PipeChat Digest #4214 - Monday, January 12, 2004
 
Re: AGO 2004 LA
  by <DarrylbytheSea@aol.com>
Re: St. George's Hall, Liverpool samples for Hauptwerk
  by "Colin Mitchell" <cmys13085@yahoo.co.uk>
Mechanical Action
  by "Robert Nickel" <rnickel@charter.net>
Prelude, Fugue, and Variation
  by "Alicia Zeilenga" <azeilenga@theatreorgans.com>
Re: Mechanical Action
  by "Arie Vandenberg" <ArieV@ClassicOrgan.com>
Re: Prelude, Fugue, and Variation
  by "noel jones" <gedeckt@usit.net>
Re: Calvary Baptist Church, Manhattan
  by "Alan Freed" <acfreed0904@earthlink.net>
Re: Mechanical Action with second electric console
  by <quilisma@cox.net>
Re: Funeral music
  by "Alan Freed" <acfreed0904@earthlink.net>
Re: St. George's Hall, Liverpool samples for Hauptwerk
  by "Mattcinnj" <mattcinnj@yahoo.com>
Re: Ringling organ
  by "Jim Filsinger" <kimballl@yahoo.com>
Re: Prelude, Fugue, and Variation
  by <Montre1978@aol.com>
Re: Calvary Baptist Church, Manhattan
  by "Alicia Zeilenga" <azeilenga@theatreorgans.com>
Re: Calvary Baptist Church, Manhattan
  by "Alicia Zeilenga" <azeilenga@theatreorgans.com>
Re: Funeral music
  by "Alicia Zeilenga" <azeilenga@theatreorgans.com>
Re: Swell boxes
  by "Larry Wheelock" <llwheels@mac.com>
Fisk organ installation in MN
  by "Mark Nelson" <marknelson@cbfisk.com>
Re: Prelude, Fugue, and Variation
  by "Alicia Zeilenga" <azeilenga@theatreorgans.com>
Re: Prelude, Fugue, and Variation
  by <Gfc234@aol.com>
Re: Prelude, Fugue, and Variation
  by <RonSeverin@aol.com>
Re: Prelude, Fugue, and Variation
  by <Keys4bach@aol.com>
New Virgil Fox CD-DVD
  by "William T. Van Pelt" <bill@organsociety.org>
Music search
  by <Pepehomer@aol.com>
 

(back) Subject: Re: AGO 2004 LA From: <DarrylbytheSea@aol.com> Date: Mon, 12 Jan 2004 06:16:49 EST   Hi, Y'all!   I'm going and am registrant 169.   Have a great week.   Darryl Miller    
(back) Subject: Re: St. George's Hall, Liverpool samples for Hauptwerk From: "Colin Mitchell" <cmys13085@yahoo.co.uk> Date: Mon, 12 Jan 2004 04:59:13 -0800 (PST)   Hello,   Which Willis, I ask?   The rather chaotic sound of the fluework is impressive enough, but the added heavy pressure chorus (Willis III) does not fit well alongside the original.   Even the original is a bit "gritty."   That said, it is worth having the samples just for the reeds, but even they are a bit of a mix and match covering the period of the original Fr.Willis and the organ as it was re-built and enlarged.   Don't get me wrong, I LOVE that organ.....it has a unique character, but strangely, I can understand why Cavaille-Coll wasn't over impressed by it.   It's a great, heaving, mass of sound, and on full organ, almost beyond bearable! Explore the softer stops, and it has a magic all its own.   I can't help but think that this, like the organ of the Royal Albert Hall, was effectively ruined by the attention of Edwardian re-builders. It is often stated, that the original Fr.Willis big reeds were far more searing in tone, and that they are now a shadow of their former selves.   Regards,   Colin Mitchell UK         --- Martin Dyde <martin.dyde@hauptwerk.co.uk> wrote: > > PS When are those English Romantic (Liverpool ???) > sample libraries coming >   __________________________________ Do you Yahoo!? Yahoo! Hotjobs: Enter the "Signing Bonus" Sweepstakes http://hotjobs.sweepstakes.yahoo.com/signingbonus  
(back) Subject: Mechanical Action From: "Robert Nickel" <rnickel@charter.net> Date: Mon, 12 Jan 2004 08:13:43 -0600   Hi, Chatters:   I have a question about mechanical action. Not sure I'll word it = correctly, but someone will understand what I mean. =20   I have seen instruments in TAO that feature mechanical action but also = have a remote console which operates electrically. What is involved in converting an existing mechanical action instrument to add a remote = console?     Thanks.   Bob Nickel    
