case he did well on "Sour" Angelica :), he would= put >him in charge of Saint-Saens' Sixth Symphony organ part. >Let's wish him the best! > >Cheers >Andres >=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D >First was the cat, then was the Orgler. >The Orgler got a pet and the cat got something to wonder about. > > >---------------------------------------------------------------------- > >Subject: public domain? >From: "Dr. Amy Fleming" <docamy@alltel.net> >Date: Sun, 9 Nov 2003 20:03:18 -0600 > >My daughter wanted to see a copy of Bach's Prelude and Fugue in C minor BWV >847, the fugue part, to see if she could play it yet. I looked on the >public domain site but didn't see it. Am I missing something or is it just >not up there? There were a couple of Inventions also that we did not see >either. >Thanks, Amy Fleming > > >---------------------------------------------------------------------- > >Subject: brain teaser >From: "Dr. Amy Fleming" <docamy@alltel.net> >Date: Sun, 9 Nov 2003 20:59:51 -0600 > >Ok, here is another one to see how sharp you all are. <grin> Actually I >really want to know and you were all very helpful in the past. Andrew= Lloyd >Webber wrote a piece titled "Variations 1-4" based on a theme by Paganini >for Cello and Piano. What is the Paganini piece? I have google searched >and come up empty. Maybe another few hours of searching but I thought >someone here might know. Thanks, I know this is off topic but it IS music >related. Amy > > >---------------------------------------------------------------------- > >Subject: brain teaser answer >From: "Dr. Amy Fleming" <docamy@alltel.net> >Date: Sun, 9 Nov 2003 21:08:29 -0600 > >Well I finally found it. Caprice in A minor #24. Beautiful, wish I could >play it on my violin (they have it arranged) but I'm not nearly at that >level! Amy > > >---------------------------------------------------------------------- > >Subject: Re: PipeChat Digest #4102 - 11/08/03 >From: <hydrant@baskerbeagles.com> >Date: Mon, 10 Nov 2003 00:59:58 -0500 > >From: "Charles Peery" <cepeery@earthlink.net> >Date: Sat, 8 Nov 2003 08:06:10 -0500 > ><Somebody just donated a 7-foot Steinway that's to be >dedicated in January, with the now-out-of-town donor present >in worship.> > >I think a very good way to show off the piano would be to use >it as an accompanimental instrument with the choir. For this >purpose John Rutter's setting of "For the Beauty of the Earth" >is wonderful. It's lilting, uses the piano to great >advantage and is fun for the choir. Not to mention that I've >never met anyone who didn't like the piece (except on the >"lists" !!) ;-) . > >An organ/piano duet on favorite hymns, or even using the >piano and organ to accompany some favorite gospel hymns would >be fun and probably much appreciated. But, be careful not to >do anything that you don't want to continue doing, or that is >out of character with your church's music program. > >=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D > >Scritchies and Haruffaroo-bahawow... > >Unkie Doinky ... aka Bruce and the Baskerbeagles of=20 >HowlingAcres http://baskerbeagles.com >HELP FEED ANIMALS FOR FREE http://tinyurl.com/2j5i and = http://pets.care2.com > >---------------------------------------------------------------------- > >Subject: Re: PipeChat Digest #4102 - 11/08/03 >From: <hydrant@baskerbeagles.com> >Date: Mon, 10 Nov 2003 01:15:09 -0500 > >somebody wrote: >< I tried Preludes but Ushers, Deacons and the Nun would walk >up to the pulpit microphone and start making announcements, >yelling over the organ until I would stop. > > >This is easy to deal with. Simply politely pause while the >announcement is being made and then continue after the >annoucement. Oh yeah.... be sure to hold the chord you >were playing when the announcement started until the >announcement is over.... and then continue!!! ;-) > >My favorite example of this was on a national holiday when a >friend was visiting and I wanted to show him a particularly >beautiful RC church. We came in just as the offertory hymn >was announced ("My Country 'Tis of Thee") by the lector. The >organist played the introduction and then began bellowing into >her microphone at the console in the gallery. She had sung >only a few words when the lector returned to the mike, having >forgotten to announce the second collection. The