PipeChat Digest #4503 - Sunday, May 16, 2004
 
[Fwd: Jonathan Ryan Teaches Me That I Can Like Messiaen]
  by "Mike Gettelman" <mike3247@earthlink.net>
Re: Need anthems
  by <RMB10@aol.com>
Re: Royal Wedding
  by "bobelms" <bobelms@westnet.com.au>
Re: Royal Wedding
  by "Alan Freed" <acfreed0904@earthlink.net>
Re: Royal Wedding
  by "chemphill" <chemphill@wi.rr.com>
RE: Royal Wedding
  by "Michael David" <michaelandmaggy@earthlink.net>
Re: Need anthems
  by "Randolph Runyon" <runyonr@muohio.edu>
dondation for anthem
  by <quilisma@cox.net>
Re: Need anthems
  by <Myosotis51@aol.com>
Mystery Organist?  - cross-posted
  by "Phil Stimmel" <pca@sover.net>
Re: Need anthems
  by <quilisma@cox.net>
Re: Need anthems
  by "Randolph Runyon" <runyonr@muohio.edu>
West Chester U. Competition, 2004
  by "Malcolm Wechsler" <manderusa@earthlink.net>
Re: Mystery Organist?  - cross-posted
  by <OrganNYC@aol.com>
Re: Mystery Organist?  - cross-posted
  by "Travis L. Evans" <tlevans95@charter.net>
Re: Fantasie ...on Chorale of St. Wenceslas - Klicka
  by "Karl Moyer" <kmoyer@marauder.millersville.edu>
anthem: "On Jordan's Banks" set to "When Jesus Wept" in canon
  by <quilisma@cox.net>
 

(back) Subject: [Fwd: Jonathan Ryan Teaches Me That I Can Like Messiaen] From: "Mike Gettelman" <mike3247@earthlink.net> Date: Sun, 16 May 2004 05:40:21 -0400   Hello Folks, Although Jonathan Ryan is a member of the list I originally wrote this report for, and not of this one, I though the content might be of interest to all the groups I belong to, so it will be cross posted to them. If it is a repeat of the one you read because you are also members of those groups, I apologize and suggest you delete. I had a really great time at this recital, and I hope you enjoy sharing the experience with me as I journey through the wonderful world of organ music, and learn new lessons each time.   Mike Gettelman wrote:   > Greetings to All on this fine Spring weekend, > Fellow list member Jonathan Ryan announced his > final recital in Cleveland before moving on to graduate > studies at Eastman. He has been studying with Todd > Wilson at The Cleveland Institute of Music, and will be > graduating in just a few days as an organ major. > When I read Jonathan's announcement on this > list last Wednesday, I saw his program, and frankly was > not too enthused. I am certainly no organ literature > scholar, so I tend to cling to familiar music and shy > from certain composers. Messiaen is one of those. > Certainly there were other things on his program > including a Bach Partita, pieces by Franck and Durufle, > and another by someone named Wammes. But none were > distinctly familiar. > Fortunately for me, some other motivational > factors kicked in, not the least of which was to hear > and see the big Aeolian/Aeolian-Skinner/Holtkamp Organ > at the Church of the Covenant, which is near Severance > Hall in the University Circle Area of Cleveland. It > also happens to be Todd Wilson's home church. I am > familiar enough with Todd to be happy to greet him > every chance I get In my estimation, he is the Dean > Ambassador of the Cleveland Organ Community, and a very > nice gentleman to boot. I couldn't help but be curious > to hear another of His students perform. I had the > pleasure to hear James Diaz, another Todd Wilson > student, play the Holtkamp at The Cleveland Art Museum > not long ago, and was quite impressed. > So, with enough positive motivation for firing > up my trusty mini van, I made the 20 odd mile trip > across the city on Friday May 14th. I arrived a bit > after 7pm for the 7:30 recital, and found Jonathan and > Todd going through last minute preparations for the > performance. After greeting them both, I began to take > in the architecture of the old church. The granite > walls and wonderful gothic timber framed ceiling > promised a fine acoustic. The sanctuary is laid out > like a cross with galleries above the left and right > arms as well as a large rear gallery. There is > positively wonderful carving on the pulpit, the floor > to ceiling screen at the back of the altar, and on the > ends ceiling supports were carved faces. It would be > interesting to learn more of this church's history and > construction. > The main portions of the organ are split > between either wall of the chancel with much visible > pipe work. There is a large Antiphonal Division in the > rear gallery as well, but I was told it isn't in good > condition, so isn't used. But there up in the right > gallery was a sight for sore eyes. I dearly love bass > pipes, and seldom get the chance to see them as they > are usually buried against the rear walls the