(back) Subject: Prelude, Fugue, and Variation From: "Alicia Zeilenga" <azeilenga@theatreorgans.com> Date: Mon, 12 Jan 2004 08:20:35 -0600   Hello, Y'all, Does anyone know what the Prelude, Fugue, and Variation by Cesar Franck was written for? It seems like my professor told me that it was originally for piano and harmonium, but I never found that in what I read about it. Also, there is controversy over whether or not to use the 4' flute in the swell during the Prelude. Does anyone know anything about that? Thanks! Alicia Zeilenga Sub-Dean AGO@UI "Santa Caecilia, ora pro nobis"      
(back) Subject: Re: Mechanical Action From: "Arie Vandenberg" <ArieV@ClassicOrgan.com> Date: Mon, 12 Jan 2004 09:28:20 -0500   At 08:13 AM 2004-01-12 -0600, you wrote:   >Hi, Chatters: > >I have a question about mechanical action. Not sure I'll word it >correctly, but someone will understand what I mean. > >I have seen instruments in TAO that feature mechanical action but also >have a remote console which operates electrically. What is involved in >converting an existing mechanical action instrument to add a remote = console? > >Thanks. > >Bob Nickel   Bob,   What is done is pull-down magnets are installed on the trackers, and solenoids are put on the stop slides so that the mechanical action is played electrically. That way the mechanical action console, at least the =   keyboards are still totally mechanical action (as the pull downs would be benign to the tracker console), the stop action would most likely be electric (also to accommodate a capture action).   Hopefully I have answered your question.   Arie V.   ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Arie Vandenberg Classic Organbuilders ArieV@ClassicOrgan.com Tel.: 905-475-1263  
(back) Subject: Re: Prelude, Fugue, and Variation From: "noel jones" <gedeckt@usit.net> Date: Mon, 12 Jan 2004 09:47:47 -0500   George Markey taught that in playing French music on many American organs adding 4' to the foundations created a sound closer to what you would hear on a French instrument playing 8's.   -- noel jones, aago Moderator, Rodgers Organ Users Group Exec. Dir., Frog Music Press   www.frogmusic.com 423 887-7594 athens, tn, usa      
(back) Subject: Re: Calvary Baptist Church, Manhattan From: "Alan Freed" <acfreed0904@earthlink.net> Date: Mon, 12 Jan 2004 09:58:37 -0500   On 1/11/04 11:29 PM, "Innkawgneeto@cs.com" <Innkawgneeto@cs.com> wrote:   > Only 3 positions listed in the Far West. >=20 > Um, last I heard, New York City was not in the Far West. >=20 > (grinning and ducking) >=20 > Neil by the Frozen Bay   See how important punctuation is? He meant to put a comma=8Bor, better yet, = a dash=8Bafter =B3listed.=B2   Alan    
(back) Subject: Re: Mechanical Action with second electric console From: <quilisma@cox.net> Date: Mon, 12 Jan 2004 07:06:02 -0800   I've never played one, but it's fairly common in Europe ... the new organ at St. Eustache in Paris comes to mind, and several instruments by Klais.   The only attempt I'm aware of in this country was the Fisk at All Saints' Ashmont Station in Boston ... the Fisk was installed in the west gallery; it was desired to keep the choir in the stalls in the east end, and have them be accompanied by the romantic Austin organ there; so an electric servo mechanism was added to the Fisk so that it could be played electrically from the Austin console. The attempt was abandoned, not because it didn't work, but because the rector changed his mind about some aspect of the set-up ... I don't recall what now.   I have heard comments both pro and con about the European organs ... mainly that the player SOUNDS more in control of the instrument at the tracker keydesk than at the (remote) electric console.   In theory, as long as the electric contacts and pull-downs are inserted somewhere along the tracker run in such a way that they don't interfere with the weight of the keys, I suppose there's nothing TOO wrong with it, if a second (electric) console is wanted for recitals in places where the tracker keydesk isn't visible to the audience.   