hymn >sounded like this: > >"My county 'tis of thee, sweet land of lib-the second >collection will be for St. Bertha's orphanage please be >generous-erty, of thee I sing....." > >it was hilarious! but no one seemed to be either surprised >or rattled! yeesh! > >Scritchies and Haruffaroo-bahawow... > >Unkie Doinky ... aka Bruce and the Baskerbeagles of=20 >HowlingAcres http://baskerbeagles.com >HELP FEED ANIMALS FOR FREE http://tinyurl.com/2j5i and = http://pets.care2.com > >---------------------------------------------------------------------- > >Subject: Re: PipeChat Digest #4105 - 11/09/03 >From: <hydrant@baskerbeagles.com> >Date: Mon, 10 Nov 2003 02:02:03 -0500 > >Subject: Ruth Brunner funeral >From: "Karl Moyer" <kmoyer@marauder.millersville.edu> > > >The death of our dear departed sister Ruth Brunner is >announced in today's Lancaster PA newspapers, as well as her >funeral Monday night at 7 p.m. in Lutheran Church of the Holy >Spirit, Lancaster.> > >Ruth was such a wonderful lady. I was so impressed with her >at the OHS convention. We will miss her dedication, her fine >work, and most of all her kind and generous spirit. Her >gifts of kindness and dedication will keep her with us in our >heart. >Scritchies and Haruffaroo-bahawow... > >Unkie Doinky ... aka Bruce and the Baskerbeagles of=20 >HowlingAcres http://baskerbeagles.com >HELP FEED ANIMALS FOR FREE http://tinyurl.com/2j5i and = http://pets.care2.com > >---------------------------------------------------------------------- > >Subject: Re: public domain? >From: "Noel Stoutenburg" <mjolnir@ticnet.com> >Date: Mon, 10 Nov 2003 01:33:42 -0600 > >Dr. Amy Fleming wrote: > > >My daughter wanted to see a copy of Bach's Prelude and Fugue in C minor= BWV > >847, the fugue part, to see if she could play it yet. I looked on the > >public domain site but didn't see it. Am I missing something or is it= just > >not up there? > > >Perhaps you could post the location of the public domain site you are >referring to. Meantime, most of the public domain sites are "user >supported"; if BWV 847 is not up there, it's more than likely because no >one has contributed it yet. > >I don't remember where you're located, but I have a possisble solution. >Take a field trip with your daughter to the nearest college or municipal >library with a good music department; they will likely have either the >old Bach Gesellschaft, or Neue Bach Ausgabe editions, that your daughter >can inspect. After doing this, spend some time looking to see what >other treasures might be available. > >ns > > >---------------------------------------------------------------------- >End of PipeChat Digest > >"Pipe Up and Be Heard!" >PipeChat: A discussion List for pipe/digital organs & related topics >HOMEPAGE : http://www.pipechat.org >List: mailto:pipechat@pipechat.org >Administration: mailto:admin@pipechat.org >Subscribe/Unsubscribe: mailto:requests@pipechat.org   ************************************************** Fran Walker (fwalker@northwestern.edu) CMS-EMS (Center for Mathematical Studies in Economics & Management Science) Northwestern University Phone: 847-491-3527; Fax: 847-491-2530 2001 Sheridan Road, Rm. 580 Evanston, IL 60208-2014 http://www.kellogg.nwu.edu/research/math **************************************************      
(back) Subject: Re: Paine, Payne?? From: "John L. Speller" <jlspeller@mindspring.com> Date: Mon, 10 Nov 2003 12:03:58 -0600       Malcolm Wechsler wrote:   >Hi John, > >Interesting, this. I took my spelling in my OHS posting from Ann Marie >Rigler's printed program in the Organ Handbook, and I note that John >Henderson uses the Paine spelling in his book, and I have a late edition = of >Corliss Arnold, and he does the same. However, what Harvard says possibly >trumps all else. I suppose there might well have been Paine/Payne >descendants at the dedication of the hall at Harvard. An incorrect = spelling >would not have gone down well at all! > > > Perhaps he spelled it more than one way himself. The organbuilder J. W. Steer later used the spelling Steere of his name. My great grandfather, John Humphrey, got so fed up with correcting people for misspelling his name Humphreys that he changed his name to BE Humphreys. Others of my ancestors in the nineteenth century variously spelled their names Vyvyan and Vivian, Marquess and Marquis.   John Speller