chambers. > But up there in all its glory was entire rank of > horizontally mounted 32' Violone. All during the > program I found myself looking up at them with a big > grin on my face thinking "how cool is that". > Jonathan began his program with Messiaen's > "Apparation de l'Eglise eternelle". I did not know it > by name, but once Jonathan began to play it, I realized > that I had heard it before, probably on Pipedreams. > Jonathan's program notes gave a wonderful description > of this work which prepared me what to listen for, and > how to listen to this piece, and it made all the > difference in the world. I hope he will forgive me for > not seeking permission, but I will quote his notes to > give you an idea of what I mean: > > " The music of Olivier Messiaen often requires as > much from the listener as from the performer. With his > own distinct dialect of the musical language, Messiaen > manages to capture the mystery of religious > Impressionism while simultaneously communicating a > specific concept or place in an almost programmatic > manner. The listener must thus provide great > imagination for the music to take flight. Furthermore, > concerning much of his organ music, especially the > later works, one cannot listen too closely but must > find an aural distance- almost in a peripheral sense- > as though seeing an ancient icon through a cloud of > incense. Many have commented on the timeless quality of > Messiaen's music, a characteristic exemplified in the > "Apparation de l'Eglise eternelle" or "Vision of the > Eternal Church." The otherworldly Vision gradually > comes into full view, climaxing on an overwhelming ffff > C Major chord, which, to Messiaen's way of perceiving > "colors" in chords, is described as "pure white light." > Undoubtedly, this is an intentional analogy of an > enduring, triumphant Church, both at the literal or > pictorial level, as well as the spiritual, which the > composer describes as "the Bride of Christ...made of > heaven's stones" and "appalling, awe-inspiring, > mysterious, glorious, and sometimes terrifying." The > glimpse of this holy light progressively fades but > never ceases in its unvarying rhythmic pulse. " > > I do not believe I have ever been so well > prepared by an artist to properly listen to a piece of > music. This note alone made me a big fan of Jonathan's, > even before he played his first musical note. I don't > know about anybody else, but this is the kind of thing > I hunger for in my continuing education about organ > music and the composers that write for our instrument. > Surely I could sit down and read any number of books > about Messiaen's compositions, and perhaps I eventually > will. But this simple program note combined with the > hearing of the piece, played with almost astounding > faithfulness to his program note, elevated me well > beyond any experience I might have had without > Jonathan's preparation. The almost Roman March tempo of > the pedal combined with Messiaen's propensity to expose > the listener to almost stressful movement through > discordant measures that nearly cause you to hold your > breath, and then ultimately resolve into recognizable > major chords where the listener breathes out an almost > audible sigh of relief. Combine that with the climax > after the volume builds and builds to the "White > Light", and you find yourself spiritually transformed. > And all because you were instructed how to listen. > Perhaps there is a message here for all performers who > might wonder "what does the audience require of ME." > The rest of Jonathan's program was equally > audience interactive. The Bach Partita was based on a > hymn that Jonathan included in the program notes with > both words and music. He had us sing a verse twice > through which effectively familiarized us to the tune > theme, and then he took off through a nearly 20 minute > marathon of variations that started with simple duets, > then trios, and building on and on to the final time > through the verse on nearly full organ, and a glorious > climax. Jonathan could have stopped his program there > and i would still have been a most happy camper. > Can we say FUN. I wonder how many of you have > heard of the piece called "Miroir" written by Dutch > Keyboardist/composer Ad Wammes. It is a truly fun light > piece that gets part of its claim to fame for the quick > little continuing 1 measure pattern played by the right > hand, that repeats 140 times all through the piece. It > forms the foundation and keeps the rhythm on track > through the piece. I swear it never varied for an > instance, such is the skill and technical capability of > this terrific