A model might be Hook & Hastings' early electric actions ... they are normal trackers until the point at which the action would dive under the floor for a detached tracker console; at that point, a contact rail is inserted. Up in the organ-case, all is laid out AS IF it was a tracker.   That, of course, doesn't solve where to put the pull-downs if the tracker action IS already present, but it's a start (grin).   Somewhere in the back of my head I have the vague image of a drawing of a dual action where there was some kind of "clutch" on the electric action ... it "floated free" and didn't engage the pull-downs at all until the electric console was turned on, leaving the tracker action to function normally.   Cheers,   Bud   Robert Nickel wrote: > Hi, Chatters: > > I have a question about mechanical action. Not sure I'll word it > correctly, but someone will understand what I mean. > > I have seen instruments in TAO that feature mechanical action but also > have a remote console which operates electrically. What is involved in > converting an existing mechanical action instrument to add a remote > console? > > Thanks. > > Bob Nickel >      
(back) Subject: Re: Funeral music From: "Alan Freed" <acfreed0904@earthlink.net> Date: Mon, 12 Jan 2004 10:09:09 -0500   I like Richard's analysis very much. His realism about the physical difficulty of singing at funerals is appropriate, and underscores the need to sing not just one hymn at the beginning (which may be impossible), but THREE hymns: beginning, middle, and end. It gets better, and it helps.   Alan   On 1/12/04 12:07 AM, "F Richard Burt" <effarbee@verizon.net> wrote:   > Hello, Alan, et al: > >>> Alan, in most of the fundamentalist Protestant >>> churches down here, hymns are not sung during >>> funerals. Any music is instrumental or solo >>> singer. > >> That's sad. Singing (solo or group) at the funeral >> is very therapeutic... > > I wish to opine, ...as a life-long Baptist, that > the concept that "...most of the fundamentalist > Protestant churches..." is as varied in style and > substance as the colors in the rainbow. > > I have a great deal of trouble with singing at a > funeral, for I find myself grieving along with the > family, and singing is most difficult when there > is a lump in my throat the size of a hen egg. > > I spent many years as the local "sound engineer" > for my local Baptist church, and supported all > kinds of church services, weddings, and funerals. > > The family often has someone, an ensemble, quartet, > soloist, to sing or play some appropriate songs, > often some of the favorites of the person who died. > > If the songs touch us deeply, we may have tears > to shed and lumps in our throats, but celebration > of a deserving life passing on to Heaven is worth > doing our best to sing, anyway, regardless of the > quality of vocal production. > > The music played and the singing varies from funeral > to funeral. There is no canon law or directives > telling us how to celebrate a funeral; just some > previous experiences and expressed wishes of the > family. > > F. Richard Burt > > > .    
(back) Subject: Re: St. George's Hall, Liverpool samples for Hauptwerk From: "Mattcinnj" <mattcinnj@yahoo.com> Date: Mon, 12 Jan 2004 07:11:35 -0800 (PST)   Hi Martin, Thanks for the info. I did visit the website a few weeks back and asked = because it was rather vague about them. I listened to some short MP3's = and really liked what I heard. For the first time in 30 years, I don't have an E-org at home, and being a = retired computer nerd, I have followed threads relating to your efforts = for some time now. I also use MIDI a lot ... so the thought of "creating" = and "playing" an organ via Haupwerk is very appealing to me. I'm wondering now, if you can provide some info. on how the AMD 64 bit = chips would "fit" with Haupwerk ...... what advantages they bring to the = table. It's getting time to upgrade my computer . Thanks, Matt     --------------------------------- Do you Yahoo!? Yahoo! Hotjobs: Enter the "Signing Bonus" Sweepstakes  
(back) Subject: Re: Ringling organ From: "Jim Filsinger" <kimballl@yahoo.com> Date: Mon, 12 Jan 2004 07:12:43 -0800 (PST)   There are two Ringling Aeolian organs. One (Opus 1559, 3/36) is in the = John Ringling Mansion (Ca'D'Zan) and the pipework is currently in storage; = the other, (Opus 1570, 3/43) is in the Charles Ringling Mansion 3/43. The = MTOS Chapter worked on the Charles Ringling Aeolian.   Tom Hoehn <thoehn@theatreorgans.com> wrote: Merry -   please check the following site:   http://theareorgans.com/mtos/   The Ringling organ was rebuilt and maintained by the Manasota Chapter of ATOS --     Tom Hoehn, Organist http://theatreorgans.com/tomhoehn Roaring Twenties Pizza and Pipes (substitute)(4/42 Wurlitzer) First United Methodist Church, Clearwater, FL (4/98 Ruffati/Wicks/Rodgers) CFTOS/Manasota/OATOS/HiloBay/CIC-ATOS/VotS-ATOS/Dairyland-ATOS/AGO ----- Original Message ----- From: To: ""PipeChat""   Sent: Sunday, January 11, 2004 9:55 PM Subject: Ringling organ     > While in Florida, I went to the Ringling Museum in Sarasota and saw the now unplayable Aeolian organ in the Ringlings' house Ca' d'Zan and was = sent the following about it: > > (also went to the Roaring 20s and heard (and saw) the Wurlitzer in = action. Great fun.) > > > Merry Foxworth > > > > =B4=A8=A8)) -:=A6:- > > =B8.=B7=B4 .=B7=B4=A8=A8)) > > ((=B8=B8.=B7=B4 ..=B7=B4 -:=A6:- > > > > An excerpt from Robert Giddings "Musical Quotes and Anecdotes", > > published in Longman Pocket Companions: > > "There let the pealing organ blow, > > To the full-voiced choir below, > > In service high, and anthems clear, > > As may with sweetness, through mine ear, > > Dissolve me into ecstasies, > > And bring all Heav'n before mine eyes". > > John Milton - Il Penseroso (1632). > > > > Open Door Realty > > Boston, MA 02131 > > 617 469-4888 x207 > > 877 865-1703 toll free > > http://www.opendoorrlty.com/ > > > ----- Original Message ----- > > From: "sharon roth" > > To: > > Sent: Saturday, January 10, 2004 11:35 PM > > Subject: ringling organ > > > > > dear merry foxworth: i hope this information will prove = helpful...you had > > > asked about the organ during your tour of the john and mable = ringling > > museum > > > of art. this is the most we know. > > > we have really cold weather right now in sarasota, but i bet it's a lot > > more > > > so in roslindale, MA. > > > best to you...sharon roth > > > > > > The Ringling Organ was commissioned by John > > > and Mable in 1924 for installation at Ca d zan > > > during the construction of the winter residence. It is one of ten such > > > commissions of Aeolian Organ Company( which company is no longer in > > > business.) > > > The Ringling Aeolian organ has 2, 280 pipes, the diameter of which > > > range from 12" to the diameter of a lead pencil. The organ > > > pipes are housed in the building structure from the basement to the > > > balcony level on the south wall of the Court room and the > > > entire space of the court, 50'by65' is a sounding chambre for > > > this musical instrument. During the time that John and Mable > > > lived at their winter residence, contemporaries claim that > > > the music could be heard across the bay on the barrier island > > > of Long Boat Key. the last documented organ recital occurred > > > in Spring 1947 with RMA Director, A. Everett Austin > > > having engaged the well know Organist E. Power Briggs > > > to play for a " fund raising spectatcular" organized by Austin > > > at Ca d Zan. The Organ is in need of restoration and we are > > > advised that the cost to recommission the instrument is > > > $780, 000. Currently, the conservationists at RMA are in > > > consultation with staff at FSU, regarding the specifics > > > of such restorative eforts and the cost as well as the proper > > > rotation of the pipes which is done > > > periodically by the Museum. > > > > > > Sharon, all this information is gained from material given to > > > us from Conservation, Curators and the Department of > > > Education as well as , TheFLORIDA YEARS, D. Weeks > > > MAGICIAN OF > > THE MODERN, > > > Gaddis > > > > > > > > > Hope this helps. Love you lots. Edna > > > > > > > > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >     "Pipe Up and Be Heard!" PipeChat: A discussion List for pipe/digital organs & related topics HOMEPAGE : http://www.pipechat.org List: mailto:pipechat@pipechat.org Administration: mailto:admin@pipechat.org Subscribe/Unsubscribe: mailto:requests@pipechat.org         --------------------------------- Do you Yahoo!? Yahoo! Hotjobs: Enter the "Signing Bonus" Sweepstakes  
(back) Subject: Re: Prelude, Fugue, and Variation From: <Montre1978@aol.com> Date: Mon, 12 Jan 2004 10:51:58 EST   Just do what your professor tells you to do. You get in A in the class = each time.   Hey Alicia!!     Scott Montgomery 619 W Church Champaign, IL 61820 217-352-5033 www.scottmontgomery.net    
(back) Subject: Re: Calvary Baptist Church, Manhattan From: "Alicia Zeilenga" <azeilenga@theatreorgans.com> Date: Mon, 12 Jan 2004 09:53:59 -0600   Thank you, Mr. Freed. I am sure we will all remember to use proper punctuation from now on.   Alicia -looking to see if there is any room under the desk   -----Original Message----- From: Alan Freed <acfreed0904@earthlink.net> To: PipeChat <pipechat@pipechat.org> Date: Mon, 12 Jan 2004 09:58:37 -0500 Subject: Re: Calvary Baptist Church, Manhattan   > On 1/11/04 11:29 PM, "Innkawgneeto@cs.com" <Innkawgneeto@cs.com> wrote: > > > Only 3 positions listed in the Far West. > > > > Um, last I heard, New York City was not in the Far West. > > > > (grinning and ducking) > > > > Neil by the Frozen Bay > > See how important punctuation is? He meant to put a comma=8Bor, better > yet, a > dash=8Bafter =B3listed.=B2 > > Alan >      
(back) Subject: Re: Calvary Baptist Church, Manhattan From: "Alicia Zeilenga" <azeilenga@theatreorgans.com> Date: Mon, 12 Jan 2004 09:54:01 -0600   Thank you, Mr. Freed. I am sure we will all remember to use proper punctuation from now on.   Alicia -looking to see if there is any room under the desk   -----Original Message----- From: Alan Freed <acfreed0904@earthlink.net> To: PipeChat <pipechat@pipechat.org> Date: Mon, 12 Jan 2004 09:58:37 -0500 Subject: Re: Calvary Baptist Church, Manhattan   > On 1/11/04 11:29 PM, "Innkawgneeto@cs.com" <Innkawgneeto@cs.com> wrote: > > > Only 3 positions listed in the Far West. > > > > Um, last I heard, New York City was not in the Far West. > > > > (grinning and ducking) > > > > Neil by the Frozen Bay > > See how important punctuation is? He meant to put a comma=8Bor, better > yet, a > dash=8Bafter =B3listed.=B2 > > Alan >      
(back) Subject: Re: Funeral music From: "Alicia Zeilenga" <azeilenga@theatreorgans.com> Date: Mon, 12 Jan 2004 09:58:24 -0600   Even Catholics sing at funerals -if no other time. Maybe that is because there are usually Protestants present to help out ;-) And, of course, we do old favorites like Amazing Grace. Alicia Zeilenga Sub-Dean AGO@UI "Santa Caecilia, ora pro nobis"     -----Original Message----- From: Alan Freed <acfreed0904@earthlink.net> To: PipeChat <pipechat@pipechat.org> Date: Mon, 12 Jan 2004 10:09:09 -0500 Subject: Re: Funeral music   > I like Richard's analysis very much. His realism about the physical > difficulty of singing at funerals is appropriate, and underscores the > need > to sing not just one hymn at the beginning (which may be impossible), > but > THREE hymns: beginning, middle, and end. It gets better, and it > helps. > > Alan      
(back) Subject: Re: Swell boxes From: "Larry Wheelock" <llwheels@mac.com> Date: Mon, 12 Jan 2004 10:26:02 -0600   What's all this hullabaloo about the Venetian Blind? They're people,=20 just like anyone else. And why is no one concerned about the Venetian=20 Deaf?   <Ducking and running> "We don't see things as they are, we see them as we are." - An=E4is Nin Larry Wheelock - just as he is...    