young artist. This needs to be played by > more recitalists who want to show that the pipe organ > can indeed play fun music. > Jonathan closed his program with Franck's > "Priere" from the "Six Pieces" followed by Durufle's > "Prelude et fugue sur le nom d'Alain." I'm frankly not > a big fan of either of these works, but Jonathan did > display a lot of what he has learned from Todd Wilson > during his time at The Cleveland Institute of Music. > I've listened to Todd enough times to recognize his > certain style of expression and artistry, and it > quickly became apparent that he has passed much of this > along to Jonathan, and Jonathan is well aware of its > value. I'm sure Jonathan will go on to develop his own > distinctive style as he journeys through his graduate > studies and beyond. I see nothing wrong with emulating > your teacher, especially when he is as terrific as Todd > Wilson. > One separate note on the Durufle homage to > Alain. I guess I never listened to it closely enough > before to notice, but the appearance of Alain's > "Litanies" at the end of the Prelude was a discovery of > joy for me. I love "Litanies" to the point it is in the > top 5 or 10 pieces of organ music I would chose to hear > if on my death bed or if I had the joyous opportunity > to program a recital of all my favorite pieces of organ > music. The discovery was indeed a real treat for me. > The audience was unfortunately rather small for > Jonathan's recital. This seems rather epidemic of the > student recitals I have had the opportunity to attend, > and is a sad testimony to the lack of appreciation our > society has for such high art. There were some familiar > faces however, and I had a great time getting > reacquainted, and of course Jonathan stayed long enough > to greet us all individually. He is an articulate and > nice young man as well as a terrific talent. We will > miss him in Cleveland, and I hope he understands that > although his audience was sparse, those who were there > received an excellent musical experience. We all need > to keep an eye and ear out for this young man wherever > he goes, and give him all the support we can. > > BRAVO JONATHAN AND GOOD LUCK > > All My Best > Mike Gettelman    
(back) Subject: Re: Need anthems From: <RMB10@aol.com> Date: Sun, 16 May 2004 06:02:35 EDT   >I have formed a small choir in my church (S-S-S-A-A-B), and we need = >music. The church owns virtually none other than the Hymnal, and an angel >has offered to purchase some.     >snip<   Victoria--   Have you looked into GIA's "African-American Choral Series" at all? There = is some good stuff there ranging in difficulty and style. While published by = a Catholic company, it really caters more to Black Protestant churches and = was spawned as an offshoot of their African-American Heritage Hymnal. Pieces = in the series range from hymn arrangements to new pieces. Also, check out = some of Glenn Burleigh's anthems, which are a blending of classical and gospel = styles. Glenn's website is: www.glenmusik.com it wil give you more information = about his music there. We've had him at our church for some workshops--he's a wonderful person and a fantastic musician.   Monty Bennett Friendship Baptist Church Charlotte, NC    
(back) Subject: Re: Royal Wedding From: "bobelms" <bobelms@westnet.com.au> Date: Sun, 16 May 2004 19:21:36 +0800   Tina to finish the answer (someone gave you the bare details) the train = was 6 metres long (20 feet). There were three bridesmaids dressed in a dark pink - almost red. The bouquet was just a little posy. There were three flower girls, very young. The groom was the Crown Prince of Denmark, heir = to the throne, and the bride was a lovely young lady, Mary, from Tasmania in Australia. They met at the Sydney Olympics and the romance blossomed from there. ----- Original Message ----- From: "chemphill" <chemphill@wi.rr.com> To: "PipeChat" <pipechat@pipechat.org> Sent: Sunday, May 16, 2004 9:18 AM Subject: Re: Royal Wedding     > I am preparing to move out of state and am not current on news. So, it = is > with ignorance I ask, What wedding? Does anyone ever play the rest of = the > Widor Symphony? > And for the woman in me, Who got married? What did the bride wear? Did she > have a long train? How about the bridesmaid's dresses? Were they = colorful? > How big of a bouquet? > > Tina Hemphill > > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: Re: Royal Wedding From: "Alan Freed" <acfreed0904@earthlink.net> Date: Sun, 16 May 2004 08:59:15 -0400   On 5/15/04 10:21 PM, "Michael David" <michaelandmaggy@earthlink.net> = wrote:   > The Jongen at Alice Tully? That MUST have been a thrilling sound!!! = Isn't > some orchestra doing Saint Saens third there soon? That would be = another > experience. Maybe it's time for a trip to the large apple - for bagels > anyway. > Yes. Surely 30 years ago, or more; soon after the Kuhn was put in, of course. They had about four inaugural recitals. Does Michael Tilson = Thomas play the organ? I have it in my crooked head that it was he who played = it.   Alan    