(back) Subject: Fisk organ installation in MN From: "Mark Nelson" <marknelson@cbfisk.com> Date: Mon, 12 Jan 2004 11:35:20 -0500   Dear List:   I've posted a number of pictures of the new installation of our Opus 122, Shepherd of the Hills Lutheran Church, Shoreview MN (St. Paul).   www.cbfisk.com/welcome.html "click on the picture on the left" There are links from our page to the church's organ page complete with = video. Much of this will require long download times for those without a fast connection.   We're also getting ready for a program in Boston in February celebrating the life of Charles Fisk. Click on the picture of Charlie. A number of recollections and photos have been published here and there is some interesting reading.     Mark Nelson C. B. Fisk, Inc. 21 Kondelin Rd, Gloucester MA 01930 USA VOX 978.283.1909 FAX 978.283.2938 cbfisk@cbfisk.com http://www.cbfisk.com/welcome.html  
(back) Subject: Re: Prelude, Fugue, and Variation From: "Alicia Zeilenga" <azeilenga@theatreorgans.com> Date: Mon, 12 Jan 2004 11:44:08 -0600   Now, Scott, are suggesting that I am rebelious? ;-) Actually, we never discussed that. Alicia   -----Original Message----- From: Montre1978@aol.com To: pipechat@pipechat.org Date: Mon, 12 Jan 2004 10:51:58 EST Subject: Re: Prelude, Fugue, and Variation   > Just do what your professor tells you to do. You get in A in the class > each > time. > > Hey Alicia!! > > > Scott Montgomery > 619 W Church > Champaign, IL 61820 > 217-352-5033 > www.scottmontgomery.net >      
(back) Subject: Re: Prelude, Fugue, and Variation From: <Gfc234@aol.com> Date: Mon, 12 Jan 2004 13:06:40 EST   Alicia, It all depends on how the oboe is....if it is too nasal (which is almost always the case, try adding a mild 8' principal to it. It also really = depends on how strong the accompaniment is. Remember, if you add to the swell in the =   Prelude, be sure to use the same registration in the Variation. I have = heard of adding a 4' flute to the swell during the fugue for a bit more clarity. Whatever you do...use YOUR ears and instincts and NEVER follow anyone's = advice blindly. Listen to a recording on a Cavaille Coll organ for insight. You = should be in a respectful, but collegial relationship with your teacher, and he should never just tell you to do something, but should merely suggest = things in a non obtrusive way. That allows you to use your brain and think critically-which should be the goal of a university anyway... gfc       Gregory Ceurvorst M.M. Organ Performance Student Northwestern University Director of Music and Organist St. Peter's U.C.C. Frankfort, IL 847.332.2788 home 708.243.2549 mobile gfc234@aol.com    
(back) Subject: Re: Prelude, Fugue, and Variation From: <RonSeverin@aol.com> Date: Mon, 12 Jan 2004 13:23:04 EST   Dear Alicia:   Since no two organs are exactly alike, the only hard and fast rule is to register for the most authentic sound. If you like your registration most everyone else probably would too. In other words don't beat yourself up over being "Politically correct." As a young organist many years ago, I tried listening to the pundants until I got my belly full of their nonsense. I knew what sounded good to me, and what they had to offer really didn't cut it. I suppose along the way I grew up, and decided to please myself. I'm a tough customer to please. <Grin>   Ron Severin    
(back) Subject: Re: Prelude, Fugue, and Variation From: <Keys4bach@aol.com> Date: Mon, 12 Jan 2004 14:02:41 EST   In a message dated 1/12/2004 9:20:59 AM Eastern Standard Time, azeilenga@theatreorgans.com writes: Does anyone know what the Prelude, Fugue, and Variation by Cesar Franck TO HORRIFY STUDENTS FOREVER.   dale in Florida who plays it still today    
(back) Subject: New Virgil Fox CD-DVD From: "William T. Van Pelt" <bill@organsociety.org> Date: Mon, 12 Jan 2004 15:16:34 -0500   For the first time, a DVD video and a CD recording are being released of = the famous "Bach Gamut" concerts given by Virgil Fox in September 1976 to audiences of 5,500 people at St. Mary's Cathedral, San Francisco, = surveying Bach's works in all musical keys from A to G. OHS has these items in = stock for shipment and they appear as the first item on the opening page at http://www.ohscatalog.org   The package comes with both a DVD (with 5.1 surround sound) and a = separate, conventional, audio CD bearing the same program in stereo. Actually, the = CD is as an HDCD (High Definition CD) for those who can take advantage of the technology, and the CD is fully compatible with conventional CD players. Included on the video track of the DVD is a TV interview given by Virgil = Fox prior to the concerts as well as newly generated kaleidoscopic images such as those made famous in Fox's live light shows with organ. The audiophile guru Keith Johnson recorded the concerts using state-of-the-art 3-channel analog tape and recently transferred the technically superb signal to 2.0 digital stereo for the CD.   J. S. BACH: Fantasy & Fugue in G minor Toccata, Adagio & Fugue in C Major Prelude & Fugue in A minor Prelude & Fugue in D Major Sheep May Safely Graze Finale from St. Matthew Passion Air on G string I Call to Thee            
(back) Subject: Music search From: <Pepehomer@aol.com> Date: Mon, 12 Jan 2004 15:26:19 -0500   Does anyone know what collection "Finale Jubilante" by Healy Willan is in? = This is the one that is on the Allen Organ Renaissance sampler CD. = Thanks!   Justin Karch Organist, Holy Trinity LCMS Rome, GA