(back) Subject: Re: Royal Wedding From: "chemphill" <chemphill@wi.rr.com> Date: Sun, 16 May 2004 12:33:51 -0500   Thank you all for the links and descriptions of the Royal Wedding. It is great fun to hear of these events.   Also, thanks for the information regarding the Jongen.   It is fun and enlightening to be a part of this group.   God bless you all.   Tina Hemphill      
(back) Subject: RE: Royal Wedding From: "Michael David" <michaelandmaggy@earthlink.net> Date: Sun, 16 May 2004 15:29:47 -0500   Re: Royal Weddingum - can I take my tongue out of my cheek now? It's put = a real crimp in my social life!   I only heard the Kuhn once at a Julliard student recital courtesy of = another list member. It was by far the second most impressive of the two we heard that day; the first being that in St Agnes RC.   Different strokes.   michael - who had the rare privilege of playing in an Episcopal church = with a I/7 (P-16x, M-8 4 4 2 III) mechanical action organ from 1970. Divided keyboard? Never heard of such a thing!   -----Original Message----- From: pipechat@pipechat.org [mailto:pipechat@pipechat.org]On Behalf Of Alan Freed Sent: Sunday, May 16, 2004 7:59 AM To: PipeChat Subject: Re: Royal Wedding     On 5/15/04 10:21 PM, "Michael David" <michaelandmaggy@earthlink.net> wrote:     The Jongen at Alice Tully? That MUST have been a thrilling sound!!! Isn't some orchestra doing Saint Saens third there soon? That would be another experience. Maybe it's time for a trip to the large apple - for bagels anyway.     Yes. Surely 30 years ago, or more; soon after the Kuhn was put in, of course. They had about four inaugural recitals. Does Michael Tilson = Thomas play the organ? I have it in my crooked head that it was he who played = it.   Alan    
(back) Subject: Re: Need anthems From: "Randolph Runyon" <runyonr@muohio.edu> Date: Sun, 16 May 2004 16:27:52 -0400   Victoria, I didn't know that African-Americans would find much to like in = Gaither. My impression is that he so... white! of the country-western variety. Am = I terribly wrong?     Randy Runyon Music Director Zion Lutheran Church Hamilton, Ohio runyonr@muohio.edu         on 5/15/04 5:48 PM, Myosotis51@aol.com at Myosotis51@aol.com wrote:   > Hello list, > > I have formed a small choir in my church (S-S-S-A-A-B), and we need = music. > The church owns virtually none other than the Hymnal, and an angel has = offered > to purchase some. > > It's an African Methodist Episcopal church and it's fairly traditional. = The > hymns are standard Methodist interspersed with Gospel hymns. The choir = is > able to sing parts quite well. > > Any suggestions? What's particularly enjoyed is upbeat praise, a la = Gaither. > I can accompany on either piano or organ. > > Thanks in advance, > Victoria > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: dondation for anthem From: <quilisma@cox.net> Date: Sun, 16 May 2004 14:12:12 -0700   That should have been US $13.00, not US $1.30. I'm not THAT easy = (chuckle).   Cheers,   Bud, only on my second pot of coffee      
(back) Subject: Re: Need anthems From: <Myosotis51@aol.com> Date: Sun, 16 May 2004 19:23:53 EDT   Hello runyonr@muohio.edu,     In reference to your comment: I didn't know that African-Americans would find much to like in Gaither. My impression is that he so... white! of the country-western variety. Am = I terribly wrong?   ~~~~~~~~~~~~~~~~~~~~~ Well, don't YOU listen to Spirituals?   Victoria  
(back) Subject: Mystery Organist? - cross-posted From: "Phil Stimmel" <pca@sover.net> Date: Sun, 16 May 2004 19:40:56 -0400   I recently purchased on Ebay, on a whim, an old glass photograph = negative of an organist playing what appears to be a four manual Austin = organ. Since the music looks to be the Widor-Schweitzer edition of = Bach, he is probably a fairly accomplished organist.   Can anyone identify this mystery organist?   Phil Stimmel http://www.esteyorgan.com/austin.html  
(back) Subject: Re: Need anthems From: <quilisma@cox.net> Date: Sat, 15 May 2004 16:39:51 -0700   Lorenz still publishes an SAB anthem magazine, quarterly, I think. That's a "best buy" for the money for that kind of stuff.   Most praise and Gospel composers write for the BIG SSSAAATTBB mega-church choirs with orchestra, 'cause they're gonna BUY 200-300 copies plus a set of parts ... it's hard to find simple 3-part "modern" Christian music.   A lot of the basic Gaither choruses are in Hymns for the Family of God (Paragon, Nashville TN). I'm sure there's a "Gaither Song-Book" or something like that.   Check Pepper Music's online catalog for SAB Sacred ... they have more than most. They should also carry all things Gaither.   I have TONS of SAB anthems in my computer, but with the exception of one MILDLY contemporary Palm Sunday anthem, it's all TEDDIBLY Anglican and TEDDIBLY high-church traditional, though they MIGHT like some of the schmaltzier numbers. Let me look through and I'll send you a few = privately.   Lorenz is your best bet, either for the mag or for separate octavos.   Cheers,   Bud   Myosotis51@aol.com wrote:   > Hello list, > > I have formed a small choir in my church (S-S-S-A-A-B), and we need = music. > The church owns virtually none other than the Hymnal, and an angel has = offered > to purchase some. > > It's an African Methodist Episcopal church and it's fairly traditional. = The > hymns are standard Methodist interspersed with Gospel hymns. The choir = is > able to sing parts quite well. > > Any suggestions? What's particularly enjoyed is upbeat praise, a la = Gaither. > I can accompany on either piano or organ. > > Thanks in advance, > Victoria > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > > >      
(back) Subject: Re: Need anthems From: "Randolph Runyon" <runyonr@muohio.edu> Date: Sun, 16 May 2004 19:47:01 -0400   Good point! It's just that Mr. G.'s politics strike me as a little out of touch with most black folks'. I recall reading him saying he wrote = "Because He Lives" when he was in despair about America going to hell in a = handbasket because the liberal politicians had taken over. Back in the 1960s or = maybe when Carter was President. The whole "Homecoming" theme is = philosophically reactionary along the lines of "let's celebrate how things used to be."     Randy Runyon Music Director Zion Lutheran Church Hamilton, Ohio runyonr@muohio.edu         on 5/16/04 7:23 PM, Myosotis51@aol.com at Myosotis51@aol.com wrote:   > Hello runyonr@muohio.edu, > > > In reference to your comment: > I didn't know that African-Americans would find much to like in Gaither. > My impression is that he so... white! of the country-western variety. = Am I > terribly wrong? > > ~~~~~~~~~~~~~~~~~~~~~ > Well, don't YOU listen to Spirituals? > > Victoria > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: West Chester U. Competition, 2004 From: "Malcolm Wechsler" <manderusa@earthlink.net> Date: Sun, 16 May 2004 20:21:30 -0400   West Chester University Organ Competition, 2004   Dear Lists and Friends,   West Chester University in West Chester, PA, very near Philadelphia, held its 4th Annual Organ Competition last Saturday. I was invited to judge = this, as one of a panel of three which included Prof. Donald Sutherland of the Peabody Institute and Professor June Miller, recently retired from Pennsylvania State University. The competition is organized by Prof. Anita Greenlee, of West Chester U., and it was a great treat to see her for the first time since we attended Juilliard together in the late 50s and early 60s.   In the course of a long day, we heard the following:   BACH: Preludes and Fugues in D Major, E Minor (Wedge) and C Minor (549); Fantasy and Fugue in C Minor (537) and Toccata, Adagio and Fugue in C = Minor. Trio Sonata No. 4, and movements 2 and 3 of Sonata 5.   Dupr=E9 Prelude and Fugue in G Minor   Durufl=E9 Prelude and Fugue on Alain   Franck Chorales No. 1 and 3, and Prelude, Fugue and Variation.   Langlais: Dialogue sur les Mixtures   Mendelssohn Sonata 3   Messiaen: Serene Alleluias from Ascension   Rorem: From "Views from the Oldest House:" 6. Sunday Night   Stoltzfus: Toccata on "Beecher"   Vierne: Carillon, and Toccata from Pi=E8ces de Fantaisie, Suite 2, Opus 53   There were two competitions, one for students of high school age, and the other for university students. Represented were Oberlin, Juilliard, = Curtis, and Eastman. Two students played in the younger class and five in the = older. There were two prizes offered in each class.   In the younger class, First Prize went to Justus F. Parrotta, a student of listmember Dale Krider in Virginia. Second Prize went to listmember Christopher Howerter, a student of listmember Stephen Roberts.   In the older class, Second Prize went to Ruth Draper, formerly a student = at Oberlin. First Prize went to Krysztof Czerwinski, a student of David Higgs at Eastman. Almost immediately after the competition, Krysztof was getting ready for his flight home to Poland for the summer.   Congratulations are due not only those who won prizes, but to all who played. It was good news for our instrument that we were able to hear = seven such wonderful players. Congratulations and thanks are in order to Prof. Greenlee, for the splendid organization of the competition, both from the standpoint of the performers and of the judges. Every consideration was shown to all.   Malcolm Wechsler www.mander-organs.com          
(back) Subject: Re: Mystery Organist? - cross-posted From: <OrganNYC@aol.com> Date: Sun, 16 May 2004 20:22:41 EDT   Phil,   I just took a look at your photograph, and immediately thought that it = looked like a young Charles Dodsley Walker. Charlie was for many years O/D at Church of the Heavenly Rest in NYC where there are two Austin Organs (but = not the ones in the photo). I'll forward the message to him and see what he says.   All the best,   Steve Lawson Associate Organist Church of the Heavenly Rest - NYC www.heavenlyrest.org   In a message dated 5/16/2004 7:36:59 PM Eastern Daylight Time, = pca@sover.net writes:   > I recently purchased on Ebay, on a whim, an old glass photograph = negative > of an organist playing what appears to be a four manual Austin organ. = Since > the music looks to be the Widor-Schweitzer edition of Bach, he is = probably a > fairly accomplished organist. > > Can anyone identify this mystery organist? > > Phil Stimmel > http://www.esteyorgan.com/austin.html >      
(back) Subject: Re: Mystery Organist? - cross-posted From: "Travis L. Evans" <tlevans95@charter.net> Date: Sun, 16 May 2004 19:15:24 -0500   The music appears to be the Jig Fugue, but thats all I know :) =20 ----- Original Message -----=20 From: Phil Stimmel=20 To: PIPEORG-L=20 Cc: PipeChat=20 Sent: Sunday, May 16, 2004 6:40 PM Subject: Mystery Organist? - cross-posted     I recently purchased on Ebay, on a whim, an old glass photograph = negative of an organist playing what appears to be a four manual Austin = organ. Since the music looks to be the Widor-Schweitzer edition of = Bach, he is probably a fairly accomplished organist.   Can anyone identify this mystery organist?   Phil Stimmel http://www.esteyorgan.com/austin.html  
(back) Subject: Re: Fantasie ...on Chorale of St. Wenceslas - Klicka From: "Karl Moyer" <kmoyer@marauder.millersville.edu> Date: Sun, 16 May 2004 21:44:24 -0400   A warm word of thanks to Jonathan, both for sharing the music and = referring me to the CD -- as well as to helping my failing memory! I think I'll not try to learn to play it. :-( Someone should show it to Cameron = Carpenter!   Karl E. Moyer Lancaster PA   On 5/16/04 2:40 AM, "Jonathan Orwig" <giwro@adelphia.net> wrote:   > <chuckle> > > If it's old age, I'm in trouble for sure, as I do things like this and = I'm > not even 40 yet! > > It was I that offered the piece, and even suggested the recording to Dr. > Karl - and I was not joking when I called it a BEAST of a piece to = learn. > > I really have quite a number of these to share, and hope to continue it = as > time permits... > > Cheers, > > Jonathan Orwig > ----- Original Message ----- > From: "Karl Moyer" <kmoyer@marauder.millersville.edu> > To: "pipechat" <pipechat@pipechat.org>; "piporg-l" > <piporg-l@listserv.Albany.edu> > Sent: Saturday, May 15, 2004 7:34 PM > Subject: Fantasie ...on Chorale of St. Wenceslas - Klicka > > > This is embarrassing. I'd like to thank the person who offered a free > on-line copy of "Fantasie de Concert sur le Chroal de St. Venceslas" by = Jos. > Klicka, Professeur d'Orgue au Conservatoire de Prague, and I have = forgotten > the kind person's name! Old age! > > > > > --- > Outgoing mail is certified Virus Free. > Checked by AVG anti-virus system (http://www.grisoft.com). > Version: 6.0.686 / Virus Database: 447 - Release Date: 5/14/2004 > > "Pipe Up and Be Heard!" > PipeChat: A discussion List for pipe/digital organs & related topics > HOMEPAGE : http://www.pipechat.org > List: mailto:pipechat@pipechat.org > Administration: mailto:admin@pipechat.org > Subscribe/Unsubscribe: mailto:requests@pipechat.org > >    
(back) Subject: anthem: "On Jordan's Banks" set to "When Jesus Wept" in canon From: <quilisma@cox.net> Date: Sun, 16 May 2004 09:24:22 -0700   I've often felt that "On Jordan's Banks" needed a more primitive, modal, "marching" kind of tune. This was the result (grin).   I'll send it out to my download list; if you're not on my download list and want it, PLEASE e-mail me PRIVATELY.   Suggested voluntary donation: US $1.30 for the masters; make all the copies you like.   If you want to BE on my download list, just ask ... it's free <g>.   Cheers,   Bud